niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

new kanada hits the quarter century mark with a long, subtle 10-minute analogue jam session. with milosh (plug research/k7) on vocals and melodies, and adam on the mixing desk - the single sided vinyl release is made for the long mix. a real slow burner that climaxes with an emotional payoff at the 5 minute mark. gavin russom meets talk talk. red, yellow and orange.

own meets the 60s with the naughties. its throbbing drum rhythm and soul-laced vocal make this a certain smash for those hot, heavy and sweaty nights. finally the much shought after remix of riva starr is available on a ltd produced stamped vinyl

first on decks.de !! this ep is an outflow boundary inspired by the outflow boundary that formed over nyc on september 16th, 2010. enjoy !

supported by: dubfire: doc martin, jamie jones, mandy, sebo k, ewan pearson, geddes the relentless duo subb-an & adam shelton get the floors shaking with the next release on their one label, ‘it’s time’, complete with a jozif and death on the balcony remix

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

timmy regisford house rework of an r & b tune

new kanada is honored to have the awesome murr (aka nicholas murray) take the reins on the next release. dusty drums, worn-out pads and a deep respect for the early beatsmiths, nick always creates an atmosphere in his tracks that is definitely not the flavor of the month - but rather the taste of the year. on the a-side, >noise in< is a tough dusty jacker, that builds from a tight dub intoa shimmering melodic bomb. feels like early transmat, late gherkin, or an americanized lfo. shuffle, simmer, and slam. the second cut on the a-side, >broken glass<, is a slamming ode to the sp1200. beats swung hard, percussion rattling the kilter way off, and a suffocating groove. watch out - the shards are sharp. on the b-side, marshall reshapes the original >noise in< into a brutal example of a tough mixing tool. heavy, pulsing basslines and an incessant jack groove. this one should move the floor. red, yellow and orange. rockit!

the mighty beyer teams up with alexi delano fo a double header : turn loose / loose turn

new kanada drops into summer with two new cuts from adam marshall

nice price deal !!! miss latanza waters is back in a great form. if you hadnt already worked out, piano anthems are back in vogue and they dont come any bigger than francos & adams club mix.

chris is very happy that his long term friend adam beyer from sweden, who runs the drumcode and truesoul labels (as most of you may know), has contribute to the 10 year anniversary label compilation. chris said >he managed to give me an amazing track that i have already been playing up and down since probably the beginning of last summer<. you have to know that most of these tracks have been collected over a period of at least the last six months. this one from adam is called >antistius< not only is chris out for having international artists on this compilation but also his home base in frankfurt equally has some amazing artists to offer. this track on the b-side is by clr artist and mastering engineer brian sanhaji who has also recently released his album on the label. his contribution to 10 years of clr is pretty phat. this one is called >higgs< and chris had already been playing it, all over the place, with amazing responses.

split ep with full sommer party pleasure

1994 acid classic by adam x, featuring jammin unit and walker on >listen 94 rmx<.

electro-disco made by adam sky & shafiq ettienne in 2004 for crosstownrebels. comes with remixes by frankie flowerz and glimmer twins.

2003 classic!

killer mixes: joseph capriati + adam beyer & jesper dahlback dub

solid building acidic mini tech two tracker

special vinyl sampler released to support the 2002 ignition key album!! incl tracks featured only on the cd version of the album!!

next strike from keinemusik !! big with karotte, tiefschwarz, butch, anja schneider, tim green, p.toile, andrew grant and many more..

drumcode main man adam beyer teams up with pÄr grindvik for a slamming ep

ultraphat remixes by adam beyer(mad eye, drumcode) together with jesper dahlbäck & on the flipside a. mochi!

tc turns his hand to evil 9s homage to sci-fi ghoulfest, they live. whilst maintaining the originals eerie atmosphere, tc has certainly infused the true drum and bass treatment. techy vocal hooks give way to a pulsing bassline, perfectly suited to a chase scene from a horror flick. on the flip side, tc gives freelands under control a good re-lick here: with a catchy guitar riff, stomping beats, soaring synths and some heavy bassline action, this is smashing stuff. featuring a live band and stunning vocals, courtesy of kurt baumann, the under control remix is an uplifting, euphoric and rock-infused rollercoaster of a ride.

originally released in 2003!!

adam beyer returns to mad eye with a storming two tracker. keeping it deep and funky and a little bit druggy, beyer takes us on a swirling journey with eerie synths and dubby bass. this is definitely not a record just for a techno frat - you will definitely see cross over to the tech and deep house boys who yearn for something a little bit tougher in their sets. once again beyer can do no wrong as he cements himself as one of the biggest names in techno today. sickeningly good!

danny freakazoid remix / dj wady ibiza mix / norman doray eivissa remix / hoxton whores remix

the unreleased mixes of this summers anthem see the light of day! wady mix is the winner on download & dorays has the djs behind it!!!

huge underground sound of latin / tribal tinged deep house, for those who knows

fresh from tearing up this years wmc in miami cr2 proudly present a new take on the classic æneedin u by the face aka david morales, this stone cold classic gets a re vamp from cr2 head honcho mark brown & adam shaw he of mau5trap / toolroom fame. on the flip we have an excellent remix from paul woolford the man from leeds provides a superb deep techy dub workout with just a hint of the the piano something that will be rocking his residency welovesundays @ space, ibiza this summer. limited 12 place your orders now

huge percussive tech monster incl jerome sydenham rmx

follow up of from the speaker, released on mark knights toolroom label!! they are back now with this 4 track ep.

played by karotte (cocoon), phunky , minimalistic techno / techhouse bomb!!

the first release from freelands new album cope is available now! filled with paranoiac, satirical wordplay and skewed political commentary that complements the futuristic yet dissident sonics, under control ultimately proves that rarity in club music: an anti anthem with a brain, yet with beats ballsy enough to crush dancefloors in a neighborhood club near you. mixes by alex metric, golden bug and evil nine!!

incl bloody beetroots & milan rmxs... a testament to the raw power of a strong system 100 groove. i m happy to report that this track also gets the rare support of rising megastar proxy... for a techno rrecord, that s quite an achievement!

excellent electronic track with killer mixes

compared by adam beyer, truesoul is the ying to the yang of the techno tastemakers better-known drumcode label. equally well respected, equally forward thinking, both labels are at the forefront of modern electronic music. operating on a broad remit and refusing to be restricted by genre boundaries, truesoul offers an oasis for the great and good of techno where they can experiment with elements of other electronic styles. having previously hosted the experimental works of cari lekebusch, joel mull, nihad tule, par grindvik, speedy j and dustin zahn, adam beyer himself takes up the mantel for this latest excursion with two cuts constructed from a broader electronic palette

mnx fully back in effect, having recently dropped the bomb from cestrian aka ali renault, now it s time for the globe trotting notorious new yorker that is adam x to do his thing once again.

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

adam beyer retruns home to release on his own drumcode imprint with his first solo release on the label for a very long time!! this year will see adam release more of his own superb solo material across his 3 labels - this release being the first. the a side track - >london< is an epic building killer subjecting your senses to a 10 minute barrage with its clever builds and peaks. on the flip side >whos got the virus< is a nagging funky groover with its amazingly addictive bassline, vocal refrains and atmospherics

more epic, dark, pounding house music from timmy regisford

two key players of the scene join forces on figures sixteenth release. no one else than adam beyer and luke slater contribute tracks to this very special ep. mod by luke slaters planetary assault systems project takes off with a fast, breathless groove. its force drags the dancers along, and the mesmerizing bleeps put everybody in a deep trance. within seconds, the solid ground of the dancefloor is nothing but a remote memory. mod has a very special aura, it is hard to grasp its exceptional energy. it appears to be pretty elementary, and yet it is an verwhelming techno anthem which will accompany you for quite some time. adam beyers simulated usage surprises the crowd with its elegance and subtlety. forming an irresistible funk, the fabric of the track interweaves various tiny elements. this savageness obviously manifests in his musical approach which can be characterized by his open-mindedness in regard to diverse influences, currents and styles. simulated usage is strong and joyful, it is techno in its best sense. once again, adam beyer und luke slater manage to coin the face of contemporary club music.

repress.stunning harder percussive techno monster

fresh driven electro tech , with hot mixes by adam beyer, jesper dahlbäck & alexi delano (aka adjd)

sg0835 as recut+remix-pressing. adam x takes us down to a dark basement full of wobbling acid-artefacts and noises touched by rhythm. blood-freezing and leg-twisting!

with no.2, it s philipp wolgast who is obviously >on guard<, as eminor s sister s name suggests. crystal clear sounddesign is interweaved with exceptional track-writing here. this is the one for the moments of >just sound< in which the border between individual and environment finally blurs.