minimalized is the highly anticipated debut album from tokyos heavy1, and with its release, he pushes the boundaries of electronic music, and further cements his position as one of the most exciting new artists on the worldwide scene. this standout producer has masterfully composed 11 tracks spanning from hard hitting drum n bass, to musical dubstep, to the albums title track, which is a nod to the analog synthesizers and hardware drum machines of a bygone era. throughout minimalized, heavy1s clinical and precise production is always balanced with intriguing synthesis, lush and emotive songwriting, and punishing percussion and bass. tracks like ongaku or judge with june miller show a more aggressive take on music, and tracks like deep train and light upon my road are more musical and feature stunning original vocals from key mc and iriann joyce, respectively. this body of work truly appeals to anyone with a taste for subtlety, without sacrificing impact. dj support includes loxy, dj marky, makoto, zero t, dj flight, and icicle.

hardcore the ultimate collection 2012 incl. angerfist, hell system, miss hysteria, mindustries and many more

every summer, a migration takes place that puts mecca to shame. a small island, just of the coast of spain, is the destination of a frenzied crowd of party pilgrims from all over the world. the balearic sounds of ibiza have set the tone for the worldwide dance community for decades and its sizzling club-scene knows no equal. this popular party island isn t just the breeding ground for global summer hits, it also sets the trends for the european clubbin season. after a soothing warm up with one of the warmest springs in recorded history, it s time for the big league. big & dirty house sounds ibiza 2011 is the perfect soundtrack for the hottest season of the year. get yourself a hammock, a tropical cocktail and close your eyes and imagine the perfect ibiza beach club. sun, sea, beaches, blue skies and more images of summer will pass you by while listening to this joyful double album, expertly mixed by mell tierra & essential grooves, two of holland s fastest rising stars in house.

mit death s prozession erscheint das vierte album der kalifornischen stoner-metal band saviours. nach crucifire (2006), into abaddon (2008) und accelerate living (2009) lassen es die saviours scheinbar etwas ruhiger angehen. strotzen die drei ersten alben nur so vor anleihen aus dem black,- doom,- und death-metal-bereich, besinnt man sich nun wieder auf seine wurzeln und laesst verstaerkt den stoner und doom-einfluss in den vordergrund treten. oder wie schlagzeuger scott batiste erklaert: -der haupteinfluss auf dem neuen album war, dahin zurueckzukehren, wo wir herkommen: black sabbath, iron maiden, motoerhead, thin lizzyÉ- trotzdem ist der sound immer noch unverkennbar der der saviours, roh, laut und scheppernd.

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

otdxi is the newest installment in the classic r&s compilation series. previous installments have been responsible for rounding up the labels roster at the time and presenting their finest tracks to a wider audience, and have gone onto become classics in their own rights. with r&s again re-positioned as one of the most forward thinking electronic labels and with an enviable roster of cutting edge young talent it makes perfect sense to relaunch the series. disc one contains highlights from the last 18 months and includes contributions from blawan, lone and untold whose classic r&s influences are worn on their sleeves. tracks from james blake, pariah and the chain take cues from a distinctly uk sound, which the label has been keenly following from its new london base, and in cmyk have the biggest single from 2010.

dj friendly unmixed version! incl.exercise one, daze maxim, radio active man, soul capsule and many more

you know the story by now, a string of super singles, a number one in the nialler9 irish song poll of 2010 (which turned them into temporary jerks kidding) and a constant string of live dates around the country have made squarehead one of the better bands in ireland and now, we re finally at the debut album chapter. its been a long time coming. squarehead initially recorded their debut album back in september and december last year with shane cullen in k9 studios and save for a couple of extra tracks and re-recordings of old favourites mother nurture and fake blood, the band have patiently been sitting on it since. yeah nothing is a dozen tracks of no-nonsense slacker indie pop, a fuzzy collection of lo-fi rock n roll inspired by surf-pop, old school rock n roll and bright guitars.

these are not just simple beats: these are tunebeats! yesterday, today and tomorrow in 18 incredible tracks! selected and mixed by tuneboy !! need to say more?

om records 2011 with summer sessions 5 !!

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

mixed by the prophet & neophyte

incl. exclusive download-code for an exclusive zombie bass eaters mix!!

party class! incl. funkerman, jesse voorn, robbie rivera, armin van buuren, sied van riel, mr. sam, tiesto ..

incl. peverelist, mastermind von punch drunk records ist neben pinchs tectonic eine der besten adressen in bristols dubstep-szene! sowie produzenten wie joker, rsd, appleblim, guido oder headhunter die in den letzten fŸnf jahren die bewegten musikalischen geschichte bristols geprŠgt haben sind hier nun auf zwei cds compiliert.

2010 release by this project from bristol-based musician scott hendy. anyone who has seen the recent bansky documentary exit through the gift shop has likely heard diego & the dissidents though they may not have realized it. an album that almost never saw the light of day, now resurrected just in time to see brilliant tracks such as -contaminated water pt. 4- and others add depth and intrigue to a film already featuring an -against all odds- theme.

just a classic !! trip hop tip

14-track-cd der thinkloud-crew aus plauen. mit gastauftritten von aloe blacc (stones throw), grand agent (superrappin), kev brown (up above), oddisee, trek life kaimbr, portformat u.v.a. nahezu alle der tracks sind exklusiv. produziert wurde doppin mirrors vom thinkloud-mann stroe in berlin. angesiedelt zwischen rap, experimentellen beats und neo-soul.

already my favorite jazz album of 2010 jose james - perpetual shows a different side to gideon van gelder, the pianist we already know from tracks like touch on brownswoods soul jazz conjurer jose james lp black magic, and championed by the likes of gilles peterson.

next armada super stroke! 2 cd compilation incl. skytech, blake jarrell, kismet, orjan nielson,glenn morrison and many more

apologies to de la soul, but today, five is the magic number. dan curtins >lifeblood< marks the fifth artist album in mobilee®s ever-growing catalogue. it also happens to be his ninth album, and his first fulllength in three years, which we think is ample cause for celebration.

das album enthaelt tonnenweise funk, die vocals sind staerker als je zuvor, es rockt, es poppt, es wird suess, wuetend, hart, soulful und soft, oft innerhalb eines einzigen songs. es ist das endergebnis eines grossen kuenstlers, der seine mitte gefunden hat. die limited edition enthŠlt eine zusŠtzliche enhanced cd mit 5 bonus tracks plus making of videoclip (7 min) zur entstehung des albums.

incl. all the hits by yoshimoto, niels van gough, tomcraft, mischa daniels and many more!

material series starts the funky, wandering mix series,mixed by well known artist of this hipp pool. valiant and versatile character, a bright, cohesive mix that is inherently mihalis safras through and through. mihalis as the label owner is the 1st that will deliver the mix with teased throughout with samples from some of the latest materials plus some hot unreleased tunes. seventy minutes in a disc that leaves you feelings that will remind you the good old days. after a year of touring his debut album >cry for last dance< at trapez , this guy is taking things back to the beginning. material mix series 1 recaptures the same explosive dynamism, and ebullient enthusiasm of the material series releases. a glimpse into the future sound that material offers to the techouse fanatics. enjoy!

ein mann mit verflucht viel gesichtern: haito, der doktor mabuse des deutschen dancefloors. angefixt durch das eklektizistische dj-fruehwerk von hans nieswandt und eric d. clark, trainiert auf den wagen der loveparade...

for all fans of the >monty python< films!

blessed with a lavishly soulful voice, alices sound is modern, but firmly rooted in the past Ð surpassing the likes of duffy and adeles impersonations of the soul greats, alices records are extremely refreshing. likewise, her live performances are truly unique, capable of captivating an audience and holding its attention throughout, expertly tugging at individual heartstrings. her smouldering blues-inflected lament is constantly evolving in her solo material, thanks to collaborations with other producers which have encompassed everything from funk to soul, gospel to jazz, and to hip-hop and beyond.

back to the roots! gut, besser, boa! diamonds fall ist das neue album von phillip boa und das wohl beste werk in der karriere des deutschen vorzeige indierockers. es fŸhrt das fort, was er einst mit diversen singles of the week im nme begonnen hat: gro§er, bildgewaltiger und lautmalerischer breitband pop rock.