the intermezzo ep kicks off with we are here, which could be easily described as get out part 2. a spoken word vocal over kerris trademark beats and instrumentation, musing on the subject of a busy schedule and calways available technology. so it begins again takes things down a much more tribal road, perfect for a big room, and the dc10 mix is a nod towards the direction kerri had in mind and the dancefloors he created this track for. the dark mix takes this idea even further with a more progressive feel as the track plays out. red lights explores a more live drum feel with a cut-up breakbeat playing a 4/4 rhythm, and a throbbing bassline and synth pattern. this one is a little deeper but still packs plenty of punch!

red007 sees pushing red taking a slightly different turn with more of a juke style release. (greek - known as dimitri) buckles down with a with what could be called as a fusion of juke, ghetto house & footwork to outstanding results. the sharp 808 kicks and bassline pulsate throughout the tune while a sharp vocal sample cuts through giving the tune that much more punch! flip over for the wonderful ikonika remix. ikonika has really taken this tune and given it her own feel and appeal. turning the stormer into more of a halftime/ house feel, its hard to put to words the outcome. its ferocious & melodic and all wrapped up with that signature ikonika feel! one you just have to hear!

tronic continues its roll out of summer bombs with the >origin / freed< two-tracker from dosem, an artist who has previously made a name for himself with sterling output for technasia sub-label sino. >origin< is the first of the two tracks and it opens proceedings with an epic, synth heavy vibe. filtered, impeccably programmed drums gently unfurl into a persistently padding groove that kicks on a big system. as the track opens up to drop, metallic synth chords shimmer out of the groove and deliver a massive punch. the intensity grows continually throughout and the melodies are pushed to their maximum, making this an unashamed anthem. the flipsides >freed<, while more heads down than its counterpart, is certainly no shrinking violet. driving drums are topped with long, building vocal screams and rising synths create a feverish atmosphere that, added to a pulsing and brutish bassline, goes off.

zeitlos, a german word meaning timeless is one way to describe chris wood & meats new ep, triple s. this is house of a different flavor, pulling influences from freestyle jazz and funk. we find ourselves late in the night. we enter triple s, a smoky cool atmosphere, relaxed and ready. light percussion leads us into the back, where a lone wandering bass line takes the stage. the simmer of hi hats and trample of toms usher in the kicks. chugging along, a single jazz flute, and sassy women punch through the fog. the strings rise and the bass sinks into the cellar. downplayed with style and elegance, triple s is the perfect track for half past midnight, opening the gates and pouring your body on to the dancefloor.

bristol based sound artist works with electronic hardware recorded to cassette. although known for his release on punch drunk, this is a recording of his 1st gig, 45mins of totally fried & directionless pulses, bleeps, and atmospheres. screen print sleeve.

a true master of the deeper arts, phonique has, since his first steps into the world of production back in the early 2000s, become synonymous with and eulogised for his beautifully cultured productions. labels such as simple, buzzin fly, souvenir and of course systematic have all played host to his music, but it s his work for steve bugs dessous imprint for which he is most renowned. first up is phoniques solo production, >2 my jungle< which sees him step into jacking tech-house territory. lovely open hi-hats are paired with the punch of the kick drum. a trumpet riff enters the fray, backed by the grooving throb of the bassline. its vocal samples are twisted and filtered throughout as phonique creates a wonderfully trippy summer anthem. on the flip he teams up with desolat badboy, guti. still riding high on the wave of support for his fantastic debut album >patio de juegos<, the argentinian producer phonique show just how much fun they can have in their electronic playground. beautifully deep and with a lush rhodes melody, >divertimento< entices us with its sultry summer vibes. a polar opposite, yet complete match to the a-side

now into their seventh year, horse meat disco have continued to lead the way with packed residencies at their hq at the eagle in london s vauxhall, lux in lisbon and tape in berlin. inspired by the music and inclusive ethos of new york’s club scene during the 70s and 80s, the collective have garnered a unique reputation for amazing parties and unmatchable sets, the quartet of djs each mixing their own quality blend of disco juice. during 2011, as well as playing their annual uk festival dates at glastonbury and lovebox, they will be spreading the love to some of the world s leading festivals including vivid in sydney, electric elephant, bestival and san francisco s pride.

hailing from melbourne australia. cubist featured in knowledge magazines top 10 producers to watch out for in 2010. cubist is now launching his own label – colours recordings. his music is supported by grooverider, dj hype, dj die, dj brockie, nicky blackmarket, doc scott, fabio, dj ss plus many more. cubist comes with the freshness for rgb001. smacking popping drums and a sneaky dirty bass line makes action pack the punch. it will fill the hole in your record bag thats been waiting for a tune like action. with a funky haunting vocal hook >watch your action<, this tune spikes, rolls and bounces in all the right places. with support from grooverider it is guaranteed to bring the freshness that you need. with similar hard hitting drums. baby brings the funk. influenced by the sounds of full cycle, babys mesmerising whooping baseline will get the dance floor grooving. with its west coast hip hop vocal samples and bass switch up. baby has the all the ingredients necessary to groove. cubist records all his drums in his studio. he has previously released with grid recordings, advisory plus more. his latest tracks are getting support from heavy hitters such as grooverider, crissy criss, nicky blackmarket, dj die plus many more…

one of italy’s strongest techno forces returns with his third release for sonic groove. obtanes latest expedition comes in the form of two songs. >utopian man< starts the release off . a highly infectious foot and mind burner with sweeping bass sounds, dark atmospherics & solid rhythms. overlap this with catchy detroit styled keyboard stabs and you are in for a 10 minute ride into worlds unknown. as one ride ends the next one begins with symbology of decline. this banger of a peak time dance floor techno track wreaks of old school belgian techno flavor. the main hook of the track sweeps and swooshes its way through the speaker cones while the drums punish the speakers and listener further into submission. the perfect formulation of rhythm and sound and another 1/2 knock out punch from obtane.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullion s signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

the three tracks for this release go through a wide range of our sound. >cyclone< by samuel dan and feygin is a throwback to the way dirtybird records sounded back in 2006, raw and fun with big drums. but >cyclone< sounds amazing compared to the sound quality of some of those old records we all love, a definite update to the old db vibe. b-jus >babbel net< is his follow-up appearance to last years bomb track >my sneakers< that all of us played 1000 times. this is more in the smooth 808 style of dirtybird while still giving you some punch and melody. this record works really well for me and this groove crossover into a house set no problem. last but not least is maelstroms >you play<. this is a real monster, not so much for the house heads but instead for those of you who like to cross genres and explore the bass regions during your sets. definitely not your friendly deep house record this one is a real db banger in the tradition of big dirty bass we love here in san francisco.

we kick off 2011 with the latest collaborative plate of bristol-based build badness – label boss baobinga cooking up two what-do-you-call-it tracks with one of 2010s breakthrough producers, the man they call hyetal. starting 2010 with a huge punch drunk release alongside shortstuff, hyetal further refined his sound through collaborations with peverelist, and the massive prince-tastic anthem >phoenix< on orca – which can be found sitting proudly at number 36 in fact magazines tracks of the year run-down. with some big releases due in 2011, and more velour beats (with julio bashmore) on the way, we are very excited to have him involved in a build release.

taking a break from compiling his latest masterpiece while simultaneously remixing and re-editing for various labels, al kent delivers another trio of peak time disco movers.. on the a side “feel it baby” is a classic everyone should know, twisted and tweaked for today’s loop-hungry dancers. the phrase “bassline to die for” was coined to describe this song. then there’s the strings… oof! flip it for you got it, an edit that’s been in al’s armoury a while, one that people always ask for.. so here it is. “drums to die for”? built around one serious serious disco break. lastly, theres loving living feeling. a super funky clav, rhodes and string groove that really packs a punch! million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

born in chile but raised in sweden, alexi delano, with fellow swedes like cari lekebusch, adam beyer, jesper dahlback, joel mull and others, became part of some of the first wave of swedish electronic music producers that made a name for themselves in the mid 90s, releasing on techno labels such as plus8, missile, primate, hybrid, svek and many more. his style dwells in the perfect balance between shiny minimalism and dark vivasious techno, which is exactly what you can expect from his brand new ep for leena >un do me<. as a long term friend of mobilee, and also an artist who’s productions fit well with many of our artists dj styles and tastes, its a great pleasure to finally release one of his productions on leena. both tracks on the ep >un do me< and >watch out< come with a powerful punch and high energy. with more than two decades on the stage, hes an artist that is certainly showing no intentions of slowing down. we hope you enjoy this!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

for the latest maya platter, cultural vibe and keith thompson revive the house classic >ma foombey< - a slamming slab of funked-up african-styled house, featuring adope ethnic/chant vocal and some tight tribal drumwork. romain mix features the vocal in full form over a heavy percussive beat, blakkats is a more stripped-down techier dub that packs a nasty punch.

yes people, like dillinja once said, its time to get grimey! at the end of september, the man, the myth, the legend, mr terror danjah blesses rwina with the reinforced ep. a storming 3 tracker of top class grime for the connoisseurs, the ep is fully equipped with lazershifting bass-terrorism and high-end sonic manipulation.the lead track,reinforced,switches from sweet but dark r&b vibes to classic acid-esque rave touches, guaranteeing a proper reaction on the floor. peanut punch, a collaboration with regular sparring-partner d.o.k., sprinkles neon highlights over a minimal, bass-led beat, while the ep finishes up with stomp test - 4 to the floor club music designed to kill any dance. rwina & terror danjah - a perfect fit.

boka records hit release number 30 and they have delved deep into the dubstep archives on this one. innasekts >cluster< has been around on dubplate for well over a year now with the dubstep heads still demading its release, its finally here! this one packs a punch, ultra deep and heavy basslines with innasekts signature technological atmospheres. backed with their remix of sumones (planet mu) track >zombie<, a voyage into deep and atmospheric drumstep. its been a while since innasekts releases on rottun recordings and the rumour is this could be their final release under this name. dj support coming from the likes of scuba, faib, bunzer0, matt-u, moldy & truth.

after the success of >slow burn< as well as the licensing of >dirt< to mr. ben klocks berghain mix compilation, echologist returns with another slice of psychedelic dub techno with remixes by frances techno king terence fixmer and arguably moscows finest producer, anton zap. the original mix is a slowly builds into a blaze of cavernous chord changes and a 4/4 groove powered by an unelenting sub bass. the distinctive sound of this track is what seperates echologist from all the other dub techno composers out there. terence fixmer takes the elements and transforms them into his signature techno workout that packs as much punch as it does finesse while anton zap strips things down and builds a super spacious hypnotic house groove that has become a trademark of his ethereal sound. all round another essential release from echologist.

remixes by joey beltram, spektre, christian smith, tomy declerque!!!

after his last storming ep on figure spc, young italian talent roberto bosco comes to figure with a new four track masterclass in rumbling, earth-shaking and proudly contemporary techno. berlin music city features the mysterious vocals of coppa, who leads us into the break of this heavyweight track with his deep dub-step flavoured drawl. funky, ecstatic and characterised by bosco s raw and crisp sound.more bass pressure awaits with sci-fi . a tough, sub-diven punch greets us from the outset, allowing a freaky array of static fx, tripping synths and meandering chimes to lead us on through a strange, imaginary city. suitably tough, crunching and close to the bone, no time combines bosco s clear love of tectonic beats with uplifting, dj-friendly arrangements. a devilish hook emerges from the smoke and steam, leading to a dramatic conclusionà. finally the industrial clatter of >after berlin< stirs up a rich dub-techno display in this surging, lively and essential addition to the package!

dj support: mary anne hobbs (radio 1), angel molina (sonar/tresor), nathan jonson (wagon repair), appleblim (skull disco / apple pips), headhunter (tempa.), micky lunch (naked lunch) and major radio plays in uk, usa, canada, czech republic, france, germany, ireland, spain and switzerland... coming from the musical melting pot that is bristol england orphan101s blend of four to the floor dubstep and techno have brought him fast acclaim and attention of genre impresarios like appleblim (apple pips / skull disco), headhunter (tempa), jus wan (apple pips), dj pinch (tectonic) and rsd (punch drunk records) to name but a few.

earwax is very proud to present this huge 12 inch from >purple trinity< producer gemmy, guaranteed to cause serious sonic pressure on a dancefloor near you! >maroon chant< is possibly one of gemmys biggest tunes yet, a carefully crafted dancefloor monster brim with catchy purple melodic synths and heavy weight bass. the intro leads in with a looped tribal chant as the pattern is sucked into rolling snapping percussion before the squelching, ever-evolving bassline drops. the track build and flows effortlessly maintaining high energy levels throughout. big tune. flip then for >last 3 digits< ? the title being a reference to pirate radio shows where the host refers to callers by the last 3 digits of their phone number. >let me have 1 caller for the rewind<. heavy hitting rave stabs punch out the catchy melody here before the track switches up into a grimey beat and even grimier bassline. quality rave music.
dj support from: joker, roska, pinch, mary anne hobbs, guido, ginz, reso, baobinga, appleblim, peverelist, rsd, plastician dusk & blackdown, and many more..

as dj and as live act, frances nhar certainly knows how to tweak the controls. hes transmitting his message on every channel, sporting his personal recipe for dancefloor mayhem, consisting of driving beats, melancholic euphoria and some other ingredients meant to stay a secret. on diverse labels like mobilee, plak or modelisme, the former member of the 22 crew shines with his panoramic view, melodic depth of focus and concise footwork. that love has to be rewarded, so kompakts jörg burger, a.k.a. the modernist throws in one of his rare remixes for close up, delivering that bonus punch and enhancing the originals charm with the razor-sharp musical scale hes become known for. its a born winner for wir

beautiful limited white colored sealed 12 vinyl. williams latest sounds like the follow up to ravels bolero with patrick cowley on production duties! frisvold & lindbaek join the after studio orgy party with a dirty dubbed out groove and a soft warm bottom. gatto fritto dives in and spikes the punch with some class a luvved up hedonism. finally, simon hold takes us to the limit with his >basic instinct< remix.

and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

for the second installment of otp party breaks, jacques renault from runaway (rekids, dfa, im a cliche, rvng, wurst, chinatown, mule, etc) delivers four sucker punch edits that zig and zag from late-night house gems to rhythmic!

the one-two kick drum beat that starts “in the dark of the night” functions as a bit of a tease. instead of merely establishing the languid pace of the track, it has the power of suggestion, and its stark nakedness raises the question of what will happen after the music fully launches. a few seconds later, a punch-drunk, flanging keyboard is the first clue that the listener is in for an off-kilter ride, the sauntering bassline that next appears adds a springy, funk bounce. but it’s the tripped-out, multi-tracked vocals of fernando miranda rios, aka michoacan, the producer behind this slow reveal, that give the song its peculiar, space-yvibe. it’s like david byrne with funk aspirations and a vaguely cosmic feel. the b-side remix, courtesy of italy’s clap rules, feels like more of a re-build. the song has been taken apart and put back together with brand new parts. instead of more relaxed, dazed funk at the core, it’s a glittery, disco-ball splattered track with glossy keys all around.

idle hands is a vinyl based label operating out of rooted records in bristol. the focus of the label is on raw and experimental dance floor tracks, in the best traditions of the uk underground. hanuman and atki2 make up monkeysteak, and along with dub boy run the steak house records label. over the past few years they have released 12&#8243,,s on the werk and punch drunk labels as well as recently featuring on toddla t’s fabric mix. here in the west country dub boy runs the bristol’s best bass music night, the acclaimed ruffnek diskotek and has recently been voted one of the cities favourite dj’s, second only to joker. this 12&#8243,, sees the crew delve into house music with satisfyingly bass heavy results. the a side is a chunky deep house track with a feel good carnival vibe. the b side is a unique slice of post-soca dance music, and also includes a remix from the internet’s funkiest man – grievous angel. dj support from martyn, ben ufo, blackdown and 2562.

inspired by the riz ortolani soundtrack for the girl in the yellow pyjamas hot ring bounces around like pamela andersons front end whilst running up and down malibu beach. sharp stabs and spooky synths lines put this straight in modern electronic disco box. things go even dirtier and deeper with bottins stripped down espresso dub version which feels precisely like a double caffeine punch that will kickstart any stagnating dancefloor. 2020 soundsystem and redux main man fernando then comes up with lovely remix where he adds his signature dubbed out punky sound to the ep.

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

hailing from sao paulo, wehbba is one of the latest additions to brazils techno ambassadors. having contributed heavily to tronic in 2009 with an ep and his acclaimed rework of jim rivers full tilt track, wehbba is headlining the inaugural tronic treatment compilation to be released in february. wehbbas talent as a dj / producer have taken him on a worldwide journey that has seen his powerful, rhythmical and emotive productions appear on some of the scenes most influential labels including global underground, get physical, great stuff, audio therapy and urbr.
sweet spot sees wehbba push a housier sound from previous work, focusing on swaying beats and a deep-edged ambience. the sweeter mix toughens the groove and takes the track into more late-night territory.
brother keeps the vibe of the ep on a deeper tip to complete this fresh sounding ep. centered on an epic groove of building chords and sweeping vocal refrain the dancefloor punch comes from a heavy pulsing bassline.

after the critical and commercial success of art8, the resurgence of the legendary art label continues apace with the first release in a newly formed dance division series. signifying a shift towards more peak-time club material, the dance division series kicks off with the >swarm< ep. consisting of three tracks from label-owner kirk degiorgio. >swarm<, >a way of life< and >distant realm< cover the full-range of classic club-techno sonics, with a modern production edge that guarantees an extra punch on the dancefloor.

a1) aller retour. indeed we do like it very much, when a tune is like a punch – and this one pushes tremendous. underlaid with a sharp kick later, the strongly-held bass line involving from a small stream to an all-compelling stream. on top we receive a very un-christian boot with some oriental like organ-pipes. what more can you expect. oh by the way- there is actually a river in lower saxony with the same name like the track – however has nothing to do with it. b1) nevermind. indicate left and right over. and then a lob shot instead of a straight shot. this is a little what nevermind feels like. an assault from the deep, with a soft climax rather than with brute force. our recommendation for phasing out after an extensive club night

support from the worlds finest djs and artists such as pier bucci, argenis brito, butane, maetrik, gregory shiff, ambivalent, and id, barem, and noah pred.
this four-track vinyl is an absolute must have for those who love to play a chugging, driving style of minimal and techno. produced by barcelonas pablo bolivar, >looking for a shape<, pushes the depth and groove that he is known for, but in a more aggressive yet subtle way. the original doesnt allow one to breath with constant changes in percussion and amazing flow. his >phase two< track will annihilate the speakers in clubs with deep bass and is a sharp, tightly wound percussive masterpiece.
the remixes offered are by monkey brothers, who take a very different turn with the track and offer a soft vocal and is perfect for the dance-floor as it delivers a strong pop for those later in the night moments. finally, the last track on the record is hidden recordings owner deepak sharma + dieter krauses interpretation of the original. they have created a more slowed down, druggy, groovier version of the original. its not quite as smooth as the original and thats a good thing as the extra glitch is great for those who need more punch in their sets. there is something in this release for all kinds of djs.

home taping is killing music is a fresh new imprint that is all about a return to house music. producer of the moment the revenge (instruments of rapture/jisco music) kicks things off for the label in fine style with the stunning >forever in their debt<. a homage to the house producers that have influenced them and the artists whose samples have continued to drive house music forward expertly channeling the spirit of early chicago warehouse music, but with a modern production twist that truly captures that classic sound, but packs enough punch to wipe the floor with most of its peers. on the flip, maverick producer and dj red rack em (tirk/untracked/deep freeze) takes the track on a road trip to detroit, and produces a deep, moody and atmospheric version which brings to mind the work of pepe bradock and theo parrish. two sides, two flavours. both 100% house

spectrum recordings returns after the summer months with a fantastic deep dark two tracker to take us into those shorter nights of the year from italian duo ascion & davide carbone. the a side >shaved< is a stripped down dubby groover, with eerie vocal stabs and spacey edits. this has a seriously tripped out vibe, which is perfect for the after hours, but still with more then enough punch to work at peak time, with some layered percussion or effects. the flip side >spectral town< is a minimal funky track, superbly produced and once again perfect for the after hours. a very cool and classy record from a label stamping its mark on the scene, and still only in its first year of releasing music. look out for future releases from ramon tapia, gui boratto and alan fitzpatrick. big things to come!

markantonios analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels inventive approach is the key to their success. marrying raw basic elements with funloving party vibes, the label is a destination for djs wanting a bigroom sound. previous releases have featured the likes of rino cerrone, valentino kanzyani, the advent, davide squillace, and joseph capriati.
electric rescue has been at the heart of the parisian rave scene for the past fifteen years. cutting his teeth at parties at legendary avantgarde club >boy<, a career evolved fast, becoming part of the mentasm crew alongside laurent garnier and chaotik rames. since then electric rescue have released on many innovative techno tracks on high profile labels including fcom, afu, yellow label, eterno and his own skryptom imprint.
the flash tool is a simply constructed but incendiary club tool. deploying a limited palette of elements to create an earcatching track, the use of heavy kick, undulating bass, ever rising synth lines and wildly distorting pitch tones screams dancefloor impact.
las castagnettas is nothing short of a mainroom monster. uncompromising and direct with a raw, assertive energy this is inyourface ravetastic techno. booming beats and abrasive sounds set the tone but this is all about the supersized bass stab. watch out..
saving the title track for last, electric rescue unleashes the beast that is locomoto. industrial and uncomplicated, this 4am bodyshaker is packed with plenty of percussive punch and crowderuption moments to ensure maximum effect. file under >encore tune<.

a: dj ss & dubzero - this is the future: the track starts with a tense energizing build up, incorporating futuristic samples and sounds with a pulsing industrial feeling bass. the tempo builds up to a sharp climax and drops with force guaranteeing chaos on any dancefloor.
b: rollz - solid state: a new face at the formation records camp, rollz s debut track was hand picked by dj ss as a must for the album project. this track kicks off with a dark and eerie feel, building slowly to the chime of bells and echoing bass before dropping with intense punch that will take your breath away.
c: influx uk - stay on this channel: after a recent break from production influx uk returns on top form bringing with him the third track of the two-part release. stay on this channel has all the feel of previous influx smashers, a slow rhythmic snare guides the track as it builds with a jagged edge before dropping with shaking fluid samples and an earth moving bassline
d: generator & dj ss - killa: this track delivers exactly as its name promises. a melodic wobbling chord builds gradually to the sounds of a distant vocal sample, and intense climbing bass, which all combine and drop with sheer vengeance. expect to slay the masses when this tune is pulled out of the bag.

beep beep beep. remix remix remix!
on the a-side, the loco dice dub is a perfect set-builder, one of his best remixes to date. purist loco fans might also be happy to hear that tigas vocal has been 99% extracted from this version, leaving behind only the echo of disco-pop in a solid, dj-friendly groove.
kaines mix keeps things closer to the original, emphasizing the pop punch-lines with staccato beeps and a chunky beat. positive vibes here from a bright young uk producer.
finally, space-disco maestros emperor machine turn in another epic roller complete with a brilliant analog synth jam finale.
great job!

the eps title track baltic pine bounces an elastic bass with a punch whilst its magical melody evolves out of the groove, taking you skipping away until it breaks into a ebullient cacophony of accordion, piano and brass.

esl music drops the >classic ep<, the first 12 inch single from ancient astronauts? debut album >we are to answer<. featured here are 3 exclusive remixes and cuts not available in any other format. first up on the a side is >classic (12 remix)< that adds extra horns and punch to the original hip-hop track featuring rhymes by the pharcyde. not to be outdone, dj brace smoothes out the rhythm and centers the track on luscious string arrangements. on the flip side the astronauts deliver a funky big-beat party track entitled >what we came for<. not to be missed!

san franciscos loose shus is the sound of today. with pulsing synths, funky riffs and sharp beats, loose shus has helped define a new generation of disco pioneers. his live shows incorporate amazing video projections sampling 70s and 80s television clips running in sync to his music. he is part of urb magazines next 100 for 2009. loose shus will also be appearing on the >valerie and friends< compilation due out may 27th, compiled by the coveted french collective valerie. mixed by mark pistel, member of hercules and love affair, and meat beat manifesto, this ep pops with clarity and punch to get the dancefloor moving. plant music are also proud to have lisbons xinobi on remix duties for <threesome< and los angeles keenhouse on remix duties for >taurus<. xinobi has been quite the hyped producer this past year including working with moulinex and a series of high profile remixes.
>itÆs rocket ships meets neon hotpants, meets teased hair, meets lazer beams, meets the zodiac, meets a 1970s hotel lobby and throw in a light pink pearlescent vibrator.< -- freedanger.com
>tracks that work perfectly on nowadays parties< -- discodust

mia macht mit >redriver< mal eben eine der souligsten platten die in letzter zeit im techno sektor kursierten. sparsame vocals, entspannte tiefe und trotzdem den n÷tigen punch im gepõck. auf >dont catch my soul< geht es dann eine ecke mentaler und doller zur sache.

stephen hellm is back on k-records with a brand new release called “taste”, without a doubt a perfect title that really says it all. in the original version you get carried away by a dreamy melody and very subtle nature sounds in the background. listen to it at home lying in bed, or float above the dance floor in your favorite club. this is a multipurpose track.robert babicz has taken the remix side for his account. with some extra punch, a pulsating acid line, a sharp synth and even a piano riff, the master himself made it a real dance floor killer.

cortney tidwell has confirmed details of the first single to be taken from her forthcoming album boys which is – according to tidwell – >about two kids in love, fighting, and they eventually kill themselves. its a modern day romeo and juliet.< undeniably one of the most electronic songs shes written, it calls upon diverse influences like new order and depeche mode and packs a typically impressive melodic punch. the track will be available as a special single edit, and is accompanied by exclusive mixes and an a cappella version. after the success of ewan pearsons remix of the title track to her debut album dont let stars keep us tangled up (a pitchfork track of the year 2007) duties are this time handled by simon baker and daphni. bakers remixes for radioslave and simian mobile disco have confirmed his status as one of the most exciting djsand producers around, and he gives the track a technicolor tech-house workover perfect for summer twilight. daphni – aka dan snaith, aka caribou – has meanwhile turned in a fourteen minute monster, a trippy techno bastard that sneaks up gently, growing relentlessly until it leaves listeners dizzy and euphoric.

gemmy hails from the hugely influential bristol bass scene. part of the purple trinity along with joker and guido, he already had a big release on the bristol-based punch drunk label and plays by the likes of pinch, joker and mary anne hobbs (radio 1) gemmys debut for planet mu is a bass heavy ride. with p-funk and grime influences, gemmy blends the dub and the step with fat portamento synth lines and computer game fx to great effect ensuring maximum dancefloor impact. supligen is a bass funk attack to the senses giving you a taste of what to expect from gemmys debut album (planet mu ziq230 due august 2009). bristolian synths and shuffle beats are sure to get the wonky heads bouncing. bt tower is another anthemic jump up wobbler with a full-on bass drop that will punish the limiters on any decent rig. watch your bass bins!