* nan kolé, producer, dj and head of influential label on-the-rise, gqom oh!, returns to black acre for his debut proper with bayefal, after first collaborating with nervous horizons wallwork on his facts / fyah 12 at the back end of 2016. * originally from rome, although now a resident of london, nan kolé has been a major player in the expansion of durbans gqom sound after discovering it in early 2015. through his label, gqom oh!, he honed in on a network of south african producers operating out of durban, unlocking the keys to a world of music largely untapped by audiences outside of southern and western africa. * bayefal, he explains, was made while still living in rome and was inspired by a group he formed called pepesoup, which consisted of an italo-liberian singer, karima 2g, and senegalese percussionist and singer, moustapha mbengue. for me, he (mbengue) was a mentor and taught me a lot spiritually but also mentally, kolé explains, and without his hard work i wouldnt be here for sure. this track is dedicated to him, as he s a muslim bayefal. a joyous, steadfast drum workout made in the carnival spirit, bayefal also serves as an ode to his love for both west african rhythms and more specifically, the gqom sound. * on the flip, malumz backed up with two dark, brooding remixes by durbans citizen boy and crew, formation boyz is another track rooted in personal experience. malumz is a tribute to my gqom oh! family, kolé explains. they call me malumz, which in zulu means uncle. the first time citizen boy called me malumz, it was overwhelming i felt a change in my relationship with all the guys, because they started to treat me more as a family member, which meant a lot. * the original mix, a stark, pulsing drum-track dotted with playful whistles and bleepy sampling again celebrates kolés fascination with the gqom sound, while first citizen boy and then formation boyz flip malumz with harsher, grittier tones and crunching, industrial textures.
