brasileira is the second record released by selva discos and administrated by optimo music.
those who experienced listening to the original maria rita version of -cântico brasileiro nº3 (kamaiurá)- on the dancefloor know it’s such a thrilling experience that could only be better if the song was a bit longer. at the same time, it didn’t make much sense to mess with the original. having these thoughts on their minds, the selvagem boys augusto olivani and millos kaiser (the minds behind selva discos) had an insight while discussing the reissue of the -brasileira- material with singer maria rita stumpf: why not hit the studio and remake the track? also, why not ask someone like joakim, known for his exquisite taste and brilliant production skills, to remix -lamento africano/rictus-? it would be the perfect package. and that’s what happened.

a familiar and reliable musical force, jonny cut his teeth behind the counter at phonica & blackmarket records during the 00s and has has proven his tastes time and time again with his disco hamam and hamam house imprints and releases on labels like cocktail damore and oye edits. this three-tracker rides middle eastern waves, reflecting mystical vibrations to take you through time and space. jonny delivers reworks of radio morocco, an italo tainted work out that rumbles and punches, housey mousey, an exquisitely eery acid house jam from 88 and yab yum, a wild and percussive trip. all three are sure to roar like thunder on the dance floor!

the visionary from detroit, terrence dixon, is back to 30d records with an exquisite pack of vanguard tastefully built on techno. this fifth chapter of the exoplanets series is powered with two original cuts and a pair of remixes.
the homonymous title track, “digital ladder”, sinks us to a hypnotic state conducted by a dreamy and evocative sequence. the big dasha rush takes over the message and reframes it getting percussive expressiveness and savoir faire on her remix.
b side starts with the second dixon’s proposal, “this is a test”. same artistic tools, different discourse, shape and result. on this track, experimentalism gets us higher with a fanciful cyclic pattern, garnished with sporadic ascensions, that streams on a subtile bassdrum. 30drop takes the relay to carry up the message to his own stylistic universe constructing a fine solid remix.
“digital ladder” is an abstract and immersive trip to some place beyond the consciousness that relies into the core of the vanguard dancefloor. you can’t miss it!

two of the best tracks off the brasileira lp get an updated dancefloor treatment by selvagem, carrot green and joakim. those who experienced listening to the original maria rita version of cantico brasileiro nº3 (kamaiura) on the dancefloor know it s such a thrilling experience that could only be better if the song was a bit longer. at the same time, it didnt make much sense to mess with the original. having these thoughts on their minds, the selvagem boys augusto olivani and millos kaiser (the minds behind selva discos) had an insight while discussing the reissue of the brasileira material with singer maria rita stumpf: why not hit the studio and remake the track? also, why not ask someone like joakim, known for his exquisite taste and brilliant production skills, to remix lamento africano/rictus? it would be the perfect package.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

based in california, banana stand sound has been wrecking expectations and setting forth new musical streams consistently for two years now. its discography is a diverse display of tribal stompers, melodic groove spectacles and everything in between, which excites the labels unarguably exquisite taste. over the years theyve gained steady advocacy from institutions such as fatkidonfire and trusik among others, as well as by a long list of highly esteemed djs and producers from the likes of j:kenzo, benga, compa, skream and joe nice.

dj bone is differ-ent. but then again, he always has been. a pioneer dj and producer hailing from detroit, whose technical skills are perhaps only equalled by the upper echelons of the city s most advanced techno trailblazers, he s nonetheless forged a path only of his own. eschewing commercial expectations, scene pressures and anything other than his own exquisite taste, bone has earned a vital, dedicated audience while remaining comfortably and individually underground.

the moment eatbrain followers have been eagerly anticipating for a year has arrived, with billain landing in full force in the form of his colonize ep. a true master of neurofunk, these 2 tracks demonstrate the full might and depth of billains exquisite production ability. expanding upon the sprawling sci-fi landscape that has its origins in the highly acclaimed colossus ep on bad taste recordings, the colonize ep takes things to an entirely new level. incredible visual artwork from marvel artist enis cisic and resident eatbrain designer laszlo tringli, is threaded through with the continuation of the operatic space narrative tying the tracks together into a concept as epic as music itself.

hello fellow! edit lovers and disco nostalgic, here we are with the fourth release by enzinos! everything is changing! i am losing my hairs and realizing that wrinkles are going on and on in my face but the style is still the same! in this release, little enzino and his crazy friends are going to let you taste a purely house a side, whereas in the b side funky atmosphere will mix up with boogie disco for exquisite tastes. warm up your decks people!

serving as a little taster of the full double-cd retrospective album, this sampler features 3 exquisite mr. g tracks cherry-picked by the man himself. check gs out dub - tip!!

xquisite, a new and emerging vinyl only label from lisbon, portugal, prooved their taste in having signed ivel tax from romania for their first release. we have some very relaxed, natural, and carefully uplifiting tracks here.... wide open tracks, giving a distinct airyness and natural vibes... not to forget the solid drum programming. repress with out full artwork cover

xquisite, a new and emerging vinyl only label from lisbon, portugal, prooved their taste in having signed ivel tax from romania for their first release. we have some very relaxed, natural, and carefully uplifiting tracks here.... wide open tracks, giving a distinct airyness and natural vibes... not to forget the solid drum programming.

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

rooted deep in a high-rising part of buenos aires, retiro, and in his temporary home of choice, berlin, two of the craziest and most vibrant music cities, dilo is known for his eclectic and exquisite taste in audio. his productions that sound like crystalline experimental upbeat hophop techno drones with a loopy undertone of clicky random shuffle murkiness are, quite simply put, some of the most marvelous releases around