re-release

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

aux88 bass magnetic re-issue 1993-2018. back by popular demand, the same unique spirits that brought forth the sound of detroit streets and turned it into the futuristic soundscape known as techno-bass , the original members have collaborated to re-issue their catalog 25+ years later. starting with their 1st double pack lp, bass magnetic (considered to be a mesh of influences between miami bass and detroit techno), aux88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. after the release and production of their own documentary ( aux88-portrait of an electronic band ), the group celebrates its now classic recordings. harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados. aux88 s bass magnetic = classic detroit electro.

>night and day< is the first single from hot chips forthcoming album, in our heads.
the single is a piece of classic hot chip weird-ass superfunk disco, driven by a menacing yet supremely danceable rubberized bassline. its the sound prince would be making had he grown up just south of the thames.
it is zapp not zappa.

re-issue / clear vinyl !!!

blu has collaborated with renowned artists like the roots, logic, miguel, mf doom, anderson .paak, freddie gibbs, aloe blacc, roc marciano, slum village, evidence, and more.

debut album

mit der kombination der klassischen jazz-crooner-eleganz von frank sinatra und nat king cole mit der erdigen raffinesse der soul-legenden stevie wonder und donny hathaway setzt merry christmas from josé james die messlatte für ein modernes weihnachtsalbum höher. auf 10 songs, darunter zwei eigenkompositionen, haucht james beliebten weihnachtsklassikern wie the christmas song , white christmas und let it snow neues leben ein. darüber hinaus erkundet der 50 shades darker -sänger auch seine jazz-seite mit einer fröhlichen interpretation von john coltranes my favorite things . begleitet von grammy-preisträgern/nominierten wie ben williams (bass), aaron parks (piano), marcus strickland (sax) und dem aufstrebenden jharis yokely (drums) ist das album ein festtagserlebnis der weltklasse mit einer der grössten lebenden stimmen des jazz auf schwarzem 180g vinyl.

ltd edition

double vinyl compilation with 27 jazz classics from the queens of the genre.

die ep enthält tracks, die auf seinen reisen um die welt entstanden sind. inspiriert von seinen lieblingsorten, indonesien und sri lanka, enthalten diese tracks live-aufnahmen von seinen reisen und mischen techno, trance, drum & bass, amdient, electro und breaks!

dj duke returns on power music records with an mindblowing retro- future classic from his endless vaults! highly recommended!

26 classic james bond film themes on triple vinyl, housed in a tri-fold sleeve.

kirk degiorgio takes us on a trip into drum n bass territory.

180g vinyl lp (vinyl only release) early formation of banda black rio - cry babies rare funk lp gets vinyl reissue. funky drum breaks, big round bass and touches of psych and brazilian surf

broken district is a new label launched by the creative minds of jus jam, momla and antwan. the project is born with the idea of exploring alternative music styles that blend the influences of the label s creators, including jazz, house-music, hip-hop, funk, soul, and experimental music. in order to give a global overview of the label s territory, broken district is kicked-off with a series of va eps. momla inaugurates the label s first release with an instrumental funk ballad. he is using soul samples, synths and an electronic piano to create a smooth vibe, led by a catchy bassline. up next, hip-hop producers yepes & plae casi are stepping out of their favourite field to incorporate house-music rhythmic elements over an old-school r&b flavour. berlin-based producer marian tone is closing the first side with a laidback, jazzy hip-hop instrumental. the other side opens with the copenhagen-based talent jeppe wolmer. -normal position- is a modern take on disco & boogie, with a rhythmic bassline and reverbing rhodes, ending with acid infused synths. concluding this first release, label s co-founder jus jam gives us another glimpse of his musical talent through a dreamy journey that blends house-music, hip-hop and jazz together. welcome to the broken district.

ghent based pianotrio steiger have earned their place in the ever growing peloton of young belgian jazz innovators. as a result, they won the young jazztalent price at the 2017 gent jazz festival. with their luscious and rigid grooves in minimalistic framing, they cose themselves between schntzl and de beren gieren, likewise minded young beljazzbands that don’t take it so closely with traditions. they play jazz with a rock’n’roll attitude. sdban ultra is very pleased to present a sampler of their debut album ‘and above all’ on a limited 10” vinyl for record store day 2018. this release marks their introduction on sdban ultra, their sophomore album is expected next fall. ‘and above all’ houses both jazz and modern compositions, avant-garde and experimental electronics. steiger takes inspiration from jazz and refers to the traditions but equally pulls those apart, for example in the chaotic miniature bachfag and in the intimate inverse/reverse . with berlin revisited the band clearly chooses electronic instrumentation. it is reminiscent of the electronic jazz of the noughties: bands like triosk, sofa surfers and flanger did not so much work towards jazz but used the genre as a stepping stone to dive into the cosmos. steiger are launching themselves into infinity on this track with a pounding beat, shrill cymbals, overdriven keys and an unwieldy bass.

with every album project comes a proper remix pack. marco bailey has invited some of his most respected colleagues in modern day techno to come up with an interpretation of two of temper’s toughest cuts.
“planet mad” is being reworked by marcel fengler and andre kronert. fengler’s rework is an adventurous take on the original and has a strong emphasis on rhythm. without loosing with the original idea, fengler builds the rhythm section into a wash of bold drums and rich percussion. andre kronert’s take on “planet mad” pushes the track s idea into a different direction. kronert yet again proves to be a craftsman when it comes to textures and builds. while the recognizable bass sound of the original keeps thumping, atypical bits of fx are added to build on an unusual but very soothing atmosphere.
for the b side, “naga” is being reshaped by croatian master of electronics petar dundov and rotterdam based fast riser, koen hoets. petar dundov comes up with an esoteric take on “naga”. whilst respecting the form of the original, dundov goes one notch deeper with his wide array dub elements and feral hat sounds. koen hoets delivers a more demure take on “naga”. whilst the rhythm section might not be suitable for all club situations, this is adventurous techno at its best. noteworthy fx and soul touching strings that float throughout.
materia009 - temper reworks part one ep will be available from all specialized retailers starting january 26.

office recordings continues to surprise us. after baaz s techno-/ambient-hybrid on office 011 the label from berlin comes up with a stunning new and anonymous project called * one day* featuring four also unnamed tracks. the a-side of the record starts off with a with a superb deep techno track which tempts us with very emotional pads and a strong kick and bass fundament û an irresistible combination. a2 goes in the same direction but feels like the slightly mellower and softer brother of its predecessor û a little bit moody but still straightforward at the same time. the flip side is dedicated to two freestyle electronic tracks standing in the tradition of the best warp offerings from their heyday in the 90s. weÆre talking charming melodies and sparse but elaborate rhythmic patterns. the record comes in a hand stamped and with a lovely artwork also hand made by office art director super quiet. all tracks have been mastered and cut by sound engineering proficient pole at scape mastering.

the first trouble maker 12” is here in full disco-led summertime force! three sure-fire summer hits, that make you smile from ear to ear and transport you to those days spent dancing in the sun… “makes you” treads the line between disco and house perfectly and delivers a summer anthem straight off the bat! the combination of party drums, howling melodic bassline and stand-out vocals makes this a stand out first release from the newcomer hatterman. “one & all” on the flip takes things slightly deeper but the focus is still very much peak time elation! think lush pads, shuffling drums, disco tints and again a killer vocal! fans of kdj, moodymann, theo parrish are going to love this! fernandos live remix fuses live bass guitar, synth stabs, arpeggiators, guitar and slithers of the original to turn it into a cosmic-disco bomb! all three are set to be festival favourites over the summer, strictly for those who like to laugh, dance and cause trouble.

elephant moon proudly welcomes one of our good friends from barcelona, sonodab.
sonold is the starting point for this four-track ep. there’s a distinct air of mystery looming over this minimal workout. the globulous bassline bounces along supporting by clapping beats with an eerie tone that prevails throughout.
this is followed by more alluring atmospherics on ‘aporia’, a track that has an elastic b-line and every once in a while an enchanting melody drifts in, switching up the vibe turning things a little more dreamlike.
turn the record and prepare to embark on a ‘random night’. this is sonodab turning up the energy levels and taking you on a trip into another dimension to close out the ep ‘elecmann’, plays out like an ode to the good old electro days, slightly reminicent of juan atkins’ early work as model500. like the rest of the tracks on this release, sonodab adds soft pads in places to change the mood and keep things moving.

limited edition 45 for record store day, 2017. cover by jean andre.
mayer hawthorne and jake one are tuxedo. “thank you” is a bonus track to their second album, tuxedo ii, which fnds them at the forefront of a new wave of gangster boogie - one that owes as much to g-funk as p-funk. this is the territory of pre- and post hydraulic low riders: a mélange of cali boom-bap, analog synth bass and elegant disco that resonates truth and authenticity in an era where so many are faking the funk.

touching down for the inaugural release on the newly formed label, north of 7 sounds, is the mighty rumbleton - a true heavyweight with over 2 decades immersed in sound system culture, running the stand firm hi-fi label and releasing music on scientific wax, rupture ldn, outsider, and samurai music to name but a few. a true master of his sound, we are extremely proud to have rumbleton set the bar for future north of 7 excursions. “a new day” takes you on a journey filled with haunting pads, razor-sharp drum kit clashes, and infinite amounts of low-end. bottomless swathes of atmospherics respire in and out of the mix, culminating in a breathtaking breakdown - crafted with utmost devotion to the godfather of soul himself. a truly honourable homage to jungle’s roots in sample culture and breakbeat science. “conscience” on the flipside is weightiness refracted in minimalism. rumbleton fully submerges your mental space in a cavernous, dubwise fog, while militant, scorched-earth drums power the tune forward. a warm, subterranean bassline churns endlessly beneath, all the elements occasionally exhaling and collapsing under their own weight, only to regenerate once again…

simbad is by no means a newcomer, and has built his rep-utation with over a decades worth of releases. besides his close affiliation with brownswood recordings / worldwide fm, he’s had production credits on releases by mala, daymé arocena and robert owens, and remixed the likes of black jazz consortium, quantic and roy ayers to name but a few. for this release, simbad once again proves his bold and versatile productions skills. continuing where his previous solo releases left off, he returns to his roots to further his journey exploring house music in all its richness and diversity under his new moniker smbd. with references of classic techno, house, and broken beat, the end result is fresh and inspiring. ‘message 045’ is just that, a comment on today’s world tinted with the sound of an uncertain, technological future and held together with innocent melodies, bubbling synths, rolling basslines and driving percussion. shimmering pads and punching drums carry both ‘ping pong love’ and ‘backstreet’, ready for the dance floor. title track ‘message 045’ takes a beatless, contemplative approach, dreamy, euphoric instrumenta-tion aided with dialogue that captures the essence of the release. newcomer world air offers his charmingly unconventional approach to ‘ping pong love’, a mesmerizing and inventive piece that takes the listener on a trip to a brave new sonic world. watch this space for world air’s debut release soon..

with day out of days, scratch massive has made a modern electronic album, perfectly at ease with the influence of pop, as a way to revisit and reexamine its clichés, its stylistic effects, and the hungry nostalgia for the 1980s.

(vinyl + download) thomas werbrouck (little trouble kids) has a new project called krankland, a four piece band with christophe claeys (sx, magnus, balthazar) on drums, thomas mortier (yuko) on bass and janko beckers (faces on tv) on guitar.

ethimms second ep when in dark delivers the groups signature tension music with moods oscillating between suicidal heartbreak and conciliatory optimism. in the opening track why (a cover of the rhythm and sound classic), producer elisabeth thimm sets the stage for guest singer veronique to mourn love s loss, while brian gimmel s improvised piano licks hold strong agains the songs relentless bassline. the follow-up track late features lexx s dreamy lyrics gracing a subtle dance foor tune for spaced-out souls. the b side opens with ethimms love for dub. next is a freaked-out meditation on what has been and will be, while the fnal track done slowly creeps towards its peak, refecting on dark days where light may have not been much in sight, but going forward sees optimism, increased resolution, and drive.

a day by the baltic sea. with a modulating warm summer breeze brx’s first record of his concept label baltic patterns introduces itself and its rough sound. the latitude sends you to a long build up of house patterns surfing on a subtle bassline. the longitude delivers a percussive ride including wavy chords and solid breakwaters. tell your skipper to set sail.

one of the scenes true veterans, justin richardson aka genotype has released music over his career on a who is who of the most influential drum and bass labels including reinforced, moving shadow, renegade hardware, & of course dbridges exit records label, who released the debut genotype artist lp ritual dance in 2010. lessons in depth sounds like no one else in drum and bass right now, and truly lives up to its title fusing multiple musical elements into one deep sea musical experience. this is not a collection of instant gratification dance-floor tunes, and like all truly good music, lessons in depth is most rewarding after the listeners full immersion. don your mask and snorkel and dive in.
pressing on transparent dark blue, black marbled vinyl. download code included.
dj support from dbridge, spectrasoul, doc scott, bryan g, john b, loxy, consequence, clarity, btk, hybris, c4c, ruffhouse and more.

we wish there were more moments like the ones that madis ones new 12 inch, in the image (blnk-27), brought to mind. >the hotness< is just that, a mechanical, bass driven, hip-hop cut while >the abyss< recalls the days when the amen break and substance reigned over celebrity status. available on 12 inch vinyl, cut at 45 rpm. we recommend trying these out at 33 rpm as well!

die erste single des neuen studioalbums >in our heads< von hot chip . irgendwo zwischen flirrenden beats und einer unerbittlichen und süchtig machenden basslinie intoniert eine verzerrte stimme: >i like zapp not zappa<. dieses aushängeschild des neuen albums ist ein dynamischer dance track, ein euphorischer ohrwurm, oder wie die band sagt weird-ass superfunk disco und zementiert einmal wieder hot chips position als talentierteste elektro-romantiker 2012. neben der albumversion und einem remix von 2 bears (featuring trim) findet sich auch ein neuer track auf der b-seite, der nicht auf dem album enthalten ist. tipp!

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

dent may recorded >fun< and >wedding day< at hits inc., his home studio at the infamous cats purring dude ranch in oxford, mississippi. expanding upon the smooth pop sound he introduced on last years >that feeling / eastover wives< single on forest family, dent ditches his ukulele in favor of cosmic synths, funky guitars, analog drum machines, loopy bass lines, and massive vocal harmonies. this is his second release on paw tracks, who put out his debut lp the good feeling music of dent may and his magnificent ukulele in 2009.
the 7 inch will be pressed on clear vinyl in a limited edition of 700 records.

another hot limited marcellus pittman release with 3 tracks. already been played by theo parrish and omar s. dirty raw house tracks from detroit! on a dark dance floor you will be given a glimpse into the heart and mind of marcellus pittman. fit sound, a new imprint from detroit,debut with an ep from the talented detroit producer marcellus pittman. erase the pain, is a mutated acid banger carefully arranged to be absolutely devastating when in the right hands. twisted bass lines and synths travel together and divert over a fierce jacking beat. sync is a night drive through the city streets, but this night is strange because the sky has become purple. grey buildings turn into unrecognizable forms. people standing on street corners, now appear to be zombies lurking in the darkness. is this a nightmare or is this for real? illa 5 ela brings it all back to the days when you first felt love for that special somebody. early white labels copies have been tested in clubs worldwide and the results are unanimous: killer. follow theo parrishs advice, dont sleep...serious rugged service right here!

the professor has been responsible for bringing a whole host of names to the forefront of the electonic music scene with people such as dj distance, emalkay, afterdark, the others, untold and his latest find dark angel. when not running the boka empire, js is busy in the basscore studio and djing around europe.

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

hands up hardcore partty stomper compi !

remixes by honey dijon / luke solomon / riva starr / mousse t. / kelly g remixes)

mr. g can t be wrong ... two bassheavey floorshaker

lee burridge, lost desert and junior akwety return with summer vibes all the way. following last year s subtle monster lingala, they bring the sunshine once again with three tracks. elongis vocal floats above its foundation of warm sub bass and groovy beats and always seems to induce at least one person in the crowd to sing along. even though we know they don t speak lingala (a language from congo). mona yo is a little groovier. floaty house music for outdoors. talking of floaty, the ep is wrapped up by float on. its pretty for sure but has a certain drive thats been rocking the all day i dream dance floor all year. close your eyes and daydream.

it s always summer somewhere we believe. here s our latest release to make a dull day brighter roy s first ep for all day i dream has continued to create quiet moments of magic for us since last summer. straight out the gate comes -when we were innocent . it s one of those seemingly small tracks on headphones that when played out in the club it sneaks up on your dance floor when the bassline arrives. especially after the main drop. emotive with a tight groove it s a winner! -gutfeelin- has a whimsical mood to it. it s not going to be for everyone that s for sure but for those with an adventurous or more playful spirit it lingers long in the memory. a track constantly discussed on our socials and asked about it s definitely got it s own special vibe. -shadow of truth- walks the tightrope between breakbeat and 4:4. it s emotive journey wraps you in it s arms and gives you a warm hug. falling in love? here s today s soundtrack to accompany that beautiful feeling. closing out the ep is sudden realization . smooth, deep and linear. a warm slice of groovy house. best enjoyed with your eyes closed. we hope you love the ep as much as we do.

giant records 10th release is from new york born adam collins and limited to 150 hand stamped and numbered copies. adam is widely known for his work as one half of production duo omni am, along with marky star and counts derrick carter and evil eddie richards and a whole host of others, amongst their fans. adam’s release for giant is titled - day2day and has all the trademark’s of adam’s wonky, left of field, slightly off kilter grooves - day2day builds and snakes itself into a bottom bass heavy house jam - chicago style keys mould the snare and hats into an infectious work out - with an alien like hook that keeps it all slightly wobbly. the next cut is from the super talented carl finlow under carl’s random factor guise, a beauty in its own right ! super tight drums and a punchy random factor bassline take’s this mix on a journey through many shades of electronica - as the track swells nicely with warm atmospheric pads and sprinkles of emotive keys, with an electro style hook that keep’s it all swinging in carl’s trademark sound. the next mix is from la based producer mieka du franx. mieka’s mix strips the original down to the bare essentials and gives it a tuff minimal feel. the last mix is from echo of glory, which see’s echo take the track on a acid tinged work out - adding dubbed out vocals and super subbed out bass.

kreattones third release is here, and we are extremely proud and thrilled to present “day tripper” from the outrageously talented jesse bru. this four-track ep is a lesson on sampling, cutting and building, an aspect already acclaimed and recognized by all that had the chance to hear jesse s work (released on heart to heart, egoplanet, etc…). the opening track shares the ep title and clearly demonstrates mr. bru’s vision on deep-house, with elements coming and going, breaks and drops, all working in perfect harmony. “i want u” is a groundbreaking piece of art, filled with melancholy, heart-driven feelings and shivering whispers, resulting in a gorgeous love song. the first track on the b side, “they told me” is a uplifting tune, with clinic-cut sampling, powerful vocals and beautiful percussion. last but not least “remember how it used to be”, a groovy arrangement of pads and vocals topped with a killer bass, ideal for club use. considering that this one blew our scale, we hope you enjoy this record as much as we do.
strictly limited to 300 copies. no repress. artwork & design: andy book

originally founded by kisk back in 2009 apparel music set out to offer something truly singular in focusing their musical output predominately on jazz whilst venturing into its integration across the landscape of electronic music at the time.with a zealous release schedule, they racked up a healthy collection of eps between 2010-2015 from artists such as delano smith, scsi-9, sarp yilmaz and the label owner himself amongst many others. now after a year-long hiatus, the label makes a return with a slick 4-track va that fans both old and new will relish. strictly limited to a pressing of 200 on 180 grams of wax, their re-launch brings with it a jazz-suffused 4-track record featuring voyeur, ivano tetelepta & eugeÌne latumeten, kisk and kerem akdag. voyeurs swinging for theo kicks things off with organic, brushed drums and a walking bass line set off to a tight, swaying rhythm. glassy rhodes keys bleed into the mix ahead of piano stabs and 909 hats that propel progress when combined with a thickened low-end. ivano tetelepta & eugeine latumeten follow up with je suis reconnaissant a bass-heavy groove that lays soulful vocal samples over filtered piano chords and loose-limbed hat patterns. kisks just u then drives a crackly drum loop through distant, flexing synth tones. arresting vocal samples then take the foreground in a rich, smokey mix before istanbuls kerem akdags closes up the package. akin to the styles of producers such as henry wu and max graef, akdags friend melds playful drum patterns with thick chord stabs and smooth vocal lines that wrap up a stellar return for apparel music.

nice price blow out
excellent proggy floorfiller with a cool electro edge includes an erick e remix a must have

played by ricardo villalobos
lady blacktronika aka “the first lady of beatdown” brings three solid productions with all in vain ep, the next instalment on bass culture records. discovered on myspace by mike huckaby back in 2007, lady blacktronika’s sound brings a gritty edge from her street days, while simultaneously oozing a unique female sensitivity. making an impressive transition from the days when the dj boys wouldn’t let her play with their toys, she runs multiple labels, sound black recordings, sound kemystry and is co-creator of cocaine records, as well as releasing on deep explorer, skylax, underground quality and now bass culture. jumping straight in with learn me baby, the a side sets the tone with a deep and pounding, powerful groove. the title track takes it up a notch, the most incessant of the package, built for that peak-time dance floor fury. while the techno undertones remain, lord knows is a beautiful swirling house number that infuses the ears and body. the common denominator in all cases is the resonating voice of lady blacktronika herself, adding the human touch… a touch of soul.

as bass culture proudly reaches its 40th release, it gives us great pleasure to welcome back john jastszebski after he last turned out an ep for us back in 2012. releases for phonogramme and robsoul in the past two years have confirmed that he is a force to be reckoned with in the booming parisian house and techno scene. his approach on the would be back e.p fits in perfectly with the bass culture aesthetic, delivering tracks with a simple immediacy, always loaded with soul in just the right places, but never shirking the all-important groove. > would be back< s sturdy beat leads neatly up to a colourful burst of piano chords and rousing strings that make this into a perfect summer house cut. > fevrier< comes on with an entirely different season in mind, as mysterious and dubby tendrils of synths and samples unfurl around each other with a distinctly wintry mood. > my girl< meanwhile keeps the energy levels up with a stripped back, punchy beat, filling the space in the mix out with rousing pads that soothe and uplift.for a remix of > would be back<, we decided to turn to a long-time legend of the uk house scene, nail. his remix takes a more emotive approach to johns original, dropping in some playful synth lines and dreamy effects with stunning results. reaching across all seasons, situations and times of day and night, the would be back e.p delivers just the kind of versatile house music that sets our souls alight here at bass culture