early suppert by: damian lazarus, sean johnston, gilles peterson, jaye ward, max essa and francois k. comes with full picture sleeve, limited to 300 copies

early support by: gilles peterson, huey morgan, tom ravenscroft, jyoty and more

-djm trio is led by dominic j. marshall, an amsterdam native who is a current member of renowned british nu-jazz and electronic outfit the cinematic orchestra. -a rising jazz star, marshall was nominated for the edison international jazz award, & the trio earned a coveted set at bbc’s manchester jazz festival, as unanimously selected by a jury including gilles peterson, jamie cullum & jez nelson.

debut album of conic rose. dj support: gilles peterson, atjazz, jez nelson, kid fonque, daz-i-kue, ian friday

debut album from michael diamond resident dj at oxfords long running night simple, one of gilles petersons future bubblers and currently being mentored by elijah (butterz). a concept album that coalesces ethereal jazz-breaks, introspective two-step, and thoughtful, ambient into electronica

supported by dave lee, gilles peterson, dimitri from paris, the blessed madonna

2021 repress !!! the latest rhythm section international release comes all the way from down under and rest assured it is another beauty! the record oozes jazz, lush orchestral experiments and downbeat, detroit flavour house spread across 4 tracks of sun soaked productions from melbourne newcomer prequel, who makes his debut on this hotly tipped peckham label. early support from gilles peterson, lefto, alex nut, ben ufo, mister saturday night & moxie

uk-jazz live from the london’s legendary maida vale studios, hosted by joe armon-jones and presented by gilles peterson. limited double vinyl release, housed in a gatefold sleeve.

smooth gorgeous soul with a groovy dancer on the flip. dj support: gilles peterson, john gomez

new zealander julien dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. best known for his solo work on bbe and having worked with the likes of theo parrish, steve spacek, andreya triana and lord echo - one of soundway’s most successful artists. dyne has also accumulated a number of accolades over the course of a 10-year career including but not exclusive to being hotly tipped by both moodymann and gilles peterson.
dyne’s new project for 2018 is an 11-track lp on miles cleret’s extolled soundway label. demonstrating a shift in gears and movement toward a more uptempo, afro inspired sound ‘teal’ melds instrumental flair with astute production and a persistent grain of impassioned, effortless soul. the album features fellow new zealanders lord echo and mara tk, long term band-mate ladi6, fat freddy’s drop trumpeter toby laing, plus australian vocalist tim guy and jazz luminaries jonathan crayford and john bell. this is a body of work for the listener and the dancer alike with a mood as fitting for headphones as it is for the floor, with the double vinyl album cut loud at 45 rpm.

next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.

following on from the critically acclaimed penya investigations cassettes and the 12inch acelere ep, afro-latin-electronic collective penya conclude an intensely creative period with a long player collection of tracks super liminal. liminal an in-between state references the transitional process the four piece band entered during a series of self-produced recording sessions held at penyas multi-instrumentalist magnus pis home studio between march 2016 and may 2017. penyas percussive and futuristic afro-latin sound also owes its genesis to the concept of liminality: the threshold of disorientation occurring during ritual practices. penya s hypnotic groovescapes, led by jim lem s bata drumming,ancient chants, sung by lilli elina, dubbed-out improvisations on trombone by viva msimangand lo-fi electronic production by magnus p.i create a sound that has garnered significant support on bbc 6 music via tom ravenscroft, worldwide fm via gilles peterson, on bbc radio 3s late junction, as well as being praised by a host of producers including dj khalab, will lv, dj jose marquez and dengue dengue dengue. penya s energised and engaging live show has also toured across uk festivals this summer, including brainchild, wilderness, farmfest and big love.

on loop marks its third year with the volume 3 compilation curated by moxie, due for release this autumn. sampler 2 of 2 provides 4 tracks from the main compilation, featuring exclusive productions from throwing shade, sandboards, addison groove and fotomachine. compiled of music from artists she continues to support on her bi-weekly nts show, moxies selection know-how is apparent throughout. throwing shade kicks off the a side of sampler 3.2, laying down celestial melodics and a dark low-end on ‘floors, before new zealand duo sandboards provide pad- drive top ‘miss brimstone dub. addison grooves jazz-soaked chugger ‘soma opens the b side, leaving fotomachine to close proceedings with hazy groove-filled cut ‘ibidun. with 2016s volume 2 gathering support from names like gilles peterson, benji b and annie mac - this years release is set to meet a similar reception. in addition to moxies label, the on loop party series has just celebrated its 1st birthday with korne?l kovacs and lk at on loops london home the pickle factory. the on loop family has been growing all year, with moxie inviting guests like avalon emerson, damiano von erckert, alexander nut and many many more, to over 20 parties at venues like manchesters soup kitchen, edinburghs sneaky petes and lyons le sucre. with more parties to be announced this year, an ade showcase lined up, and a festival stage curation under her belt - moxies on loop imprint is set to continue on its upward trajectory.

zweiter und finaler teil der ersten vinylausgabe des beliebten brownswood-samplers von dj-ikone & trendsetter gilles peterson mit elf exclusives und raritäten aus den bereichen nu jazz, soul, broken beats, world und downbeat. eine abwechslungsreiche, aurale exkursion für musikliebhaber, zusammengestellt von einem wahren trainspotter! zu den bisherigen bubblers gehörten flying lotus, mayer hawthorne, ghostpoet und jamie woon.

on this fourth release for revision records, the reflex offers a brand new take on the mega classic ansun, breaking down the multitracks to reveal multiple layers of groove and musicianship. on the b side, probably the best multis remix of this song around, a super tight arrangement and crisp production make this the only version you ll ever need to play out. dj support: joey negro / gilles peterson / dimitri from paris / françois k / danny krivit / skream / kon / jazzie b / bill brewster

blah blah blah turn 5 years old this may and as part of their celebrations they have saved perhaps their most exciting signing yet for a limited weare5 vinyl release, the prolific genre juggling blacksmif. blacksmif flirts on the edge of reason, taking flamboyant percussive and melodic risks within a bass driven jazz tinged environment, such is the adventurousness of his music that he has already gathered himself quite a fan club, among which he can count mixmag, gilles peterson, and mary anne hobbs as leading members.

birthed from deep within london s burgeoning jazz resurgence, native dancer have been setting levels across the capital s live scene (and beyond) over the past two years. five individual artists who together set out to create a music that speaks from the heart and denies none of their influences in a genre twisting mashup of styles with elements of pop, soul, electro-funk, jazz, rock and dance music. submit records release native dancer s eps vol. i & ii on 12- vinyl with gatefold sleeve. limited to 500 copies, the release features an eric lau remix of big blue and a digital exclusive remix of in clouds by slugabed. already having received airplay from gilles peterson, marcia carr, support from alexander nut (eglo records) and afropunk - native dancer are one of london s most promising musical prospects, and submit001 sees their remarkable duo of eps pressed to wax for the very first time.

first word enters 2017 with a bang: a 28-track album courtesy of eric lau. this, his third instrumental album, is a veritable tapestry of vibes, ranging through hip hop, soul, jazz, funk & brazilian beats. a mere taste into the genius production skills of london’s mr. lau, it’s easy to understand why he’s so revered by djs, artists and producers across the world, including rich medina, 9th wonder, bobbito, dam funk, gilles peterson, james poyser (the roots), phonte and ali shaheed muhammad (a tribe called quest), amongst others.

(vinyl+cd) stuff., which was mastered by daddy kev (flying lotus, thundercat, jonwayne), features nine hip-hop-influenced instrumental cuts of chopped drums and syncopated rhythms. event horizon chosen has one of the worldwide winners of 2015 by gilles peterson.

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

gilles peterson prŠsentiert vierzehn neue, exklusive electronic-geheimtipps aus seinen playlists & dj-sets! die kŸnstler bewegen sich im spannungsfeld zwischen hip hop, bassmusik, deep house, r&b, drum & bass und techno sowie allen subgenres dazwischen. -brownswood electric- veršffentlichte als eine der ersten samplerserien schon frŸhzeitig tracks der heute erfolgreichen acts mount kimbie, 16bit, shlohmo und mosca!

eric erickssons not exactly the most prolific producer in the world but what he lacks in releases he certainly makes up for in quality. in 1997 eric signed his debut ep to derrick mays fragile records, established his own kass recordings in 2004 and then last year put out his killer someone is watching ep on carl craigs planet e. >love cannot< remixer mr beatnick has been in popular demand since his slow jack remix of hints >one woman army< on tru thoughts profoundly pushed his production skills into the limelight, quickly backed by the 2011 track >synthetes< on semteks >dont be afraid< label, which featured on many tracks of 2011 lists. his follow up ep, sun goddess, has already gained critical acclaim and support from the likes of gilles peterson on radio 1.

produced by : motorcity drum ensemble incl. rainer trueby rmx !

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

including remix of >reality & fantasy< by gilles peterson.

gilles peterson ist ein britischer dj und musiklabel-betreiber. mitte der 1980er-jahre praegte er den begriff acid jazz fuer einen musikstil, der stark vom jazz und funk der 1970er jahre beeinflusst war, und gruendete 1988 zusammen mit eddie piller das label acid jazz. 1990 verlie§ er acid jazz und rief das label talkin loud ins leben, das kuenstler wie courtney pine, mj cole, the young disciples, reprazent, 4hero, incognito, terry callier und galliano unter vertrag nahm. seit 1998 praesentiert er die radiosendung worldwide auf bbc radio 1. zusaetzlich produziert peterson fuer verschiedene radiostationen in 15 laendern, darunter radio multikulti (rbb) und fm4 (orf), eine internationale version der worldwide-show . sein musikalisches spektrum umfasst dub, reggae, jazz, nu jazz, broken beat, house, drum n bass und hip-hop.

drei großartige remixe von tracks des aktuellen album von eddy meets yannah, außerdem noch ein bonus-track feat. ras tweed. das kroatische duo hat sich weltweit in die herzen von fans und top-djs wie gilles peterson, patrick forge, floating points, martyn uv.a gespielt. diese vier remixe von rainer trüby, bopstar und ezel setzen jede tanzfläche in brand

top notch remixes from michel cleius , seiji, t. skinner

olive oil is a hottest japanese underground hip hop artist at the moment. they became popular and popular since they produced many tracks for rapper and huge success of their 2nd album. they have released two album,one sigle collection album and some 12inch and remix. their biggest track >pianity< was played by gilles peterson on bbc. this single is a first single cut from their new album >space in space< which will be released in feburuary on mule musiq. olive oil have a unique own style,its like a fusion of prefuse 73 and flying lotus and madlib. if you like the sound of them,you definetly need to check olive oil.

world renowned bbc radio 1 dj gilles peterson compiles a spectacular collage mix tape from the vaults of far out recordings for this fifteenth anniversary celebration. a close friend to joe davis for 25 years, gilles peterson has been a constant supporter of the original and best uk based brazilian record label.

bcc ft. robin hannibal of owusu & hannibal the new music for dreams signing (and gilles peterson faves) with their first 12inch release for the label and a fine one it is. yam who works remix duties on the a side with a fantastic house mix, while the flip features the superbly lush and sleek album track combiner in both instrumental and vocal forms.

this selection is based on over two decades of deep dj experiences. the impact of seeing jazz dancer, michael knot of idj, dancing to acid trax by phuture, in the back room of a pub in teddington, produced one of those seminal moments that, gilles maintains, radically changed his view of acid house. it is important to say that this is certainly not a club album as some of the predecessors in this series have been.

this selection is based on over two decades of deep dj experiences. the impact of seeing jazz dancer, michael knot of idj, dancing to acid trax by phuture, in the back room of a pub in teddington, produced one of those seminal moments that, gilles maintains, radically changed his view of acid house. it is important to say that this is certainly not a club album as some of the predecessors in this series have been.

7 inch, hand stamped, already supported by gilles peterson

dj support: craig charles, gilles peterson, colleen cosmo murphy, francois k, luke una and downtown disco.

early support from djs such as gilles peterson, craig charles and ross allen

leisure dub and armanious return to follow up their debut release weekend waiting (one of gilles petersons records of the year in 2021). its electronic late night soul on the a side with a heavy baseline mix made for sound systems on the b side. pressed on a dinked 7 inch.

early support by dave lee / gilles peterson / james lavelle / francois k / glitterbox / skream / the blessed madonna / bill brewster

endorsed and supported by: benji b, gilles peterson, tom ravenscoft, j rocc, alexander nut, jamz supernova, ross allan, dj moxie, funkineven, taro (jazzy sport), charlie bones, bradley zero

in a natural departure from their infectious new-wave jazz-funk sound, gilles peterson & jean-paul bluey maunick aka str4ta present their new double a-side 12inch.

his sophomore solo album persistence is an exemplary culmination of the momentum maunick has built since his 2019 debut macumba quebrada, which earned support from moodymann, benji b, gilles peterson, ron trent, palms trax, derrick carter and moxie

supported by dave lee, gilles peterson, dimitri from paris, francois k, glitterbox, skream, the blessed madonna, bill brewster

played by laurent garnier & gilles peterson

triple vinyl compilation compiled by gilles peterson and stuart baker, exploring the cuban music scene between 1975 and 1985.

repress - al dobson jr. returns to rhythm section international with his debut full length lp. spread over 28 tracks and clocking in at just under one hour, this body of work provides a glimpse into the mind of one of the uks most talented, enigmatic producers. al dobsons debut mini album marked the inauguration of bradley zeros fledgling label back in 2014, proving to be a breath of fresh air to the london scene with its loose, undefinable sound and unique approach to production. as a newcomer, al dobson jr.s music didnt remain a secret for long, with major global tastemakers such as gilles peterson, theo parrish, dego, alex nut and osunlade being early adopters. as with other key releases on 22a and izwid, it didnt take long for rye lane volume 1 to go from obscure debut to cult classic, propelling the artist and the label onto the international platform. at once a continuation and evolution of the sound, rye lane volumes ii & iii offers a deeper exploration into the al dobson jr universe, moving with ease through tempos and textures but never losing that effortless magic that makes adj stand out from the crowd.

repress - rs intl looks to melbourne and strike gold again with their second outing from prequel. freedom jazz dance builds on the jazz- tinged debut that was lauded by such varied tastemakers as gilles peterson, osunlade, recloose, mister saturday night and ben ufo. the standout track is ‘saints’ - is a poetic take on blackness that simply can t be ignored. another solid ep for the rhythm section camp. don’t sleep, these won’t last long!