part 3 of 3

hot off a string of records released on coloring lessons, bliss point, people of earth, and off track recordings, malik hendricks returns to darker than wax with tessera - a fresh twelve of dancefloor cuts tinged with broken rhythms and funk-infused melodies.

incl eli escobar remix. decks tip!

malik setzt diese reihe mit blue flame fort, seinem debüt auf dem nyc-label bliss point. blue flame zeigt, dass malik sein handwerk voll und ganz beherrscht, und bietet eine alchemie aus warmen house-grooves, live-instrumenten und spärlichem, gefühlvollem gesang, die meisterhaft auf die katharsis auf der tanzfläche hinarbeiten.

malik hendricks second solo ep features four club ready originals, merging influences from house, techno and jazz. black chakra is a warm, soulful collage of dance selections with driving percussion and a deep low end. malik hendricks is a rhythmically inclined aesthetic enthusiast born in the 80 s, and raised in the 90 s. a dj for over a decade, he has always approached music with a rigorous curiosity and views the dancefloor as the ideal arena for collective cultural appreciation, a place where the quest for knowledge meets the quest for experience. dance is the true language of the body, and a gateway to the recognition of our shared humanity. money cat records - round black records bringing good luck. linking motion with emotion, dance unites the body and soul of all who participate. music from brooklyn to the world. established in 2018.

stompin ny house

nice price deal !!! stomping big room house tracks with funny fucked vocal samples and hard drums ! last 2 tracks drak industrial !

2xlp, gatefold jacket, pressed on canary yellow vinyl

2xlp, widespine jacket, pressed on silver in black color in color vinyl

die neue veröffentlichung dark rituals mit 4 original tracks und remixen von trenton chase, filmmaker und sydney valette.

singaporean label darker than wax reaches out to the floor.

10th installment of tramp records’ “movement” compilation series as limited double lp with bonus 7 inch, all housed in a gatefold sleeve.

tony clarke did his first recording in new york in 1971 at hugh hendricks recording studio called -righteous man- of which he played both bass and lead guitar. tony clarke decided to write the song “going home” to reference the roots of his music. in those days and even now good reggae music that was being recorded in the united states was not receiving the approbation from home because, in jamaica they felt that the best reggae music could only come from and be created in jamaica to substantiate the true feeling of the genre. so he decided to go back to jamaica and record “going home” at harry j studio with sylvan morris as engineer. he also recorded the cover version to “hey little girl” originally done by dee clark. for this 12 vinyl edition, the artwork was done with a vintage photo of tony clarke in front of his house at waterhouse and extended liner notes on the back cover.

following two sought after, sold out 45s on the label, kevin hendrick’s m i d d e x project releases it’s debut lp for mid-february and right from the off this is no everyday minimal synth project. 10 brutally sharp, icily industrial, analogue synth blasts which tip their hat to those hugely influential days in the late 70s where across the uk, tiny pockets of forward thinking, electronic experimentalists were creating groundbreaking, analogue electronic music, under the radar from almost all, unknowing at the time of course about their impact even to this day. limited edition of 300 numbered copies.

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

the selecter, the riotous skank machine who exploded out of coventry in the game-changing, multi-cultural 2 tone explosion of 1979 release their brand new album ‘daylight’ on october 6th. now reunited around the nucleus of original members pauline black and arthur ‘gaps’ hendrickson, the selecter are firing on all righteous cylinders in 2017 and ‘daylight’ is their most urgent, politically engaged and purely uplifting music since the days of ‘too much pressure’ and ‘celebrate the bullet’.

dilla- von abstract orchestra ist eine hommage an die arbeit des hochgelobten und einflussreichen produzenten. der opener -welcome to detroit / the diary- nimmt die stimmprobe von isaac hayes -man s temptation- und platziert sie gegen üppige bläser und treibende beats, während -workinonit- die originalen 10cc gitarrensamples aus dem dilla-original auf beißende trompeten und aggressive saxophone transportiert, wie immer von joost hendrickx auf trommeln untermauert. auf -stop- singt die sängerin anna uhuru den dionne warwick-gesang mit viel gefühl, während die band eine anordnung hinterlegt, die an die arbeit von david axelrod und don sebeskey erinnert, beide große inspirationsquellen für das abstract orchestra. -dilla- wurde erst kürzlich von gilles peterson in seiner bbc6 musik-radio-show gefeiert.

year of the rooster is upon us... and the scone cash players are back at it again with organ scorchers year of the rooster featuring sax master ian hendrickson-smith from the legendary the roots! and bside mod-boogaloo classic -dos phoenix.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

digipak cd, babyface ray is an important and influential figure in the detroit hip-hop scene, often referred to as the face of detroit

mob is babyface rays second full-length album

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.