the secret mystery school alias was created for the inaugural release on crash reserve records. four untitled dance tracks to get feet slippin and mindz trippin. acid flavoured house and techno to set the tone for a foreboding, futuristic reality. dystopian sounds for a dystopian age.

smashing floorburning techno madness

2024 first time on vinyl ! 2012 album incl collaborations with ron caroll, sophie ellis-bextor, snoop dogg, sean paul, pitbull !

wo likeminded souls back to back for two minimal stripped down cuts! 300 copy ltd 12 inch

materia welcomes dimi angelis.

monophonics are back with another 45 from their acclaimed conceptalbum “sage motel”.

chicago house

double header from bcee & bladerunner on pink marbled vinyl.

limited

the new album on 140 g black vinyl, housed in a gatefold sleeve.

originally recordes in 2008

lets rock!

iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

red vinyl! iv horsemen joins the fleisch family with a six track ep of crushing distortions and metallic body fury, lashed with escalating unease as demonic vocals swirl through the grinding abyss.

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

ltd warehouse find

repress!

erste single aus dem dieses jahr erscheinenden neuen hint-album! dancehall, hip hop, uk house und bass music treffen hier aufeinander. feat. natalie storm und t-fly!

rock

lp (3. auflage): limitierte auflage von 317 exemplaren, 180 gramm gelbes flammvinyl

rash overdrive is a gothenburg based duo making warm half tempo semi electronic indie with a british feel.

rock

rock

here comes the brand new soft crash on bite records.

incl. gerd edit

soft crash aka hayden payne, phase fatale and pablo bozzi

after last year’s acclaimed bb boogie album “standing on the wall”, darren benjamin aka daz-i-kue returns with this incredible slice of latin jazz futurism. between 2012 and 2016 daz travelled to puerto rico to record with an array of talented musicians, laying down the framework percussion, bass and horns to be worked on when he returned to his studio in atlanta. “crash boat party” is his collaboration with ex fania all stars percussionist hector “tempo” alomar and features atlanta-based trumpeter dashill smith, (who’s worked with roy ayers, janell monet, and miguel atwood-fergurson to name but three), and accomplished bassist mamaniji azanyah. already licensed to feature in bobbito’s forthcoming documentary “rockrubber 45s”, this is timeless latin-jazz fire. the single is backed with “esto es candela con ritmo nene”, also from those sessions, taking things firmly into bruk-jazz territory.

boss soul, funk and r&b sides from the vaults of the king, federal and deluxe labels. available as a double lp for the first time. specially compiled and commented by nyc dj mr. fine wine, from his personal favourites list from the king records catalogue. including ultra-rare tracks by wayne cochran, lord thunder, jeb stuart, robert moore, frank howard & the continentals, leon austin, eddie kirk, charles spurling, james duncan, and many more.

take cover, its a killer! repress 2015

universal cave records 002 puts charlestons finest disco duo back to back on wax. they re regulars behind the decks and are prolific record diggers, collectors, and editors. side a is hard-hitting vocoder disco from the ever foward, deep, and free disco minister jaz. party dad cools things down in pool party perfection with his dream dance edit. all chiller, no filler. essential autumnal balearic vibes.

the vinyl is housed in the original jacket featuring stark black and white photos of pier 13. each lp includes a double sided 11x11 insert with lyrics, photos of the band and the atmospheric pier. crash course in science go above and beyond what is considered new wave in attitude and sound.

after their first album made the crash test dummies huge in their home country canada, their second album meant their big break in the usa and europe, thanks to the self-consciously bizarre lyrics and the deep baritone voice of singer/songwriter brad roberts, demonstrated in their worldwide top ten hit mmm mmm mmm mmm.
other popular singles off the album were >afternoons & coffeespoons< and >swimming in your ocean<. >god shuffled his feet< was the bands most commercially successfull album reaching top album charts in usa (#9), uk (#2) and in different countries in europe (ironically, after a car accident where brad roberts almost lost his arm, crash test dummies made a few other albums but unfortunately limited distribution made these hard to find).
180 grams audiophile vinyl pressing.

the follow up >rmxd vol.2< comes with a lady-melting canson remix that is just perfect for summernights, with a slammin jazzy techno mix by dandy jack and the metronome allstars, a criminaltango a la markese and a beautiful workout by rizzoknors knor. they all turned the original tango crash songs into a quite unique & refreshing style of tango (crash) flavoured house & technosound.
support / plays by m.a.n.d.y, dubfire, jeff samuel, jorge savoretti, sonja moonaer, alland byallo, jimpster, anthony collins, ly sander, mathias mesteno, mikael stavostrand, rainer tr³by, sebbo, willie graff and many others.

>rmxd vol.1< comes with a hurtin good kalabrese remix, a very very groovy st.plomb mix, a slammin omer & sarna rework and (once more) very convincing and refreshing approach from dollar mambo.

nice price deal !!! an amazing one sided 12inch, supported from the main italian radios.

brand new global deejays, 2 elements and extended mixes of this superb steve angello & sebastian ingrosso number. body crash contains elements of lets all chant by the michael zager band.

ziggy kinders last outing on souvenir proved to be one of the highlights of 2007. bailamos, a record destined to make love to the converging worlds of european techno and south american latin music was hailed by artists like laurent garnier, koze and mike shannon for its mysterious melodies and enveloping percussion while the a-side que pasa maria was championed by anja schneider and radioslave. fans of tiefschwarzs daring souvenir imprint will be in no doubt as to what lies in store for the label’s tenth release. >flipflop crash< is another typically ziggy workout destined for a discerning international dancefloor. disorientating percussion and flanging effects dance around an insistent throbbing bassline while a female vocal whispers in french. the warm melodies layering the track hint at the sultriness of >bailamos< , but this is a continuation not a revisitation and an impressive step forward for ziggys sound. on the flip chilean star pier bucci takes up the remix reigns. after impressing with his ahead-of-its-time familia lp on crosstown rebels in 2005 and last years club bomb hay consuelo, his addition to the souvenir roster is another memorable recruitment with current label remix talents including artists like carl craig, tiefschwarz, shonky, samim, kiki & silversurfer and radioslave. his interpretation adds an injection of urgency to ziggys original, stripping the vocals back to a minimum to make way for an epic delay soaked synth hook. its a remix destined for the end of a night or that perfect plateau of a party when the dancefloor has been moving for hours waiting for a hypnotising melody such as this to sweep it onto another level

after >tono ep< their first single on telegraph acclaimed by international djs minimono are italian friends comes back with 4 strong minimal house tracks in the spirit of some daniel bell productions minimono is an artistic project who expresses the concept of modernity trough art and music by a collaboration between a dj and a musician respectively fabio della torre and ennio colaci. this sound concept is based on minimalism, ultra funky and groove. they offer here productions with experimental sonority but conserving a funky house spirit to a coherent result and, overall, ultra effective!

crash/ almost crasch, is an acid-flavoured minimal groover for fans of minus and loco dice however in a very own style.the sg-remix and the original are stripped-down but raw pieces full of sparkling sounds based on a straight beat that makes this track a perfect tool and a peaktime - anthem at the same time! the dadableep portion adds a little bit of german flavour and takes the track more into the tech-house-corner... straight but funky.

redhead is known from releases and tracks on audio, likid, lupp, mb elektronics, red factory, pornographic and session !! here comes the next quality 4 tracker on mb selections !!

meaning shifts throughout murphy’s debut album “um” with songs that meld moments of baroque beauty with crashes of electronic noise, employing textures that are by turns organic and artificial, hi-fi and lo-fi.