-east of any place,” out december 1st via habibi funk, is a treasure trove of songs we came across alongside rogér fakhr s acclaimed 2021 album, -fine anyway.- these tracks, hidden for decades and only passed between a handful of people, offer a glimpse i

father of libyan reggae or kingston meets tripoli in this incendiary collection of arabized roots, dub, dancehall and more.

lybian reggae

blisteringly groovy collection of completely off-the-radar songs by libyan composer / producer najib alhoush’s group the free music, circa 1976. releasing an astonishing 10 albums, all impressively strong and equally infused by soul, funk, disco and reggae, the free music created a distinctly infectious groove that unfortunately didn’t make an impact outside of libya due to the complex political situation at the time. there is a reason it says “part 1” in the title

traditional music meets jazz

comes with an extensive booklet with an interview with hamid

incl an extensive booklet with an interview with majid soula plus unseen photos

the vinyl version comes with a 8 page booklet and a dl code

great variety on this lp

recorded in 2008 .. 12 inch lp+mp3

a breathtaking combination of funk, jazz and traditional sudanese rhythms, originally released in 1980. the vinyl re-issue includes a download code.

songs about the unity of sudan, peace between muslims and christians and the fate of war orphans, backed by grooves equally taking influence from arabic sounds, american funk as well as neighboring ethiopia. kamal keila was among the first artist we met in sudan during our two trips to khartoum and omdurman last year. he is one of the key figures of the sudanese jazz scene that was a vital part of the musical culture in sudan from the mid 1960s until the islamist revolution in the late 1980s. when we meet kamal he luckily presented us with two mold covered studio reels. each tape included five tracks. one with english lyrics and another with arabic ones. musically you can hear the influence of neighboring ethiopia much more than on other sudanese recordings of the time, as well as references to fela and american funk and soul. his lyrics, at least when he sings in english which gave him more freedom from censorship, are very political. a brave statement in the political climate of sudan of the last decades, preaching for the unity of sudan, peace between muslims and christians and singing the blues about the fate of war orphans called shmasha. a note inside one of the boxes specified the track titles, durations and the fact that the sessions were recorded on the 12th of august 1992. both sessions stand as a hearable testament how kamal keila stuck to a sound aesthetic from decades ago, while incorporating current events into his lyrics. kamal keilas album is the first in a series of releases covering the sudanese jazz scene on habibi funk. be on the lookout for albums by the scorpions and sharhabeel coming soon.

mystery, magic and luck perfectly define this new opus. lucky number ? indeed, 13 can bring luck and happiness! 13 is believed to bring bad luck in the west and good luck in asia. this is why, 13 is written in chinese... out of superstition! the sounds are imbued with this mysterious and magic atmosphere. escape blends with mystery, adding a mystic and thrilling feel and giving intensity throughout the tracks george v records has gone back to basics with this new release that will please all buddha-bar lovers. mystic quest , the first cd, is an invitation to escape and travel with tracks from jojo effect, mystic diversion, ganga or florzinho. secret bliss , the second cd, is more mysterious and up-tempo. it takes us to an electronic music world where trendy bass sounds combine with traditional instruments offering a moving and eloquent symphony. we can mention dr kucho, volkan uca, mhd or parov stelar for instance. a compilation that will live up to the reputation of the buddha-bar music collection.