16 search results
DIAL B FOR BEAUTY (BLUE VINYL)
Coloured 12 Inch
07.10.14
limited blue vinyl pressing.
SIXTH METHOD (COLOURED VINYL)
Coloured 12 Inch
14.02.12
much needed, fresh, proper techno - tip
MAT OPUT 1/2 (2011 REPRESS)
12 Inch
20.01.11
written & produced by regis & ancient methods .... raw & industrial like
MAT OPUT 1/2 (CLEAR VINYL)
Coloured 12 Inch
23.10.09
written & produced by regis & ancient methods .... raw & industrial like
DRIVE IN NO MANS PANTS
12 Inch
27.02.08
cool dj weapon splitt ep with redefining minimal with a techno crunk female demo mix
UGANDAN SPEED TRIALS
12 Inch
28.09.07
brand new release on dn series, the infrequent downwards sub-label. killer broken minimal techno from the pope
THE AFRORACK (LP)
12 Inch
23.05.23
the debut album from ugandan synth builder and producer brian bamanya aka afrorack.
YALLAH BEIBE (LP)
12 Inch
14.04.23
the second album from kenyan-ugandan rapper mc yallah.
A1: Sikwebela
A2: Miniboss
A3: Tuli Mukintu
A4: Sunday
A5: Big Bung
A6: Baliwa
B1: Yallah Beibe
B2: Mbakebere
B3: No One Seems To Bother
B4: Moss
B5: Ukweli
B6: Hera
RAW SPACE (LP)
12 Inch
19.10.22
the debut album from ugandan dj and producer authentically plastic.
NYABINGI RESURRECTION (2LP)
2x12 Inch
14.04.22
the debut album from ugandan nyabingi rasta collective nilotika cultural ensemble.
01485
Switchstance Recordings
A1: Jajja Alimuffe
A2: Tuli Bakubuuka Mubire
A3: Ghetto People
B1: Baana Ba Nyabingi
B2: Nilotika Intro
B3: Jajja Yayagala Nnyo
C1: Ntaayi
C2: Oli Kibun’omu
C3: Praise Jah
D1: Tuula
D2: Okufa Kufuuka
D3: Wampologoma
MMASO (LP)
12 Inch
18.03.22
the debut album from ugandan ecko bazz.
BERGHAIN 09 (2LP)
2x12 Inch
15.03.19
part 9 of the ostgut berghain series.
KAWUKU SOUND (LP)
12 Inch
16.10.18
kawuku sound is the coming together of uk producers contours & cervo and ugandan percussion troupe fonkodelis arkestra. this is the culmination of a month-long creative process that was born out of the nyege nyege affiliated boutiq studio in kawuku, kampala - uganda. the music was written and recorded in this shared residency space, home to musicians and visual artists from all over east africa and beyond, and a hub for kampala s underground electronic music scene. boutiq studio s diy mentality provided the perfect environment for experimentation, allowing the fusion of these disparate sounds. kawuku sound is a reflection of this, merging the hypnotic and trance-inducing percussion of buganda drumming with elements of contemporary electronics and traditional instrumentation. this the first album release to come out on manchester imprint banana hill as they continue to push the boundaries of afro-electronic sounds.
BLACK SATIN
12 Inch
06.02.18
last years on the corner underground smash release, the 12inch ep santuris embaire umeme, introduced uganda’s mugwisa international xylophone group (m.i.x.g) to the world. the recordings center on the embaire, a giant xylophone native to ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. the instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end. these recordings may be esoteric in nature but they add important context to the santuri’s embaire umeme 12inch and are a vital documentation of the iganga village’s culture, as well as that of uganda. jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. remix duties are led by griot house innovators, the diabolcal liberties, who have raved-up some sun ra frequencies for the cosmic junglist crew. last but never least, victoria topping has created beautiful artwork using the session photography taken by jones during the recordings
IGANGA EMBAIRE EP
12 Inch
15.11.17
last year’s on the corner underground smash release, the 12” ep santuri’s embaire umeme, introduced uganda’s mugwisa international xylophone group (m.i.x.g) to the world. the recordings center on the embaire, a giant xylophone native to ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. the instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end. these recordings may be esoteric in nature but they add important context to the santuri’s embaire umeme 12” and are a vital documentation of the iganga village’s culture, as well as that of uganda. jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. remix duties are led by griot house innovators, the diabolcal liberties, who have raved-up some sun ra frequencies for the cosmic junglist crew. last but never least, victoria topping has created beautiful artwork using the session photography taken by jones during the recordings
YOU VE GOT NOTHING TO LOSE (7 INCH)
7 Inch
17.04.14
kiwanuka, a 25 year-old uk native of ugandan heritage, was raised in north london where he split his time between session work and local gigs. along the way, having found footing as a solo artist, he was signed to communion records, then polydor, and has since performed throughout europe and north america too touring in direct support of adele. he made his way through nashville this past summer with just enough pause and aplomb to commit these morsels to tape. the a-side *you ve got nothing to lose* is an original composition, featuring the buzzards dominic davis on upright bass and cory younts on piano, joined also by fellow balladeer lillie mae rische on fiddle. their contributions transform his work into a stone-cold groove with almost orchestral underpinnings, making it a fitting extension of their previous blue series. the single also features a chilling rendition of townes van zandts infamous *waitin round to die* on the b-side, the perfect compliment to the timbre and mood of the a-side.
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