gigi is a recording project of vancouver-based songwriter nick krgovich (no kids) and producer colin stewart. the debut album, maintenant released by tomlab in early 2010, gave them the opportunity to unabashedly profess their love of 60s pop music. >the hundredth time< and >some second best arent content to be throwback pastiches or retro workouts in the vein of phil spector. they succeed as opulent orchestrations working within a specific and rich tradition of pop music production. the two songs featured on this single for k are selections from the original recording session in march 2006. ryan peters and duffy driediger from ladyhawk guest on >the hundredth time<.

celebrating black truffles one hundredth release!

talk about the legends of house and kenny dope gonzalez holds one of the undisputed seats in the gallery. since breaking out of brooklyn as new york house began to dominate the 1990s the dope man rose to the very top with masters at work, gaining a peerless reputation as beatmaker, producer and dj. originally brought to strictly rhythm as a teenager by todd terry, he became one of the key producers in forging the strictly sound through releases by the untouchables and total kaos, and his work with louie vega on the sole fusion and hardrive projects. back home at strictly with a fresh new production (for the first time since 1999), kenny teams up with another legend of house, roland clark (aka south st player) for talk dirty, a rumbustious, risque excursion that sees clark delivering one of his trademark monologues over kenny s perfect beats. it s a fitting sound for the 900 number the landmark nine hundredth single released on strictly rhythm

one hundred. three digits. finally weve made it and were proud to announce that we’ve reached a milestone that every label aims for: the one hundredth release in a continous sequence of catalogue numbers. and what a journey it has been over the course of the past eight years. to celebrate this once-in-a-lifetime event no-one less than marco resmann himself comes up with a dedicated 12inch single thats not only named 100 but also comes as a special gold vinyl edition plus gold label prints and seethrough packaging that makes this record stick out amongst many in each and every vinyl lovers collection as well as in every dj case.

coinciding with the one hundredth anniversary of one of the most surprising works by contemporary icon franz kafka, the metamorphosis (1915), reeko celebrates the novella or adult fairy tale with his own reinterpretation of kafkas controversial narration. the author offers a first person account of the protagonist gregor samsas transmutation, a human just like any other, with a grey, predictable and routine existence. pressing on translucent vinyl.

coinciding with the one hundredth anniversary of one of the most surprising works by contemporary icon franz kafka, the metamorphosis (1915), reeko celebrates the novella or adult fairy tale with his own reinterpretation of kafkas controversial narration. the author offers a first person account of the protagonist gregor samsas transmutation, a human just like any other, with a grey, predictable and routine existence

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!