nice price deal !!! e-men is a member of the psychedelic electronic rock band >liebermen has jumped<

pleasure zone welcomes japanese duo tsukasa kato and ataru nishizaki aka spangleman to the label family! after listening to their great demos we ve decided to release two records with them, so watch out for plz006.1ltd & plz006.2ltd. more to come!

musically and emotionally, superpitcherÆs third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the seventh piece of the golden ravedays puzzle will be released on hippie dance in july 2017. number 7 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year.

side a features andy, music made by superpitcher in memory and admiration of a pioneer artist and his works. andy warhol looks a scream, hang him on my wall, andy warhol, silver screen, can t tell them apart at all, andy walking, andy tired, andy take a little snooze, tie him up when he s fast asleep, send him on a pleasant cruise, when he wakes up on the sea, be sure to think of me and you, he ll think, about paint and he ll think about glue, what a jolly boring thing to do. david bowieÆs lyrics about andy warhol mirror the groovy yet deeply moving emotion of this track. the music superpitcher imagined here is a pleasant cruise in itself and once you wake up from it, you will for sure think of andy. side b features yves. the track starts with a long introduction of harp music and then gently evolves into one of the more fragile and poetic pieces superpitcher has created thus far for the golden ravedays record. similar to andy this track is dedicated to an artist, yves saint laurent. what is clear in this music is that there is an intense understanding of the suffering yves saint laurent lived throughout his life as an artist and fashion designer. as only superpitcher can, he translated that emotion into this beautiful and touching piece of music.

in the late 80s, 808 state was at the forefront of england’s still developing electronic music scene. don solaris, the group’s first widely available album in more than four years, is something of a return for the group.
first pressing of 750 limited numbered copies on 180 gram gold vinyl.

limited 25th anniversary edition on gold coloured double vinyl.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

and full-length it is:

the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the sixth piece of the golden ravedays puzzle will be released on hippie dance in june 2017.

number 6 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year. side a features protest song. if music is a way of transporting us to other places, protest song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. it’s all kafka and orwell and suffering - the most twisted and eerie track so far in the golden ravedays saga. what is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested. in the same vein on side b we hear powerful resistance. produced after the paris attacks of 2015 superpitcher outdid himself with this strong message of resistance. where protest song paints a picture of under-worldly doom, resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. a voice that seems like a trapped animal is calling out to us. what is it trying to say? is it crying out for help? is that animal all of us? resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. as for the dancefloor – resistance is irresistible!

„summer is here to stay. golden boys johannes & tilman drop 10 minute percussion workouts (“whips”) and disco loops (“season”/”blow”) for decades. you better get your beach body ready. hurry and you will get some golden vinyl even.”

repress 2017 !! pender street steppers drop in on the lo-nrg side with mh008: the glass city / golden garden. this vinyl record could be compared to a home depot furnished office complex or a slimy algae covered rock briefly revealed by the tide. this is music for car parks, drywall delivery vans, and days when the air smells fresh but slightly shitty. the record is already seeing huge support from djs such as pender street steppers! available soon on 12inch and youtube ripped vbr formats. shouts 2 krang

limited pressing on gold coloured vinyl.

das coveralbum “radiodread” von den easy star all-stars erschien ursprünglich 2006 als nachfolger ihres kultalbums “dub side of the moon” von 2003. für “radiodread” diente radioheads album-klassiker “ok computer” als inspiration, und so wurde aus dem masterpiece des modernen rock ein energiegeladener und trippiger ausflug in die welt des dub & reggae. eine imposante liste namhafter gäste machte bei diesem spaß mit, darunter toots & the maytals, horace andy, morgan heritage, sugar minott, frankie paul, citizen cope oder israel vibration. nun erscheint das album in einer neuen edition mit 15 tracks, inklusive “high and dry” featuring morgan heritage, auch als limitiertes, goldfarbiges doppelvinyl im klappcover.

the third record on inversions is a collaborative release with the norwegian label drid machine. golden oriole, hailing from stavanger, comprise of thore warland and kristoffer riis, esrtwhile members of staer + tralten eller utpult. pr is currently underway courtesy of berlin s dense promotion. the tracks have received a lot of radio play, for example the approaching of the disco void has been played by the german radio station eldoradio. the record has so far received reviews from germanys nonpop and african paper, the italian music map, chain d.l.k. and rockerilla magazines, and frances hartzine.

drummer amir bresler, born in 89, has been established as one of the most sought after israeli drummers, performing in israel and abroad at prominent local and world stage jazz festivals. starting his musical education at the age of 13, amir was first exposed to jazz music at the age of 15 upon his enrollment for the jazz program at the thelma-yellin national high school of the arts from which he graduated with honors. in 2010 amir joined the world renowned bass player, singer and composer avishai cohen, in concerts globally. avishai cohen is considered to be one of the most successful jazz artists in the world today. amir also performed alongside visiting musicians like sam yahel, joel fraham, mark turner, kirk lightsay, dwayne bruno. in addition, amir played with various israeli artists among these are, daniel zamir, omer klein, kutiman, nitai hershkovits, yotam silbrestein, amos hoffman, gilad abro, shai maestro, to name a few. this release is comprised of two tracks, originally composed and recorded for meinl cymbals drummers-videos-series. these tracks were later chosen by amir to be officially released. the first track, afro golden line, is inspired by 70s african high-life music (specially from ghana and nigeria) this is an odd-meter afro-beat track. featuring sefi zislings distinct trumpet melody and uzi ramirez s playful guitar. the second track, fish, is taken from lbts old mixtapes (originally with vocals by kerendun). it was re-recorded at amirs studio while bassist beno hendler & keyboardist nomok composed the third part of the track. both tracks were produced with rejoicer.

1962 was the year raymond scott composed and recorded portofino in many different arrangements. however, no recordings were released until basta did include two versions on manhattan research, inc. movlp1855 the track became one of scott’s most popular electronic compositions.
limited edition of 1.000 individually numbered copies on gold 180 gram vinyl with download code included.

vincenzo needs little introduction - the veteran producer and dj has been a fixture on the scene for years, releasing his distinctive brand of classy deep and techy house on a number of key labels. returning to poker flat, he teams up with the mega talented cari golden for this killer three track ep. cari hails from la, an accomplished singer & songwriter and a part of band narcotourist. she lends her skills to never go back a lush yet edgy deep bomb built around slinky groove shot through with vincenzos trademark drama and tension. cari brings the track to the next level with her vocals - both seductive and cautionary. smash tv (holger zilske and kai preussner) bring a sick remix to the table with their version - heading to deeper territory and seemingly primed for the after hours vibe. next up is thats the way an instrumental that sees vincenzo revel in some old school chord progressions and tension / release dynamics to make a sure-fire floor weapon.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.

college ist eines der musikalischen projekte des französischen musikers david grellier, der auch als valerie und mitch silver bekannt ist. der film-soundtrack zu “drive” machte ihn über nacht berühmt. der song “a real hero” von college war einer der beiden pop-tracks (mit “under your spell” von desire), welche die schlüsselszenen des films untermalten und den soundtrack so berühmt machten. “shanghai” ist ein konzeptalbum, welches stimmungen dieser stadt reflektiert. dies hört sich über weite strecken wie ein imaginärer soundtrack im 80s electro-gewand an. mit dem stück “love peas” ist gewissermaßen ein chinesischer song geboten, der in die fußstapfen von “a real hero” treten könnte. fans von johnny jewel/chromatics sollten hier herein hören!

zweiter lp-sampler, gewidmet dem legendären northern soul-club the golden torch in stoke-on-trent, angelehnt an dessen playlisten in der hochphase zwischen 1969-1973. mit 14 exzellenten highlights von maxine brown über first choice bis zum luther ingram orchestra. keep on burnin!

tanzbarer indie-rock von einem newcomer-trio aus london.
das junge trio little cub aus london genießt in seiner heimatstadt den ruf, einer der aufregendsten newcomer der stadt zu sein. gepflegt subversive bescheidenheit, opulente und bewegende elektronsiche einflüsse ganz im einklang mit dem hausgemachten, progressiven brit pop feeling. so versteht sich das trio auch als kontrastmittel zu der oft geistlosen pop musik, die sie sonst umgibt. mit ihrem gesellschaftsblick sind sie zusätzlich auch die band für eine post-brexit party: politisch, melancholisch, ernüchtert, anti-aktionistisch. und trotzdem geladen. so erzählt das debütalbum still life vom leben in london der 2010er jahre, von menschlichen niederlagen, gesellschaftlichen tragödien, nächten in clubs und tagen in buchhandlungen. dazwischen kommt und geht die liebe mit den gezeiten.
limitierte goldene heavyweight lp mit achtseitigem booklet und mp3-downloadkarte inklusive bonus remixen.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays, is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

the golden age from the gods planet lp 2 remastered and interpreted by marcus henriksson (nobody home, minilogue)

musically and emotionally, superpitchers third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period on record label, hippie dance.

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

it is mmmm?, it is aaaaaah, it is roar-roar!, it is boombittyboom, it is yess-yess-yess-right-there, it is what?!, it is looong-so-looong-not-long-enough, it is oh-oh-coming-please-don’t stop!, it is seriously?, it is intergalactic, it is yawp-yawp!, it is pandemonium, it is never-been-heard-like-this-before: superpitcher!

ausgewählte highlights der 2 cd compilation “swing with the best big bands” jetzt auch als vinyl erhältlich.

the number of bad luck is the number of good luck in our world. antoine harispuru aka golden bug is back on lddlm with what has been a constant night hit for ivan smagghe since he magically received it. we are very happy to share it with you. progress feat. diego holdez kind of defies categorisation, and blows the walls of the classic slow downed clocks of golden bug. we d describe it as vocal funk? you may describe it the way you want. ask your girlfriend, she seems to love it. on remix duty, miami come berlin bad boy danny daze a rest from the big room for a pounding omnidisc version that will slowly burns through any leather jacket, very corrosive stuff. physical disco is classic golden bug, a demented industrial pinball machine of some kind. whilst supernova is that exact machine played by a retro-futurist vocoder robot. think aux 88 played at 33rpm and you ll be as close as you can.

now, if there was ever a record title that could make you look twice its gotta be this seminal slab of jacking chicago mayhem from maurice joshua & hot hands hula. released in the golden year of 1988 on the legendary trax label which was already in full flight and on a major roll at the time. it could have been easy to overlook i gotta big dick because of its (mildly) humorous, tongue in cheek title, but don t be fooled, this is one sleek, charged acid weapon, an early blueprint for the incoming ghetto house scene out of the chi perhaps? if you re somewhat prudish or easily offended by the lyrical content the guys were kind enough to include an instrumental version that jacks in all the right places! also included on this ep is the stone cold classic this is acid which was co-produced by lidell townsell that became an acid house anthem all the way from illinois to ilford. a true school chicago jam indeed! finishing out the ep is the almost apocalyptic acid of -feel the mood- that features a rap from kool rock steady, the combination of twisting 303 s, church-like organs and synths and kool s razor sharp rhymes make for a pretty heavy concoction, use this one wisely damage will occur on the dance-floor! remastered in conjunction with trax records, fully legit, now is the time to revisit a cornerstone of classic chicago house music, often imitated, never bettered!

with the musical institution that the guitar constitutes, golden retriever sets out to change its paradigm with very simple means, creating a void between genres and ideas to be in, grinning in its essence yet at times grounded with serious introspective ingredients. with only an iphone as a recording studio, golden retriever has created the ep in a very minimalistic sense, not only when it comes to sheer production elements but also through that instruments chosen to use. having a background in various other scenes, you could say it s a consequence of leftover creativity and exploratory passion that didn t fit in anywhere else at the moment. the sonic palette is naive, luscious and surprisingly thick and sturdy considering the limitations of both instruments and recording equipment used. with unassailable melodies that are equally captivating as ravishing, it seduces you with the same drifter romantics and beautiful scenery as you would find in any classic country song without following the same structure. whenever a string of the guitar is plucked, struck or touched, it invokes feelings of both adventurous joy, but sometimes also the sadness of leaving something behind.

der hamburger produzent & dj david august veröffentlicht eine weitere 12inch auf counter records/ninja tune! mit der the spell/a golden rush 12inch kündigt david august seine zweite ep bei counter records an. die neue ep ist die natürliche weiterentwicklung seiner letzten veröffentlichung j.b.y./the ouvert und knüpft genau dort an, wo er mit the ouvert aufhörte: the spell vereint breakbeats mit einem üppigen klangteppich aus arrangierten field recordings, bevor er eine überraschende wendung nimmt und eine eindringliche frauenstimme erklingt. die neue ep beweist, welche dynamik in david augusts musik und auftreten steckt. in 2016 spielte er vor über 100.000 begeisterten fans, unter anderem bei festivals wie dem roskilde oder sonar, seiner dj-tour sowie seiner eigenen headline-show im londoner koko, die innerhalb einer woche ausverkauft war. nicht zu vergessen, die drei ausverkauften shows mit dem berliner symphonie orchester in zusammenarbeit mit dem boiler room.

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

20 year old utrecht based producer julian alexander steps up for the next release in infuse with a ep of raw house grooves. sweet rain kicks things off, its deeply rounded bass and swung percussion imbuing the track with a real sense of groove. cabin fever continues the vibe whilst present brings a sense of warmth an undulating pad lending the track a more blissed out feel whilst straight furrows a tougher path with a dirtier warehouse kick and metallic percussion.

his first solo ep, barbies back, out on gomma, is a huge success for the ghetto-disco wizkid and everyone starts falling in love for his sound: his first album, hot robot, is released in 2008 and erol alkan, jori hulkonnen, prinstomas, digitalism, shitrobot play his tracks all around the world. thought, recorded and produced in his studio in gracia, barcelona, v.i.c.t.o.r features a number of collaborations: julienne dessagne (sachienne), yan wagner, fabrizio mammarella, moscoman, guillaume atlan, in fields, pajaro sunrise

taken from maps of hyperspace’s “superspace” album. “the golden energy” gets revamped for the dance floor courtesy aural imbalance. sanderson dear strips down the instrumentation for a minimal house vibe in his version, and adriano mirabile digs into mikael’s debut ep for his lush tech-house rework of “dream seeker”.

die großen hits der rocksteady-Ära von duke reid sind auf diesem album zusammengefasst. auf 180g vinyl gepresst und von den original-masterbändern gemastert, ist diese rarität nach mehreren jahrzehnten nun wieder auf vinyl erhältlich. seit den 60er jahren produzierte duke reid auf jamaika ska und rocksteady. sein tonstudio war die erste anlaufstelle für diesen sound, das label trojan (auf dem diese compilation erscheint) hat sich nach dem soundsystem-truck von duke reid benannt. duke reid liebte amerikanischen jazz und blues und ließ diese leidenschaft in die produktionen einfließen. seine produktionen gelten bis heute als weit ausgefeilter als die der konkurrenz. diese kopplung enthält jede menge raritäten, aber auch welt-hits wie “the tide is high” von den paragons.

filou brings the 9th vinyl of the romanian label escapism musique. with two original tracks, revolt and golden black, filou ascends proportions of the tech sounds in complex tracks that gets the listener into motion. cristian burkhardt transcends the tones of revolt into a symmetrical harmony that vibes up with the sheer, meanwhile ed ed enthuses through his play with cheer and rhythm, ending the release in a dancing mood.

blacksilk finally unveils the first issue, shedding light on its founder s darkest moniker. taking shape as a multi-disciplinary project, the record label founded by the dj and producer marc ash aims to bring out the best of yet hidden experimental and obscure electronic acts. this challenge is achieved by pushing the boundaries between art and music, conveying a strong message with a well defined aesthetic imprint and therefore employing unconventional art pieces into release-specific imageries.

patrick adams produced track on this p&p affiliated label, heavy keys and vibes & live party feel throughout the song. features the vocals of margo williams. onesided - huge tip!

golden parachutes is a unique, collaborative musical effort comprised of stewart walker (us/berlin) and touane (italy/berlin). following five years of collaborative live-performances and techno releases through stewart’s persona records imprint, here the duo has decided to co-mingle their influences from afrobeat and progressive jazz into a boundary-free exploration. liberated from the constraints of repetitive, pounding kick drums, they unveil a new sound of timbral fluidity built-up from live and sequenced instruments. more than just music, their innovative approach delivers 43 minutes of consummate aural landscapes that pull the listener in head first. as the title ‘into the dark grey morning’ suggests the album takes you on a sweet atmospheric journey where melodic washes of colour and light flicker illumination into the dark clouds of monochromatic noise and reverb compositions, evoking fresh beginnings in electronic music... like a light at the end of the tunnel. as level records third long-play release, ‘into the dark grey morning’ is an unexpected turn away from the labels normal tendencies. with it’s live-instrumental melodies layered over sweeping electronic backdrops the album dips deeply into progressive rock waters and surfaces with a contemporary krautrock sound, logically delivered by a label from düsseldorf, the birthplace of krautrock music.

eduardo de la calle brings back to memento his trademark analogue sounds and musical experimentations with the golden archives 1 ep. two tracks that once again define the spanish mavericks personal hybrid of detroit techno and european electronica, veering into psychedelic territory and progressive rhythms, and continuing to explore the outer limits of the underground scene. * missing you (edit)*s chants and deep soulful atmospherics build up with emotional piano melodies, while * quasicalligraphic*s mechanical stabs and ghostly synths are accompanied by spectral percussions and melancholic chords.

is it balearic releases a debut ep from clandestino s joe morris. 4 tracks of lush electronic grooves. the title track golden tides is a mid tempo houser with beautiful pads and soft arpeggios. late afternoon sundowner vibrations. the second track bayou has touches of sueno latino about it, an afterdark evocative tropical house trip. on the flip the first track light of the moon is a more reflective slo mo affair. warm pads and 808 sounds melting into cicadas. finally we come to mpondo theme. sounds of nature kalimba and loose percussion all sit together and watch the sun dip over the savannah horizon. a proper ep this covering all shades.

gold coloured vinyl in deluxe pantone gold sleeve – limited to 2000 units with downloadcode included.
first time on 12” since the original 2007 press. finally back on wax, the hot 8 brass band’s legendary cover of marvin gaye’s sexual healing gets a special release for record store day 2016. pressed on gold coloured vinyl and housed in a deluxe pantone gold sleeve, this special package features the original edit of sexual healing alongside fresh new edits for the dancefloor. this stone-cold classic has been a fixture in radio, club and festival sets across the world for almost a decade and only continues to grow in popularity.

first pressing of 1000 numbered copies on purple & gold mixed 180 gram audiophile vinyl.
dances with wolves is the original soundtrack of the 1990 academy award and golden globe winning film dances with wolves, produced, directed, and starring kevin costner. the original score and songs were composed and conducted by john barry. barry won the 1991 academy award for best original score and the 1992 grammy award for -best instrumental composition written for a motion picture or for television.- john barrys fifth oscar-winning score is a profoundly moving body of music.

with their next carefully curated release, the opilec music label begins to shine a light on the roots of italo with the reissue of an ultra rare and obscure synth italo disco track by a. avenue from 1984.

before the release of cosmic machine 2, here’s a new teaser of what is going to be another fantastic compilation. the french disco and proto-electro, still young and fresh is back with its groovy beats, punctuated by its timeless synthesizers ... a real treat for cosmic machine’s fans!

hidden truth is an open window to the occult knowlegde, an initiation into the hermetic wisdom. jonas kopp delves into his characteristic sound. direct, mental and mechanic in equal parts, the fifth release of this series comes full of classic and atemporal techno structures.

hand numbered limited edition of 300 copies on 180 gram high quality lacquered pressed solid black vinyl. all tracks have been specially remastered for long cut vinyl format by alek stark at fundamental audio (madrid).

lenzman is back on metalheadz with his first original work since his debut album looking at the stars. the ep is everything you would expect from lenzman, soulful and well produced.

we are extremely excited about this new release, wich sets the return of lars bartkuhn to dance oriented projects. the needs label founder and author of some many classics like * world*, * walking through circles* under his passion dance orchestra or masterpieces like ‘midnight ceremony’ with his brother marek as bobjazz, joins neroli with a lush and joyful ep aptly titled * music for the golden age*. lars here offers the musical and deeply evocative journey golden age in two versions that have great long building qualities and the subtle groovy ‘daybreak contemplation’. lars is equally experienced in the production/programming field as in being a bandleader and composer. the exquisite trademark balance between the organic and more driving electronic elements is evident throughout the whole ep and delivers a breathtaking and delicate musical insight into lars artistically unique language. a perfect addition to nerolis catalogue.