rotterdam resident taras van de voorde - known for his unique & expansive production twists, adds a new speed dimension to the original to generate a remix with a gutsy kick and plenty of bite.

another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!

10 years of killing sheep records and still no one can touch them, the original cross over dnb / hardcore label delivers this years definitivednb / hardcore release. tymon melds the genres with ease and even manages to pull off an epic dubstep drop amongst the chaos of massive kicks and snares. the dj producer rinses old skool breaks over the top of a pounding kick drum, plenty of intelligent drum choppage action.

the third in the inertia series with four new exclusive techno tracks. this third ep offers up four brand next and exclusive techno cuts, take straight from the inertia compilation ann aimee have proudly compiled. things open with the dark, skipping beats of stroboscopic artefacts boss lucy, before veteran berlin producer and label boss milton bradley layers plenty of filter and reverb over a kicking beat for his textured effort, >sequence 1<. one of the three fachwerk bosses, mike dehnert, contributes some ravey techno loops in the form of >pneumatic< before the ep is brought to a close with some gray-scale bleakness from belgiums ozka: in all, four dark dancefloor gems

one of the most promising artists that has come out of amsterdam over the years, david labeij, has recently had more time to focus on his solo career now that polder, his live act with lauhaus, is an established and high quality techno outfit, with an album on shinedoes intacto imprint and many singles to their and his name. where the infamous polder groove is aimed at blowing up dancefloors, labeijs solo tracks are more on the hypnotic side of techno and house, as each track on this release demonstrates, as well as plenty of bouncing and playful basslines. labeijs sets - live and dj - are notorious for their mesmerizing qualities, and he is rapidly gaining international grounds with his distinct and captivating take on dance music, so we hope you enjoy this release

fresh from his triumphant return to detroits movement festival, where by all accounts he delivered the set of the weekend, claude young teams up with his different world co-hort takasi nakajima for their debut release on art. the original is no-nonsense but thoughtful future-tech, with plenty of analog modulations for the heads - and dance-floor thump for the party people. on the flip, the legendary ian o brien delivers a typically deep, detroit tinged remix with trademark warm bass and glistening top lines. ian planned to do one more mix-down of his remix when the huge earthquake earlier this year pretty much demolished his tokyo-based studio.

for their sophomore release catapult records presents the debut solo release from the organ grinder aka chico from didz and chico fame, one half of the duo that brought us the outstanding >something new< on doc daneekas ten thousand yen label. >obsession< and >new age people< are back on the old school renaissance tip sharing the same soulful classic tones that underpinned >something new< which got plays from the likes of larent garnier and sinden.
these are two classy modern garage hits that have a back in the day vintage feel, think tuff jams garage classic >experience<, think us garage at its peak, think iceberg chinos and mochino shirts, think everyone having a good time in clubs. both tracks are swingers aimed directly at the dance floor full of soulful vocal snippets, catchy melodies, shuffling rhythm patterns, warm vintage keys and plenty of deep bass.

italian producer simone fedi, hailing from tuscany, takes things to a whole new level on this third release on eskimo recordings. >bitter devotion< is a vocal pop gem with a balearic tinge, but its bittersweet vocals and the addictive melody will haunt you. for this tune fedi, a multi-instrumentalist with a knack for pop music and a soft spot for vintage gear, joined forces with a mysterious singer named lola rent, and this turns out to be a winning team.
bitter devotion comes with a rather spectacular remix package, ewan pearson (known from his remix work for goldfrapp, chemical brothers, hot chip, moby, franz ferdinand and depeche mode to name a few) gave it the royal treatment. as an additional treat, welcome stranger aka thomas bullock (rub n tug, laughing light of plenty, map of africa, whatever we want records) has indulged in a psychedelic >bitter devotion< dub, analogue and live... just the way we like it.

the faceless artist, the nameless music. based in paris but with soul between chicago and detroit, rhythm& soul releases his first ep on monofunk. a release full of magic and soul , proper of the most respected nouvelle cuisine chefs from the city of love. deep house with jazzy touches and an amazing groove where each track becomes a deep future classic. >la jazzete< perfectly describes rhythm & souls sound identity. elegant drums, perfect melody and a bass line full of soul and three piano musical notes that repeats itself until it finds its way in to your dreams. in >midnight preacher<, r&s takes us to the most soulfull detroit. slowly progresses, with an impact full simplicity, to build up a 100% organic track full of life and plenty of funk. thats dope! damian schwartz (cmyk, apnea, deepdope), is our star guest. damian remixes brilliantly and unexspectable midnight preacher, twisting the track and taking us to the most analogic ghetto, maintaining the elegant melodies of the original track.

seb zitos >seven dials ep< is the third release from the fuse london label, set up in early 2011 to showcase talents associated with the renowned weekly fuse parties.
>seven dials< is a sagacious and original ep that displays sebs broad range of production skills and the end result is an ensemble of tasteful, dramatic modern house tracks.

talented portugese duo johnwaynes have had a fruitful career so far with releases on labels like brique rouge and compost. now they appear on serenades, with this trippy and inspired vocal house track >never enough<. featuring the soulful vocal talents of stee downes, the irish amsterdam-based singer whose smooth tones can also be found on sonar kollektiv, the team have cooked up a real hit in the making with >never enough<. combining deep, sexy house vibes with an insistent, catchy vocal and expertly produced elements the track comes in two distinct versions. the original keeps things low down and dirty, wrapping up the story in a cool 8 minute version. melodious pianos and deep square bass come together in a glorious moment of underground pop house. the raw mix however pushes the story further with a more ravey vibe and extended tripped-out moments, yet keeps it deep and soulful with warm rhodes keys and plenty of atmosphere!

the second release on basic fingers brings you a deviant boogie / disco package that delivers a perfect end of the summer soundtrack. with an instant feelgood factor >ben e slow< sounds like a lost dub of a classic leroy burgess jam while >smg< takes on the summer theme with an uplifting disco workout. watch out for more gredit edits … he got plenty more where this came from ,)

having just celebrated its 50th release with photeks >closer< 12 inch, tectonic moves straight into bold new territories, introducing a new artist to the label: namely distal from atlanta, usa. his approach to music production is refreshingly dynamic and eclectic, taking elements of the familiar and making it sound obscure while injecting plenty of energy and dancefloor savvy throughout his productions. this first single for tectonic brings together two very contrasting pieces of music, both in terms of tempo and attitude.

the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

hand stamped and numbered - limited to 300 copies worldwide!
given the challenges of todays music market, its a fairly bold statement for an indie label to come out of the box with not one, but two vinyl only releases by an artist with no profile to speak of, but here black light smoke proves worthy of the faith being placed in him. sat001 switchback/black stripe is all old school drum machines, tape-hiss, heavy footed disco kicks, acid-a-plenty and funk-to-spare, but the tracks transcend the rawness of their roots to achieve a modern, club-ready edge with retro flair.

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

outboxx hail from bristol and like much of the great citys output their music has plenty of laidback style and vibe. jacob hodge builds the sharp beats, adds bass depth and controls the technology, matt lambert adds the authentic keys - rhodes and synth licks with beautifully judged hints of jazz, soul and vintage funk.

next stop for revolution features another new recruit to our ever growing army, hybris. after his huge ep for noisias label vision and releases on critical and blackout, this producer is rapidly rising up the dnb ranks. >pyramids< sees hybris teaming up with revolution stalwart nocturnal to deliver a moody classic brimming with bubbling basslines and razor sharp beats. some serious technological wizadry going on here! >lair< takes a crisp electro-tinged beat and a perpetuating bassline and merges them together to create a deep roller with plenty of atmosphere. definitely one to get those dancefloors rumbling!

with the toughness of detroit house and the weirdness of chicago acid, scotch absolutely destroys all the dancefloors! richie hawtin newcomer allì borèm jumps headfirst into digital-age hedonism, with these two reduced, swinging cuts that have all the abandon and humour of a late night lock-in. this gentleman hails from rome, where he cut his teeth in recording studios across the city and as a dj has been responsible for plenty of discoteca mischief. expect these two playful, bleepy, bouncing tracks to give you much joy on the dancefloor.

popping up on labels like 8bit, supernature and tsuba, releasing quality tech-house and club-assured cuts since 2008, we are delighted to welcome german producer alex niggemann to poker flat. this new ep raises niggemanns game with three tracks taking in heavy acid bass, chicago-house vibes and inventive, smooth flowing arrangements. >lately< is a real stomper in the classic poker flat tradition. haunting, acidic, modern, club guaranteed! niggemann twists a spooky and funky synth line around a heavy old-school house vibe, complete with a thoughtful smokey-voiced naration. >madness< lifts the tension higher with a sub-heavy chigaco bass attack, 2011 style. alex has fused the best of both old and new and found a new sound that leaves behind rigid sound in favour of more funky, warmer and totally fresh vibes! the ep concludes with >smash your face<, a groovy houser that rolls wonderfully with more growling square wave bass and plenty of details to keep the flow nothing short of riveting!

soothsayer returns with its twentieth vinyl plate and proudly presents the addition of ss015 and artist thought to the roster. hailing from sofia, bulgaria ivan sotirov (thought) has quickly built a reputation for employing the hardest beats to be had in eastern europe. having played therapy sessions and released a 12 inch on the famed uk label, obscene, thought rise to prominence continues with his soothsayer debut – a slab of heavy tribal breaks and halfstep riddims dubbed up plenty of dark bass.

this ep is a therapeutic and soothing trip into sexy and gentle atmospherics, plenty of organic melodies and deep, very deep dancefloor funk. >the unexplored land of love< feels like the opening soundtrack to an imaginary documentary on infatuation. the kind you experience when loosing yourself on the dancefloor, exchanging glances with unknown people yet feeling united in the dance. >thymus stimulator< takes you further in a funkier realm full of sweet electronics and hip swaying basslines. instant deep groover! the flipside opens with >feel< a very simple title that tells you quite simply to feel the intensity and magic of those rare moments on the floor when unity and love is what this is all about. finally >light is here< takes the ep back to dreamy atmospherics and beautiful soundscapes, all layered on sweet melodies and gently grooving rhythms. close your eyes and feel the love on this one!

san francisco-based producer antiserum steps up for dub police with two unique collaborations, featuring local producers ill-esha and 12th planet respectively. his music is a masterfully crafted fusion of influences that results in a sound entirely his own, balancing light against dark and colour against pure bass pressure. showcasing a deft musicality as well as an unrivalled talent for system shaking productions, antiserum is taking the scene by storm. releases on narco.hz, s.c.u.m and argon amongst others have already propelled him to the forefront of the rapidly growing american dubstep scene, with plenty more still to come. on the a side, he is joined by ill-esha on >zephyr<, a sick g-funk inflected roller. skittering hi-hats and tough drums lay the foundations on this one, with the deep, smooth bass sweeping underneath. the vibrant synths weave in and out of each other with ease, swimming around the mix and swelling expansively through the speakers. on the flip he teams up with 12th planet on the massive >purple & gold<. the g-funk influences continue to flow through this track, pinned down by a hard bassline and taut drums. the shimmering synths sliding over the top of the percussion and off into the atmosphere give the track an epic stop-in-your-tracks effect.

the process of receiving and listening to demos is akin to the proverbial needle in a haystack - poorly labeled cd’s or mp3’s are handed out indiscriminately like flyers for strip clubs in times square (circa 1970). “i really think you are going to like this,” or “all nude girls,” and “dj ‘x’ played this at space,” or “24 hours live sex show…!!” but in the end, just like the harsh reality of a stripper in daylight, the demos fall well short of anything mildly interesting and certainly nothing you would bring home to mom… until madato… from the first group of tracks he sent it was clear that a nice guy from naples had sent us the needle we had been looking for. “naples may not be a place one would consider to be particularly inspiring, from its outside appearance, chaos, and plenty of junk on the streets - it takes a deeper gaze, beyond, and into madato’s dream world. madato is always looking at what’s beyond the waste. inside his dream box you might find laura palmer making out with ian curtis, charles bukowski writing a fairy tale, or perhaps john nash singing along to bauhaus songs…” file under: trippy disco inspired dance music, not defined by a genre but more of an attitude. post-punk undertones mixed with psychedelic sensibility

summer has come early. the fog is literally lifting and willing the summer to come early with this excellent ep for metroline. lead track diggler’s job is a breezy house number with pimping keys and a beautiful bass bounce. there’s plenty of movement in the percussion and a light touch that just begs for summer to come. shout romance is a shade tougher with its up-front kicks and acid-tinged bassline. it has slow burn intensity that is nicely counterbalanced by smooth reverb-soaked vintage synths.the jackspot remix of shout romance really brings out the funk in those synths, underpinning that with down-the line percussion and skittering hats that give the track a real drive. rounding things up nicely is in the right mood. the track’s bassline is sticky, sweet treacle over which congas and vocal cuts are expertly sprinkled to create a tasty treat. it never gets sickly though… horns are deployed sparingly, and the track has the same cool as a cucumber minimalism that makes this ep pure pleasure on the eardrums

one of the west coasts favorite producers meets one of the west coasts leading labels. sfs dj rasoul (soulfood, large, naked music and many others) drops a gorgeous laid-back soulful houser, anchored by a nice vocal and rasoul’s trademark big bass and chunky drums. plenty of mixes to work with here, including the lush main mix, an alternative and a dub. lazy, groovy deep house for those extra sweaty dancefloors.

with no rest for the wicked, label exclusive artist ladzinski is back for 2011 with a solo ep jammed pack full of up front house tracks.just like that is boes most dance floor focused ep in a while with jacking 808 drum rhythms, soaring pads and plenty of hands in the air moments. all night is a true groove-a-thon that hardly lets the beat go during its nine-minute length. its a more conventional sound pushing towards tech house territory but the classic 808 drums and bouncy syncopated chords give it a fresh breath of chicago deepness..

the partnership of chris and d.a.v.e. deliver forward-thinking techno with masterful production and plenty of pulsing get-on-the-floor vibes on both sides. the answer is 42. now what was the question...?

matthew styles remixes one of fofs biggest releases of 2010. never straying far from the source material, matthew wraps things up in his usual tight production style, employing a live bass sound and elements of the original melody to give things a tripppier edge than the originals straight up dance floor leanings.
on the flip and walking that fine line between house and techno, blm turns in a very fine and contemporary remix of drake and griifiths >the devils eyes<. dystopian in its outlook, the remix drives along with a simple but full bassline with plenty of dancefloor power.

brainiac kicks off with a dark and foreboding intro, then crashes into a powerful, rough and ready roller. menacing punchy beats, obscene chest thumping basslines and plenty of clever edits, guarantees this tune to maintain high energy levels in any club. this track can only described as absolutely devastating! the reverse side opens with a tense synthline that drops into fully charged neurofunk. although this track is more down tempo track, its sub warbling basslines, complimented by rattling percussion and steppy breaks, means legacy is sure to get the dancefloor swaggering.

incl. dyed soundorom remix big with: nic fiancuilli, robert james, adultnapper, matt walsh, tiefschwarz, ripperton, davide squillace, simon baker, luke solomon, meat, geddes,... we are very happy to welcome a new artist on board – inxec aka christopher sylvester. were always looking for this kind of freshness and he definately has plenty of it! his genre-mixing and high quality production skillz are speaking for itself: be it the deep tech-housy >angel<, the bass-heavy & funky >come on!!< or the ultimate groove of >nightingale<. angel takes you on a journey with its catchy and flying synth line, right down to come on!!, the future soundtrack of an amusement park, before it all ends in the mad jungle of nightingale. all of these 3 stunning cuts are clearly made for the club, as well as the superb dyed soundorom remix of >angel< – a pure and massive groove for primetime dancefloors

estonian duo kgb step up for their debut release on dub police and they certainly arent pulling any punches. the production partnership hit you with two cuts of pure dance floor energy and impact that display their versatility and uncanny knowledge of how to get a crowd going. if you dont know about kgb, you better get to know, as they are quickly establishing themselves as one of the rising stars in underground dance music. with plenty of tricks up their sleeves, there will be no stopping them in 2011!

waxs juan hoerni taking us on a trip with this lush ode to africa. >afrique< is turning heads in the deep/soulful community, earning plenty of plays and support from overseas as well. might have to do with spinnas typically sublime musical remix. great stuff from the up-and-coming la imprint chacha.

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

huge house bomb !!! manuels original mix of most of this moment has been getting plenty of love from the likes of sebo k, osunlade, funk d void and deetron and now we present you with an elegant selection of remixes to lift you from your post new year slumber.

following up on their 2009 debut miso release, the brighter side, version returns for another round of innovative sounds on miso 013,entitled >nothing<. charles webster, martin >atjazz< iveson and vocalist, emilie chick continue on the path of pure quality with 4 tracks of adventurous, modern, deep electronics for the dancefloor. >nothing< straddles many dance genres gracefully, appealing to the deep and soulful crowd while also giving the techy, moody folks plenty of aural inspiration. with tough beats, tasteful instrumentation and another wonderful emilie chick vocal, the 2 dubs and full vocal mix are sure to please dance floors, dens and dinner halls, the world over and the wonderfully dusty sounding atjazz remix is pure enjoyment.the vinyl is a one time only limited edition high quality pressing.

low volume, the alias of a well known producer who wishes to remain anonymous for the time being, produces 3 tracks aimed squarely at those afterhours sessions. the ep kicks off with the appropriately titled afterhour , a slowly evolving hypnotic groove with tripped out noises a plenty to give a serious feeling of heady depth.

nice price deal !!! second in the all-analogue cave paintings series where raw machine funk workouts are very much the order of the day. >2x< takes up where 1y left off and adds a sinister backwards-sweeping synth line to turn heads to jelly while the limbs carry on jacking to the syncopated percussion and insistent one-note bassline. >2y< is all but completely enveloped by a warm, deep, resonating bassline which is so wall-to-wall that it leaves plenty of room for the intricate, interlocking percussion to create a body-hypnotic groove. cave paintings - letting the machines decide.

eagerly awaited vol 6 on richard sens mixed blood cuts series sees the baton handed over to melbourne based >pom< golden fleece. the first cut on this 2 tracker >dancin in the nude< sees t-rexs marc bolan fronting a futuristic glam band jam. plenty of (cow) bells, whistles, wonky synths, even the occasional kitchen sink thrown in for good measure! this jam has been tearing up dancefloors on both sides of the planet. on the flip >ciao bella< takes us on an epic dark journey with a full 11 minute long work out of bauhauss >bela lugosis dead< getting a modern fix up with a night stopover in detroit for good measure. golden fleece drops the bpm of the original and respectfully sprinkles over some of his own dub glitter purely for the benefit of the dancefloor! andrew weatherall has been championing this cut

the recent time and space machine album released on tirk caused quite a stir. received by fans, press and pundits with a bright glowing prodigiousness, we just had to have one final foray into the 12 inch single department. the albums title track set >phazer to stun< was always a favourite with pulsating krautrock influences, nicely melded with some dirt cheap farfisa organ, freakbeat drumming and (of course) plenty of phazer.

sehou provides a prime piece of forward-looking nostalgia for metrolines latest release - the cirkus ep. up and coming talented producer from the south of italy, sehou was the man behind the massive track -she makes me wanna dance- released on all inn limited thats been hammered by ricardo villalobos in pretty much all of his sets for the past year. the brutal bass groove of cirkus calls to mind classic era r&s, its choppy vocals and skittering percussion give the track a raw funk, while its smooth pads add a reassuring, warm flow. untitled to her is a relentless robert armani-style workout, with a hint of chi town bubble and funk. driving chords and simple drum patterns give the tune serious momentum, while plenty of breaks in the rhythm and machine gun buildups make sure you dont lose the groove. romanian producer cristi cons aka case sensitive. after dark interpretation is a gloriously meandering, fluid rework. its subterranean bass bumps and heavily filtered synths give the track a brilliantly disorientating feel, while its tense and tight arrangement bring a tense energy.

around the start of 2010 mutated forms caught the attention of the legendary vocalist jenna g, whose previous anthem material with un-cut and chase and status make her one of d&b most loved female artists. their debut collaboration >last time< has all the makings of a future classic. a deep atmospheric introduction, along with jennas sublime vocal roll into a warm heartfelt track with light snappy drums and plenty of bass! plays on radio 1 and 1xtras d&b shows, a spin on the pete tongs essential mix and lots of love and singing in the clubs mean you wont be hearing the last of this one for some time to come!
mutated forms get deeper and darker on the atmospheric roller >with you<. precise hypnotic percussion and huge sweeping bass hits combine to craft a track which balances dancefloor destruction with comfortable home listening, and has found massive support from bailey & crissy criss on 1xtra and fabio & grooverider amongst others.

known as one third of the notorious wetyourself crew, throwing parties and djing every sunday night at fabric in london, jacob has been releasing music since 2005 on different labels and under various guises.as a dj he is known for his fast mixing style of stripped down house and bouncy techno, which has made him a favorite in london and on the international underground dance scene, playing gigs all over europe and the world on a regular basis. the end of oct 2010 sees his debut release on the newly-formed wys! recordings with a very limited run of vinyl... do what you want by jacob husley is an upbeat rolling feel good record that has become become a steady ingredient of the sunday night wys! mix. featuring vocals from husley himself, the track is timeless and positive. the rather huge, driving bass line perhaps shows what an effect his 8 years living in london has had on him and also maybe his not-so-secret past as a junglist? all-round danish house legend, mathias mesteno, has created a late night deep builder that drives and drives..the result is detailed and tough! keeping jacob s big bassline, he has created his own feeling around the groove with plenty of atmospheric percussion. barcelona man-of-the-moment garnica from galaktika recs, has created a fantastic peak time groovy dub edit that will have people losing themselves on the dancefloor. watch out for more releases from wys! coming soon, next up is cormac s cold remixed by miss kittin and chris liebing!

nice price deal !!! begun in 2008 and following the release of their debut single last summer, not squares have carved themselves a name as an incendiary live act playing 2009 festival dates at latitude, leeds and reading in addition to numerous boutique irish festivals. not squares received plenty of national radio play with huw stephens championing them throughout 2009. with a bbc radio 1 introducing maida vale session under their belts and nearing the release of their debut album in september 2010 with dublin-based richter collective, there will be many opportunities to go buckwild with them in a room near you. >release the bees< is the next single out in autumn on pogo recordings in dublin, a driving 8 minute-acid-house-electro-dance-track to assault your ears.

the 1st from a new latin project of john beltran is a stunning tune thats got plenty of swing, instrumentation, and features jeremy ellis aka ayro. the main vocal mix resides on the a-side while the drum junkie mix is on the flip. limited pressing of 300 copies with picture sleeve.

old skool detroit vibes a plenty in this techno dancefloor gem

we are extremely proud to present the re-wired ep, introducing you to four exciting new producers who you will be hearing plenty more from over the coming years.