a compilation of rare funk 45s from the archives of robert perlman.

limited edition of 500 numbered copies on 180 gram vinyl.
another master of the soundtrack is francesco de masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like vado l’ammazzo e torno) comedies, and action movies like la macchina della violenza (the big game), by robert day. a soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

supported by apollonia, subb-an, praslea and many others. andy catana & daniel kovac deliver their first ep on do easy records remixed by none else than robert dietz under his alias r10. he returns as a remixer after remixing the first do easy records 10 years ago. so take your time and listen!

on an unassuming cassette, just labelled ‘robert rental’ in green dymo tape, these demos have lain unheard for years amongst his family’s treasured possessions, cared-for artefacts of a life cut short far too soon.
these songs, which robert recorded in his council flat in battersea in 1980, provide an enticing glimpse into his all-too-infrequent solo work. on most occasions, robert worked with thomas leer, daniel miller or other collaborators. these are rough recordings, tape hiss still in evidence, but his creativity shines through the murk, like uncut diamonds.

chinaski returns to live at robert johnson with bodies and places, a collection of his latest work.

the godfather of montreal disco, robert ouimet, put his magic touch on three tracks for basic fingers

that summer i developed somewhat of an obsession with tonto’s expanding head band after having seen them perform at the big chill festival that year. the music blew my mind. later upon my return to civilisation and the ensuing research which then began in earnest i became as much blown away by the enormous t.o.n.t.o. (the original new timbral orchestra) modular synthesizer that had created the music as i was by the music itself. built in the early 70s, it s still the largest synthesizer around today. with the live show still resonating in my head i tracked down everything tonto had ever recorded. one of these tracks was an obscure outtake from the time t.o.n.t.o.’s creators, malcolm cecil and robert margouleff, were producing and engineering for stevie wonder in the ‘70s(https://youtu.be/wuaszff7yq0). the track, bittersweet, only ever appeared on a highly limited self-released cd put together to coincide with their appearance at the big chill. consequently i featured it on a few mixes i did over the years and invariably i’d be asked “what’s that track?” by those with an ear for something unique. and invariably these same people, many of them djs, would turn away disgruntled when i informed them it was cd only. although i didn t know it at the time, the seed was definitely sown for this vinyl compilation that you now hold in your hands.

robert used musicians from ripple to record four self penned songs as a vanity project which remained unissued, two of which have since been released as a soul junction 45 the modern soul dancers time of the day/take me high (sj537). while a third track, the excellent ballad love song about you made it s initial debut as part of the popular -we got a sweet thing going on - (volume 3) cd compilation series to great acclaim, following requests for it to put on a 45 we have duly obliged placing it back to back with robert s remaining previously unissued track the more dance orientated -i love you so- complete with girl backing singers. thus in doing so, we have now completed the trilogy of robert montgomery s recording output.

remastered by robert smith. half speed mastered double vinyl in gatefold sleeve.

16 brand new remixes by robert smith. half speed mastered double vinyl in gatefold sleeve.

“unant” is a super dark, atmospheric and epic drone piece. the one sided 12” vinyl comes in a distinguished screen printed recycling cardboard sleeve, screen printed b side and with stamped back and label, hand made with love and care in berlin. edition of 100.

sistrum proudly welcomes house music legend alton miller to the fold for release number thirty three. for all the little things, alton lays it down in fine form and enlists the incomparable vocal talents of ree to bring the soulful vibrations as only he can. to call this one an instant classic is understatement in the wise words of robert nesta marley, who feels it, knows it.

14 classics by the blues pioneers.

benedikt frey returns to live at robert johnson with three hypnotic cuts.

with »redsuperstructure«, robert lippok created a new foundation for his musical endeavors. now – 7 years later – this system properly comes to life on »applied autonomy«. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. »applied autonomy« orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding »applied autonomy«. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is »samtal«, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as »applied autonomy«. the artwork for »applied autonomy« has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

a project 18 months in the making, marcel fengler presents a imf10, a three part compilation series detailing the past, present and future of his label index marcel fengler. part 2 focuses on the warmer and more soulful side of imf and features an outstanding array of artists making their debut for the label, all of which have a strong personal meaning to fengler. there’s fjaak, the exciting berlin trio he admires for their authentic identity and honest sound, a special shed remix of the enigmatic vril whose timeless productions continue to strike a chord with him, good friend eric cloutier who he has long wanted to get involved in imf and of course long-time label champion thomas hessler. viennas arthur robert a new face marcel discovered after he sent him tracks over facebook contributes a beautiful shimmering work to the compilation. highlighting this section of the project is the first azur track marcels new side project. he explains: ive always liked to be diverse with my music, but i also do’t want to confuse people. this is the reason why i decided to give my melodic side its own identity. my music under the marcel fengler name will go back to its roots and be more raw and rough in production terms. the final digital package will be complemented by a dj mix from thomas hessler comprised of tracks from imf10. stay tuned for parts 3 to follow, which includes originals and remixes by marcel fengler, sebastian kramer (aka redshape), luke slater, peter van hoesen and more.

telegraph presents «classics» a concept serie available on vinyl only including tracks released during the past 20 years – all tracks are re-mastered and cut in a 160 grams vinyl for a brand new listening experience. for the vol.1 we choose nothing but the best with tracks from robert hood, daniel bell and ben nevile originally released on the post office compilation back in 2002. enjoy!

the palm tree needs no introduction to anyone who has visited this part of town. diamond boozer and blitz survivor, it stands solitary on the regents canal between mile end and the roman road, quietly resisting the urge to move with the times. on weekend evenings you can enjoy the jazz standards of the great american songbook played by the musicians who feature on the album, no ticket required. tom oldham (@tommyophoto) is a london-based portrait photographer, shooting portraits of musicians, sports stars and talented folk all round the world. his work has been widely recognised by the taylor wessing photographic portrait prize, the open series in the aop awards and most recently the sony world photography awards 2018. andy gangadeen is a drummer of international renown, playing with bands as prominent and diverse as duran duran, massive attack, spice girls and chase & status. he a true pioneer of live dance music drumming and has been known to pick up the sticks at the palm tree from time to time

heavy hitting and groovy house four tracker with a special hint of breezy playfulness.

returning victorious to m-plant after the floorplan album and ep takeover, robert hood, whose work under his own name has continued to garner equal support with the paradygm shift series for dekmantel, brings the heat with this triple-tracker.

nice price deal !!! unfelde records comes back with its second vinyl release by non other that its creator and manager, robert david. with four tracks that define his unique style. hop on the romanian express and be sure to get ur copy. peace and love, unfelde records.

vibraphone records continues to deepen its contemporary repertoire by inviting andrew soul into the fold with a vocal contribution from house music legend robert owens. slipping into darkness is a beautifully rendered deep house gem with expressive piano work, rubbery bass synth tones, but in some ways the minimalism of vincent floyd s remix gives owens vocals a chance to take centre stage. as you are is a crooked, broken beat exploration on the fringes of deep house, and owens voice sounds resplendent in the more experimental surroundings before nick anthony simoncino comes on board with a 90s flavoured, darkside remix of the highest order.

this limited edition record store day release offers a much desired vinyl issue of a special collaboration between betty wright & the roots. only on cd since it’s initial release in 2011, “betty wright: the movie” is considered among betty’s best albums after having not had a new release in nearly ten years. there is so much good music here expansion have spread over a double lp at a time demand for such quality releases on vinyl is at a highpoint. the lead single was “grapes on the vine” featuring lil wayne, other guests on the album including snoop dogg and joss stone. betty has co-written most of the songs, her voice still at its finest after a 50 year career while triple grammy award winners the roots add a magic touch to this incredible project. there will only be 1000 pressings of the album.

terje saether and robert solheim met at a party they both played at, clicked and started playing together. this soon lead to this, their first collaboration. dinky, of norway and fredrik bekkaasen loved the project and was happy to contribute with their remixes. this is the result, the ep tres hermanas . the fourth sister, dolores, disappeared along the way, but will hopefully return for the digital release. finally the four hermanas will be reunited.

-prairie- is a deep journey from noisy railroad construction sites, vast spaces and hazy hills to light-flooded plains and the comfort of a crackling campfire. robert heel skilfully fuses elements of ambient, drone, field recordings and dub to create orig

robert dreweks >never been in africa< plus follow-up remix ep (musique unique #009 + 010) as limited double-vinyl for a special price!

spandau x detroit! the german trio take on a tune from hood and young s 90s collaboration, backed up with a 2018 remaster of the original.

love & loops is back! after a long time since our last release, we returned with a very special and expected ep, this time ale castro joins the legendary voice of house music: mr. robert owens !!! i come to you ep was created between argentina and berlin the city where robert and ale meet for the first time. after forging a beautiful friendship they agreed to give back to the dance floor something that was missing, the message of love, in times where the music mostly has no voices and has excessive drops all time it s time to go back a bit to the roots, it s time to sing again all together about love, respect, peace, and celebrate that on the dance floor we are all one and we are all the same. beautiful arrangements by the galactic keyboard master stephanos result in 3 beautiful songs that together with an excellent remix of the secretary of love manuel sahagun make up this beautiful and groovey vinyl that you will not want to miss in your collection, love & loops records, music made with much much much much love, loops, and some random machines ...

following on from the 2017 lp paradygm shift by robert hood released on dekmantel records, the detroit legend returns to the imprint to deliver the final installment in a trilogy of ep releases that initially began back in february 2016. now based in alabama, the detroit-techno producer is returning to his roots. embracing the trademark, minimal, funk techno sounds that defined his earlier career, paradygm shift vol. 3 is classic hood, operating in new, and uncharted ways.

ght in time to celebrate the 50th anniversary of jacques rouxel and rené borg’s legendary television cartoon, this collector’s item comes in two versions: a limited edition 12&#8243,,,,, + 7&#8243,,,,, vinyl album housed in a high glossy gatefold and with an exclusive shadok drawing by robert cohen-solal,...

ltd edition 40th anniversary 7 inch pic disc
beauty and the beast is the latest in the series of special limited edition david bowie 7- picture discs being released and will be out on 5th january 2018, almost 40 years to the day of its original release on 6th january 1978. beauty and the beast was the second single taken from the album heroes, the second of the berlin trilogy albums recorded with tony visconti and brian eno at the legendary hansa studios in berlin. the track also features robert fripp of king crimson on lead guitar, who claims that his guitar was all recorded in his first take. the a-side of the 7- picture disc features the track with newly remastered audio, mixed by long-time bowie collaborator tony visconti. the aa-side is a previously unreleased live version of blackout, recorded live at deutschlandhalle, berlin on 16th may 1978 during the isolar ii tour.

robert rental was the stage name of robert donnachie (1952?2000), a british pioneer of post-punk, diy, and industrial music. originally from port glasgow, scotland, he moved to the south of england with thomas leer in the late 1970s where he met glenn michael wallis. glenn was recording music with the group heute and leaving to start his solo projects nkvd and konstruktivists. both were heavily involved with throbbing gristle and the industrial records crew. in the summer of 1979, robert invited glenn to his studio in battersea to jam. robert on guitar and glenn on an edp wasp synthesizer. for each session that summer they would play for about 40 minutes, maybe longer, stoned. robert suggested they record it, many times erasing and over recording one session for the next. the music had no titles, as they were never intended to be released. on these recordings, robert enjoyed playing like robert fripp of king crimson, while glenn channeled wolfgang flur of kraftwerk. influenced by krautrock bands like can, neu!, cluster/harmonia, as well as terry riley and brian eno the duo forged a unqiue brand of industrial music. tape loops and synthesizer sounds played backward conjure dark ambient moods. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the lp is housed in a jacket that features a drawing by robert rental from glenn?s archives as well as a handwritten note from robert to glenn. each copy includes 2 photo postcards featuring a transcription of robert?s letter and liner notes from glenn wallis.

mehr northern soul aus den 1960ern!

an all time classic originally released on the visions of the past album (apollo 1994). released on 12” single for the first time. re-mastered by matt colton. includes a superb new remix/edit from edward.

2 track ep produced by benales. follow up of elements ep released back in 2016 raw, straight techno tools inspired by the likes of robert hood, jeff mills, surgeon. bio: born in normandy (france), and now based in paris, benales has been honing his craft since the end of the 90s. an avid record collector and enthusiast of techno and house - his dj sets and tracks combine the raw, dark and deep elements of these musical forms with a firm nod in the direction of detroit. he already played at concrete, la machine du moulin rouge, rex club, batofar, 101.

massimiliano pagliara returns to live at robert johnson with a double release titled devoid of dimension pt.1 and pt.2.

massimiliano pagliara returns to live at robert johnson with a double release titled devoid of dimension pt.1 and pt.2.

presented here are some of the leading figures of chicago’s blues scene of the early 1950s.

a one of a kind track with a totally unique groove and a bass line not coming from this world. the dx sound that makes the track so powerful sounds like some kind of mutant machine that is going wild and the sublime combination with the robert owens vocals makes this a highlight in the history of house music!

robert plant meldet sich 2017 mit einem brandneuen album zurück aus dem studio. »carry fire« heißt der nachfolger von »lullaby and … the ceaseless roar« von 2014, mit dem es der britische musiker und ehemalige led-zeppelin-frontmann in großbritannien bis auf platz zwei der albumcharts schaffte.
doppel-vinyl im klappcover, Ätzung auf seite d.

ltd repress !!paradygm shift, the first robert hood album to be released since 2012. a staggering record of techno dynamite sees the detroit legend excelling at what he does best. the record serves as a milestone for the dutch label dekmantel, celebrating its tenth anniversary, with the label’s 50th release

4 awesome minimal-techno-microhouse tunes from ali moghrani, robert david, maarka & leparente, and senoo. more words are pointless so we will let the music speak for its self. vinyl only!

alvin toffler war überwältigt. als er am morgen des 4. oktober 1988 – es war sein 60. geburtstag – mit noch etwas abwesendem blick in eine schale cornflakes starrte, glaubte er, in der oberflächenstruktur der gelblich schimmernden milch, die mit ahornsirup eine emulsion bildete und die knusperkristalle der maisflocken langsam, aber unumkehrbar immer weiter zersetzte, wie durch ein fenster in eine zeitlose dimension schauen zu können. toffler, zu jener zeit auf dem zenit seines ruhms als zukunftsforscher angelangt, war von dem blick ins extratemporäre guckloch nachhaltig verstört. in keinem seiner bücher – „future shock“ war soeben in einer weiteren auflage mit dem stolzen zusatz „more than 5 million copies in print“ auf dem buchtitel erschienen – sollte er das erlebnis jemals erwähnen. auch nach seinem tod ende juni 2016 konnten im nachlass bisher keine ausführungen zu dem vorfall gefunden werden. die von toffler in später geschredderten notizen so getaufte „flake dimension“ bleibt ein geheimnis von opaker, schwer zu fassender strahlkraft.

they expect me to write something informative about the tracks on this ep here but i find it really difficult to express music in words. on top of it i went out last night, to club der visionõre, and i feel hungover and empty inside my head. so now im sitting here and all i can think of is, cant you just take a listen to the music?! the ep contains 5 tracks all made in the last couple of lousy summer months here in berlin in nostalgia for the better days. itÆs about house and a bit of electro, no gimmicks.

dark entries is proud to present the deluxe 2xlp reissue of ‘come visit the big bigot’ by severed heads, oone of the longest surviving bands to emerge from the australian post-punk independent music scene. they began in sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. as the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. after many line-up changes featuring garry bradbury and psychedelic guitarist simon knuckey, severed heads was the vehicle for composer tom ellard. ‘come visit the big bigot’ was severed heads’ first record to be released commercially simultaneously in australia, north america and europe in 1986. it was a prime period for this industrial dance music and bigot was a respected album that did well from the tour they did with skinny puppy that same year. quite a few people still define the band by this period. ‘come visit the big bigot’ was made on a fostex 16 track recorder in tom’s bedroom, employing the newly acquired akai s612 sampler and roland sh-101 to create most of the drum sounds. the album signaled a new direction, flirting with the dance floor and the pop song. presenting the heads at their most cohesive, while retaining their distinctive musical stamp. tom’s vocals are harmonized, slowed down, sped up, run through fuzz boxes, backwards, drum machine rolls, sampled guitars, horn sections, and voices but with a subversive rather than malevolent intention. tape loops are more subtle and define their own space and texture. like the original australian version of the album, we’ve included a bonus disc featuring three extended remixes by sydney dj robert racic (who produced the edited 7” version of “petrol” we reissued in 2015), plus three b-sides from the ‘twenty deadly diseases’12” and two additional tracks from the same recording sessions.

extended hypnotic explorations from brooklyn’s experimentalist robert aiki aubrey lowe (lichens, om). two long-side pieces of futuristic afro-dub, slowly evolving arrangements of voice and modular synthesizer soundscapes.

limited edition of 500 copies on black vinyl.

apollo proudly presents a full release of the stunning debut album released by sw. sw s lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s apollo releases of biosphere and robert leiner in all their balmy glory. originally issued on vinyl only via sw’s own sued imprint, this apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally. as a label, sued has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both sw and svn, as well as collaborations and comradeship with other analogue obsessed auteurs such as dynamo dreesen (who teams up with svn as dresvn), dj sotofett, dj fett burger, pg sounds and club no-no, aka snorre magnar solberg.