vinyl only , phunky detroit deep house ... recorded in detroit, mi.

remastered reissue of the 1973 compilation with classic john lee hooker recordings from 1948 - 1952. part 1 of 2 double vinyl releases.

1970s and 80s nigerian sounds

die dub-legende und daniel boyle setzen ihre fruchtbare, 2014 mit back on the controls gestartete kollaboration fort.

2022 repress - remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his old joey negro alias once again turned his impeccable hand to some of the best-loved records ever committed to wax.

executive producers: brett wilcots, jim stivers & graham carlton produced by kevin dixon & frank youngwerth / a1 mixed by larry heard originally released in 1990 / official repress 2018 groovin recordings licensed courtesy of brett wilcots

after a short hatius following the sellout dr001 - tommy vicari jnr s suction ep in 2015. drifted records latest sub-label project mid-flow series showcases the more electronic/breakbeat shade of minimal techno. their debut 8 track various artist compilation lp includes compositions from henry hyde, martinez, voigtmann, alicia hush, lee hume, unai trotti, amathia and bilal.

loopy, classy house tools from greece s man of the moment lee burton, who finest hour are happy to welcome to the family

second edition of the peace feast industries 20 year releases - with tangling & whirling synths run over arpeggio based themes and dynamic compositions (as well as sound level!). a-side runs with bongo percussions on a disco tempo and the b is up-in-tempo, for a heftier ride - (slightly xmas-sounding arpeggios, if santa was on acid that is).

steppas records presents ‘osaka steppas’ vol. 3, the third in a series of releases showcasing the japanese underground dub movement. this edition features osaka producers hiroshi and roots masashi in collaboration with spanish producer ojah and well-respected uk singer rudey lee. the osaka steppas’ raw and unrelenting sound developed in the subterranean clubs of osaka, a port city famous for its counterculture night life. inspired not only by the sounds of jamaica, but also drawing inspiration from uk and european soundsystem culture with enough bassweight to test even the toughest of soundsystems. presented in a beautifully designed full colour sleeve inspired by the works of the legendary ukiyo-e woodblock artist, hokusai. this release is not to be missed. side a features an earth rocker riddim from ojah & hiroshi, with conscious lyrics sung by the legendary rudey lee. side b features a much sought after dubplate from osaka producer roots masashi, a deep, dark & mystical steppa.

border-breaking album by international collective featured shawn lee - london based american producer/composer/musician - and the soul surfers - heaviest russian soul/psych funk band. the result is boundless soul and psychedelic funk music from the future. deep in raw grit and musical exploration. this album crosses both: genre, age and world politics. it proves that music is truly the international language and it’s not where you’re from, but where you’re at.

lee burridge, lost desert and junior akwety return with summer vibes all the way. following last year s subtle monster lingala, they bring the sunshine once again with three tracks. elongis vocal floats above its foundation of warm sub bass and groovy beats and always seems to induce at least one person in the crowd to sing along. even though we know they don t speak lingala (a language from congo). mona yo is a little groovier. floaty house music for outdoors. talking of floaty, the ep is wrapped up by float on. its pretty for sure but has a certain drive thats been rocking the all day i dream dance floor all year. close your eyes and daydream.

after the highly successful first volume in the stag-o-lee dj set series we present volume 2. again an 80 minute set - this time by stuttgart based dj joe whirlypop. joe is a jack of all trades, someone who can make a wedding crowd dance, is well versed in new wave and punk and everything in between. but his biggest love is the 50’s and early 60’s. he is playing all over stuttgart for years, but these two discs reflect his monthly shake your bones residency at stuttgarts famous goldmarks club. expect all kinds of blues - from jump to rhythm & to raw electric.

alek lees second 12inch on antinote starts with an uptempo opening to a rather downtempo record. playing with some of the genre (namely, deep house) codes like the use of a politically-aware speech or vibes, alek lee cant resist to give time his special treatment nonetheless: using some of his dubby tools and bringing in a warm trumpet he takes the song onto a rather windy road. dont fall for it though: time is a red herring

not a man of many words, this bloke from canada who let the music do the talking. the mysterious producer rich p & lee will release his first ep on deeptrax records.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

as the lead singer of george darko s legendary burger-highlife hit-band, lee dodou became the number one voice of 80 s highlife. born in kumasi, the epicenter of ghanaian highlife, he came to berlin in the late 70 s - by then the uprising epicenter of burger-highlife - to work as a back-up-singer for pat thomas. after joining and leaving georg darko and running his own band -kantata-, he stopped releasing music in the early 90 s. now, philophon is proud to present new recordings of his soulful genius to the world of 2018. basa basa is a song in the classic -concert party- style, as it was played in the glorious 60 s. after a firey horn introduction lee takes over in that funny and entertaining manner typical for -concert party- music. buzz duncker joins lee s phrases with some gentle clarinet. highlife at its best! sahara akwantuo is anything but a classic: it s the start of a kind of philophonic highlife, labeled as kraut-life. ghanaian love of life meets german romantic melancholy. happy rhythms meet mysterious synth landscapes. eternal summertime and mangos are meeting a wet winter world and roast apples. kraut-life at its best!

lee scott teams up with jazz t on the production dropping two killer jazz laced boombap bangers ceiling and urn money. lee shows why he is one of the best lyricists out there killing the beats with intricate flows and raw hooks! on remix duty we have sleepwalker, aka king kashmere from strange u, flipping ceiling and pitch 92, the legendary mouse outfit producer, with his take on -urn money- the 12inch also come with instrumentals of all the versions. artwork is by stilts who completes this dope package.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. past due have taken the welcome liberty of repressing this monster slice of disco-soul from moores catalogue for us all to enjoy and spin on today s dance-floors. do you feel like party? is a rare early 80s jam from the man and features all the hallmarks of his unique sound and style.this dlp features every (incredibly rare) single and 12inch that lee produced under his name and different monikers. essential boogie business!

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

it is with great pleasure that we at giallo disco invite the one and only danny wolfers aka legowelt aka the maestro franz falckenhaus to our prestigious ranks. the obscure, previously cdr only side project franz falckenhaus has stood out for many of us as one of mr wolfer s most accomplished works. full on vhs grained cold war paranoia. like if fulci directed a bond movie starring udo keir and edwige fenech. shades of fabio frizzi, minimal synth and aphex twin, all combine for this cinematic masterpiece. culled from the three cds originally released on strange life records, it is with immense pride that we provide this collection for the first time on vinyl, lovingly remastered with exceptional new art by the one and only eric a. lee.

mitte der neunziger setzte sich terry lee brown jr. alias norman feller an eine symbiose aus techno und house, zwei damals sich eher gegeneinander ausspielende genres. heute ist tech-house dank deutscher labels wie pokerflat, perlon oder plastic city allgegenwärtig und hat selbst dem minimal-hype der letzten jahre standgehalten. mit letzterem label ist terry lee brown jr. eng verbunden. ein großer teil seiner langen diskografie wurde dort veröffentlicht. drei alben, unzählige dj-gigs, unzählige remixe, eine eigene dj-mix-cd-serie und immer wieder auch ausflüge in trance-, downbeat- oder breakbeat-gefilde – es ist eine erfolggeschichte. sein viertes album „karambolage“ ist das erste seit sechs jahren. gewohnt sicher und feingliedrig geht mr. brown ans werk. da sitzt jeder beat, da werden saubere melodien eingewoben und die balance zwischen musikalität und funktionalität ausgelotet. zum album erschien ebenfalls eine limitierte 7“ mit einem „karambolage-edit“, einem stück, das die fixpunkte des albums in einem ganzen verschmilzt. doch keine bange, es handelt sich nicht um einen liebloses medley. die edit-version ist ein ganzer track, der den status quo von terry lee brown jr. beleuchtet.

classic , recorded in may 1977

repress of the highly sought after transmat classic by k. alexi shelby

john lee hooker’s 1969 album back on vinyl.

nach ihren remixen für mount kimbie und tegan & sara, zaubert die londoner produzentin kelly lee owens ein cover plus remix des aaliyah-klassikers more than a woman, im original produziert von timbaland. limitierte 12inch auflage.

a tripped-out batch of hard jamming tracks from ex-mutante rita lee – recorded with assistance from all the members of the group at the time, but in a mode that’s quite different overall! lee is clearly the star of the show here – singing all lyrics with a much fiercer vocal approach than on her earlier solo album – pushing things hard to keep up with the jamming keyboards of arnaldo baptista and guitar of sergio dias – both of whom are working with the energy that would show up in the mutantes styles in the years after lee departed. one of the most compelling aspects of the record is the structure of the tunes – less conventionally rockish overall than the direction os mutantes were moving towards – and still with that strong dramatic flair that lee always provided when in the group. titles include -vamos tratar da saude-, -amor branco e preto-, -superficie do planeta-, -teimoisia-, -tapupukitipa-, -beija me amor-, and -frique como-.

a wild solo project from rita lee – done after the breakup of os mutantes, and offered up almost as some sort of commentary on mainstream rock in the 70s! there’s a much more straightforward approach to the music here – a sometimes-glammy sound that’s echoed by the band’s space-style costumes and makeup – but there’s also some weirdly old-style rock instrumentation too, almost like the way that an artist like gary glitter could fold the 50s and 70s together in his music, and come across making something very weird and new. here, the keyboards are almost stronger than the guitars – and rita herself plays moog, melotron, organ, and piano – on titles that include -tem uma cidade-, -menino bonito-, -mame natureza-, and -eclipse do cometa-.

debut single from leander van het groenewoud’s new band. rough-hewn folk melodies matched to rough blues-driven emotion, lee anderson’s sound is classic but perfectly fresh, easy on the ear but devastating for the heart.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. in his quest for a unique sound, he constantly reinvented himself, creating projects with new aliases and concepts, scraping together studio time, and hustling. even today, moores music sounds ahead of its time.

freakin fabe easin the frizz again with these two swingin shots.

1971’s requiem for an almost lady is a personal statement and one of the heaviest break-up albums of all time. there are no lilting strings, sweeping choirs, or dancing trumpets. the arrangements are stripped down to the raw nerve, lee’s emotions are the orchestra here. the listener eavesdrops on a sonic journal of heartbreak. after losing his lady, his record label, and his country, lee etches his woes to wax

the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes, that the half-dozen shots of chivas regal had put his ego to rest, and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady, and the gods were kind, and their album was finished on time. herein, lie the results…some good, some bad and some more. - lee hazlewood

on the spectrum does, new york avant-rock musicians che chen and robbie lee create three earthy and slow moving pieces, informed as much by various global folk traditions as they are by 20th century composition and improvisation.their ‘anything goes approach to improvising leads to a sonic document that sounds raw, intense and freshly exciting. a wild and shambolic brew sounding like nothing else.

finally four guys from the deepest south of germany decided to share some of their shit on vinyl and hodenhouse is the result of this idea. as the name of the label suggests those four guys never takin things and themselves too seriously. it s a pure love thang. and love is limited. like our first ep, hodenhouse001, limited to 250 pcs, vinyl only. perhaps in the future there will be some more releases, perhaps not. we don t know jet and to us it isn t as much important at the moment. the ep includes tracks from mad lee, kaam and nly1p. be prepared. it will be released later this year. yo.

die uk legenden coldcut und adrian sherwood veröffentlichen gemeinsames dub album inklusive features von lee scratch perry, roots manuva, junior reid & vielen mehr!

lee burton is the next artist on raum musik and this is his first single for our label. lee is hailing from greece and we were quite happy to receive some demo tracks of him, as he caught our attention already a while ago. his productions are more house related, but always with a nice, modern twist. his powerful sound and also his very well structured sound design could easily be described as his signature and it s definitely worth keeping an eye on him.

lee pearson is back on neroli after his feature on the inside various artists ep from few months before...and together with detroit s javonntte garrett of ndatl and sistrum fame this time! the larry heard collaborator shows again his songwriting talent on what do you prefer? and bye bye . one for the headz!

nice price deal !!! nice price deal !!! betörende bilder stellen sich beim hören von lorelei lees neuem album teddy toys ein. die sängerin sonja romei, der elektroniker/gitarrist palme und ihre mitmusiker julian preuschl, jakob schell und jakob kovacic haben eine cineastische art musik zu machen für sich gefunden, die einen sanft aber unwiderstehlich mitnimmt – auf die reise in eine faszinierende zwischenwelt aus vaudeville-verlockung, broadway-extravaganz, jazzclub-intimität, dancefloor und elektronik-klanglabor. die leidenschaftliche und noble diseuse sonja romei erzählt mit lasziver stimme geschichten aus einem verspielten, glitzernden mikrokosmos zwischen hinterzimmer und großer bühne.
12 inch vinyl lp im klappcover, inklusive cd-version ders albums.