german producer and dj boys noize has announced the release of his much-anticipated cover version of adamski and seal’s 1990 rave classic ‘killer’ on 12&#8243, vinyl, via the vinyl factory and boysnoize records. featuring vocalist steven a. clark, the original 12&#8243, version is backed by an instrumental, both of which you can listen to below: as boys noize says: “being a ’90s kid i kind of grew up with this song which later became one of these tunes i’d play out at the end of the night. when i met steven and heard his voice for the first time i immediately thought of that track and the idea of doing a cover version was born. it was initially just for fun but it turned banging and lit the dance floors wherever i’d drop it.” adamski and seal’s original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the uk singles chart in the summer of 1990. speaking to journalist dave simpson in the guardian in 2013 seal explains the impact the song had on his career: “within a week, i went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name.” boys noize’ ‘killer’ is out now on 12&#8243, vinyl, limited to 500 copies.

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. schwarzes 180 gramm vinyl plus downloadcode.

maribou state kündigen mit ihrem neuen album “kingdoms in colour”, das über das ninja tune-sublabel counter records erscheint, ihre erste platte seit ihrem debüt “portraits” aus 2015 an. maribou state, das 2011 als projekt von chris davids und liam ivory begann, haben eine reihe von eps und singles veröffentlicht, bevor ihr debütalbum “portraits” sie von jetzt auf gleich auf die größten bühnen dieser welt katapultierte. mit einer live-show, die sie mit herausragenden festivalauftritten bei u.a. glastonbury, bestival, der secret garden party oder mit einer 32-tägigen europatournee rund um den globus führte, spielten sich die zwei briten im handumdrehen in die herzen ihrer fans. und auch die journaille war sogleich begeistert, wie artikel im guardian, i-d magazine oder vogue zeigen. bis heute sammelte ihr album über 80 millionen streams und zog vergleiche mit acts wie the xx, james blake und mount kimbie aber auch dj koze oder bonobo nach sich. limitiertes türkisfarbenes 180 gramm vinyl plus downloadcode.

mamas gun are masters of modern soul music. their blend of classic and contemporary influences have sparked millions of streams worldwide and garnered praise from the sunday times, billboard, the guardian, and uncut magazine. collectively, the london-based group’s first three albums, routes to riches (2009), the life and soul (2011), and cheap hotel (2014), spawned top 10 hits on four continents, including #1 singles in japan and hong kong, propelled by the band’s sold-out tours and funky, full-tilt performances at the billboard music awards (tokyo), plus global music festivals like womad, greenroom, java jazz, and pentaport. with the release of golden days (2018), mamas gun have delivered their defining masterpiece.

with his first two singles for phantasy, mouth and giudecca, ghost culture emerged from the shadows with a beautifully elusive sound – winning plaudits from the likes of pitchfork, the guardian and more, they marked out londons ghost culture as one to watch, a hype most definitely consolidated with new single arms.
pressing on transparent vinyl.

ikonika is one of the outstanding producers of her generation. her 2008 debut >please< (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 ‘contact, love, want, have’, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.

ikonika is one of the outstanding producers of her generation. her 2008 debut ÔpleaseÕ (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 Ôcontact, love, want, haveÕ, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.