limited repress! stomping grounds was never about riding the waves, but building things in a slow pace and mantaining the balance. since the very inception we have gone on to feature emerging talent as well as paying homage to scene established artists. this release is no different than the others, featuring v.i.c.a.r.i., discret popescu (aka crihan), jay bliss and some fresh blood from stav (aka inhere) and dragos ilici. all four cuts on the record are built around stripped-back and hypnotic grooves, sprinkled with melodic and sophisticated textures on top. as always, final touches are from berlins schnittstelle mastering.
the culmination of a working relationship that started in 2019, godless is the first full-length release from jonathan stave krohn (also known for his work as half of talker on downwards) and thomas karim maas cooper.
the first release on standards & practices since the widely acclaimed remixes of talker’s “battle standards” ep (by surgeon / regis / broken english club) from late last year, “live from frankfurter strasse” represents the first recorded collaborative effort from jonathan krohn (stave, also 1/2 of talker) and jan grebenstein (downwards, horo).
limited edition on white vinyl.
the first release on standards & practices since the widely acclaimed remixes of talker’s “battle standards” ep (by surgeon / regis / broken english club) from late last year, “live from frankfurter strasse” represents the first recorded collaborative effort from jonathan krohn (stave, also 1/2 of talker) and jan grebenstein (downwards, horo).
standard edition on black vinyl.
uvb-76 music’s latest offering ushers in new blood to the camp in the form of stave. the chicago resident’s ‘atk’ ep sees the tempo submerge to lower depths and the pressure intensify amidst the harsh dynamics and sonic battery that the label is now synonymous for. a four track rhythmic cavort that plays the urge to dance and the allure of subversive nature.
the long awaited first release of stavroz on denature records has arrived! this 5-track ep starts with -zorrow-. this track sounds like an invitation to wander and get lost in the jungle. by the second track, perron 11 the tempo gets more vigorous opening the way to the main track kasambila and its enchanting ethnic vibes, on the other side of the ep, xs pls (pronounce it extra small please) has this unique instrumental groove that four-piece band masters so well. the ep ends with the title it was all a ruse , a melancholic ballad through mystical lands.
lmds first ever collaboration ep * echoes of paradise* by shaun soomro & mikael stavostrand gets reworked. legendary cult producer josh brent reworks * street code symphony* in classic schatrax esque style turning it into a beautiful timeless cut. it recalls his best works as schatrax - sparse, jacking, lush and dreamy with a sense of mystery created by a master crafts man who set the blueprint for this sound. shaun soomro’s re-vision of paradise lost takes things in a completely different direction also, but in heavyweight dub mode. drawing its groove from a mesmerising sub bass, shaun layers and recomposes from the first violin recording session & plays in new string segments that blossom and develop the more you listen, creating a epic symphonic dub masterpiece. one for the late night warriors! both artists turn out exceptional reworks primed for those special dance floor moments
finally here we are with the fourth release on last drop records, signed by the london-based stavrogin. collectors takes a more subdued approach from his debut on australian label 3bs, focusing on ampdriven ambient textures and digital experimentation. sixty acres is a juddering mass of static textures and penetrative low end, forcing itself to a crumbled close. title track collectors is something like the afterglow. weary and destitute, the track stumbles through heatwave soaked atmospheres, fragmented voices stuttering like a malfunctioning android. are these actual miles? is perhaps the most direct, with its tremors of noise punctuated by a rhythmic pulse. this is a feature italian duo ichinen have capitalised on in their closing remix, reducing the track to a warbling, dead-eyed drum workout.
based in chicago, stave is the solo project of jonathan krohn. he also collaborates with karl meier under the name talker. jonathan, karl and ken meier also run the label standards & practices.
following the blistering inaugural release from talker comes the second release on the standards & practices imprint from label co-founder jonathan -stave- krohn, who returns with 5 tracks of dark, visceral electronic music for the discerning listener. -black hills- and -tasc us- kick off the proceedings in fine style – pummeling drums underpinning harsh blasts of noise and bleak, greyscale atmospherics, while -in/human- and -b5- on the flip take a different approach – 2 tracks not aimed at the dancefloor, but both retaining that cold, claustrophobic feel that characterizes much of stave s work. the brooding and sinister -stave 17- closes the ep, moving into exciting new territory with an intensely cinematic sound.
ijsbrand & gert had always wanted to create balkan inspired music, and hence came the duo stavroz. their music is imprinted with original inspirations while keeping to a jazzy/burlesque influence. the bridge, so it seems, borderlines between minimal and jazz-house.
the fifth modern cathedrals release by altstadt echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. throughout the 1905 ep, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. the remix of dry despair by abdulla rashim (ar) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. in contrast, the remix by stave combines elements of the original’s drifting atmosphere with violent industrial percussion.
this long awaited extended play return of stavrogin yields an unusually warm industrial landscape. delving deep into the soul of the machine, these pieces wrestle with the false techno obsession of industry whilst creating resonances that elicit eerie harmonies from the surrounding air.
waking up in the middle of the night, feeling the gentle touch of moss on your bare skin and overwhelmed by the eery yet calming atmosphere of unknown surroundings. a location no one ever goes to, a destination unreachable by common means, but a place blurring the lines between having a dream and a state of mind. welcome to talabout. stavroz managed to create a wholesome, comforting soundtrack for a place, which no words can describe. take a rest, lay down, close your eyes and listen to a story told in an orchestral fashion, with such profession and ear for details like luise never heard before. we are deeply impressed and thankful alike to be able to present this musical masterpiece. a heartly welcome to stavroz, everyone.
HANDS OF GLORY REMIXED (TENSAL, PHASE FATALE, STAVE) (COLOURED VINYL)
Coloured 12 Inch 01.07.16
falling ethics label owner p.e.a.r.l. uses the 8th installment in his fex series to come up with a remix ep that includes the some of the most exciting names techno has to to offer at this very moment. a great 12” that includes remixes from man of the moment tensal, berlin based phase fatale and stave (member of talker).
vinyl only
echoes of paradise is the first collaboration ep on lmd. it sees long time lmd affiliate mikael stavöstrand team up with lmd s very own shaun soomro to create something truly special. the ep was a long time in the making with full use of their studios and no holds barred. street code symphony (w10) opens the ep and is dedicated to the w10 area of london namely ladbroke grove, it s past and present musical institutions - dub vendor, honest jon s, notting hill carnival. paradise lost is a open thought, is paradise a place or is it in our imagination.
special warehouse find original pressing. only 160 units available. classic and essential killer record from mikael stavostrand. played by ricardo villalobos, dixon, raresh ... lick my deck is run by shaun soomro and matt jolley. pushing boundaries and developing the sound, a label focused on releasing intelligent and provocative electronic music. die a little starts of with a groove that wont let you go building into 4/4 drive, katous vocals set off the track with a real warmth but with a dark edge behind them. dark eyes has a sexy dirty feel to it. a thrusting bass line and obsessive vocals that hypnotize you into a deeper engagement
repitch recordings is pleased to present three new tracks from chicagos stave (j. krohn). *after the social* follows an ep on the irish imprint rensmat and lp on chicago based fss. the new ep continues exercises in foundsound, distortion, and repetition, *after the social* introduces a new challenge to the growing stave catalogue. in the same vein as his work with downwards recording duo talker, krohn continues with the drenched dark tones and distorted drums with this repitch release. influences of punk, metal, noise, detroit techno and ambient all combine to form an uneasy mix of melody and rhythm. the legendary downwards boss karl o connor offers a brilliant mix of *hardened chord* — using the original to create a 4/4 path of destruction.
reform is the first work by stave. the album is an exercise in precision and spacialization, with isolated electronics and icy beats producing a grisaille of vaporized metals. tracks move from disembodied murk and blunted pulses to sustained forcefulness. touch points include techno, ambient and industrial predecessors, all bent gravitationally towards a dark, cold and unsettling soundworld.
the vinyl lp includes a download code for the full album.
words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.
second vinyl installement on atmosphere and another proof that stereo express (shaker plates, pimprinella, ipoly music) is on a peak level. this time with support from stavroz we get two great originals in combination with remixes from umami (burlesque musique, audiolith) and mollono.bass (ostwind, acker).
played and supported by: matt john, anja schneider, maceo plex/maetrik, tim green, davide squillace, paco osuna, butch, kaiserdisco, timo maas, popof, konrad black, phil kieran, hugo, camea, carlo lio, luca bacchetti, ida engberg, federico molinari, tim xavier, coyu, cesare vs disorder, kabale und liebe and many more...
mikael stavöstrand (lick my deck, clink, highgrade) spent a few days in berlin recently, so why not get him over to the we are hq and work on some tracks with agaric, right? the boys first track is a deeper bass driven techno track interchanging grooves and eerie strings and percussion arrangements whereas the flipside on this limited 10 inch goes more funky and presents a surprising vocal bit where vealchop out of los angeles asks himself why certain things went the way they did! already tried and tested to excited crowds in clubs like 1001 london, rex paris and tresor berlin...
mikael stavöstrand and cesare vs disorder are not new names to techno or house, and between them they have an impressive discography of over 40 releases that have consistently maintained their underground integrity, winning over the hearts of the electronic music elite. there is no doubt why the bulk of their supporters seem to be the most esteemed listeners, and when we see their names together we have no choice but to be compelled to listen. after making their collaborative debut with part 1 on dumb unit in january 2011, the pair comes clean with a follow up ep on clink that is earthy, sexy and elegant.
support by: anja schneider, laurent guarnier, loco dice, tiga, peter kruger, nick warren, luca bachetti, dave mothersole and many more
mikael the skull stavöstrand is one of the better known artists in the swedish techno scene. deconstructed sounds, experimental tones and minimal changes are the base of his comprehensive works
in mos ferrys eyes mikael stavostrands no turning back(mfp024) release at the end of 2006 still marks a highlight of his minimal techno period - and this is not only because of big bullys unmistakable vocals. now, none other than daniel sanchez (mumbling yeah) takes up the subject once again and with his no turning back remix he picks up where the krause duo started tastefully back then. daniels 12 minutes remix relies totally on an energetic rolling groove and puts the vocals always precisely when others would think it cant get more driving. the second remix was made by mikael stavostrand himself and is a straight and spatial welldesigned dj tool. for his own re-interpretation big bully got reinforcement through the argentinean odnu and heads more towards dub techno. these are three very succeeded remixes, which awake the desire to listen one more time to the original (despite the title)
very cool deep minimal tech. mikael stavostrand is one of those extremely talentd swedish guys that bring the deeper sound of minimal techno. with releases on labels like globox, adjunct, sushitech, we are and audiobahn he just showed what he is capable off. a very cool deep minimal release that will hold its power on the dancefloor. crazy cool stuff for all the fans of the titbit sound
get ready for the 8th classic offering from the sounderground stable, a gem of a release from los angeles resident, mikael stavöstrand. having been a key figure in the electronic music scene for many years, mikaels latest musical must-have is yet another example of his breathtaking, boundary busting musical interpretations. always on top of his game, and in demand, his live shows are truely outstanding. having amassed an ardent list of followers and been involved in collaborations right across the musical spectrum, his previous label outings include, kindish, thema, sushitech and spectral sound
minimal phreak out strong release by this swedish dream team of clicks n cuts.. after the fantastic gez varley and geoff white releases in the past few months, persistencebit returns strong once more with the swedish minimal techno artists johan skugge and mikael stavöstrand, who work their collaborative gear into a feverish lather on a new trio of high-octane cuts. immaculately constructed and executed with precision, the duos material isnt as skeletal as one might expect-ample noise and commotion appear alongside the tunesgrooves-and, in its acidy moments, pink phantom sometimes sounds like audion, albeit in a slightly less raucous frame of mind
support from artists like: adam marshall, agaric, alland byallo, anthony collins, chloe, cio d or, franco cinelli, koljah, laurent garnier, mark henning, martinez, remute, sebbo, sebo k., someone else... perfect third release with mikael stavöstrand who made a goodish twisted housey track and with bang goes on the flip whos playing proper hoax
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