deluxe version on black vinyl, featuring 3 additional songs. housed in a gatefold sleeve.

sowohl der film als auch der soundtrack zu »guardians of the galaxy« sind absolut kult. und da 2017 endlich die fortsetzung des science-fiction-abenteuers von marvel in den kinos läuft, gibt es passend dazu die neue filmmusik: »guardians of the galaxy: awesome mix vol. 2«.

original motion picture soundtrack from the 1986 movie “top gun”.

incl rock hymns from the last decades incl europe / him / lordi !!

classic rock anthems on coloured vinyl incl europes final countdown, toto, the clash. alice coopers poison and more !

original motion picture soundtrack from the 1986 movie “top gun” on picture vinyl.

die besten rock-klassiker aus der sat.1-show “die hit-giganten” auf doppel-vinyl im klappcover.

vinyl release of the original motion picture soundtrack from “pitch perfect 3”.

orange coloured editon ! legendary rock hymns !

the original motion picture soundtrack for marvel’s blockbuster “guardians of the galaxy vol. 2” on limited picture vinyl.

classic rock anthems vereint die größten rocksongs der 70er und 80er jahre auf einem album. mit dabei sind hits wie ›eye of the tiger‹ (survivor), ›the final countdown‹ (europe), ›don’t stop believin‹ (journey), bat out of hell (meat loaf) und viele weitere mehr. die zusammenstellung macht diese platte zum ultimativen rock-sampler auf vinyl.

for pressure traxx 013 we take things back to basics. two guys and four machines are the only ingredients for these old school bangers. on the a side we re very proud to welcome nail tolliday from the uk to the family. this legend is in the game for more than 20 years and has paid his dues for sure. -sentipede- (originally released on diy discs in 95) was produced on a roland tr 909, tb 303, sh 101 and one effect processor. it was live mixed and recorded in one take. no trickery and no bullshit! on the flip we have pressure traxx co-founder einzelkind cutting it with his 808 rhythm traxx 3. this is a recording of a 10 minute live jam with the roland tr 808. no arranging, no cheap effects, just one guy working this all-time classic drum machine live n direct!

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

for more than 5 years cargo edition has been standing for the deeper house productions of moon harbour/cargo edition’s roster of artists. so far acts like ekkohaus, michael melchner and markus schatz have been setting the tone. now this platform is offered to artists who haven’t yet appeared on the label. the warehouse release is the first of a series of various artists eps. we invited artists like steven cock from dresden, ralph sliwinski as well as the italian acts mass prod & marco daquino and minimono to contribute tracks to warehouse vol.1. the sound of the first ep is all about consistent house music that does not need any cheap rave tricks. old school house music is quoted with skills and style and translated to the modern dance floor. warehouse vol.1 is the perfect start into the fifth year of cargo edition. luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!

alphahouse welcomes kai to the family, with the dazzling 3-track ep >gakuon< his debut release came last year on portables sud electronic label, and put him on our ones-to-watch list. now kai delivers his second ep and its a killer. with so much music in the world following the same patterns, and producers sucked into using the same cheap tricks in the studio, its refreshing to hear that some people out there are still capable of independent and abstract thought. we hope you agree. >ac< is a mutant deep techno piece equally suitable for dark club mayhem as it is for sunday brunch with the in-laws. seriously, try it out at both places and if it doesnt work the next beer is on us. >spacetravel< is exactly that. a micro-sampled ride though the cosmos. tiny vocal spurts and playful melodies surround a throbbing bassline. stripped just to the groove and not over-arranged, theres plenty of room to let your imagination roam free. >gravity< is one of those special inside tracks that we search so long and hard for. delightfully simplistic, yet incredibly groovy. its amazing how much you can do with a few well-placed sounds, isnt it?

we are very pleased to present the final volume in a fantastic remix series. a big thanks to all the dj’s around the world that supported all three releases.volume 3 presents three artists new to aesoteric, all of whom currently reside in barcelona in the coastal stronghold of catalunya. erikotanabe s cut up and chunked down post-minimal mix has been gaining lots of attention from all the heads from london to sydney. the love twizz (2 cheap tricks) mix from tres manos & garcy noise sets a pulsating bassline under lush strings, seductive vocals, and synth stabs

spitzenmäßige 2 track ep , >cheap trick< ist ein wahres strobogewitter des sounds und >black sun< kickt in die minimale jackin chicago ecke !!

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. -in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.- all the music was recorded live onto a cd burner, through a cheap mixer. john would sit on a chair, in his living room, surrounded by five to 15 machines, and just keep programming and jamming until the track was ready to be recorded. there were no overdubs Ð recorded all live