a collection of sam cooke classics on vinyl lp.

reissue of the 1962 johnny cash album on 180 gram vinyl.

public release maintains its coast-switching lifestyle with what is perhaps its most ambitious project—and inarguably its longest - yet, earth boys’ debut full-length, the eboys lp, the logical conclusion to a chain of collaborations that began, a little over a year ago, with the release of their trail mix ep. the two-disc, twelve-track album represents a new high for the pair comprised of michael sherburn and julian c. duron both creatively and technically, ideas they’ve been stewing and simmering since their splash of a debut in 2015 are now presented fully baked here.

the great long lost album from this 60s us band, re-issued on 180 gram vinyl. musically in the style of iron butterfly or banchee, with great fuzzed-out guitars, booming bass and screaming vocals, including the 14 minutes long spaced-out track *my main woman*.

das dj-duo the hood internet aus chicago, bestehend aus stv slv und abx, veroeffentlichen mit feat das erste album mit eigenkompositionen, nachdem es durch diverse mixtapes bestehend aus blends und mash-ups verschiedenster stücke von so verschiedenen kuenstlern wie whitney houston, justice, fleetwood mac, jay-z u.v.a. aus diversen genres einen hype im netz kreierte. fuer ihre eigenen kompositionen konnten sie kuenstler wie psalm one, class actress, cadence weapon, show you suck, tobaxxo (black moth super rainbow), donwill (tanya morgan) und viele andere begeistern.

milan based heels of love is made up of luca saponaro (from krautrock-disco hybrids the love supreme) and michele tessadri (aka fratelli riviera). the pair of them create incredible 80s-tinged, earthy, synthesized music with healthy dose of real instruments. after some nifty releases on mad on the moon and under the shade labels we are pleased to welcome them to the nang family. with an lp poised to drop later in the year, the welcome first dose is the train >chain gang<.
the track features the dulcet (and ever growing in confidence) vocals of tokyo based max essa. the original is a pacey combination of maxs devoesque song, driving drums and the wide-as analog bass synth from the italian duo. are we men? we certainly are.

2018 remaster clear vinyl

following another sensational season of sold out shows in ibiza that saw the biggest stars in house & techno >all gone future sounds< sees pete join forces with cadenza favourite reboot to compile a 2 cd mix representing the groundbreaking sounds at the forefront of cutting edge dance music!

the greatest hits from johnny cash on double vinyl.

a collection of 1982 chart hits on translucent yellow triple vinyl.

second in a five part series, documenting the birth and evolution of soul music. comes on double vinyl, housed in a gatefold sleeve.

the 1966 album from jazz icon nina simone back on vinyl via cornbread.

this is the new 2016 edition of soul jazz records’ long out of print first new york noise collection, dance music from the new york underground 1978-82. this new 2016 edition features classic new york post-punk, punk funk and no wave tracks from arthur russell/dinosaur l, james white and the contortions, the theoretical girls, mars, konk, material, bush tetras, lizzy mercier descloux as well as new tracks by alan vega (suicide), chain gang and implog.
heavyweight double album + free download code, comes complete with inners containing exclusive photography and extensive historical and contextual sleevenotes.

portrait of a legend: 1951–1964 is a compilation album by american singer-songwriter sam cookethe compilation is generally considered the most complete and comprehensive collection of cooke s work. it has been included on various -best-of- lists by music publications, including rolling stone and time.

dj support from skream, laurent garnier, si begg, mysterious mr o (detroit grand pubahs), nerm, otto von schirach, and many more!
take electro bass noise, gore grind, idm glitch, calliope, breakcore gabber jungle, gangsta rap, mix them all together and what you get? otto von schirach . for æbass lowÆ the oddball shreds hip-hop ( i always felt that hip-hop beats need shark-bite rhythms or chain-sawsounds ), corrupts miami bass and perverts techno, saturating his hard drive with sonic detritus . otto von schirach (half cuban / half german) was born in 1978 in the swamp infested refugee world of little havana miami.

mark stewart first made his presence felt as the front man for the pop group in the late 1970s. they were pioneers of the post punk dance sound and had success with singles such as >she is beyond good and evil<, and >we are all prostitutes<. when the band split in 1980, mark joined the emerging on u sound crew as a part time member of the new age steppers. he then went on to form his own band with keith leblanc and doug wimbish, the rhythm section of the sugar hill gang, and guitarist skip mcdonald. with adrian sherwood and his production magic at the controls, the maffia unleashed an awesome mix of styles that sounded like bootsy collins jamming over a bootleg jah shaka tape in an urban warzone. this incredible mix of funk, dub and electronic overload pre empted techno and drum & bass by years. mark stewart, often copied, never bettered. the film retraces the singers steps and paths from the early days of the pop group right up to the present. schifer, who followed mark around for a full 3 years, has crafted a detailed, often intimate portrait of the artist, supplemented by interviews with a. o. mark stewart himself, adrian sherwood (on.u sound), daniel miller (mute records), nick cave, mick harvey, doug wimbish, skip mcdonald, keith leblanc, douglas hart (the jesus & mary chain), fritz catlin (23 skidoo), mike watt (minutemen, the stooges), gareth sager (the pop group, rip rig and panic), dan catsis (the pop group), john waddington (the pop group) janine rainforth (maximum joy), massive attack, keith levine (p.i.l.) and many others, plus never seen live recordings and music clips