nice dubby spacing electro tunes by matt dunning & matt jackson !!!

nice price deal !!! likhan swings himself away from the dubtech sound with two deep house inspired jaunts. while theres traces of his former sound, both tracks operate on a house tempo with melodic organ motifs and laidback percussion more inspired by the prescription catalogue or dj gregory than anything in the modern dubste quarters. however, its not all nice, keeping some semblance of dirt under the fingernails with rude squelching bottom end and ruffed-up soca shuffles compatible with the post-step, funky brigade

with his first release on dub2dust gabriel le mar again shows his side as a producer focussing on dubtech music with an energetic flow.quantec remixied up a great dub rocker, let us get going through deep and floating dub chords and nerdy piano rolls.the tracks are a wonderful example of going through waves concerning energy and flow with one result - something more musical and playful.

the cl interpretations, based on the sixth melted recordings release cl versions of echtzeit, were firstly divided into two sucessful releases: part 1 and 2. now that more artists of circle of friends of melted have done their own interpretations, a third part was released. this time all tracks were based on the same track three, but now with a wide-spread spectrum of techno – from melodic, deep and dubtech to harder, diffused and current state of the art techno. monomood, known from the melted recordings friended label etui records, starts with his constructive warm and melodic rebuild called 3cl of echo. also aerror is here into deep dubtechno, much different as his last version of part 1. sector varied his track for part 1 into a more deep dub but kicking techno track terminals rmx. bassart, an austrian techno and electro dj, comes a with highly diffused hard techno interpretation – his first vinyl appearance. it is the first techno track (called cotta re-dub) of bons on vinyl, too. he is in the circle of friends and supporter of melted for many years, since the start in 1999.

jan driver ist gleichzeitig techno & disco, punk & uk-dubtech! seine vorabmaxi >gain reaction< auf boys noize erhielt grossen support bei house & techno djs wie erol alkan, miss kitten, modeselektor, tiga & der ed banger-crew! nun liefert der berliner partyheld, der in seiner langjährigen karriere über 100 remixes (u.a. für armand van helden, laurent garnier, faithless & afrika bambaataa) erzeugte, und sich jüngst vor allem als mastering-engineer & co-produzent von modeselektor & siriusmo auszeichnete, ein erstklassiges, bassgetriebenes, deepes album ab, mit dem er sich endlich wieder selbst als erfahrener artist in den fokus stellt und von dem ed banger-chef busy p behauptet, es sei jan drivers bislang beste arbeit!

stanislav sevostyanikhin returns under his kontext guise with four tracks of tightest dubtech minimalism on immerse. these are his first konext productions since the impressive >dissociate< album, continuing a trajectory into widescreen dub techno and clipped, post-dubstep rhythm programming. >no more room in hell< combines the luscious atmospheres of pendle coven or bvdub with subtle glitching rhythms, while >daphnia pulex< adds glassy electronic melodies and padded subs to the equation. most interesting of all is >sattva<, rolling raga drones into his morphing dub chords and crafty future garage stabs, kinda like pole meets farben on a dusky autumnal evening. if you ever wanted a more reduced ramadanman, or a glitchier appleblim, this is well worth checking...

limited one sided shed dubtech remix!!

post electronica with an evil dubtech remix by dm ltd aka architect. supported by taucher records revisited feat. peterlicht this is dope- debug 5/5

new italian based label with some superfine deep dubtech tracks. perfect for the summer

mit traumwandlerischer sicherheit schlŠgt lawrence einen bogen źber 16 jahre gelebter clubgeschichte, ohne dabei das akustische hier und jetzt aus dem auge zu verlieren oder auch nur eine spur in anachronistischer nostalgieseligkeit zu verfallen. stattdessen gehen unter seinen sensiblen hŠnden meilensteine des minimierten deep house wie >forever monna< von chez damier, ron trent und stacey pullen (1995) oder der 99er clubhit >overcome< von thomas melchior/baby ford mit kontemporŠren intensiven detroit-techno-hommagen wie smallpeople & raus >life aquatic<, delano smiths >my life< oder pigons traumhafter >koto<-dubtech-romanze von der 10 jahre dial-compilation auf wunderbare weise zusammen. au§erdem mit dabei sind so bekannte namen wie aril brikha, isolŽe, das ifach collective und robert hood, bevor roman flźgels auf duran durans >save a prayer< basierendes meisterwerk >brian le bon< und das kristalline >oi< von plaids klassikeralbum >not for threes< (warp) den wehmźtigen schlussakkord setzen. lawrences mix atmet hier jedenfalls die gelassenheit eines lichtdurchfluteten sonntagmorgens zwischen modernistischer gro§stadt und waldlichtung und gibt so seinem globalen kźnstlerischen ansatz die passende dimension