das telefon klingelt um mitternacht. der ton hallt durch die flure ihres hauses in den hollywood hills. nervös heben sie den schweren hörer ab, nur um das verzweifelte atmen eines verrückten zu hören... derselbe verrückte, der schon seit monaten anruft. willkommen bei deranged fan, der filmmusik zu einem imaginären amerikanischen thriller von tom guycot.
you carved your soul to shreds in servitude to an evil entity, but false promises and betrayal were your only reward. now youve got a score to settle and it will be measure in blood.
80ties at hits best. remastered from cassette by martin bowes. presented on high-quality 180 g heavyweight half and half colored vinyl (red and white) with sleeve design by steve lippert. limited edition release
support by: jimpster, steve bug, anthony collins, c-rock, hell, m.a.n.d.y., james flavour, martin eyerer, mijk van dijk, danny tenaglia, chloé, sian, makossa, ante perry, twotracker, p.toile, franksen, maik loewen, jussi-pekka, mark henning and many more
angel deradoorian and kate nv are decisive pink - ticket to fame is their highly anticipated debut. limited edition pink coloured vinyl with download code included.
kakofonico fused traditional turkish music with techno. features vocals from turkish singer beyza cakir and percussions from lorenzo derasmo also has a remix from underspreche and a d&b version
overview roll the dice is the swedish duo consisting of malcolm pardon and peder mannerfelt. pardon is a storied composer of film and television music. mannerfelt s acclaimed third solo album ‘controlling body’ cemented him as in the top handful of creative forces working in experimental electronic music. this theatrical, surprising, world premiere performance cemented the two musicians as spearheads of a fractured type of future basement jazz. for this record they selected extracts in 2017.
exciting remix project of canadian/french duo hey mother death’s track deranged my love. connecting artists from across genres, each with their own unique take on the original. mr tc, donald dust, sweet dieter and premier track from jacuzzi general
ondon-based duo jamka return with inter alia, the latest evidence of their patient, intimate relationship with their analogue machines. from the start there’s a sense of event – we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats. the tracks aren’t soundscapes so much as fertile electronic soundfields. patemp continuously expands in an incredibly subtle but powerful way and shows that jamka’s technical skills don’t preclude an emotional touch. on the tight and minimal anazmo, the coiled energy bears traces of minimal techno and radical electronica, but it’s beyond either of these. while the album passes quickly, it’s full of detail and the thoughtfulness and craft that have gone into it are evident. dwa offers the chance to appreciate the flow and the sheen of its analogue textures – the modernist romance of the power line hum and its promise of technological-cultural progress. jamka are known for their dynamic live performances and this energy is almost tangible on derazor. the stately igora is a strong, bold close to the album, offering surprises right till the end. the sharp, metallic details ripple through the mix and an anthemic sequence shines through. inter alia makes clear that jamka are worthy inheritors of slovakia’s proud late modernist traditions of radical architecture and electronic music. this is a work of craft that demands respect and repeated listening.
over the course of four albums, manchester based trumpeter, composer, arranger and band-leader matthew halsall has carved out a niche for himself on the uk music scene as one of it s brightest talents. his languid, soulful music has won friends from jamie cullum and gilles peterson to jazz fm and mojo as well as an ever-growing international following. his label gondwana records is home to gogo penguin and his own albums have found halsall exploring the modal jazz of john and alice coltrane, paying tribute to the hard bop of the late ’50s and early ’60s or most recently on fletcher moss park drawing on eastern influences in his most personal statement yet. his latest album when the world was one is something of a companion piece to fletcher moss park (much of the music was written at the same time) but draws more explicitly on halsall’s love of spiritual jazz and eastern music as well as his own studies in meditation and travels in japan. beautifully recorded at hasall’s favourite studio, 80 hertz in manchester, and engineered by brendan williams and george atkins it features the recording debut of halsall’s large ensemble, the gondwana orchestra, which utilises the exotic flavours of harp, koto and bansuri flute and eastern scales to create a global palate for halsall’s life-affirming sounds.
flying lotus fünftes album ist ein trip, das aehnlich wie das kernthema, der tod, von einer daseinsform zur naechsten springt, sich von einer klangdimension zur naechsten entwickelt. auf youre dead! verschmelzen klangwelten, visuelle welten, metaphysische welten, die virtuos miteinander verwoben einen vollkommen neuen stoff, ein transzendentes, bewusstseinserweiterndes plasma ergeben, das so nur in der Übergangszone oder zwischenwelt existieren kann. musikalisch orientierte sich flying lotus an den großen fusion-jazz-kollektiven der 1960er/1970er und an psychedelic-rock-lps. die anziehungskraft seiner klanglichen traumwelt ist in den letzten jahren so stark geworden, dass inzwischen auch schwergewichte aus anderen sphaeren wie kendrick lamar, snoop dogg oder jazzlegende herbie hancock davon angezogen werden. ein faszinierender, tief berührender trip.
negative a is common for this pounding style and one of the recognized artist on the well respected dna label who scored big hits with >white fluids of dna<, >loops & drinks<, >one man army< and his recent bomb >be positive<!
dj obscurity remix is so called uplifting darkcore with raw beats, drum and bass rythmn and he gave this one his own twist as elements of the original are still in there. dj sim is one of the icons in the early hardcore age!
throughout the years the hardcore sound has evolved into a todays sound of mature beats and distorted sounds. as the level of quality keeps continue to rise, its harder these days for new breeds to make a breakthgrough.
in hardcore everything depends on delivering quality records in order to get your name out there. with derailed traxx black we offer a platform for young talented producers to showcase their skills and have their claim to fame.
d-version is such talent. a dedicated hardcore fanatic with fresh sounding producing skills. after releasing earlier work on several other labels, this new 3 track e.p. is his best release tod ate.
the more than music ep contains 3 mainstream hardcore tracks with a party gesture! already supported by the biggest radio stations like: masters of hardcore radio, kutski (bbc radio 1), thunderdome radio and more ...
the bzrk-classic >the flow< by jeremy will be put in the spotlight once again and has been remixed by two of present hardcores most talented artists: t-junction and rudeboy!
another slick double artist 12 inch from the 2nd drop camp and for this, our 9th release, soushakerz head honcho and kent second finest achievement after the channel tunnel, j:kenzo, offers a blistering a side with conqueror. this moody, skittish and intense bongo led firecracker that descends into a thumping bass skank out on the drop, is pure dancefloor dynamite.
on the flip sees the return of ld, who continues to take the percussive elements deeper on derailment, adding in ravey synth line and switch up 2nd drop that compliments conqueror perfectly.
with the introduction of derailed traxx black classics, the international hardcore scene has a new platform for re-releases of hardcore classics and remixes of hollands most promising producers of their favorite tracks. the first release of the new imprint puts all eyes back on the huge classic >go get busy< by dj weirdo & dj sim.
the original release on the massive pengo records was one of the most successful 12 inches, but very hard to find these days. >go get busy< has been put on the record in two different versions: the extended rave mix and the hardcore edit are digitally remastered, so they are now available in the best possible quality. but whats even more important about this re-release is the remix, brought to you by the genius of paul elstaks offensive records: accelarator.
accelarator is one of the key producers of the >godfather of hardcores< imprint. together, they form the very successful act the hitmen and had hits with tracks such as >we like it raw<, >fight for glory< and the devastating remix of j.d.a.s >voel je die bass<, which became one of the biggest hardcore hits in 2009. but also as a solo-artist, mick grundner proves to be an exceptional talent. together with various producers, he delivered productions for paul elstaks latest album and remixed several top-notch artists like kasparov, headbanger. now, he brings you his undeniable interpretation of >go get busy<. accelarator is considered to be one of the hottest artists for 2010 by many of his colleagues, approved by his fantastic remix of >go get busy<.
derailleurs new wavwe theory of light ep for dust science delivers four thumping tech-house tracks with some detroit elements that signify a new maturity from lee graves
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