richard scott and axel doerners journal of elasticity is a two-part site-specific composition recorded at the big water reservoir in berlin-prenzlauer berg. playing once with the empty space s acoustics as a third actor and once in front of and with the audience s presence, their bohemian drips debut is a riveting study of space and intensity.

the berlin based label was founded in 2011 by alexander meurer and fillipp vingerhoets and is specialized in developing, publishing and staging site-specific compositions in settings with distinctive acoustics.

lumièreslanuit (alias lln) is glad to welcome dj and music composer keumel for its 9th release.

20th anniversary incl 18 bonus tracks incl b sides, live versions, instrumentals !

black coloured vinyl, 30-jaehriges bandjubilaeum

red coloured vinyl, 30-jaehriges bandjubilaeum

electronix

incl poncho pino mix

20th anniversary incl 18 bonus tracks incl b sides, live versions, instrumentals !

limited to 300 copies, clear vinyl with custom colour label

reissue of the 1999 white stripes debut album.

already supported supported by ben ufo

flying lotus’ legendary maida vale session from 2010. the vinyl release includes a download code.

our 8th va compilation, spinning a web around fresh and old bloods alike. a1 introduces arp220, with the tripping meur maei. disembodied vocals bouncing over acid drips, scorching. a2 sees obergman stop the clock with trademark tight productions on the tuff n sucking chronostasis. on the flip, the long-elusive collaboration between xy0815 and int main rigid body sees a proper release after an ultra limited run at last year’s rye wax’s run out. the jaffa kid re-emerges after his beauté du négatif ep with intergalactic war trials, weaving thick but never cloying synth work over a stepping wicked rhythm, making it all happen & dripping for the floor’. finally, newcomer oskar telemann sees off the ep with a crafty marriage of idm and synthwave on anruf aus dem westen. chilling. 5 cuts, 5 styles, everything you need to slick the floors with out of date smoke fluid.

for our second release of 2018 ears have eyes are back with the third instalment of our throng of orbs compilation series. this time around we welcome back old friends, and bring in some new names to the ehe fold, with a collection of tracks spanning deep emotive house music, broken beats and acid dancefloor pressure. first up we have contours, who burst onto the scene in 2015 with an excellent release on the mighty rhythm section, and has put out a slew of great records since then. dither takes time to unfold, but when the fluid acid line emerges from the heady percussion he really sets up the track for dancefloor perfection. for the a2 we welcome back chocky to the label, and he serves up a slice of weighty house music that drips quality and emotion. pickle dat kicks off with an absolute beauty of a groove, understated but weighty, and from there chocky goes on to sprinkle just the right amount of seasoning, with soulful rhodes licks and a wonderful bass line. off the back of their excellent 12- on love on the rocks, elles x violet kick off the b side with yrnyb, a tried and tested dancefloor destroyer. when we heard elles playing this in a dark basement in peckham, we just had to sign it. sometimes a kick drum, an acid line and a half heard vocal is all you need. finishing off the release we have dublin artist replete serving up a lovely slice of hazy, percussive house music that slowly builds to a crescendo. an acidic bassline sits nicely over congas and a warm, rounded kick drum.

there is some serious music coming out of nz right now and has been for a while and these tracks are of no exception. this ep has a very sonically pleasing sound about it all coated with an industrial vibe. from a main room club banger right through to the early morning dark twisted -i have had way too much of a good night- tracks this ep really does push the boundaries and brings something new and refreshing to the table.

the drip ep brings together four distinctive producers and one set of sounds - the drips. the result is a compilation of 4 tracks that bring the swing and sampling of some of accidental jnr’s finest to produce a soaking wet dancefloor. first up is label boss matthew herbert with a trademark groove that harks back to his wishmountain moniker albeit found lurking in the swamp. cosmo sheldrake takes a slight departure from his usual multi-instrumentaling live-looping avant-folk to deliver a track that could only be described as travelling circus aqua-techno. bahraini born, french / us bred and now edinburgh dwelling video game builder, sound designer and sometime scottish league football referee yann seznec opens the b-side with an absolute stormer of a rain drenched club hook. sussex based producer crewdson and builder of such electronic instruments as the eggiophone and concertronica closes proceedings with a drizzling evolving 2-step number.

bleu nuit (bn) is glad to introduce to you to its third release sustain strain ep (bn03) by paris-based french dj & producer: keumel.

about a year after the release of his night drips ep (lln008) on sister label lumièreslanuit, keumel is back with sustain strain , confirming his taste for deep, rousing and melodic music, however, this time, with a on the a-side, space is her place unveils intriguing and asynchronous beats, whereas heavy body presents elastic sounds on a groovy electro beat with a naive twist.
on the b-side, shattered decay distinguishes itself with its melancholic melody and dubby bassline that twists your brain and your body, while unheard territory appears as an epic and orchestral track to close this melodic musical journey.

tresor is glad to announce the release of manni dee’s first album the residue , on june 15th. based in london, manni dee is held in high esteem by many for his spotless production and relentless dj sets. the gleaming rendition of manni s creative vision stuns. he knows sounds inside-out, making his studio a favorite stop for many to receive manni’s expertise. the production of the residue’ was inspired by the city of london and its general living conditions. more particularly, how social cleansing, inequality and the political situation generally - and on a holistic scale - informs internal and external locus of control. the residue’ is disconsolate, and with such heart-wrenching tracks as “in communal solitude”, “vicarious living” or “submit. breathe.” or the mutinous “at mercy of the muse” and “paroxysm” manni dee clearly cuts out his insurgent statement. in parallel to his regular dj schedule, manni dee will also take his sonic proclamation in its live pa form out to the most advanced stages starting this summer.

yoruba records welcomes back label favourite mike steva with a well-balanced and forward thinking ep that both engages and pushes boundaries. opening up with ‘love symphonik’, this stutter-stepped jam practically drips with mpc flavour. up next, ‘the message’, a bold proclamation with more straight forward percussion. with added balkan flavour this one is as deep as they come. this is followed with ‘sila’ where steva’s chops are on full display. this engaging and well-constructed groove conjures of feelings of celebration, one that’s easy to imagine taking place in the streets of macedonia. we close with ‘zensko oro’, a deep and moody percussive-led jam. this one speaks of movement, slowly building on itself and reaching a natural climax that enhances and delights the senses of the astute listener. sit back, relax and enjoy this soon-to-be essential piece of the yoruba records canon.

the ninth release on the dsr-c series comes from rhine. a new name with his roots in atmospheric techno steps up for his first solo ep.the ninth release on the dsr-c series comes from rhine. a new name with his roots in atmospheric techno steps up for his first solo ep. de storm opens the account with a loose collage of textured drums and scuffed-up synths. it makes for a bubbly groove that journeys far off into the night while de bron is more rooted underground, with cavernous echo chambers run through by supple bass synths and icy hi hat trails. spooky and haunting, its a track to send shivers down your spine. last of all, het meer is a watery affair, with aqueous drips and drops, radiant pads and then more tightly coiled drums brushing up against one another to make for something atmospheric but also nicely driven. all three tracks are characterised by a rather tender and reflective mood that makes them all the more unique.

special 3d cover design! from the classic album of 2002! limited edition re-issue for the eminem shows 15th anniversary

butterflies is lord tang s second full length release. it is a warm descent into a dub fueled frenzy of color and light. it is a sound dredged from the depths of jamaican dub and spun into a new form that incorporates the many influences on lord tang s creator, dominic cramp: soundtracks, library music, vintage science fiction, broken beats, dirty electronics, modular electronic music, abstract tone clouds.

damien lynch enjoys countryside a drive in the twilight hour. this is his second offering for the esp institute. on side a, brunette opens with a straight-ahead techno thump of hi-hats and a pulsating 16th-note bassline—a subtle playing field composed solely with a rare 1970’s italian machine, the godwin drummaker 32, unearthed from the secret back room of a music shop in rural ireland where it hid among wonderful vintage russian synths and oddball electronics. this elegant track drips with warm and phasing pads, gentle staccato keys and beautifully simple arpeggios that blur every now and then—all affirming damien’s less-is-more ideology. with side b’s forced relax, damien continues to exercise his restraint, arranging his instruments in a band-like fashion, affording each player the sonic space to project their individual qualities whilst supporting an overall dialogue. there is a soft ebb and flow to every machine’s role, whether the swelling of bass or the interplay of percussive keys, but when these characters arrive in one place, the result is a tranquil euphoria. these two songs will accept you for who you truly are.

city fly are very excited to present their latest 12 inch, this time coming from long time friend of the label and all round powerhouse kez ym. the leicester label have long been representing for the east midlands underground house scene, bringing local talent to the world and bringing global connections to their locale. hot off the back of their 10th release celebration va and a strong offering from legend tim toh, the japanese connoisseur kez ym is back with more of the goodness that has made him a favourite of the label from such an early stage.
the ep drips with kezs trademark blend of deepness, kicking off with the heads down groover of *bump into the sky*. next up *eagle eye* builds around crisp 909 drums and a super tight bass line. pure classic vibes from start to finish. over on the flip *my joy* is underpinned by deep, jazzy chords and finishing off we have *spiral traffic* which takes things to a new tip entirely with an almost latin feel to the chord patterns.

ltd 2015 repress , as chinatown thaws and drips into spring, so arrives the debut vinyl release from the hardware scientist cloudface himself. the record appears as a breath of foreign air... a lucid recreation of memories emblazoned in the cosmos

jack vanzet is a melbourne-based multi-instrumentalist, producer and visual artist who records under the alias thrupence. his debut ep voyages was released independently on the thrupence bandcamp. he has played outsidein festival the same year alongside flume, shigeto, smoke dza to name a few, supported chet faker at revolt in melbourne, sold out his voyages ep launch at workers club in melbourne and played alongside oliver tank, mitzi, lost animal at melbourne music week. pressing on translucent blue, multi-color splattered 180 gram vinyl, download code included.

produced by dr. dre

includes download code for double cd dj mix! wow! fantastic triple pack of 12 of the choicest cuts from totally enormous extinct dinosaurs fantastic get lost vi double mixed cd on crosstown rebels. rare and illusive sonic nuggets have been lovingly compiled here by teed including richard h. kirk, kenny glasgow and kevin harrison all on vinyl for the first time ever!

new joints on the way from lovers rock. following his debut itals theme on 100% silk and the collaboration with la vampires, ital returns with culture clubs. two elegiac cuts + a remix by chicagos f***ed-acid mastermind, hieroglyphic being. deep opulent sway, submerged pitch bend and thousand yard stare ambiance. culture clubs meets mannheim steamroller downtown, eternally yours drips and cuts, and hbs no culture mix freaks like none other. outsider techno for a weeping world. edition of 500 in dj sleeve.

with new artist noah pred, the highgrade family adds another exciting voice to the labels musical cosmos. although the canadian producer, dj and founder of his own label thoughtless is already internationally saavy, he recently decided to move to the worlds hub of electronic music and pitch his tent in berlin. included in his luggage: his very own creative perspective, a great sense for aesthetics and an unerring feeling for music, learnt in part, from his many years as a bassist. noahs first ep for berlin label, highgrade records sets an exciting precedent. the track >motive unknown< trickles organically into the aural canals, before the drips become digital drops and the track comes crashing from the speakers in a steady flow. the entire piece is simultaeneously suspended and captivating. no wonder then, that the remixes from deepchild and phonokemi manage to bring out further different facets of a already multifaceted track. while deepchild brings a dub element, phonokemi move the tune into darker musical territory. its brought back with noah preds folding cranes, which follows the thread through a musical universe infused with pounding and grinding percussion.

once again, with spring, comes another addition to vakants fruitful and ever expanding family. we welcome the man formally known as cesare vs. disorder, for the first time releasing under his given name cesare marchese. in such a short period of time, cesare has amassed quite a discography and legion of fans around the world who follow him wherever he goes. yet another formally trained musician in the vakant camp, cesares music has progressed a great deal since his first release in 2006. every release drips with more and more depth and melody. his aether ep debut for vakant yet again proves why cesares accent is unstoppable. while just a 4 track ep, the aether ep covers much ground spanning afterhour afternoons to indie influenced incorrigibility, but always with that certain kink and freak that comes from a background of techno and global trotting nightlife revelry. to say deep and freaky would not be enough. to say anything would not be enough. these are tracks that must be experienced and not written about. from complete house electronics, to altered acoustic uplifts, to deep orbit accents, its all here courtesy of our new sicilian cesare

a relative newcomer, having released a couple of lovely records on the conya label, and another on hertlich, larse also hosts the friday night show on germanys biggest youthradio >1live klubbing< since more than 10 years. now we proudly present the talented dortmund based producer on we love this. >i got a feeling< is a beautifully balanced, expertly produced cut that soars through the post-disco-nuhouse skies like a flaming rocket bound for the dancefloor. low-slung, totally groovy and decidedly disco edged, a thick wall of classic drums, addictive vocals and top class studio finesse make this a superb new release for larse. hamburg based solomun adds his hand to the mix, with a wonderfully deep yet pumping remix of the original. calling on some classic chicago vibes, with his trademark dry and crisp sound, they diynamic boss doesnt dissapoint in this straight up late night roller. larse finishes off the mix with >off the ground< - a heavy funk laden jam that once again drips with class and a great love of the old salsoul days. euphoric vocals shine through in this summery, anthemic slice of modern electronic soul.

der ausnahmeproduzent flying lotus legt nach seinem vielbeachteten debutalbum los angeles den nachfolger vor! auf cosmogramma weitet er das spektrum der integrierten stile in richtung space-jazz aus und lädt ein zu einem kosmischen trip voller unendlicher liebe und begeisterung für musik in all ihren variationen. mit musikern wie rave coltrane, einem weiteren sprössling der coltrane-famile, dem bass-virtuosen thundercat und den gastvokalisten thom yorke (radiohead) und laura darlington (siehe debut) gelingt ihm der aufstieg zu schwindelerregenden neuen kreativen höhen. mit cosmogramma belegt flying lotus eindrucksvoll, weshalb ihn die matriarchin der globalen bass music, mary-anne hobbs, als den >hendrix seiner generation< bezeichnet.

the bold and futuristic year of 2010 sees the release of >werkschau<, an unmixed compilation that gathers together a hand picked selection of the producers favourite cuts. the music stands for all that he loves, and what he loves he puts on show! summing up the landsky sound, and looking back over the years one cant help but feel a deep underlying quality emanate from the music. like subtle, mature flavours running through a well-prepared banquet. this special ep, capturing three choice tracks from those on offer on the compilaiton, includes some of our favourite landsky material, re-visited. firstly the seminal >1000 miles< is re-interpreted and brought up-to date, with landskys >2000 miles<. a strong driving powerhouse of reduced acid signals and hypnotic synth phrases, its the sound of martin landsky, future, present and past. a real deep running story of a track, >naked< is rich with thick bass and phasing, tripping chords, running percussion and growing tension that never ends. fitting to any occassion, the track was originally released on landskys own intim label and sounds as fresh now as the day it was released. tying things up the taught, tense and grooving tones of >monitor one< sail through. this futuristic house cut revolves around a staccato bass hook that drips with funk, echoing of landskys dj history that began before house was ever invented!

klassischer uk electro mit experimentaleinlagen. also genau das was wir von scsi id erwarten

after the phenomenal acid pauli get lost v album, totally enormous extinct dinosaurs has mixed the next in the dj mix series, get lost vi. teed delivers a fantastic sonic collage over a double cd,including a new exclusive track by teed and eats everything. programed over two cds the first cd features the more eclectic side of orlandos dj style whilst cd2 is more club orientated dj mix. the album is full of rarities and cutting edge house and techno expertly programmed and mixed by orlando.

auf >cosmogramma< weitet er das spektrum der integrierten stile in richtung space-jazz aus und lŠdt ein zu einem kosmischen trip voller unendlicher liebe und begeisterung fŸr musik in all ihren variationen. mit musikern wie rave coltrane, einem weiteren spršssling der coltrane-famile, dem bass-virtuosen thundercat und den gastvokalisten thom yorke (radiohead) und laura darlington gelingt ihm der aufstieg zu schwindelerregenden neuen kreativen hoehen. mit >cosmogramma< belegt flying lotus eindrucksvoll, weshalb ihn die matriarchin der globalen bass music, mary-anne hobbs, als den >hendrix seiner generation< bezeichnet!