for fans of: necrophobic, dissection, autopsy, mortuous, entombed, gorement, necrowretch, ceremonial oath, torture rack, entrails / blue vinyl

2021 repress on blue vinyl ... some twenty years after rene costys passing, his work, finally, goes global. moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, its hard to underestimate the importance of this compilation, which focuses on costys library music production from the 70s

limited repress blue vinyl some twenty years after rene costys passing, his work, finally, goes global. moreover, this being a selection out of more than 400 tracks from a virtuoso, versatile andinsatiable artist, its hard to underestimate the importance of this compilation, which focuses on costys library music production from the 70s

incl hi quality mp3 - ltd picture disc (300 copies ) , one time pressing!

we are happy to present new basti grub 12 inch on desolat. expanding on the foundation laid on his > me sabe a porro<, basti returns with the gang. > walking in my blues< feat. agent! is a relentless percussive track for peak time dance floors. > mediante< feat. mike trend is raw rhythmic piece with quirky vocal samples. on >hang over< basti grub moves further on a search for the beauty between rhythm patterns and delivers one captivating, fragile, 11 minutes long epic - dance music for those special moments

2011 has arrived in a flurry of light and shadows,and with it,this release on desolat x,the special edition series that features music for dance floors.this time on blue vinyl and artwork by florian pohl. a natural at manipulating the soundwaves and musical algorithms,dragosh has been infiltrating music software since the age of 15, based on a healthy obsession with the foundation of snare and bass. raised in bucharest his roots run to house,jazz,hip hop and before that, romanian folk and the stories intricately interwoven therein.as a budding physicist,who currently resides in italy,were sure youll agree dragoshs work embodies the elusive hunt for dark matter within the curvature of spacetime:disembodied and floating. afterdark antigravity vibes never felt so good.

fantastisches live-album mit bob dylan covern unter dem titel sings bob dylan: the 1966 royal albert hall concert via domino!

rock

rock

rock

vinyl reissue of the 1965 bob dylan album.

original mono reissue of the 1965 bob dylan album.

remastered reissue on clear vinyl.

last year japanese public broadcaster nhk aired the animated superhero series “the reflection”. the legendary english musician/producer trevor horn served as music producer for the anime. the story of “the reflection” is set in a world where a mysterious atmospheric phenomenon known as “the reflection” killed many people all around the world while causing the survivors to spontaneously develop superhuman abilities. some people become heroes, others become villains...
while achieving great success as a member of the buggles, yes, and art of noise, trevor horn also worked as producer for many popular musicians, such as paul mccartney, frankie goes to hollywood, tom jones, cher, grace jones, seal, tina turner, lisa stansfield, pet shop boys, simple minds, and mike oldfield.
the reflection release includes a 4 page booklet and is available for the first time on vinyl. the limited edition of 1.000 individually numbered copies is pressed on pink coloured 180 gram vinyl.

2016 ist es so weit: mit »the real royal albert hall 1966 concert« gibt es endlich den echten mitschnitt des legendären konzertes auf doppel-lp.
ursprünglich war nämlich schon 1998 ein album mit diesem titel als bootleg-variante erschienen. dabei handelt es sich jedoch fälschlicherweise um die aufnahme einer show aus manchester, statt aus der royal albert hall.

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

once again, lump sticks to his guns and brings you strangely funky tunes to make this world a better place . it s too late. the world has gone sombre and our man walks the desolate streets. the femme fatale is there, right under the street lights. the gansgster are all around. bobby has been shot and all the junkies are surrounding the dealer in the back alley. this is no house as you know it. this is harcore funk. it s noir, it s dirty, it s dangerous and risqué. run. the cops are coming...

one of the great aspects of the endlessly varying bass music soundwave is the way it seems able, even compelled, to fuse antecedant styles and genres to itself. in the most innovative hands, influences from last month are absorbed and reworked as smoothly as those from last century, and creativity sparks brightest when the marriage of form and function takes place beyond recognised boundaries? and it?s from that unrestricted zone that uk producer o-dessa emerges. opening with an initial resemblance in sound to the same plaintive blue air of burial, as these tracks resonate deeper in the mind, it becomes clear that this sonic affinity is merely a veil beneath which a new heart beats. the rhythms lurking below the bassline in ?deeper? are like some undiscovered amalgam of old skool hardcore and something you might hear on the latest dirty south mixtape, which somehow manage to defy sense and co-exist in a driving and breathtaking way. mournful mariachi horns and a plunging dub bassline intermingle in a desolate approximation of sergio leone?s western soundtracks, while reedy flutes and distant female voices build a swirling vapour through which skittering woodblocks and metallic ticks raise an anxious sense of motion. anchored by a vast, cone-melting sub-bass undertow, ?deeper? s treasures are buried well below the surface. the juxtapositional subtle-tear-out nature of o-dessa?s production is even more apparent in ?million dollarz?, which reveals itself in stages to be a gradual descent into layers of tweaked amen breaks, but with a grandeur unlike anything previously heard, even though that drum pattern has already been chopped countless ways over the years. it?s not until midway through its five-and-a-half minutes that the famous phased snares rise from the dense banks of atmospherics, but when they do, a moment of blurred euphoria hits and the tune bursts into colourful life. this 12¬ is the first broadcast of many more to come from o-dessa, as - like many have in their own way before and still more strive to do so now - he embarks on his individual journey in the continual reinvention of bass music. instant thrill junkies won?t find their fix in these grooves, but followers of the path less travelled will recognise many signs pointing the way to a rich future.

the second release from merkur aka japasese embassy is coming. we can expect an exciting and unexpected 3 tracker which does not fit in any conventional category. gonno, tokyo based producer and dj, has graped everyones attetion with his outstanding “i don’t need competition (inkl. donnacho costello mix)” on beyond records in late winter 2008. for merkur he has designed the acid-revival track “desolation 303?,,. this track is build on a tricky chicago styled rhythm and an acid sequence which first comes slowly, later on developing an beautiful drive suitable on every dancefloor. berlin based japanese artist / label owner shingo suwa painted the tune “silver blue” with a lot of love for chords and melodic spins. maybe you can call it housemusic knocked down to a minimal attitude. “two of us” plays with warm synths on a solid base, slightly referring to the detroit deep house culture and impressing with an advanced but nevertheless solid groove

42 tracks - 2 cds!blazin d&b mixed by friction & fabio!