2005 release from the undercover art family, featuring 2 broken-techno-bootleg killers by robosono and shir khan.

dj rubbish samples any sound he gets and spits out any rant that comes to mind for just one reason - because he can! interludes proudly brought to you by project brothers.

happy hardcore refixes of underworld and breaking benjamin

bootleg attack…benny benassi & fatboy slim / plus fresh electro bass with fatboys vocals on top

feat.tracks / remixes by paul van dyk, showtek, technikal bk, kutski, klubfiller, system f, kidd kaos and many more

personal bootlegs to shake your booty.

repress - j dilla is widely regarded as one of the greatest hip-hop producers of all time, having supplied timeless soundbeds for the likes of a tribe called quest, slum village, the pharcyde, busta rhymes, common, de la soul, the roots, d’angelo, erykah babu, madlib, and many more. in 2005, rumors began circulating about an album called “jay love japan”, a j dilla solo project inspired by one of jay dee’s favorite locations to visit on tour. after dilla’s untimely death in early 2006, the album became a lost classic shrouded in mystery, with only unofficial bootlegs and promo versions available. an official cd version was eventually released in 2008, but quickly went out of print. now, the album is finally receiving the official release it always deserved. j dilla’s mother ma dukes and her label vintage vibez music group are proud to present official vinyl and cd versions of “jay love japan”. with six soulful dilla instrumentals and vocal appearances from blu, miguel, j*davey, ta’raach, exile, baatin, and more, this 11-track collection is a perfect snapshot of late-period j dilla brilliance.

personal bootlegs to shake your booty.

personal bootlegs to shake your booty.

personal bootlegs to shake your booty.

you may not have heard the name jackson almond before, but you will have likely heard some of his music. having released on wotnot back in 2013 under the name real, with a flurry of eps, remixes and bootlegs under this name and as part of duo boean (on bbe, warner, xvi & slowfoot among others), jackson has been delighting ears for a while now, with a particular knack for balancing hooks and earworms with original ideas and creative production. this ep began life as a series of headphone jams written when jackson was living outside of the city in self-imposed exile, tuning into the goings on in dance music from an external position. it was then polished into dancefloor gems at the wotnot studio at the total refreshment centre. the music reflects this, with the sonic palette reflecting lo-fi and outsider house, but with a warmth, depth and musicality specific to his own personal situation.

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. high fidelity will be the first in a series of queen constance rarities to be reissued, an extremely rare and coveted record that can change hands on the second hand market for big big money, avoid those low rent bootlegs that are out there and cop this fully licensed repress. the group s self-titled sole long-player is a fantastic 6 track set of gritty, soulful and uplifting funky disco with a diy edge. not too much is known about the artists themselves, or even when the record was performed, recorded or released but it certainly sounds like a group who knew their craft inside out. the energy is high across the record and the group sound like they re on fire, just check the outrageously funkified magic carpet and you ll see what we mean. amazing. the whole project has that enchanting lo-fi, back-street feel to it in terms of production and the mind boggles as to how such a record would have come off had it been recorded at a motown or any other big studio, but no matter as this release is perfect the way it is, an essential piece of street-level nyc disco straight from the underground.

just in time for the summer sun, heynow001 features four exclusive liquid drum and bass bootlegs that will keep you and the whole dancefloor well hydrated. we’ve listened to your suggestions, and the vinyl release is backed with a first time press of two tracks that have been highly sought after as well. you can sit down, the wait is over. hey now is here!

ltd 1 per customer !! french disco auteur dimitri from paris le edits imprint is proud to present a very special and limited record store day release for 2018. le edits burst onto the music scene in 2017 with the highest quality re-workings of stone-cold disco classics and rarities for the discerning record buyer, striving to present the best possible product in a world of cheap bootlegs. this particular release has been in the works for the last 18 months and has been conceived with all copyright owners’ blessings. using only the finest materials available, sourced from multiple countries across the globe, as well as top shelf engineering and mastering - this product cost 4 times as much to produce than your average disco edit 12’’ because le edits believe in quality first and foremost. strictly limited to 300 copies, hand numbered and signed by dimitri from paris - no re-issue guaranteed. utilising the highest end tip-on heavy duty gatefold sleeve, and inner protective sleeves, pressed onto 100% virgin vinyl and housed in a handsome protective plastic cover and exclusive printed tote bag. these new mixes have been commissioned for rsd 2018 and will not be available digitally. a truly collectible and desirable item indeed.

vinyl only.
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

following on from the runaway success of le-edits number 1, dimitri eases us into 2018 with style and grace by presenting us with another fine set of reworkings from deep within the vaults. in this era of cheap and nasty bootlegs, badly looped breakdowns and bedroom producers butchering the classics with no soul or quality control it was time for a change, an antidote. le-edits is exactly that, a platform for dimitri to express his appreciation of this most influential musical artform in the best way possible - utilising the master tapes, pressing onto virgin vinyl, taking extra care with the label aesthetics and everything else in-between. what you hold in your hands is a labour of love, a journey! once the needle hits the groove and you re immersed in the music it will all make sense, you will feel the force of the chic in the music!

this has always been a rare 12inch originally only released in the uk in 1979, phoenix was considered to be too disco at the time and the release pretty much sank without trace - one reason why finding those original uk 12inches is near on impossible these days. just 2 copies on discogs and a mint one will be circa £50 if you re ever lucky enough to find one. however, since 1979 phoenix has grown in stature and what was once considered to be a twee disco tune has now become a huge collector s item and a staple in the right clubs. no surprise really as this is norman connors at the top of his game and the production is red-hot. how phoenix never made it to 12inch vinyl in the u.s. is one of the great mysteries of life but here it is on beautiful fresh 12inch vinyl some 38 years later. as with all our 12inch re-issues we ve replicated the original label. luckily there are no bootlegs to contend with on this release, so this is the first re-issue of this song since the original release date, so order with confidence

the patrick adams managed group black ivory scored a number of hits in the mid 70s, two of their most sought after are here together on one 12inch. the paradise garage and loft anthem mainline, penned by prolific disco producer leroy burgess has seen it s fair share of bootlegs but it s available here officially licensed and remastered for the first time since it s original release in 1976. fans of ron hardy may be familiar with the break from the b side cut walking downtown on saturday night as it feature heavily in his sets from the legendary music box in chicago. presented on heavyweight 180g vinyl.

tenderness - a short-lived disco project helmed by james purdie and skip mahoney only released one 45 and one 12” single during their brief existence. known for their work with chuck brown & the soul searchers & frank hooker & positive people and many more, this duo were undoubtedly a highly talented producer, songwriter and keyboardist combination. originally released on rca in 1978 keep on trying was an underground club hit. the record still packs an immense punch today, it’s a mixture of tough streetwise drums and percussion and swooping dramatic strings and brass will surely hit the spot for disco aficionados. the kind of record you can imagine causing all out pandemonium at the garage while the scents of amyl and sweat fill your nostrils. the kind of record that would make everyone on the raised stages and podiums at the powerhouse whoop and holler in collective joy as frankie stylishly segues it into a punishing percussion break-down. yep. it’s that kind of disco record, so rare and so coveted that even the infamous dj harvey put it over his knee and gave it a good editing way back when. there’s been a shedload of poor imitations knocking around, dodgy euro bootlegs etc, but this 2017 repress is from the master tapes (yes, we can prove it) and is fully, 100% legit in every way. keep on trying - now available again, released in conjunction with rca. back on the streets. same as it ever was! essential disco heat here, buy on sight!

after you listen to these, you’ll need to put on a new pair... panties001 consists of 3 sexy smooth, yet vibrant r&b bootlegs sure to heat up any dance floor. though each track brings its own unique flavor, there’s an unmistakably familiar vibe that carries throughout the release.

original first (and only) pressing, not reissues, represses or bootlegs.

original first (and only) pressing, not reissues, represses or bootlegs.

hands down proper detroit gear, timeless classic material here, if that s what you re after - look no further! coming on strong way back in 87 on the legendary kms label when we used to play is 4 solid as cuts, stripped back box jams, sleazy vocals and samples and ultra-jacking rhythms! this one s for the heads and is the first of 2 baxter 12-s that mint condition will be presenting to you! trademark deep basslines and sultry atmospheres are what baxter does best and this is one of the first, and best, examples of his unique flavour of house and techno. there have been a few bootlegs of this classic ep floating around for a few years, but this pressing is the real deal, a solid collabo between mint condition and blake baxter. an essential cornerstone of one of the most important musical scenes in dance music indeed - every home should have one!

there are hundreds of bootlegs out there to sate the ravenous soulero set, and so often they incorporate songs in the vast numero catalog. rather than beat them, numero joins them with our answer to the iconic east side story series. eschewing our classic look and standard-bearing copious notes for sardonic artwork and impeccable selections, numbero is proud to present a ‘bootleg’ you can be proud of (because it’s all licensed). this time we’ve set our sights on the most unique of soul cultures: the irreplicable melting pot of san antonio. included here are all songs never before issued other than in minuscule pressings on 45, never distributed outside of bexar county limits.

this classic deep house jam was huge in its original form when it landed on som underground back in 2000, and then it went on to receive the remix treatment from artists as widely respected as 2000 & one and christopher groove. aside from the official remixes, the likes of luciano took the accapella for a ride and created infamous bootlegs that took the scene by storm, whether soundtracking an intimate club throwdown or a blissed-out ibiza terrace moment. now, more than fifteen years on from the original release, it s time to revisit a stone cold classic and call in a fresh interpretation. berlin-based tony lionni has already scored countless essential deep house releases for freerange, madhouse, modelisme, mule musiq and versatile amongst many others. his warm, slow-grooving approach suits the mood of pachanga s laconic vocal delivery perfectly, but behind the mellow veneer there s a powerful, soundsystem-ready punch to the track that demonstrates why lionni has risen to be such an in demand producer over the years

vinyl only.
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

vinyl only.
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

having established themselves as one of anjunadeeps leading acts over the past 12 months with three stunning eps and notorious bootlegs of depeche mode and radiohead, cubicolor return with their boldest and most diverse release to date with the down the wall ep

2015 repress
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

neana makes his night slugs debut with two huge bootlegs. both sides showcase the young producers unique style, melding grime, ballroom beats and the ns club constructions manifesto into a new club sound of all his own.

chesslo junior comes to kelpes drut recordings for his first ever vinyl release – a 6 track ep of house tempo jams and avant garde beat sculptures: long hum. with previous releases on wotnot as well as numerous self released hip hop bootlegs, chesslo becomes the first artist other than kelpe to release on his fledgeling label

ever since digitalism played boiler room at 2013s !melt festival the internet has been asking what this track might be. there have even been bootlegs made from the audio, but the version we release on vinyl was the one that lit up dancefloors from i love techno in belgium to genban in tokyo, output in new york and razzmatazz in barcelona.

owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

gator boots, pimped out gucci suits and a quarter tank of gas in a new e-class benz. sometimes musical rules are just meant to be broken. with no exceptions, here comes gator boots, a new imprint born in the true spirit of underground. no holds barred, vinyl only and extraordinarily limited we proudly present bootlegs for the sake of bootlegs. can you dig it? we knew you could!

bootlegs from frankfurt, london and bucharest on limited whitelabel vinyl, handstamped with love.

after more than a decade of silence no gigs, no music, no nothing, gramme return with their debut album fascination. the cult around the band and their lone release, the pre-release ep, continued to grow until in 2011 some mysterious 12inch bootlegs of like u began to appear, with edits by joe goddard of hot chip. a few months later self released white labels begin to circulate with new gramme material. those recent eps have gone on to form fascination, the first full studio album by gramme

rmixed coloured vinyl only release !!! eady for some bambule and some glory in the morning suit for deep emotional moments on the dancefloor whitelabels, bootlegs, dubplates are a part of the dj culture since the late 70s when djs starts to be individuals and not anymore record players of radio edits. in a time of digital revolution is it important to remember where we come from and to understand music as a gift from me to you and let that we enjoy it on the floor in the manifest of dancing. no profit, no hurt, just free music for free people.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

super limited vinyl only release. greco-roman’s new signing and secret dj team weapon enchante opens the new year with a selection of under-the-counter, r n b flavoured bootlegs. with remixes imminent for metronomy, azari & iii and joe goddard, a full ep coming featuring sampha and a release on aramac’s sticks n stones label, this should be a busy year for the mysterious north londoner.support from toddla t, sinden, roska, benji, will saul, tayo to name a few

ghetto funk presents slynk. evan chandler aka slynk had music on the mind from birth. naturally gifted with a musical ear he flirted with a range of classical instruments including piano, guitar and drum. it soon became apparent that his ear was best suited to his own style of ghetto funk inspired bootlegs and remixes.
slynks first artists ep for ghetto funk has already been getting support from some of the scenes biggest players and his track boomin even appeared on krafty kuts most recent promo mix. his work is highly sought after by djs around the world while his forward momentum knows no boundaries. expect big things from this rising star and this ep is no exception.

aux-rec is back for its fourth project, following the >baker man< edit by soul clap (so good it became an official remix on laid backs label), first class remixes by franco cinelli and the >caught up< bootleg by le loup & funkalicious james aka childhood 87. we are feverish to bring you today two new bomb bootlegs by argentine top producers leonel castillo and lexdinamo. those in the know have been familiar with these names for over ten years now and know how rare their productions are. as a matter of fact, this is probably the first time you will be able to get your hands on such bootleg productions from these two cats. leonel castillos signature shuffly blend is unmistakably recognizable on this a-side, on which he pays his tribute to one of the most emotional soul masterpieces by the dells, the 74 released >i wish it was me you loved<, bringing it into full dancefloor effect. lexdinamo does what noone did before, jumbling even further one of bobby mcferrins most genius vocal medleys, >drive<. avid bootleg followers may have previously heard this version, but we just cant get enough of it! coming up! more works by aux-rec regulars franco cinelli, leonel castillo and soul clap! stay booted!

again, a new discofil release. this time its a mini lp curated by venice-based dj and producer bottin whos showcasing some of his favourite proto-italo oddities, or if you will, an outing of some of his essential influences, dating back to bottins childhood years in italy. bottins earlier releases has been on quality labels such as eskimo, italians do it better, bear funk, nang and the obscure artifact bootlegs. adding discofil to his impressive catalogue, well the pleasure, the privilege is mine

2017 repress, the r&b ep is a selection of ground breaking, genre blurring bootlegs / edits. these tracks continue our mission to change the way we dance, from the minimal 2-step to a much freakier marcy grind. all three cuts have been a major part of our dj sets over the past few tours and everything is dance-floor approved (in some cases even with sing-a-long). it is with great pleasure that we can share this with you for this limited edition pressing! extravaganza - a guaranteed >ladies-report-to-the-dancefloor-for-booty-shake< anthem, this tune tells the story of the romance/heartbreak from a one night stand. sex in the kitchen – over by the stove, put you on the counter by the buttered rolls… its rare to get into such fine details about the culinary arts while raving, and now this bass heavy edit done changed the game. dreams of tomorrow – take one colombian jam session, add a sprinkle of lee curtiss drums and a whole lot of lonnie liston smith and what do you get? mo money

a special reissue. this features four tracks from the relics album that was released in the early 90s. since then it has been out of print, bar some dodgy bootlegs. the four tracks reissued here were exclusive to the album release and this is the first time they are available on 12 inch. all four tracks are landmark techno pieces and considered to be among his best output. a special release deserves a special packaging. it comes in a matt varnish, die cut sleeve. this is a one time run of 1000 units. vinyl only.

bosconi strikes back again with another essential release by our outstanding artist mass prod. his unique fingerprint is recognizable thanks to the variety of styles of this new 3 tracker ep. after his succesfull bosconi grooves ep and a marvellous series of bootlegs, mass prod delivers one deep house gem, a dreamy oldschool techno detroit pumper and a twisted jam of clear crossover techno - modern 2step inspiration.

supported by: ricardo villalobos, reboot, robert dietz, karotte,.. backing every full release on all inn records, is sister label all inn ltd, with its limited runs of 300 white label vinyls. each ltd release sees well established and brand new artists, deliver floor wrecking, cheeky bootlegs. some more instantly recognizable than others, but all, well road-tested secret weapons. today all inn visit their italian talent academy, recruiting romano alfieri and sehou. pisa resident romano is resident of reflex club, and regularly shares the decks with many of the worlds biggest names. 2009 saw his sign his moved to love ep alongside luca bear, to gregor treshers break new soil imprint.

gorillaz, abc, beach boys and zulma yugar bootlegs! this 12inch provides 4 excellent tunes, including reinterpretations for famous classics, produced by alex d elia & nihil young, john lagora, jellyboyz, gary caos and francesco bonora, some of the upcoming great new talents on the scene. monster bootleg, moving from tech-house to techno and house flavored smashing tunes. a must-have package for sure!

aux-rec is being launched by airdrop records as an offshoot label designed with a specific mission in mind: to look back and pay tribute. aux-rec surveys musical history looking for those inspiring pieces of music (famous or forgotten) that carry a very distinctive groove and identity, and that offer the potential to be revisited in an ingenious contemporary way. at airdrop, we love music of all ages and of many genres! we feel aux-rec is a way for our artists and for us to pay our due respects to the origins and the evolution of contemporary dance music.
the existing airdrop roster of artists will be invited to contribute to aux-rec, but different artists will also be uncovered specifically for this project. off to a fresh start, franco cinelli and club rayo (a duo composed by rafael sorol and pablo terreil) engrave their long-time friendship on this record. franco cinellis first productions were released on the duos imprint club rayo disquets at the beginning of the millenium. the club rayo collective has been extremely active in the local argentinean scene for more than twelve years now.
going back to one of music historys greatest classics, >fever<, franco cinelli and club rayo bring their own interpretations to a theme that has known as many versions than people taking a sing at it in the shower! using ella fitzgeralds and elvis presleys voices, club rayo create repsectively the fitzgerald mix - a rocking dancefloor jam looping ellas fantastic voice bringing it to a culmination - and the king dub - a 118 bpm groove punctuated by elvis low-pitched and resonant tone. cuerdas is a short guitar instrumantal rendition of the fever theme. on his remix, franco cinelli creates a 10 minutes drum symphony, especially designed for the post-climatic hours. both producers kept in mind ellas famous quote when undertaking this great enterprise: >i stole everything i ever heard, but mostly i stole from the horns.<
the following releases on aux-rec will also be in the form of bootlegs, edits, re-works or samples (you name it). they will bring back memories to your heads and mostly the groove to your feet. to be true to its mission of a vintage exploration, aux-rec will be releasing exclusively on vinyl, in the tradition of the essential music format of the 20th century. there will be no digital releases at aux-rec. in the pipeline are soul claps edit of laid backs >bakerman< as well as le loups version of sheila es >a love bizarre<, produced by prince.
also played and supported by agnes, butane, ripperton...