snw01 contains some previously unreleased cuts from labelowner kastil. where he never thought of releasing this before. he rapidly changed his mind after seeing the reactions to these cuts at his gigs.after several people requesting a release of the a side rush he decided to press them up to serve his loyal followers. these are two rough, peaktime house jams which have a mesmerizing effect to them. the vocal in gather up! is the perfect example. these are two underground slammers, produced with class and in high demand

the reflective and psychedelic dream world of footprintz debut lp escape yourself is fully unleashed on the visionquest imprint this march and next single uncertain change is one of the twelve glowing examples of the duos esteemed sonic and lyrical wonder. reworked here by two of dance musics finest auteurs, audion aka matthew dear and maceo plex ride in full effect.

miguel campbells outcross recordings comes correct with a new release from tboy. london based but hailing from italy, this is tboys first ep for the label. aside from his solo project tboy collaborates on a regular basis with london based trio wildkats - a project that has pulled out one ep on neim records (to be) and another ep on akbal music (be an example) plus the track denied on featured on jamie joness hot waves volume 3

the new year starts for raum with the second single by two of our key artists teaming up again, namely christian burkhardt and sascha dive. the a side is produced by sascha alone and is definately standing out from his more house related productions of the last months. halfway is a true peak time monster that already got deck sharks nervous throughout the end of last summer in a few sets of djs like ricardo villalobos or raresh for example just to name the most important ones.

after releasing his debut album on sleaze records in 2010, we welcome a new release from the very talented argentinian producer, flug. both original tracks are a perfect example of his trademark hypnotic, resonating techno music. for remixes we have two bright new stars in jonas kopp & truncate, whose tracks & remixes have been gaining massive rotation in the techno world over the past 12 months!

with this third release we have returned to the structure of our first release together to bring you too wicked examples of his original take on house with a final track to send you on your way bathed in psychedelic sunshine vibes. how leon manages to combine ruff edges with smooth vibes is a talent in itself.

after two years, the labels owner alex piccini returns with a new ep and first vinyl on kosmophono. a collaboration with subspace that delivers two great examples of what the label wants to bring this year. elpmis has all the elements to drive you mental, the dark bass goes underneath the skin and the melody building up slowly throughout the track can take you to another world.

eagerly awaited art debut by pittsburgh techno artist shawn rudiman. a key part of pittsburgh funky take on the detroit blueprint, rudiman has been blowing minds with his live shows for years - and now he brings some of that energy and diy approach to sound-making to uks finest dance label art. the original mix is a perfect example of rudimans direct, live mix approach to recording - resulting in an energetic effect perfect for the dancefloors. remixes come courtesy of frank mueller & john selway. both of whom take the original on a melodic journey with twists and turns galore. another special release and well worthy of being arts first limited edition anniversary release to celebrate 20 years of releasing the best in underground dance music.

dva started off hyperdubs barrage of albums in 2012 with his brilliant >pretty ugly<, and now closes the the year with the >fly juice< eps bumper selection of machine tooled tracks, each created for optimum dancefloor damage and road tested by dva, kode9 and a select bunch of djs. these tracks are a brilliant example of what he has been describing as power house for a while, a colourful chunky techno sound that switches up every 8 bars like grime and has plenty of shuffle and offbeat swing as a counterpoint to the 4/4 drums.

after all efforts were put into jacob korns debut album during summer 2012 uncanny valley strikes back with namesake jacob stoy and his very first solo ep after his s51 for the uv010-compilation. everything starts with redensart, a sunny piece of music with a sneaky bassline and easy synth pads that come across like a warm rain shower: its house in the end but feels like so much more. hauswart is an impressive example of how one can create a whole atmosphere of sound within two minutes. its short but feels so comfortable that you really like it to go on and on forever. start is maybe the most conventional deep house track on the ep and seduces with catchy synth chords and thrilling drums. finally gegenwart brings things to a jazzy end with tipsy synths and tripping percussions. the artwork comes from none other than jacobs father olaf stoy, who is a painter, lyricist and porcelain designer still working in jacobs hometown rabenau near dresden.

four exclusive tracks from elbee bad that conclude the true story of house music compilation on rush hour ... more class cuts!
following the recent elbee bad compilation, we bring you four more tracks that were not included on the album. this ep showcases tracks that he produced for and/or with other artists. more classic stuff that was released on some of the leading nyc house labels at the time. keith, kat & blondie for nu groove, lord kcb for easy street and the wizard & the prince for city limits.
this release again shows the early house mastery of elbee bad as well as his diversity. the keith, kat & blondie shows his deep, eerie side, his freestyle vibe on the wizard & the prince track (which became an early uk warehouse/breakbeat hit) and his hip hop roots on the lord kcb track.
again, a fine example of the formative years of nyc house music. unmissable!

so you didnt get that last firecracker that came in an incredible sleeve and was limited to 45 copies? well now you and the other 99% of humanity can at least own the music contained within it with this regular re-release, and to be honest although the sleeve isnt hand-weaved by a peruvian tribe centuries known for their mastery of textile craft, the one yer getting here is pretty goddamn sweet. bringing together calypso rhythms and bernie worrell-does-acid lines, fudge fingas >untytled< is an exemplary example of why everyone is in admiration of the geezer, and that is because he can actually make actual music, with compositions and melody and all that. excuse the lofty jargon. linkwood bring equal heat in the form of >secret value<, but guess what? fudge fingas has gone and blessed it with the refreshing audio equivalent of yer girlfriends mint & tea tree shower gel, adding liquid bass and lush keys. the fingas finishes off the e.p with one of his most interesting tracks to date >minus 616<, a dense, immersive piano piece that proves that getting this e.p out to a wider audience was just simply a righteous and necessary move. take that skinny tie off, wrap it round yer arm and mainline that uncut funk, baby.

double 12 inch vinyl in gatefold sleeve

before the release of his debut album on ki, monokle throws in an ep to show us what to expect. the beautiful track >swan< pretty much describes perfectly what monokle means when he says that simple rhythms and catchy beats get him bored quickly. being influenced by the music of the british imprint warp for example, the sankt petersburg based artist has pretty much developed his own interpretation of well, what should it be called? it is monokle! he has his very own aesthetic approach to music and has a very fine hand for sublime melodies and atmospheres. on the b side he teams up with his friend and partner milinal. >swan< gets a proper retouch by daisuke tanabe, who shares monokles deep soundscapes and is just the right member of the ki family to get his hands on this ep.
pressing on transparent blue 10 inch vinyl.

for our 40th release we are very pleased to welcome on deeply rooted house argentinas own jonas kopp (ostgut ton, curle, krill music, ear to ground, traut). this 4 tracks ep gives a good example of his diverse and still very defined techno recording skills. a side goes from the very straight forward and somehow mental reforce to the deep and abstract journey of proteus 81, while b side kicks of with the somehow balearic and positive green fingers to end up with the quest of light!

pure dopeness! man of the moment markus homm on night drive music. markus homms music is in a constant state of development, always searching for, and finding the most compelling groove. releases on labels like highgrade, diynamic, ostwind, brise, kiara or unique muzik, to name only a few, made him one of the most varied and respected artists around the globe. this 4 tracker is the best example of his unique skills to combine feelings with grooves.

blank code records launches with its first release circle 1 by label artist mutate. circle 1 is the first in a series of releases by mutate and features remixes by drumcell, audio injection, and bas mooy. detroit has always had a definitive voice in the future sound of techno, and this debut release from blank code is a prime example of both the latest from detroit, and its international allegiances exemplified by three brilliant remixes from some of technos most accomplished modern artists.

esperanzas 25th release comes from labels boss kasper. been this his third solo release on the label and the second of his dope beats series, on the a side we have the art of rebellion, a deep burner with some disco infused sounds all over the place. the track builds up around a heavy bass sample filtered in and out from start to beginning. b side, the dreamer, is just yet another example of kaspers love for the classic sounds. this time teaming up with vitorias best kept secrets, mario castillo, also known as kastil for his releases on soul notes, outernational and seven music, they deliver a true tribute to chicagos house sound from the 80s. 707, juno and what more!

marius vareid revisists the title track of last years debut album in two version here and other than the connotation that telemark evokes, its perfect summer bizniss in the 12inch edit version thanks to its bobbing flanger chords, the unhurriedly striding bass melody and the carefree clattering percussion. the klubb version sticks to its promise, keeps the trademark chords but they sound way more athletic in its sparser environment of beefed up drums and frantic percussion. powered by a slightly moody feeling bassline and its buoyant, exuberant synth melodies the brand new il tempo gigante on the flip is a prime example of the scintillating, heady mixture of disco roots, house and dub antics. as an extra bonus prins thomas adds a tropical-sticky interpretation of villa farris (originall version on fp024)

belgian producer, tim van de meutter, aka locked groove, returns to hotflush for a second ep following the success of januarys pivotal rooted release. keep it simple comprises three weighty examples of why the young producers unique fusion of big-room techno and moodier, deep-house elements has been resonating so loudly of late. central to the ep is simplicity itself, how simple structures create something larger than the sum of their parts as >keep running<, with its rattling percussion, acidic bass stabs and euphoric builds, flaunts to the full. >aller simple< adds swing to a similar palette that is as stripped-back as it is heavy-duty. force is replaced by introspection on vinyl-closer, >even< – an inebriated voice reverberates over whispered organs and an understated groove.

big with:ernesto ferreyra, the mole, akufen, vincent lemeuix.. inspired by classic disco and electro, dkmd have already produced several dance music tracks, using old and new technology in order to come up with a unique sound which pays homage to their predecessors without sounding pastiche. echoes of giorgio moroder and donna summer can be felt throughout on the other side, while the playful and sensual taxi cab recounts the familiar story of an early morning phone call received by a girl in a cab, on her way home from a pleasurable night out. perhaps it is their experience playing together as improvisers that adds a special touch to their dance music,as they have grown accustomed to perform almost every element in their tracks using hardware intruments and effect boxes.in addition to their disco project,the two have a considerable track record as experimentalists and the dark,cosmic and mysterious androide is a good example of some of their output in the genre.even though dkmd are only at the beginning of their dancefloor adventures,they show no signs of stopping,and when asked what comes next,they will likely answer

when they are not remixing the likes of example, tinie tempah and avicii, or hosting bbc 1xtras d&b mix show dc breaks are busy making dance floors the world over quake in fear. their subwoofer-worrying, rib-rattling approach to writing drum & bass with a melodic spin has earned them a position as true leaders in the genre. all made the more potent as they unleash another immense release on the ram records imprint.

hot on the heels of midlands placement ep, aus returns with a remix 12inch featuring lone & motor city drum ensemble. both producers deliver deep, melodic reinterpretations of the originals, with lone accentuating midlands signature sound (whilst flawlessly incorporating his own neon tinged atmospherics) and mcde dubbing out the original, pushing it into throbbing raw cuts territory. both producers are at the top of their game. lone is dominating 2012 with a residency at manchester hot-spot hoya:hoya, a full length dropping in may via r&s that will surely occupy the top of many year end lists, and remixes for radiohead, tensnake & underworld already under his belt. jazz enthusiast motor city drum ensembles sample-based raw cuts series made him a household name within the deep house scene and last years dj-kicks mix set him apart from the pack with its on point mixing and musical diversity. his notable november 2011 boiler room set is considered one of the finest, and is just another example of why mcde has been, and will remain to be, a musical force to be reckoned with. next up on aus will be an ep from bicep & friends with a remix from panoramabar resident steffi.

in its own way, speicher on kompakt extra has always been one of the most uncompromising series in the kompakt universe. starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. thats also where we found the highly versatile sei a, native glaswegian, now residing in london and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within uks capital. he is well known to paint vivid and emotional sonic pictures that touch on rather more considered house and bass tropes, prizing feeling over fads and staging an impressive balancing act between hardcore beat science and lush, moody arrangements. this 12 inch is no different, featuring two stellar examples for sei as stylistic reach, rave stabs included. welcome to the many-faceted party that is speicher

cork based producer and dj shane linehan has cut quite the impressive swathe in the first few months of 2012, anointing his own basic groove imprint in fine style with the swiftly sold out 12 inch my initial grooves as well as gracing mad mats local talk label with a stellar vinyl drop. linehan returns to the controls for the second basic groove release with more of the same - namely deep, tracky productions notable for a crispness in percussion and rawness in texture. lead track >get together< is a swaggering example of linehans style, with a groove formed of low set bass stabs and playful neon chords. its complemented by the deeper sounds of >the future< with the opening shards of dubby chords soon aided and abetted by snapping rimshot percussion, thick bass clouds and the whispered titular vocal.

following her flowerhead single which was backed with a hugely successful spencer parker remix, swedens la fleur returns to her own fledgling power plant imprint for it s third release, eavesdropper. strong, melodic and timeless house music paired with stunning artwork, power plants remit is a simple but attractive one. the beautiful images of olaf hajek, wilfried pordiech sätty and now hans arnold provide a striking outer to a core that, in just two releases, is already essential for many a house fan. former dancer sanna la fleur, label boss and the artist in question for the label s third 12 inch, employs a variety of sunny major key chords and whispering female vocals on title cut >eavesdropper< to great ends. spacious and gentle yet undeniably propulsive >eavesdropper< is an infectious skipping groove with a strikingly beautiful feel underpinned with nagging bass. the flipside cut tjuvlyssnerskan takes its name from the swedish feminine noun for eavesdropper yet reverses the gender of the vocals of its counterpart. added dusty loops, poignant pianos and another weighty bass create a piece of house that much more than the sum of its parts. the > eavesdropper< is another triumph for the power plant label and la fleur while also being a shining example of how to release records with love and care.

with his first release on dub2dust gabriel le mar again shows his side as a producer focussing on dubtech music with an energetic flow.quantec remixied up a great dub rocker, let us get going through deep and floating dub chords and nerdy piano rolls.the tracks are a wonderful example of going through waves concerning energy and flow with one result - something more musical and playful.

many prominent figures throughout history have proclaimed that you can get by with a little help from your friends now whilst this is a lovely romantic notion and does, we suppose have some (albeit very small) grounding in reality you need a bit more if you want to progress through life as opposed to simply jog in. zoo look are a good example of this, whilst sam, alex and craig have been friends for quite some time, forging their completely plutonic relationship through djing together, their latest release, number 11 on join the dots is forged from more than simply the burning fires of friendship, its born out of a love of all things deep as well as house music based. they may be mates but you can also get along very well if you have bags of talent too.

straight japanese killer techno !!! tight, mechanical and brutal with an underlying funk, snow monkeys is the sort of multi-faceted beast that kobayashi is known for. the rough edges are allowerd full space to create tension but the track is tempered with some brilliant, shimmering and evocative melodies that slide into the mix for just the right amount of time before subsiding into the churning groove. one of the new school of japanese techno producer, a.mochi delivers a well pitched, moody version on the flip. pacey yet measured in its progression its a version that takes the originals tension to new levels and wont be a surprise for anyone who has heard his productions / remixes for the likes of figure, cocoon and a-wave. hideo kobayashi is one of the few producers who can skip from deep or vocal house though to searing techno with ease and snow monkeys is a perfect example of what he can do when it comes ot the tougher sounds

and here they are: the cream of the crop, first time on vinyl as a limited edition of 500 copies! respectfully remastered and selected by team harmonia, the music of other power sounds more contemporary in 2012 than contemporary music itself does. (take simhaghosha for example. sounds like ultra-advanced instrumental hip hop, doesnt it?) without a further ado: enjoy these intergalactic soundscapes from the mind of a true visionary. this was high tech jazz a decade before underground resistance, and instead of detroit it was recorded somewhere in the foggy forests of finland during 1978-1985.

having been wowed by tinis dissonant debut,label chief marc antona returns with his first new work since the november release of his fantastic long-player,rules of madness.a brand new double-header from the frenchman is lead by in flagrante. joining forces with aber costa, the pair present yet another joyful example of marcs innate ability to harness the most exotic of grooves whilst showering us with a dizzying array of sounds and samples.its nordic conversation is wrapped in beautiful organic percussion,as handclaps and rubbery basslines ripple throughout before ghostly chains ring out the closing beats.ipso facto on the flip is a pure example of stripped back house.beats, hats and an elasticated filtered riff open the show before the snare rolls usher in from the depths a throbbing wave of bass.

lunar disko records begins 2012 with a milestone 10th release from local hero automatic tasty, aka jonny dillon. the strange terrain ep is the eagerly anticipated follow up to his debut 12inch. in it for the money on ldr. the amusing keep your receipt kicks off the ep, where the idiosyncratic mr. tasty makes a cameo vocal appearance on why you should have eh kept your receipt! beannach mhor is next up,and is a fine example of how the auto tasty sound is evolving ever more. the up-tempo over the hill completes the a-side, a rumbling 101 bassline beneath catchy keys continue the automatic tasty explorations of the strange terrain. the lunar favourite tropic exchange begins the flip side with more vintage sounds crafted with dexterity to create that unparalleled automatic tasty sound. completing the ep is small hours, a rolling 808 jam with twinkling imaginative melodies that makes for a perfect ending to another timeless ep.

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

astounding new material beamed via shemales atomic allotment,concealed in an outermost shadowy recess of darkest hyperborea. the musical paintbrush creates a harsh, barren landscape for hell transformation screens as deeply brooding electro and dramatic synthesisers propel each musical journey in its own unique style.there is an indescribable and mystifying tension which builds within the work of shemale, the opening cut, dead city photographs being a prime example. the soundbite here simply cannot pay justice to this tack as a whole,as the intro (which incidentally cannot be heard in the sample) is quite simply outstanding,with deadly,steely synths preparing the listener for an unmistakable and impending doom, which is ultimately realized in the dense, desolate sense of desperation interpreted in the final ambient-drones of tomb. converted followers of the atmospherically articulate shemale will need no further persuasion,as this will undoubtedly be a compulsive steal, but for those with an appetite for the darker side of twenty-first century electro, then there has never been a better moment to plunge into the shadows of atomic allotment. special limited edition pack includes matte postcard insert.

in recent years, there has been a lot of exciting stuff happening in the russian house scene. established names, but also, a string of new talent have been making waves upon waves with some of the deepest tunes around. one of the prime examples of this are the productions of the progressive and talented producer kirill tipo. a saint petersburg native whos set to make his vinyl debut on our third release with a 3 track ace compilation entitled >believe in rhythm<

victoriaville finishes the exploration of stefan goldmanns sweet track archives with 3 unreleased house gems. the main tracks here are pure dancefloor material, with electric bazaar centering on in-depth drum design. zobel network provides a prime example of neurofunk. hidden on the a side, chapter 2 is an early hint at stefan’s experimental edge. essential! revisiting the years 2000 - 2005,emptying the vaults highlights the era of stefan goldmanns uk years. often his actual releases with classic and ovum reflected just a part of the possible. now victoriaville proudly steps in to let the whole thing shine. restored from the original master tapes and cut by d&ms rashad, here’s some startling evidence of how deep the roots of house actually were in berlin years before the hype set in.

the first release in 2012 is coming from funk e better known as laurentiu gavrila hailing from romania.he just started to put out his first productions recently like for example on the desolat x mas sampler.his productions caught our full attention immediately though and we are pretty sure that you will hear a lot more interesting things coming fom this young man in the near future. he has his very own style of producing already and when you listen to his music you also might guess why he has chosen this artist name - the man for sure got the funk!

a reimagining of four tracks that have swiftly helped define the impressive reputation the label enjoys today, the >reflections ep< is another example of cues continuing desire to make its mark on the drum and bass scene. featuring remixes from the likes of technique recordings superstar, phetsta, rising russian producer, eastcolors, hospital records and viper recordings alumni, agent alvin and the mighty mutated form, the >reflections ep< boasts a heavyweight lineup and puts a fresh spin on some of the tracks that have defined cue recordings short and spectacular history.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

next huge kanzleramt killer! the biggest question by fellow producers always is, how does the sound-wizard get his tunes sooo crunchy and big? we wont reveal the secrets, but we are very proud to have peter horrevorts on board with 2 more unique examples to study. and boy is the dutchman busy. just in 2011 peter has releases, single-tracks and remixes appearing on: gem records, wasabi records, toolroom recordings, vibrating balance, stealth records, be real, suara, kimaks, azuli, vapour recordings, weave music, tronic and many more...

knowing looks kicked off 2011 for wncl recordings with with his much loved, hard stepping abandoned skip, backed with the acclaimed symphonic masterpiece that was last kiss at the plains hotel. jason hopfner is back again to neatly tie up a busy year at wncl hq, unveilling the classically constructed epic listen to my 45 - described by ben ufo as >lovely. gorgeous. slick. buff etc< … and who are we to disagree. just do what it says on the tin, then flip over for ghost baby - yet another fine example from hopfners rich and varied production cannon, melding super cool minimalism with party breaks. merry christmas from the cassette library!

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style, non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

surely with forward-looking ambitions, serbian fellow dejan milicevic drops his debut album trust and the purpose with style,non-compromisingly showing us how electronic music has no limits, only heart and soul is needed. he throws a good example how to gather different genres and styles into one great peace of art, one that certainly cant resist giving in without touching our heart.

originally released through peacefrog in 2000, the tracky, tripping metallic thump of function 4 is a great early example of slaters pioneering droning, mesmerising musings as p.a.s. this is the 1st episode.

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

here comes the already promised vinyl-extraction of the already released upon you diary no.2 compilation, on which you can find the uy- clan members and artists around the label. the four most popular titles of the cd were pored on vinyl. on a1 a collaboration of douglas green and delhia de france, who lost gallons of love about their song > sense<. mark henning has also formed a passioned tech-house-mover with his track > stacked<, which complies his cool style. the b- side has an opener from our number one dutchman onno, who got together with our youngest member marcus gehring to produce the title >elephant in the room<. of course marcus meinhardt, who was responsible for the survey of the tracks cant be left a side. his contribution to this product carries the name > splash< and is an example for marcus meinhardts driving tech-house-sound

for his discographic debut degustibus has chooses to release gin sonic, a tune made by rubini, an italian artist workin and livin between venice and berlin.
gin sonic is a classy old-school track, made in berlin but dreamed in a synthy-outerspace. circular bassline swim in a invincible funky-beat and crush against a wall of synth providing you a sure dancefloor-filler.
in addition they commissioned a remix from berlin-legend dj filippo naughty moscatello. he made 2 versions, impossible to choose the better they included both in the release. remix 1 is a dubby-hypno ride with a moroder-like dizzy bassline. remix 2 is a perfect example of the best naughty style: sharp bassline and vintage-synth blended together in an solid old-school disco journey. already a classic.

its a love story: stil vor talent have long been mad about niconé and sascha braemer so that the recent past has seen some very memorable releases by the two producers. now its about time they join forces to release a whole album together, of which the first set of two vinyl packages is taken. known for their often very musical techno and house productions, >romantic thrills part 1< encapsulates this style while adding an extra element of sex and pop appeal, without straying too far from the dancefloor. >pianotic<, >runaway< and >caje< are three prime examples of how to incorporate piano, trumpet or guitar melodies organically into electronic music without sounding artificial