mos recordings is proud to present its next album project, namely a debut solo full length from chicago’s ike release. ike is an accomplished solo producer as well as being one half of acclaimed duo innerspace halflife with hakim murphy, and has a long and fruitful relationship with mos recordings

like many of the greatest italo-disco records, tony espositos 1983 double a-side je-na/pagaia is ridiculously rare. put it this way: if you fancy nabbing yourself an original copy, it will make a serious dent in your wallet. this welcome reissue presents both tracks in their original 12inch glory, mixed with clubs in mind by mariano boncaldo of klein & m.b.o fame. its the a-side thats arguably the pick of the pair, featuring as it does a balearic-friendly blend of dense, bongo-laden rhythms, tribal chants and delay heavy guitars. theres a bit more of a hazy disco bounce to pagaia, which sounds a little like a long lost tullio de piscopo record, all jazz-fusion scat singing, sunny horns and shuffling rhythms.

long established detroit talent keith worthy traverses a fine line between deep, bumpy house and raw techno on his debut double album, the price of non-conformance. t.p.o.n.c. is a conceptual project that takes you on a virtual walk through the streets of detroit. from a musical standpoint, the sound and feel of t.p.o.n.c. aligns with worthy’s own dna, a complex blend of house and techno, and all while incorporating a degree of fantasy into every composition. always striving to create his own path, and never allowing everyone else’s “norm” to become his influence, worthy really excels in this long player format. in total, t.p.o.n.c. consists of 14 tracks (including 8 songs and 6 interludes) all crafted to convey a vision of what non-conformance looks and sounds like. t.p.o.n.c. has range, from the boom-bap of the drums to the unorthodox patterns and key structures, this project evokes a sense of individualism that often gets lost in todays modern world of musical proliferation. in true detroit fashion, and in tandem with the spirit of aesthetic audios own mantra, t.p.o.n.c. maintains, the rule is there are no rules.

magnolia ep is the inaugural release of the brand new label eating cannibals, run by danilo sardella, dj/producer/live-act artist, ex-member of the crazy duo lula circus over the last 5 years. the 3 tracks come from the label boss himself, a combination of dark and atmospherical melodies with an extreme forward-thinking attitude, perfectly reflecting his hybrid and mystical inclination. an emotional and pulsing dancefloor gem.

jack vanzet is a melbourne-based multi-instrumentalist, producer and visual artist who records under the alias thrupence. his debut ep voyages was released independently on the thrupence bandcamp. he has played outsidein festival the same year alongside flume, shigeto, smoke dza to name a few, supported chet faker at revolt in melbourne, sold out his voyages ep launch at workers club in melbourne and played alongside oliver tank, mitzi, lost animal at melbourne music week. pressing on translucent blue, multi-color splattered 180 gram vinyl, download code included.

• mastered and cut by bo kondren at calyx, berlin, may 2014
• limited to 300 copies, includes a4 insert
• resilience bounce back from set back
resilience returns from under the floorboards with the second release following geographic relocations from the core crew. having met london-based artist paper dollhouse at a gig in the north of england and become friends over a shared love of jungle, post punk & techno she passed us a selection of unreleased ambient pieces.

in den 1980er jahren wurde claudia brücken als sängerin der beiden synthpop-bands propaganda und act durch hits wie * dr. mabuse*, * duel* oder * p:machinery* bekannt. auf cherry red records erscheint jetzt das dritte soloalbum der künstlerin mit dem titel * where else...*. die darauf enthaltenen songs zeigen die künstlerin in bestform. brücken vermischt unterschiedliche musik-stile und genres wie folk, blues, rock, country und electro. entstanden sind 10 neue titel wie * i want you*, * walk right in*, * moon song* und eine coverversion des nick drake-songs * day is done*. produziert wurde * where else...* von john williams, der für seine zusammenarbeit mit künstlern wie den housemartins, proclaimers, blancmange und petula clark bekannt ist. defintiv ein must have für alle electronic-pop-, synthpop-, propaganda- und claudia brücken-fans! jetzt erhältlich als limited-vinyl-edition!

der englische produzent lädt zu einer unglaublichen klangreise. die doppel-lp erscheint inklusive downloadcode.

after releases from terriers and new jackson, major problems welcomes the compassion crew, who returns with another session of impeccably sourced cut-and-paste house music. cc’s ‘masters of the gentlemanly art’ is proto-house/nu-beat-ish bruiser, while his ‘panic chicago’ version gets lost in the groove. leisure connection walk the night with a memorable 10-minute-plus psych/dub/house remix. mastered and cut at calyx, this is a vinyl-only release. artwork from simon landrein. support from hunee, new jackson, beats in space, serge, marcel hesse

nice price deal !!! flight to the moon is the result of a year-long journey by dutch producers dimi angelis and jeroen search. it is both their first album as a&s and their first full-length record together. like the explorers whose journey is musically documented by flight to the moon, angélis and search set out to discover where this record would lead them. throughout the course of twenty tracks flight to the moon tells the story of a group of spacetravelers. it chronicles their ascent into the vast unknown and their uncovering of things as of yet unrevealed. what will they find? and what will their findings tell them? the tracks on the album – which they will release on their own a&s imprint – are diverse yet homogenous. they meander, transferring a sense of dangerous and potentially deadly encounter at one moment and then capturing a feeling of exciting amazement at another. most crucially, flight to the moon is more than just a collection of techno tracks. in fact, to think of it in cut-out genres is to limit the scope of the album’s musical offerings. search and angélis aimed to shape a record that would defy their own notion of techno. that journey can now be heard by all.

peter kersten opens ambient into the wide open with his very own musical and emotive language.

i want them to hate me for putting this out- says jackmaster hater, referring to tracks once possessed by a mere handful of chicago house djs. these recordings, traded secretly on tape, were exclusive to the likes of ron hardy and frankie knuckles. here is the new compilation by jerome derradji with kevin starke, aka the infamous jackmaster hater and owner of kstarke records in chicago. &#8232,,,,it is one of the sickest slice of chicago house music ever released. this compilation features ultra rare and lost chicago classics paired with a nice selection of newer tracks produced by jackmaster hater and his friends, all nicely laid out on a dcd and 2 dlps. the dlps come with a killer poster and the dcd features a booklet about kstarke records and kevin starke and a few more surprises. it includes rare tracks by ron hardy, james -jack rabbit- martin, terrence woodard, traxmen and many more. this is the real sound of chicago.

following the success of deepchild s haitian rum runner, face to face recordings returns with a strong follow up. tim xaviers newest imprint looks to cross the boundaries between house and techno, this time featuring jamaica suk with her spektrum ep. stepping into harder techno territory the up and coming artist brings a solid 4-track ep with style and flair like none other.

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

2nd in the lost tapes series from a true boss in german electronics....tip! * written & produced by david moufang at km20, heidelberg

black 140g double vinyl pressing with full colour sleeve. limited edition of 300. includes download code.
all nervous energy, ill-defined brilliance, detached emotion, and subdued minimalism, man is deaf is the debut album from london based electronic musician brassica. sophisticated and distinctive it distills michael anthony wrights storied musical past, capturing new wave, psych, synth music, avant garde electronics, house, and italo disco, without sounding consigned to any part of it.

vinyl only, 300 copies - thats it .
strong analog house at it best. eat more house

delicate machine grooves from aniara affiliate henrik bergqvist. boss004 comes with two original compositions and a tribute cover track. a1 caballo blanco is a spirited machine cut with classic mpc bounce and a brash melodic line, sure to make confounding impact on dancefloors. following on, the beautiful skyrunner provides soothing morning glow with abiding soundscapes and dainty yet driven percussion. as a bonus comes losing control (lost in translation mix). a faithfully reproduced homage to daniel bells classic, reforming the composition with a swedish vocal loop and further development to the paradigmatic groove.

limited purple coloured & marbled vinyl only release.

zeitgeber and l.b dub corp split the second in stroboscopic artefacts series of fifth anniversary records. zeitgeber is the collaborative project of sa label boss lucy and dutch techno royalty speedy j. their joint alias birthed an exceptional long-player last year and has since been presented as a b2b act at festivals and clubs around the world. totemism is their first officially released output since that album, and is every bit as compelling.

italian producer & hot mix label boss nick anthony simoncino is back with some people , a collaboration with chicago s legendary house vocalist robert owens. simoncino s 3 original mixes sound just like tracks lifted off lost ep s straight from the mid 80 s with deep, melancholy synths, driving analogue drum machine sounds and owen s yearning vocal performance coming together beautifully while showing off simoncino s versatility as a producer. some people is perfect late night house music with a classic sensibility, for the deepest hours of the night or the morning.

swap white ltd 02, included a iori remix (prologue, phonica white). cinema sonore vol. 1 will be the actor of your own analog film. a sound film is a motion picture with synchronized sounding elements, technologically coupled to image, as opposed to a silent film. the first known public exhibition of projected sound films took place in paris in 1900. the idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself. in the early 1930s it became a global phenomenon. 180 gram vinyl only, no repress, handnummered, mastered by mb (matthieu berthet) mastering.

antinote house maestro geena returns triumphantly with a 4 track ep that weaves the deepest melodies with the strongest rhythms. niagara galleries is pure deepness with it s mesmeric panpipe lead while lunar substance proves that the parisian producer is also a master of the esoteric & ambient. gotta wear shades is filled with the dark memories of lost basement parties and gamma sector is a fine example of the best of acide maison - a solid and gifted ep. tip

plastic love welcomes fellow angeleno michael walsh on board for the 2nd release on their budding label. walsh s debut ep showcases the producer s breadth and depth of all things rave with two distinct tracks aimed squarely at the dancefloor. before when it was new s unmistakeable melody act as a call to the dancefloor while a rumbling bassline underneath keeps you locked into a groove. strobe lights arpeggiated bassline and snappy disco drums showcase how versatile walsh can be. remixes come courtesy of label co-boss maheras as well as caravan boss and aus music stalwart dj october

the third release on delude records, this year, comes from felix bernhardt and sven sossong.the release contains 4 great banging techno tracks, 2 per artist.dont miss this little various artist ep in autumn

ltd 2014 repress
sandwell districts rrose launches a new label with a follow up to >motormouth variations<, last years unlikely collaboration with legendary improviser and synthesizer pioneer bob ostertag (named one of 2011s top 50 albums by the wire magazine).
for the debut release on eaux, rrose searched through ostertags cassette archives to discover a lost gem of studio improvisation from 1977. >the surgeon general< sees the barely post-teen bob ostertag exploring feedback techniques with an early buchla modular synthesizer, tape delay, flute and violin. the results are uncharacteristically moody, spacious, and well ahead of their time. on the flip, rrose provides two new revisions. >no child left behind< is a noisy and hypnotic acid-laden beast designed for dancefloor damage, while >her insides laid bare< takes the original into murky subaquatic territory. look for much more to come from rrose and eaux in the coming months.

the return on bosconi of the wonderkids from firenze sud, herva and dukwa (aka marco d aquino) as life s track, consists in a explosive blend of pure freestyle ghetto goodness!! four burning tracks dense of special effects, sound manipulations through tape distortions and pyrotechnic structures: a side starts with the funky builder it fell down, a full on, rough and raw ultra filtered disco house dancefloor anthem in the vein of a more warped and f**ked up bangalter or shake shakir, while on the second cut there s the aggressive and drunk ghetto blaster of come on, on b side instead you ll find the breathtaking groove from the driving acid techno bossa of -rescue me- and the electro breaks from lost cassettes of the melancholic and dreamy closing ep lullaby -sometimes theycome back-..

with very little music made available to the public lido established a cult following amongst the high profile djs that have been lucky enough to seure his unreleased remixes to play in their live set. these unreleased remixes - with their signature intro four notes acting as a craftsmen stamp (the same notes illustrated on the cover) - have led to numerous bootleg live recordings of the remixes giving an almost folklore-eque mythical quality to them

first time press of an early eighties lost aurra album. tip!

archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time.

according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

limited edition of 150 copies on white vinyl.
according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

disco demolition did everything for us. it created the invisible wind and we never had enough of it. here is the second installment of rock sucks! the best lost disco & boogie label you can ever dream about.

a collapse of any truth, absence of light, and spectroscopic industrial manoeuvres in the dark: this is isolated process ep realized by kwartz. isolated process is a robotic monotonic thought deep down the furthest abyss. belling drums alongside drones and solid grey basslines appears on first function and second function: two different points of view, two moments about the same hypnotic march. milton bradleys remix is a slower exploration of what remains alive underneath the space. slow and cyclical beats hits back the mind once lost in the ocean. pure machine darkness.

decadubs 4 is a vinyl-only companion-piece to hyperdub 10.3, the latest cd in hyperdubs ongoing series of birthday-marking collections. following on from the labels first two 10th anniversary compilations, the third act represented in 10.3 transects and extrapolates forward the hyperdub catalogue from yet another angle, this time following the melancholy vapour trail drafted by burials numerous atmospheric beatless moments. this ep tunes in to those 11 new moments of downcast ambience that comprise half of the cds complete content, resulting in over 40 minutes of hitherto-unknown audio which squarely shoulder their extended play billing.

gl are melbournes cosmic-funk revivalists and the soundtrack to eternal leisure. cruising on glowing synths, gritty drum-machines, and stratospheric vocals, gls music is a cosmic dream-sequence not unlike a lost reel from the mid-80s.

snow bone follows up his debut remote viewer ep with a rollicking techno black label, properly rolling up his sleeves for some head-down big-room techno and acid on mystic vision.. features a raw, driving remix from manse!

time will tell they say, and so it didnt… *lebush* had been lost in the minibar archive since 2005, making a few strongly unnoticed reappearances year in, year out, before finally ending up on glucks *…just the tip* ep today. the package comes with a self-explanatory lebush-kickmix version by cabanne, as well as two debilitating slices of interstellar ear pain called *in lov* and *werehouse*, both recorded while performing freestyle dentistry on a dead yet actively reluctant coat hanger. while doctors, surgeons and butchers the world over can only frown, you can get your own copy before they’re banned in your country.

the cover *theme* shimmers orange-brown and is one more reason to welcome the coming autumn. basels superkid benotmane wows us with a deep melodic track whose vocals have us quickly lost in a dream. whether we are floating, eyes-closed, across the dance-floor at an open-air or in a club, something becomes undeniable, serious goosebumps are happening. the two guys from kaiser souzai have presented us with two remixes that ultimately convince through their technoid and pulsing grooves. eskimo is the whittled-down original, reduced to its main components –revealing these with its very own flow.

balearic maestro max essa joins the dots seamlessly between the ambient imaginings of sakamoto, the krautrock rhythms of neu and the beach pop of chris rea, while making them all dance together like waves on the beach. this is some of his very best work to date and demonstrates a producer at home at the controls and a real musician with a vision. your carnival sounds like this…

limited edition picture disc of the adrian younge and souls of mischief collaboration there is only now. the sixth album from legendary hip-hop group souls of mischief, there is only now, is a unique cinematic 90s crime tale of love, loss, and revenge. a conceptual collaboration with producer adrian younge and the first release on his freshly launched linear labs records label, there is only now gets its inspiration from a near fatal incident involving group members a-plus, opio, tajai, and phesto early in their careers. set in 1994, there is only now serves as a bookend to two decades of music since the release of their seminal debut album, 93 til infinity.

make no mistake, for vault series 15 the doors have been flung open to welcome a new act to the fold. theres very little known about mistake made. no records or releases exist to date, but they have impressed vault chief subjected enough to have them join the sequestered berlin-based crew. and in sublime compliance with the vault series creed, this debut effort from the shadowy outfit presents yet another set of functioning and frill-free dancefloor material, complete with a rusted-through hue of its own. on the a-side >wrist< jumps straight in with marching intent, complete with fidgety hat work thats both anxious and infectious. then on the flip, >ricochet< opens with field recordings tossed into a stormy concoction of ticks, hats and fuzzy atmospherics, teamed up here with one of those basslines that will keep you glued to the floor. >indec< then concludes in signature vault series style an ominous, growling number rattled with alarm bells and screeching, clangorous detail. its one of those monstrous slow-burners that leaves you wounded yet longing for more. all in all, a rounded first release from a new techno tour de force. this isnt the last we will be hearing from mistake made.

fast tanzbar: 1992er-album der beiden elektronik-avantgardisten. das album wird nun mit linernotes von asmus tietchens auf lp (180-gramm-vinyl) wieder veröffentlicht.

not the usual bio rhythm release... as far as they have any usual releases at all. recently the label accidentally came across this lost treasure by midnightopera (workshop) and signed in at the spot. produced in 2007, five is an epic 12 minute journey straight into downtempo/deephouse walhalla, making your sunday morning seem to last forever. the 2010 rework is delivered by bad boy roger 23, diving into even deeper territories and adding some psychedelic elements to make it safely through the other side and back. sunrise over riegelsberg... dont sleep! translucent red coloured / black marbled copies, vinyl only.

limited 2014 sparkled pressing
excellent 4 track vinyl sampler with amazing classic tracks from sistrum, workshop, dial , trelik... decks tipp

nemesis e.p. is the latest 12 release by painbringer. featuring 4 oldschool 909 hardcore techno tracks with pure energetic gabber riffs, acid and breakbeats. no pop style, this is straight-in-your-face underground music!

great mgmt selection

on this first release of his newly created imprint, southsoniks presents a very special track just another chord song, extracted from his live-act and reworked with care in the studio

*somebody* is the first single from the new aurra album *body rock* due out later this year on family groove records. once again the world gets to experience a lost disco-funk masterpiece providing another glimpse into the genius mind of slave founding-member steve washington & brides of funkenstein / p-funk singer sheila horne. body rock will be the second and final unearthing of the lost but found master tapes originally recorded for quincy jones qwest imprint in 1984. slap bass, heavy synths, linn drum, sultry vocals... this is modern funk at its finest!
the 24-track master tapes were transferred digitally and then mixed on an ssl board by kamal humphrey at his all-analog flying carpet studios in los angeles. the result is a full sound enhanced by the natural analog process using todays digital technology only when needed to clean up the files.
da-m-funk adds a bit of dirt and grime by putting his signature re-freak on the track. a confirmation from los angeles ambassador of boogie funk that this is in fact the the un-cut funk and nothing but the funk.