planet rhythm usual yan cook teams up with fellow ukranian artist mays for a tough collaboration record named “old friend ep”. on the opening-track “fixed” the tone is being set for this being an utter dancefloor effort with the extended use of fx and modulation. “old friend” resumes in this fashion bringing a glitchy atmosphere of some kind together with matches chords and outlandish drum work. the b-side opens up with the futuristic tones of “coder” which is based around tough synth arpeggiators and ferocious kick drums. “tesla” continues down the road of futuristic techno with it’s strong and extended fx works and intrusive synthesizer sounds.

were not done celebrating our 10th anniversary at the still music headquarters and weve decided to continue diggin for some treats from our vaults. after weve released the critically acclaimed kill yourself dancing! the story of sunset records inc. 1985-89, a lot of our friends were asking us for some specific 12inches to be repressed. we felt obliged to comply and here we go with three of the most significant 12inches from sunset records inc.

the ukrainian techno heads gather all their experience and mix their visions on this unique collaborative ep. what we have got on the output is something unique called mutual exceptions.

set sail with the third installment of numero’s ode to regional radio surveys. classic black vinyl edition.

wave

set sail with the third installment of numero’s ode to regional radio surveys. limited coast to coast clear vinyl edition.

public enemy’s frontman swings for the fences with his tribute to baseball.

rsd release

fresh repress of alton millers classic pressure drop which was originally released in 1995 on derrick mays fragile label.

special sales pack with 3 yan cook releases on coloured triple vinyl.

jan felix may gehört zu einer generation, die keine stilistischen berührungsängste kennt. neue verbindungen zu kreieren, statt an alten abgrenzungen festzuhalten, lautet die devise. dabei zeigt may, ende 1993 geboren, kompositorische und spielerische präzision, innovativem gestaltungswillen und humor. schon mehrfach wurde er ausgezeichnet, beispielsweise 2016 bei der internationalen jazzwoche burghausen, wo er den solisten-wettbewerb gewann und mit seiner band den zweiten platz belegte. zwar zählt frank zappa nicht direkt zu mays vorbildern, eine gewisse verwandtschaft in der geisteshaltung lässt sich aber erahnen. etwa im gewitzten mix aus klassischen und modernen einflüssen, die bei jan felix may von jazz über elektronische musik bis zu impressionismus und progressive rock reichen. der junge pianist und komponist weiß, wie man ausgeklügelte musik so attraktiv gestalten kann, dass sie neben hartgesottenen spezialisten auch viele andere offene ohren aus unterschiedlichen generationen erreicht. -red messiah-, jan felix mays fantastisches debütalbum, klingt frisch und ungewohnt anders. das album erscheint auf 180 gramm vinyl.

new 030303 release. john heckle s first one for 030303 starts off deliciously with translate- being a moody and melodic and bouncer that caters to a twisted dance floor. terix, the opener on the b-side is a beautiful reminder of derrick mays detroit, rhythm is rhythms kao-tic harmony in particular. the end of this record then, is like the end of most nights: with lots of melodies going on and a stomping rhythm hear me is by far the most mind bending track of this excellent 12inch.

(yotam avni remix) darko essers balans imprint returns this fall with one the most promising projects emerging from the electronic scene of tel aviv, deepa & biri. having previously released on derrick mays transmat, dj hells international dj gigolos and their own label black crow, the duo now presents their ælinear regression ep on the dutch label.

hot on the heels of mays ambivert tools volume one lone aka matt cutler delivers the second instalment of breezy atmospheric house, stacked with floor ready trax, inspired by his red hot magic wire imprint. first up is the tropical percussion and telescoping arpeggios of a minds eye melody, displaying cutlers talent for a nagging melody it comes on like tangerine dream remixed by 808 state pulsating drums, hymnal chords and gooey sub bass. looking glass calls to mind a mood ii swing dub - truncated stabs and jacking rhythms overlaid with shimmering resampled piano chords that give way to a slashing fm riff that contrasts sweetly. in the b2 slot cutler unfurls a hushed, 6 minute balearic reprise of the a minds eye melody, heartstopping emulator ii chords and harp glissandi wash over a wistful flute figure pedal to sweetly memorable effect. ambivert tools finds cutler a true master, at the top of his game - taking all he’s learned over his many years of beat exploration and condensing it down into rugged house stacked full of nagging melody / harmony that feels fresh and vital to 21st dance floors.

nice price deal !!! supported by: james holden, audion, daniela stickroth and many more ... amica is some new sound on the maripoza imprint.. davis & mays progress to a next level with finest techno sounds sourrounded by warm melodies and strong beats.. the oposite and lot more easeful mix of lucy and chevel bring you up to a sunny and relaxed day wich ends with a party in the sunset.. alt fenster brings the shit back to maripoza and composes with his vocal sounds an live rythms a crazy but realy beautiful tool

-attitude- is the first 12- from the forthcoming compilation series what the fuck do you know about deephouse . this first release features ron trent s -wet-, the it featuring harry dennis with -months of may- & space & places -new rivers-.

supertalent und neuer stern am clubhimmel: karim sahraouis -eternal life ep- pt. 1&2 auf derrick mays transmat label katapultierte ihn mit einem schlag ganz nach vorne und seinen track fathers legacy auch auf die letzte ausgabe der compost kult-compilation-serie future sounds of jazz. mit seiner gang of love ep für compost black zeigt karim nun seine ganze musikalische bandbreite von detroit techno über jazz-infizierten house, bis zu funkelndem downbeat. tipp!

special repress on transmat! out of nowhere...this greg gow final release drops! in electronic dance music there are a few artists with a special talent to produce tracks that in the right hands, will rock any dance floor in the globe. with his second release on derrick mays legendary transmat records, greg gow confirms he is one of them

one of a set of new 12 inches from derrick mays prestigious imprint - this one featuring a stomping and heavy techno track, based on hypnotic rhythms and somber patterns and that is guaranteed to move everyone on the dancefloor. featuring classic looking cover illustration from the myth that is abdul qadim haqq.

karim sahraoui has been producing gems for many years under various names such as djinxx, soul monkey and electronique resistance. after a break 2014 saw his return to the business under his real name and producing music that is closer to him than ever. releases included the future classic eternal life ep pt 1 on derrick mays transmat and appearances on labels such as cocoon. the a-side features the epic 10-minute original version of horns of glory on which karim takes his time to unfold the story of the track: a journey filled with beautiful melodies and rhythms that paint a lush landscape of sound. side b features the earth from above which again has a fairy-tale feeling to it. the b2 is vince watsons pumping and powerful remix of horns of glory which gives the track an energetic hypnotic quality and rounds off the package well.

derrick mays transmat is back with the symbolic catalog number ms200 and the promising french producer karim sahraoui (aka djinxx). a new chapter will now be devoted to multiplying emerging artists productions – not only musically, but also with a classic artwork that recalls transmats debuts and captivate us with modern interpretations of transmats distinctive sounds. 2016 repress

showcasing the deeper side of papa records, papa deep is back with an incredible new volume, stylishly put together by one of house musics modern masters, eric ericksson. hailing from stockholm, sweden, eric has been crafting his sound over the last decade, having had significant releases on derrick mays label fragile, carl craigs label planet e communications and also jimpsters, freerange label. eric has exclusively remixed 4 tracks - the realm & v one chance, the company superstar, the realm feat. tony momrelle time and a very special drum rework to ralf gum feat. monique bingham take to my love. for all lovers of deep & soulful house music, this is one release not too miss out on

following last mays label kick-off in the form of jssl s fake facade ep, format records now invites dutch prodigy qindek for its sophomore release, which is backed up with an excellent remix by swedish techno veteran paer grindvik.

eric is definately swedens most interesting and skillful producer when it comes to underground deep house and soulful techno. eric ericksson released his first single in 96 with several releases since then on respected labels, both indie and major. at age 18, he released a single on derrick mays label fragile, alongside artists such as carl craig and laurent garnier. later the same year he, as part of the duo minimalisterna, released a full-length album on virgin records. in 2011 the ep someone is watching was released on carl craigs planet e communications. as co-founder of kass recordings he released the work of some of the top artists on the swedish scene, such as zoo brazil and style of eye. in 2009 he formed north beach together with daniel howe and since then they had three releases on kant recordings and played in well-respected venues in europe. his latest 12 inch vinyl love cannot was released this summer on freerange recordings.

flashback to chicago in 1985, when house music was just being born. a few kids - matt warren, miguel garcia and ralphi rosario, get together to join forces with the already established sunset mobile disco - owned by brothers alex and robert rojo - to create a new record label as an outlet for their productions. here still music presents the full story, written by jacob arnold - of one of chicagos house music best kept secret in a superb gatefold dlp compilation that includes remastered, rare and unreleased tracks from the sunset records inc. label along with lost pictures and artifacts spread in a gatefold dlp. check!

its only early july, but 2013 has already proven to be a landmark year for production/dj duo deepa & biri. with a couple of their tracks being released on transmat records and appearing on derrick mays mix compilations on the one hand, while on the other, getting signed to dj hells international dj gigolo records, where they released a single in april and have a full album forthcoming mid-september it seems that all corners of the techno diaspora are ready to catch up on their sound.

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

eric erickssons not exactly the most prolific producer in the world but what he lacks in releases he certainly makes up for in quality. in 1997 eric signed his debut ep to derrick mays fragile records, established his own kass recordings in 2004 and then last year put out his killer someone is watching ep on carl craigs planet e. >love cannot< remixer mr beatnick has been in popular demand since his slow jack remix of hints >one woman army< on tru thoughts profoundly pushed his production skills into the limelight, quickly backed by the 2011 track >synthetes< on semteks >dont be afraid< label, which featured on many tracks of 2011 lists. his follow up ep, sun goddess, has already gained critical acclaim and support from the likes of gilles peterson on radio 1.

support by: losoul, hunee, aubrey, xdb, basic soul unit, fabrice liq, iron curtis, dan curtin, octave one, keith worthy, baaz, dj 3000 …
with detroits kevin reynolds we are proud to welcome one of detroits best kept secrets as the latest member of the nsyde family. starting as an audio engineer at derrick mays seminal techno label transmat, kevin has spent most of his career helping others to shine. honing his production skills in the transmat studios refining a variety of projects, he has accumulated an impressive body of work in the background over time. with the release of nsyde 002 kevin has now set the focus on his solo career and the years of experience and raw talent have truly left their mark. showcasing his savvy for deep mesmerizing grooves, he brings us two tracks for the mind, the body and the soul, ready to conquer dancefloors worldwide. fusing raw tribal elements with warm strings and chords, kevin creates his own fresh trademark flavor, paying homage to the original techno soul of his hometown along the way. keeping traditions alive by retro-perspective modernism. with a unique sound, lauded by the likes of gilles peterson and osunlade, kevin reynolds is the perfect match for the nsyde musical philosophy.
so listen close and let our secret weapon from detroit blow you away!

silicone souls darkroom dubs label has pulled off quite a coup with their latest release. taking a retrospective look through the labels archive, the duo approached some of their favourite producers, asking them to rework and give their own take some of the music from previous releases... and boy are we in for a treat! the coup in question was the securing of the talents of a certain mr robag wruhme. currently enjoying the acclaim generated from his exquisite long player, >thora vukk< (pampa), wruhme has kindly turned his attention to remixing extrawelts >neuland< for darkroom dubs. the lead track from their 2010 >neuland< marked a key moment for the label, as silicone soul celebrated the signing of an act that they had admired for many years. robag provides not one, but two reworks of the stunning original, each as impressive and moving as the other. the second rework sees john selway turning filippo mancinelli & allen mays >the hills< on its head. the deepness of the 2009 original, is still in evidence as the atmospheric sounds sweep within selways wonderfully driving tech reconstruction.

art-nr2 is the third release in art records remaster series following on from carl craigs >psyche/bfc< and kirk degiorgios >nairobi ep<. promenade eleven lives up to the billing of those illustrious predecessors, being a reverse-engineered remake of >night on the promenade< which originally appeared in limited quantities on the new religion label in 2006 under the name >super-a-loof<.
labelled at the time as a successor to classic techno tracks such as derrick mays >the beginning< and rolandos >knights of the jaguar<, this re-make will finally bring it to the wider audience it deserves via the art label.
promenade eleven (original mix) adheres faithfully to the original arrangement but has been re-recorded and totally remixed from the ground-up for a modern club sound.

miguel is a new man on the block from czech republic, playing techno along with progressive and anything with a groove. here he presents a great idea along with sky flowers, 2 very sexy slower techno tracks that ooze quality. to accompany this great idea of tracks yin yang asked 2 of its more established remixers - mikatech (dj mika) from the former yugoslavia, well known for his hard groove tracks, mika is now making a huge name for himself with a slower but very sexy techno sound. vincent mallvile the parisian that does not hold no punches. french techno, yes please! vinny boy has also done the deeds with his remix. again another excellent package of techno from yin yang. will fit in any techno djs collection. be it from warm up to end of set (if you play the slower sound of tech). played by cristian varela, pedro delgardo, paco osuna, anderson noise, jermome baker, trevor rockliffe, lars klein, wyrus, scott project, dj felipe, mark sherry, ruslan mays, vortechtral, reaky, dastin, roman zawodny + lots more!

played by: cristian varela, pedro delgardo, kali, carl anians, filth & spendour, jerome baker, vortechtral, paco osuna, scott project, dj cristiao, jesus soblechero, steve mulder, odessa soundfreaks, dave the drummer, graham gold, roman zawodny, david moleon, josh love, anderson noise, jan liefhebber, dj murphy, fei fei, omega drive, john askew, reaky, trevor rockliffe, mark sherry, ian void, ruslan mays, spiros kaloumenos, wyrus, aka carl

some ideas are just so good, they deserve a second chapter. like christian prommers drumlesson vol. 1 album, released in 2008, which featured instrumental jazz versions of legendary techno and electronic tracks including derrick mays strings of life, kraftwerks trans europe express and josh winks higher state of consciousness. critics and audiences were united in their positive reactions to the album.
jazz meets house, electronic meets organic, drumlesson zwei is a testament to musics limitless potential for inspiration and reinvention. drumlesson zwei is not about narrow labels, fads or genres. great music lasts forever.

sometimes things get complicated and a groove becomes a symphony. but sometimes, all we need is the groove. venturing back to how it all started, octave one begins a new chapter, 20 years after their introduction to the electronic music world. connecting to their origins on derrick mays legendary label, octave one pay homage to their transmat catalog number with the launch of a new limited series and label, ms10. returning to basics, ms10 brings the burden brothers home to how they started it all, minus the hype and >back to the essence of the groove<. this special series begins march 2010...

second part of the much talked-about universal consciousness series. on one side, stephen brown, the artist responsible for some of the best releases on derrick mays transmat label, makes his 2010 comeback with an uncompromising and stunningly beautiful piece of detroit techno. on the flipside, club lonely, a these days in-house production moniker for jam sessions that happened in the labels studio between friends, presents a tribute to n.y club shelter. the track focuses on a bassline driven groove in timmy regisford fashion while on the b2 the vocals are muted for those who would like to use the track as a tool. space techno meets n.y dancers. universal consciousness

orlando voorn prod. detroit influenced techno!!! ltd repress !!! alongside fix - flash, this is, in my opinion, the best thing orlando voorn has ever done. released on derrick mays fragile label back in 1993 its one of those tracks that just sounds like the future. highly recommended

supported by: umek, lars sommerfeld, da fresh, oscar, paul hazendonk, terje bakke, blood & tears, ondrej, electric rescue, allez-allez etc… spada who made his debut on maripoza imprint hits back with a bomb. evinrude is the realy strong follow up after the burning arcobaleni track. jitterbug is tough and gets the dancefloor mood with the deep and loopy melody on the point. davis & mays lilllypop edit of jitterbug takes it back to the melodies and fills the night with colours..

dynamic peaktime techno tracks incl remixes by pedro delgardo, reaky and ruslan mays

word we werent expecting this! this fine platter kicks off with a deft mash up of paris greys dont lead me and neurotic behaviour by psyche (carl craig) and then launches into a beefed up edit of derrick mays kaos. on the b-side is a re-edit of the kevin saunderson remix of we know it by the wee papa girl rappers. we dont know who did this and nor do we care. its a perfect party record for peak time dance floor lunacy. nothing innovative, nothing new but just adding a new twist to old classics and doing it with style. highly recommended

do u love the sound of border community ? then u should buy this one.. great pieces of music for listening, dreaming and feeling... and a big playfull davis & may remix on the aside. this is future sound that must not be hidden behind the boys from the island... let us introduce davis & mays friend alt fenster

after the release of the second single by solee, here comes the next top tune out of the parquet recordings camp. it s dejonka, who already released on labels like klang gymnastik, hammarskjoeld, karate musik and bikini tracks with –memento-. this track is a pure high-energy dancefloor burner. the kicking beat, the funky bassline and the dirty electro sounds create a groove that nobody can resist on the floor. a true sure-shot for the peaktime! ryan davis & lanny may use the strongest elements of the original adding some minimal beats and sounds to create a new underground flavour. yassin & arne create a true minimal-techno masterpiece creating a nice bubbling synthie melody out of the original harmonies. again a great package with remixes for every flavour and occasion!

six pianos is reminiscent of early detroit techno and somehow of derrick mays strings of life, it has a very unique powerfull hypnotic groove. fiestais a latin stomper with its amazing rythm and latin guitars! light the worldwill please all kerri chandler fans ! , deep chords , amazing house drums and bassline with some positive deep vocals. it was played in miami. support by: danny krivit, dj spinna, kenny dope,franck roger, dj gregory

-all profits made from this various artists compilation cd will be donated to the relief and support efforts for the affected families in japan. with your help, we can reach out to the victims of the earthquakes and the tsunami in east japan and start to