remastered versions

federico molinari kicks of his new label hold on catalina.

manuel fischer back on his own ozelot imprint with the last part of bassline providerz trilogy.

phreaky bass monster

christian viers is fast becoming a prominent name on uk underground house and techno circuits, either as part of lazlo dancehall alongside leon vynehall or his long running a1 bassline project. techno-focused releases on his own label, source unknown captured the attention of the ears behind the newly formed fina white resulting in the bad timing ep, which the label state is a strikingly clear indication of the distinctive direction they plan to take moving forward. title track bad timing is a straight up techno banger whose menacingly melodic low-end tones, relentless thump and rolling toms are the driving force behind its robust and looming groove. without time is a similarly complex percussive cut, but with its jungle inspired arabic horns, trancey synth-lead breakdowns and acid squelches, whilst uk house veteran nail offers a more direct 4/4 take on the track with his typically classy remix.

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

a1 bassline, comes with a new release on his own imprint source unknwn, slur b/w slingback. his latest release >why do you< out on claude von strokes dirtybird, following the huge success of the buoyancy/falsehood ep on the same label, both releases were met with glowing reviews. his musical aspirations originate from genres such as garage, and drum and bass.

groovy electro house tracks with an infectious male vocal plus the really dark bonus track funk revolution (sb)

new ep by dott

continuing the series of our popular various artists 12” releases, hydraulix records brings you four of the most played and most popular tracks from the recent digital catalog.

here is the latest from your favourite funky airline company and we are about to head skywards for the seventh journey. a1 sees the captain addressing the passengers in his most charismatic voice while the cabin crew is, well, pumping an irresistible in the air drum break over a partly sunny partly funky bassline. flip it over to b1 and watch stunt flyer ben aksar turn his *leftovers* into an intercontinental airshow while b2 elegantly shifts gears between a cloudy night-flight and the clear blue sky.

decks tipp

the burrito beats lp from czarface s esoteric showcases the grit, grime and flavor that rolls into his particular brand of hip-hop production. similar to the ingredients of a burrito, there s much more than a single-serving of funk crammed into this meal, it is stuffed with everything on the menu. deliciously dope drums, baked basslines, grilled grooves and savory soundbytes are chopped and served to your liking with burrito beats. expect new recipes fresh off the skillet and some old classics as well, several culled from esoteric s 2005-2009 production spree that brought us serve or suffer, egoclapper, esoteric vs. japan, and saving seamus ryan.

marbled vinyl. labelowner cali lanauze together with ryan crosson, tipp. what starts off as a deep sound, spacious and moody, grows with emotion. as the bassline gets bigger and the warmth flows from the pads, the feel good moments can be felt. it takes time to settle in, with a proper reward.

labelowner cali lanauze together with ryan crosson, tipp. what starts off as a deep sound, spacious and moody, grows with emotion. as the bassline gets bigger and the warmth flows from the pads, the feel good moments can be felt. it takes time to settle in, with a proper reward.

purveyor of the deep sound, dailysession records give back us a bassline-driven house tracks that pummels with all the energy. results of this elements an assured another deep space gem trip. and a little primed and ready to shake up the underground dancefloors.

dj trace & hlz present mavericks, a synthesized odyssey of precision drums, savage basslines and dark cinematic atmospheres that hark back to the golden era whilst setting a firm course into the future. pressed on grey marbled vinyl.

minimal grooves with huge basslines.

dubbed out sounds on clear 180 gram vinyl. 2022 repress is here!

syxt co-founder ketch and eerste communie member hitam are back to deliver a new split release that introduces the black series. alongside remixes from legends matrixxman and setaoc mass, the first instalment of the black series revolves around groovy percussions, driving basslines and a strong esoteric and almost ritualistic feel.

repress , strong contender for dance record of the year- red rack’em’s incredibly wonderful and fantastically wonky, disco banger, was rereleased on classic this year. after a few months of slowly embedding itself in people subconscious, it returns with new mixes. first up in the marvellously talented kink - strahil is no stranger to classic, having made a stamp on the label many years ago with his remix 3rd face. he s gone from strength to strength with his productions which have been accompanied by his glorious live performances. kink goes in, heads down with some proper techno wonk. this is indeed a beast. on the flip luke solomon joins forces with bristol’s very own eats everything and lord leopard, creating a bristol “circle of three.” the luke eats leopard edit adds a slight bit of conformity to the drums and the arrangement, without taking out too much of the wonk but taking it ever so slightly into “house “ territory. overall this is a monstrously wonky package - and just in time for xmas too.

sju muzics new label addition jerome o gives a masterful musical interpretation with “i remember” featuring vocals from matt hughes (dope wax, sju). remix & dub by chicago legend paul johnson, who adds roland 303 acid basslines with a pj touch.

140 gram vinyl triple 12inch vinyl

cabaret deluxe beginnt mit einer erhebenden feier von hooks, bläsern, glocken und effekten. feinfühlig platziert über einer revolvierenden, arpeggierten disco-basslinie. star gazer erinnert uns an diese lang gehegten sommertage. diese herausragenden nummern klingen im sonnenschein besonders üppig.

night tribe steigert die intensität noch einmal mit einem moroder-artigen karibischen workout. orgeln und hörner sind himmlisch ineinander verwoben.

disco nomad ist ebenso verspielt wie sparsam. sanft gearbeitete vocal cuts gleiten über eine verführerische bassline mit eingestreuten drumhits.

er klingt eher nach traditionellem goa-trance, ist es aber nicht... mit einem rhythmus um die 140 bpm, wie der eröffnungstrack, tritt er mit einer robusten bassline die clubtüren ein, verzaubert den kultivierten tänzer mit seinen eigentümlichen melodien und lässt die puristen völlig kalt, die auf eine zigarette ausweichen. denn wer schert sich schon um puristen, oder?

b-stock! comes in pvc-sleeve with flap. vinyl brand new and unplayed. toller electro sampler

80s funk and soul

b-stock! cover with seam split. vinyl unaffected & mint. berlins cinthie strikes back!

berlin-based artist tmplt starts his own label tmplt records with a double longplayer-album named -the verge- tmplt001. inspired by uk bass, tmplt creates 12 unique tracks with dark and massive bassline -impacts. -the verge- is a musical journey through various genres such as drum n bass, breakbeat, dub techno away from the typical 4-to-the-floor rhythm.

berlins cinthie strikes back!

180g!

bevor paul cut mit dem legendären larry heard auf tournee ging, gelang es ihm, seinen bislang besten 4-tracker zu liefern! liebhaber von jazzigen akkorden, fetten basslines und tiefen grooves werden sich freuen!

work is for robots, life is for humans.

power of darkness is a vinyl-only ep limited to 450 copies, and is pressed on black vinyl with full b+w sleeve art.

four modern, textural, slow-burning instrumental hip hop soundscapes set a distinct mood on this new ep by the venerable chris deluca. heavy-hitting basslines and slightly ominous hat patterns dominate, leaving these cuts verging on the territory of dark, minimal electro destruction... with a subtle dose of that funky boom bap. perfectly applicable to both basement dancefloor experiments and gangster dealings alike. one half of berlin s funkstörung, alongside partner michael fakesch, de luca is more than well-versed in the genre, having done a few remixes for high-profile hip hop and experimental acts such as wu tang clan and bjork. they ve released an uncountable amount of records on labels !k7, compost records, music aus strom and acid planet, to name but a few. this is his first release for detroit underground. includes two fire remixes, one by fellow du resident producer valance drakes, and the second by none other than chris deluca s son, lenny deluca.

pig & dan are back on cocoon with two bassheavy floor banger

dez williams liefert uns hier 4 heiße elektro tracks mit knackigen basslines, alien-funk und einem hauch acid.

3 cd compilation departed in 3 mixes by cd1 - dj q, cd2 jamie duggan and cd3 - dj q and jamie duggan

started at the age of thirteen with a crate of his big brother s records, dj matpat was introduced to an eclectic mix of music that has influenced his take on house music. racking up releases from labels such as madhouse, exploited, plant music, w&o street tracks, as well as derrick carter s persnickety all stars label, dj matpat has now combined his passion for production and house music to form his own label entitled clubby boy. with the artistic stylings of his philly party club congress and a remix by the bunker artist justin cudmore, the first release its time! (produced by the clubby boy himself) can be seen as a call to action either for these current times or to lose yourself with-in the dance floor.

tropical disco records are back with their fifth release of the year, bringing you four killer edits from the tropical disco volt. moodena introduces volume 5 in fine style, mustering another spellbinding composition with gils groove. sounding as swagged out as ever, its evident form & flair comes naturally to the artist. td comrades moodena & sartorial present their first collaboration on turn it up, neatly entwining their distinct styles, rolling basslines, cascading guitars and sultry sax. the result is a piece of pure energy, its hard not to do exactly what the track tells you. the disco wizard, sartorial continues his ever growing solo output with 6 million, a righteous slab of soulful dance music that can make a dancefloor bang, as well as weep. feel the heat rolls effortlessly with a lush vocal that melts the loins and lays out a sonic smorgasboard of what epitomises tropical disco records - soul!

s. crosbie s dark arts has become an essential label for many of the key players looking to work more underground dancefloors, and continues to evolve with da09. things lift off with the slowly building bassline throb of cellular before the twisted electro depth of holophane glides into view. transmission 09 is a masterclass in atmospheric, glitchy dancefloor electronics. finally, the techno of anterior is a flawless exercise in lithe, funk-filled minimalism. dark arts: simply killer machine music designed to move both mind and feet. check.

4th tilly jam with four deep disco / house slammer
folks, here is tilly jam number four, served by till von sein with a striking can’t stop, won’t stop attitude. as if the first three fourtrackers were just heating things up, he’s firing out another ensemble of four to bring serious exercise to the floor. “say say say”, the opening title track of this ep checks many trademarks its originator is known and praised for. an explicitly soulful affair, even flexing some g-funk muscles here and there. crackling vinyl noise in the background, warm and thick bass footing, a bassline doing the filterhouse-routine and a sample heavy arrangement that even gets a boost-up after half of its running time. then there is “shadrach”. go do some exegesis if interested where that name stems from. we can assure you, this jazz-infused build-up including nervous hi-hat patterns, a boldly bass groove, a frenzy drum-solo, inciting chants and a horn section scaling things up, stems directly from peaktime heaven. and on b1, “impala” is taking up the thread of this rather outgoing vibe, tvs is going for with this set of tunes. find an energetic beat providing the ground work for filtered adlibs that kinda nail what comes to mind when this track gets mixed in. “whoo-hoo-hoo” – that’s right. just add some subtle percussive lining and let a saxophone take over and you’ll have another trigger for floor-ecstasy at hand. cooling things off a little bit it’s “baden powell dr” as closing cut. tilly is winding up the melancholy-meter on this one, reversing elements and by adding pianochords and synth-pads, infusing an overall mood of wind-whistling summertime-sadness

july sees radio slave’s rekids invite britain’s renowned swayzak to the roster with a cold war themed release entitled ‘odessa calling’ ep. a name associated with quality, swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. their impressive back catalogue includes six studio albums and appearances on labels like k7, m_nus, curle, ellum and swayzak’s own label 240 volts, which was relaunched in 2017. originally a duo comprised of david brown and james taylor, brown has been helming the project solo since 2012. he now joins respected berlin-based imprint rekids with two inspired productions. ‘odessa calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. on the flipside, ‘numbers station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

robot 84 returns with another set of killer balearic inspired reworkings. these drums opens up the e.p. layering drum loops and bongo fills with dubbed out keys, brooding pads and afro vocals. the a2, all the more cosmic yet club ready in its nature, marries a powerful bassline and captivating kick pattern with some space echo synthwork, before those epic toms and vocal chants ring out. on the flip side, long hot is exactly that a smoldering, soulful, slow jam rework to ride off into the sunset to.

brothers harvey and ryan mckay return to drumcode with their dynamic alias project. we were introduced to alias last year when the mckay brothers dropped the impact-heavy visions ep mid-way through 2017. the duo followed with a lauded contribution for drumcode live and the buzz from fans was palpable. the follow up sees the pair in powerhouse form. the title track nrg is an attitude-packed tour de force compromised of aggressive snares, warped vocals and a tension-filled break, it has been smashed by adam beyer for the last six months. orange sunshine pulls no punches as it dishes out apocalyptic acid paired with the siblings startling drum work. the event rounds out the ep and is an exhilarating affair propelled by uplifting synth lines and a buzzing energetic bassline.