the debut album from glasgow trio cloth on black vinyl with download code included.

top for cleaning

>fter his big success - >feel< on toka beatz, here comes the next smasher from sofa tunes at his own label. the >cloth bag ep< contains a track from sofa tunes and 3 big remixes by raumakustik (glaub mir doch), andlee and klanggewalt.

35 tracks auf 2 cds

reissue on splatter vinyl

hip hop

vinyl lp plus cloth bag with print.

reggae classics from bob marley on vinyl lp plus printed cloth bag.

features: mickey factz, bub rock, bronze nazareth, illah dayz, solomon childs, salute da kidd.

our xxl bonzai mouse pad is geared towards the gamer in you, and sizes in at 40x45cm to provide maximum coverage when the frenzy kicks in. control your movements and stay in the fight with a smooth, soft cloth top, which features the classic bonzai records logo on a black background. the underlay is padded to reduce pressure so you can game, produce or casually browse for hours on end. in stock bonzai game pad xxl (40 cm x 45 cm) quantity 1 add to cart sku: brm2021033 category: accessoiries share on twitter

whether at home, office or in the studio, we spend a lot of time on computers. the brand-new bonzai mouse pad is just the remedy to add a bit of comfort while you’re scrolling. coming in at a regular size of 19 x 23 cm, this pad is made with a smooth, soft cloth surface with printed bonzai records logo over the classic sunburst design, the textured, padded underlay will help keep fatigue at bay.

b-stock! box with minimal damage. vinyl unaffected & mint. limited deluxe edition of humanz. 2x180 gram vinyl records, housed in a cloth-bound book with 54 pages of artwork by jamie hewlett. comes with download card of the tracks from the regular version.

soul classics on vinyl lp + printed cloth bag.

the 3rd longplayer from kali malone on black double vinyl, housed in a gatefold sleeve.

limited deluxe edition of humanz. 2x180 gram vinyl records, housed in a cloth-bound book with 54 pages of artwork by jamie hewlett. comes with download card of the tracks from the regular version.

cut from the same cloth as last year’s double-cassette, “like all mornings”, vanessa amara’s new album trails shorthand piano pieces and wilted strings through magnificent, electro-acoustic surrounds, often settling into buzzing, syncopated reveries.

francis harris is a founding member of the scissor & thread label a brooklyn-based imprint established 2011 as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including black light smoke, bob moses, frank & tony, dj aakmael, desert sound colony and aris kindt, to name a few. harris own output has gone from tightly wound tech house cuts as adultnapper in the early days, sublime deep house as frank & tony, intricate and expressive musical journeys as evident in his two solo-albums ‘leland and ‘minutes of sleep, and ambient shoegaze with two aris kindt albums, co-produced with gabe hedrick. most recently harris branched out with a new label kingdoms a home for his love of a more adventurous sound. now we are proud to present his new solo single, the first since the release of ‘minutes of sleep, ‘minor formswhich includes two remarkable remixes by valentino mora. more we cannot do is a perfect example of harris feel for depth and dynamics a track that feels submerged in a warm amniotic fluid cocooning the listener in a thick subby bassline, providing much of the groove, with skittering percussion on top and intricate fragments of melody throughout leading to a wonderful moment with live vibraphone provided by new york player will shore. minor forms, the eps title track is cut from similar cloth emerging from a subtly distant place to inhabit a melancholic, beautifully evocative space somewhere between ambient, jazz and the dancefloor. joining harris is greg paulus on trumpet, a long time friend and collaborator adding his signature touch to an already moving piece.

if youre familiar with public release’s sibling, face, a series of parties, you’ll already know that jee day, né dennis mcnany, has been in the bay area label’s orbit for some time as half of the dfa act museum of love, he joined the inner circle years ago. here, with amot herga laxy, he makes his bold debut on public release itself. the single begins with “crocodile tears,” an abstract, impressionistic tapestry of african rhythms, meditative synth washes, vangelis-esque horns and pads. it recedes and jee day plunges deeper into the jungle with communication masterbation, a propulsive number built around a psychedelic, droney bass that’s wrapped with gritty, distorted effects and layers of topline keyboard licks stacked high. a raw club track cut from transcendentalist cloth thatll lift you off the dance floor. the b-side is a dub of communication masterbation, with an emphasis being placed on pulling out, unraveling, extending the rhythmic elements and emphasizing the electronic veil the piece is shrouded in. a trancey, menacing sprawl that could be an extended sonic youth live jam if they swapped their stringed instruments for roland and korg gear and dusted the whole thing in an unknown psychoactive slime.

nach zwei ausverkauften 7inch singles, festivalauftritten auf so ziemlich jedem namhaften deutschen musikfestival und opener-slots für bands wie balthazar, future islands oder battles veröffentlicht das kölner quartet xul zolar mit „fear talk“ am 19.01.2018 seine debut lp auf dem von der band mit-gegründeten label asmara records. um diese vision in die realität umzusetzen hat sich die band sowohl mit dem kölner produzenten marvin horsch (woman, keshavara) zusammengetan, als auch die besetzung mit dennis enyan zum quartett erweitert

a warehouse jive for number 5 on running backs misfit melodies series. introducing new artist and shrinking violet pistachio, ilox cuts house music out of a techno cloth and vice versa. one of three direct cuts between chord memories, distant voices and space echoes, complemented by a drone piece for the times before, after and in-between. classic soundscapes with a modern drive. nutritious as a nut.

passport to paradise continue their winning streak with an exclusive release from man of the cloth, digger extraordinaire, john zahl / jaz. if you ve seen his video for thump, you ll know that jaz and his works are weird, wrong and wonderful: in a word, the ethos of ptp is alive and kicking in this release. first up, geisha chugs along in the cosmic dust of 80s synth assortments and flourishes of koto. scatter-brained brilliance from the deepest of osaka basements. a2, move to the beach, heralds a sleeker, sleazier side to jaz s episcopal offering. it builds itself out from a latent groove that ushers in the end of the night, carrying you to the empty seafront just before dawn, where a breeze ruffles the palm trees as you dig your eyes into the moon. turning the page, we have a rework from the same post-kraftwerk heritage, but this one is more potent synthpop roller, a straight-up, no frills edit for the toughest of dance floors. the final track, twin theory, is a lofty affair from the outset, its arpeggiated bass holding the track to ransom: it is playful yet very serious, sublime and sarcastic. this is what passport to paradise are bringing to your homes and dancefloors. don t miss ou

four years after his excellent eclipse 12-, roberto auser is back on a rotterdam staple: pinkman. color your soul has adopted some, but not all, of its older brother s attributes. lumbering with menacing intent, the title piece leaves wreckage in its bruising wake. -do you want to believe- is cut from the same deviant cloth. grunting rhythms stomp on tortured strings, industrial shrieks cry beneath the boot of a raging beat. the closer, -wake u up-, has auser toying with his victim. steam hisses, acid lines bulge, pistons pound and sirens blare in this boiled work of brooding brutality.

fresh from the success of their ‘past / present / future’ release, we march on, with berlin-based italian christopher ledger the man responsible for their label’s 41st release. the ‘percezione and retrospettiva’ ep sees ledger in flying form, as he props up with two dexterous, thoughtfully executed records that speak volume of his ability to craft atmospheric sounds. opening up the release is the sounds of ‘retrospettiva 2’, a future leaning techno jam that again wonderfully fits the brouqade aesthetic. clearly indebted to sci-fi spheres, this one is very much cut from a detroit cloth, with a steely finesse that lurks from the get go. a track that brings the listener on an endless journey, it comes some deep harmonic vibes. all things told, this is an ep of various contrasting sounds, ledger’s debut for brouqade is a stunning example of what can happen when producers think outside the box. the b side consists of ‘percezione attiva’. harmonic, blissful tones abound throughout, made all the more meaningful by a slew of gentle, melancholic piano chords that really pull on the heartstrings. a light and hazy experimental piece, the track forces parallels with other masters of suspense. culminating with a more traditional 4/4 vibe, this unusual turn only enhances the producer’s standing as a man willing to take risks.

the swell ep follows a similar formula to release number five back in march. three originals and two tool tracks all from label boss mike gervais. many cut from the same cloth as release five. all good things we think.elegant restraint leaves the element stack slim and the sonic field open. backed by a thumping kick and sputtering resonant basslines while familiar machine hats shimmer in and out.

long-awaited fourth installment from the project of earwiggle s sunil sharpe and defekt features unique hand embossed foil stickers for their second 12- of 2016, tinfoil (sunil sharpe and defekt) return for what must be their biggest release to date. foil 23 is a monster - a track that combines so many key elements, it s hard to know what it is. proving how effective a deep buzzing bassline can be when used right, watch the breakdown in this melt brains. foil 26 is cut slightly from the same cloth - pounding but playful with a piercing lead that twists and turns to the finish line. foil 28 is the possible secret weapon of tinfoil 4, putting a fresh slant on hypnotic bleep techno with a warm drive missing in so much of today s cold sound. an essential release of 2016, do not miss it!! dj support from dave clarke, truss, the hacker, randomer, happa, john heckle, jerome hill and more.

kicking cheerfully against the compression and conformity of the modern digital age, antique futurist analogue wizards metamono return with their finest, fittest album to date. comprising jono podmore, aka kumo and sometime collaborator with can members irmin schmidt and jaki liebezeit, paul conboy and fine artist mark hill, the crystal palace based trio enchanted audiences during 2014 with their live soundtracks to secrets of nature, early 20th century short films using new photography techniques to reveal the processes of the natural world including the lives of cuckoos and barn owls. many of the pieces they wrote feature on the new album. it was an ideal fit for the metamono sound - organic, playful, basking in the joys of new mechanical possibilities. recalling the early electronic adventures of raymond scott, brian eno, cabaret voltaire, cluster and acid house but always bearing their unmistakable bespoke signature, metamono are as unmissable live as they are on vinyl. do not miss this!

patrice scott proudly presents his first full length artist album: euphonium, the album. encapsulating the essence of the sistrum sound, euphonium, the album sees patrice offering up 9 tracks cut from the same cloth as his previous work for the label - sublime and evolved with depth and authenticity as only he can convey. without a doubt, it is the modern sound of deepest detroit.

primary colours welcomes one of the dons of dub, owner of echospace detroit, mr stephen hitchell, aka cv313 to the family. cv313 provides us with his decaying detroit dub. a ten minute journey of synthesis and design, a masterpiece of analog machines and synthesisers in harmony and sequence. deep, lost, layered textures and rhythms build to create a once off, totally unique piece of music that will be enjoyed by the most hardcore of listeners for many years to come. primary colours are proud to present their latest release nyctophilia. australian duo, echo inspectors, return with a track inspired by the darkness of a winters night. cut from the same cloth as eosophobia, nyctophilia continues on with a brooding, deep and erie track. hypnotic sounds flow in and out of one another while a deep bobbling bass and sharp percussive rhythms lock you in. timeless.vinyl only, 180 gramm pressing, red vinyl.

the first ep of brand new material from brownswood signee diggs duke, *the upper hand & other grand illusions* is a series of vignettes that tell a story of courtship and intimate interaction.

better than a classic cafe del mar compilation, piano cloud offers the sweet samplings of balearic ambience mixed with the cheeky love-hangover of a disco-dance-diana instrumental.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

this hard case holds 80 cds • customised design exclusively for defected • hardwearing moulded casing • velvet-lined interior - includes cd cleaning cloth 11.5 inch x 7 inch x 3.5 inch

jori hulkkonens superb 2009 album >man from earth< offered nothing if not a glimpse of pure inspiration, like having a candid dinner conversation with the inventor of the cloth napkin. now, turbo is proud to present this stellar remix pack, which offers amazing new perspectives on tracks from the lp, revisiting the music with an athletes eye and ears bursting with heart.

garagist salvatores recommendations for motoguzzis third and last release of the first 12 series. >my life for a moog< go down into your cellar. take your clothes off . blindfold yourself with a oil soaked cloth and then follow the hispanic snapper matador. he is the conductor who will guide you over the slippery floor. give him your eardrum. move your hips. feel loved.

the man who along with long-time partner alan braxe has risen through the ranks to become one of the pivotal masterminds in the gallic house movement steps out alone for his debut release (albeit aptly assisted by fellow defender partner savage on the double-a side cut). the midtempo >omega man< opens proceedings and is clearly cut from the same cloth that linus loves used to fashion >the terrace< - a stevie nicks parody that will similarly be used as a musical bed for tv shows all year long. >wait for love< meanwhile is rich in parisian charm - filters set to maximum and compression on extra high - warm, melodic, simple and yet highly complex and distinctly french-sounding making this another bass throbbing must-have purchase