acid pauli and nico stojans inimitable imprint ouïe sees the long-time collaborators return with their second ep

acid pauli and nico stojans label ouïe proudly presents the original film score and soundtrack album for the new german movie: * es war einmal indianerland * which translates into once upon a time in indian country which is centered around brand new songs by acid pauli.

melodic smasher from nico stojan and david keno including acid pauli edit!

acid paulis second album �bld dropped earlier this year to a rapturous reception. martin gretschmanns trippy opus took in various stops around the musical spectrum, yet remained committed to quality dance-floor tracks that refuse to follow any particular rule book. this collection of remixes of the albums a side (hence the name) only adds to that achievement - bringing yet more new flavours and takes from some of the most exciting names in the underground. �abbebe gets a rework from sainte vie who brings his trademark �multicultural electro sound to the albums opener, and produces an ecstatic mid-paced groover for the heads. oceanvs orientalis drops a similarly exciting rerub, finding new angles and dimensions to the track �baris. tel avivs red axes turn up the psychedelica for the duos amazing dissection of �ayam - deep sounds immersed in acidic tones and tight-yet-wonky arrangements. lastly �majid gets the treatment from label co-head nico stojan who produces a sleek and spacy remix that will delight the early morning ravers.

acid pauli is a name synonymous with certain aesthetic towards electronic music culture - both a part of the unhooked generation of that grew up experiencing his revelatory sets at places like bar 25 and fusion, and yet deeply rooted in musicality and adventurousness. bld, the second full album from martin gretschmann, (aka acid pauli), builds on his already impressive back catalogue which spans back to 2005, and includes a debut album released on nicolas jaar�s clown and sunset. over the course of the eight tracks here, gretschmann explores some of the many facets that have made him one of the most trusted artists in his field. released on his own (and nico stojan�s) label ouïe - the album is the perfect expression of the imprint�s commitment to diverse, exciting sounds, freed of the conventions of traditional club music. the album covers a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. gretschmann�s well documented love of the sampler shines throughout - tracks are textured and colored with different hues from his extensive sound palette, whether it�s a part of his more psychedelic moments, or concentrated on his innate knowledge of dancefloor dynamics. as such bld sits together as a complete piece of music - to be relished just as much by blissed out home listeners as the left-field dancers.

david mayer�s career and background is marked by a desire to keep moving and experiencing new perspectives. having finally settled in berlin, the german dj and producer has built up an enviously diverse back catalogue on labels such as connected frontline, objektivity, gruuv, audiomatique and keinemusik. with his first release on acid pauli and nico stojan�s ouie label, mayer brings his trademark groove to the fore once more. �the call� is a mid tempo chugger built around a kick, clap and 808 blip, before a more organic groove develops. the slowed down chants and wigged out synth line take the vibe into afro cosmic territory, without losing the original energy. �sooner� is a little more urgent - a crisp, forward leaning rhythm and a deep, subby bass lead the way, before another frazzled synthesiser takes us on a melodic walkabout. �black queen� is another example of mayer�s slick drum programming, keeping things zesty on the dance floor but with acres of space to lose yourself in.

acid pauli and nico stojans ouïe label acts as home for left-of-centre music from disparate sources - somehow connected by a thread of hedonism with a melancholic edge. welcoming kerela dust to the imprint, this four tracker showcases the different dance floor shades the label always reaches. kerala dust are a london based trio that owe as much to tom waits as they do to four tet or dj koze, but somehow tread a fascinating line between genres and moods. mixing jazz, indie and the sharper end of the club sound, francescas frames is the perfect introduction to their vibe. �maria is augmented with a thick, mid tempo kick and sparse, effective percussion. the clever vocals provide the topping - showcasing the bands pop writing prowess. the track will appear as a single release on 6th aprila accompanied by a music video. acid pauli and nico stojans remix picks up the pace a little, while dubbing out the elements into deep, late night dance exploration. �nyla brings a new vibe, deep, pulsing synths and a bubbling baseline accompany the crisp, compressed rhythm track before eds iconic croon arrives to take the track to a new level.

quantum collage is the latest pseudonym of olaf gutbrod aka ohm-g. having built a reputation around his long list of chill out tracks produced while resident in ibiza, this release on martin gretschmann (acid pauli, console) and nico stojan�s ouïe sees him dive into some more electronic textures. �lucid dreaming� is a chugging, groovy trip built around a shuffling beat and dubbed out percussion and horns, tapping into gutbrod�s talent for amplifying the vibe. �afrika im weltraum� adds a little more tempo - a swirling, driving drum loop provides the basis for layers of extra percussion and spacey synths and various chants and radio broadcasts. her beauty certainly draws on some the mastery gutbrod showed in his releases on café del mar and hotel costes cds - a chilled out groover with the sunset / sunrise seemingly in mind.

we are back in the hauptstadt (berlin capital) with the fifth installment of the * stil vor talent berlin* compilation series, which brings forth a group of old and new faces, who exclusively contributed unreleased tracks, gathered under the umbrella of one of berlins most iconic spots. frankfurter tor is the gateway to one of our favourite districts: good old friedrichshain. loud, left and a little dirty, it houses some of the cityÕs best clubs, markets and musicians, oliver koletzki included. its two towers stand as metaphorical guards to an area that has plenty to offer and asks for little in return, instantly making it feel like home. as always, music is the common denominator and oliver koletzki delivers the perfect soundtrack with this new release, while chrisse kunst renders the visuals.

jewel case edition !! der original soundtrack zum film! cd1 >dancefloor< contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the bar25s last season. cd2 >zirkus< is a dazzling roundup of special songs, some by artists who usually make very different music. taking turns in musical styles, 15 songs give an auditory sampling of what made the bar25 zirkus artistic mix.

der original soundtrack zum film! cd1 >dancefloor< contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the bar25s last season. cd2 >zirkus< is a dazzling roundup of special songs, some by artists who usually make very different music. taking turns in musical styles, 15 songs give an auditory sampling of what made the bar25 zirkus artistic mix.