wild001, wild003, wild005 & wild011 all bundled for a special price.

the new record follows 2013s at the back of beyond, which was warmly received creatively and commercially, and inspired ntjam to perform throughout holland and across europe. that was an album that was a part of me, and that needed to explore my poppy side, she says. im grounded in jazz and soul, and pop. but as a songwriter, i really needed to go through that album to learn how to play the guitar, to see and hear what kind of songs i would write, and also to put the guitar on the palette literally being able to pick the guitar up to write.
the vinyl lp comes housed in gatefold sleeve with download code included.

nice price deal !!! the brstl label reaches its tenth release with a return to where it started with a 12 inch from october & borai. the label was set up by rhythmic theory, chris farrell and shanti celeste in 2011 from the idle hands record shop as a means to showcase the finest house and techno being produced in their city, bristol. octobers * head 4 phuture* is a nod to the acid pioneers without resorting to revivalism. instead a heady groove is teased out over several minutes, perfect dj gear. october & borai * too high the future* is a heady stoned house groove, from bristols highest producers � with some weighty sub to propel things along.

rarest of the rare and holy grail are terms often thrown around all too easily. in this case both apply, incredibly rare and sought after as well as being a quality piece of music on both sides, you won t get higher up the disco food chain than this. a few weeks ago we brought you 2 unreleased track from the same band but these 2 might as well be unless you have $4000 sitting around for an o.g copy, if you can find one. strictly limited and no repress on this as per o...

moscow label grow continues in fine creative form, seemingly not sticking to a motive or trend but rather concentrating on the strength of character within the music it releases. for the labels eighth release the artist is berlin based the marx trukker, who over the last 10 years has been developing his very distinct sound and recent output on labels like pluie/noir, the untold stories, and most recently noorden, have all been especially impressive. now on grow comes the 4 track vinyl * heavens crackling*, from the title one is expecting something awesome, and the album does not disappoint, right from the off, the first track: * a time well spent*, begins with celestial tones ringing out and the performance develops with great synth work, enlightened and very enlivening, spring is in step and something is beginning. the record continues at such a level throughout, overflowing with rich tones, warmth, and raw sounding percussion. in the second track, * all the boating still a tide to go*, deep warm bass and strings reverberate, as if amidst a hot harbours summer, then the ethereal synths return as magical breezes of cooling wind on a june day. on the bside comes the title track * heavens crackling*, the tone has cooled, there is an autumnal vibe, extended tones of an eerie but reassuring nature provide the ground, from under which a molten bass flows playfully. the final track, * i do anything but its so cold*, as the title would suggest, again time has passed, gone are the warm relaxed echoes of the the opening tracks, winter has come, and a strong percussive energy becomes the driving force of an especially deep and more introverted last track. in heavens crackling there is an uncanny understanding of time passing and representation of being, its present in the patience and performance within every track, and the effect of the album, which seems, like the seasons, to naturally come full circle, is for the listener indeed to experience a time well spent. top marks for the marx trukker!

theyre young and tough, and especially wonderful too, easily one of the most compelling harmony soul groups to ever hail from the windy city! the sets a chicago soul gem from the early 70s, recorded with a laidback, slightly tripped-out vibe thats different than the tighter styles of other groups from the same scene, definitely righteous at points, with some of the superbad modes you might hear from an east coast lineup like the delfonics or soul generation, especially when they were trying to get a bit more conscious in their message. arrangements are great � handled by tom tom washington, eugene record, and cliff davis, very much at the best brunswick mode, but again with a deeper sort of vibe too. the title cuts a monster, and a very fitting follow-up to their earlier sly, slick, & wicked track � and the album features 2 versions (vocal and instrumental) of a cut called this is the lost generation, a very righteous soul groove with a heavy production tip.

lp with printed deluxe sleeve - original sound track of sundance film festival award indie movie *the summer of sangaile*, music written by j.b. dunckel (one of the 2 air members - his solo name also being darkel). pressing on translucent 12 inch vinyl.

belgian duo sons of tiki bringing the heat to the dancefloor with their new ep. featuring remixes by malin genie and dorian paic.

as one third of the founding trio of revered cologne imprint magazine, jens-uwe beyer has become an obvious choice for any adept of open-minded electronic music, both through releases such as the one-track-one-hour manifesto red book (magazine 008), several contributions to our pop ambient compilation series or inspired remixes for barnt, dream weapons and others. besides this being the same mastermind as the one behind the ongoing popnoname brand, you wouldn t expect upcoming the emissary to actually be a debut, but it is, for it s the very first time that we re treated to a full-length offering under the artists real name.

super hot reissue of the in-demand original clear vinyl 12inch version of �give me a dance by kym released on the small but collectable baltimore label award records. with its electro / proto house groove, it became an anthem on chicagos wbmx in the early eighties and with a sexy vocal, killer synths and phat analogue b-line, this delicious slice of boogie goodness has recently found its way to the top of many a wants list since being championed by dj harvey. superb!

2 releases from days of being wild plus one from their metise sublabel for one special price:
- wild004: catalepsia - dope menace
- wild015: club bizarre - la mort du petit cheval
- met001: catalepsia &#8206,� i m not from chicago

lost soul enterprises offers the debut solo release by blacklauren. a shadowy figure in new yorks techno landscape and one half of the warehouse dj duo the long count, here he offers up a suite of four floor-ready cuts. rhythmically austere and hauntingly atmospheric, each track follows its own complex logic of interlocking parts, giving the illusion of being both static and in constant churning motion.

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

soul jazz records new sounds of the universe: art + sound 2012-15 is a new double album cd (and two separate volumes of double-vinyl) featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today. the limited edition double vinyl comes in gatefold sleeve with full artwork.

after several acclaimed eps on some of europe s greatest labels, such as local talk, faces, mile high and his own rawthenticity, it s now on the hong kongs most prominent label fragrant harbour that fulbert has decided to land with a truly raw piece of house music. meticulously sampled and arranged with the help of analog gears, days of being wild got this very special saturated low-fi sound, very characteristic of one of the most promising talent to have emerged onto the french electronic scene in recent times.

long arm follows up *the branches* from 2012! every new experience lets him grow as a person and also expands his knowledge of the world that surrounds him. his young mind is sometimes blurrying the lines between imagination and reality, dreaming and being awake, reality and fantasy. making sense of this world in its very own unique way, his world is filled with fantastic and surreal magical creatures and quirky characters.

deniro strikes once more on amsterdam�s fabled tape records with the penal colony. his hypnotizing sound lures in between the first waves of detroit techno and the finer bits of contemporary techno. he puts melody above power, depth over effect but proofs to maintain floor heat over and over again. being one of the participators of the imprint deniro sits right at the source and knows his home! be on the look out at your favorite dealer for lushness in silk screened covers.

12 inch coloured vinyl (hot pink) hand stamped & numbered sleeve. more vinyl only business from the bristol based just jack camp, this time from firm fave amir alexander under his richie ratchet moniker. 2 original acid cuts designed for late night sleazing, this is timeless dancefloor music that makes you want to take your shirt off. mastered to tape before being cut to wax for that extra bit of juice, this is a limited pressing with only 303 copies and no repress. don t snooze on it! vinyl only!

two slices of brilliant brazilian disco, painel de controle have a few bangers across their rca lps, these two being my favourites. *relax* is a straight up boogie monster, well known to deep disco & boogie heads flipped with *malandrinh* with its insanely catchy guitar. the original brazilian *relax* 7 inch plays at 33rpm (like many brazilian 45s), if you know you are cutting you will know this is not ideal. our new 7 inch is 45rpm and cut from a super crisp new master from the tapes at timmon cutting labs, sounds about 5x better than the o.g. ... simple choice.

käse kool s fifth release, the friends n no ends ep, is comprised of 5 berlin-based producers, each of which brings his own unique sound to ep. a1, appearance, comes from the face behind crude wax, vincenzo maurice. this tune comes with a rough attitude of sheer analogue house. a2, wismut, comes from the man with the plan, nick beringer. this track speaks for itself with its punchy bass-line and direct groove. b1, visions, comes from a newly formed duo who goes by mode7. this promising duo hits it home with their newest track visions as its sweet and sultry pads play with the drive of bass and drums. lastly b2, system is wack, comes from a producer who goes by the name of aurhythm (aka dennis sekyere). this track speaks for itself, as being very rude with it s rough drive but still keeping its own delicate stems

following the huge success of dlm 004 and the massive appeal of roman flugels remix of idle eyes (as charted by all from dixon to michael mayer, dan avery to maceo plex), here is a little surprise from our camp. glockd is c.a.rs trademark washed out sarcasm, bleached cynicism, the track forages paths through chloes dark mind. it was one of the first tracks she wrote on her own, and was recorded down the bunker with timothy j fairplay. a favourite of andrew weatherall (who nominated my friend, the c.a.r album, as one of the best releases of 2014), it is now coming full-circle, being given a stomping shuffle air guitar dance-floor rework by the asphodells � if you liked our lord sabres remix of fuck buttons this is for you. electronics looking at the floor & air guitar. following it is manfredas (the protégé of les disques de la mort) vocal version of angelina, a request from many after the instrumental being released earlier this year. the northern wulf is biting again. and he bites hard.

after the striking debut release on nothing odd recordings found label owner sam smith sitting comfortably alongside baby ford for an exploration of subliminal house and techno, nor002 finds smith donning the alias monty the fly and expanding on his own vision for stripped-down dance music brimming with psychoactive tendencies. across the three tracks there is a diverse range of moods being drawn on, from the meditative to the mechanical, all fused together by what some might consider an obsessive eye for detail. there s meditation in the air in places, with mysterious pads and heavy splashes of reverb soaking out into some corners in the time-honoured dubwise spirit of transcendental electronic music. elsewhere brushed percussion and disembodied vocals shape out a more sinister message, lending themselves to a sound world both immersive and disorientating in one fell swoop.

limited warehouse find... played by karotte, nick curly, sebo k, sascha dive, loco dice.... carlos soza aka dj sneak made a kindof comeback last year restarting his magnetic label with us and we promise - loud and clearly: zmag 23 will do its magic and the damage done to make him stay on the up. easy and cool , demanding and bright with a1 track >doing the dew< being the kind of uberbomb of the ep. centuring around the familiar >doo da doo< being as much very swingy jackin house as it could and as much jack in the box as it must. side b is equally as powerful with >the game< & >the science<, 2 tracks that explode with massive jackin beats and unrelentless grooves. these tracks will keep you bouncing until you drop of exhaustion. sneak is back and no, sneak wont let down!

limited edition of 250 copies on numbered 12 inch vinyl.
the phantom is older than you think, both figuratively and literally. his debut on vinyl was on *it s my mike* by the funky force 2 back in 1987 on amanda records. in 1988 he recorded as part of the group the force and recorded *the mission* with the producer powercut. he is probably best known for being one of the main mcs in cult group dynametrix, who released an ep in 1991 and an lp in 1994 called *a measure of force* on kold sweat records. he also appeared on three tracks on the unsung heroes lp *unleashed* as well as appearing with tom dice on *thug killer*.

you can t touch it or see it but yet you feel it and it enchants you. we all understand that feeling of being lost in the music, where nothing else matters except for whats being drummed out the speakers. how do you describe that connection that connection that bonds strangers and causes good people to turn warehouses and underground basements upside, into bass heavy stomping grounds for the merry. get lost in this ep created by boston heavyweight dj/producer will monotone.

nerolis quest for unique sounds this time leads to shannon harris of urbanicity. his rare previous releases being a favourite here at the neroli headquarter. the chicago artist delivers an spacey electric version of his classic kinetic energy, while on the other side he goes real spiritual with the incredible suite that is into the light. you will be entranced by charles stepneys grand daughter brandice manuels divine voice and then brought back to funk in a way that once again proves shannons originality.

there are things in life which are suitable and things in life which aren t suitable. the things which are suitable should be ignored and left for those who enjoyed being tucked into bed and being walked across the street with their hands being held. the things which aren t suitable are what you will probably have some fun with despite the bumps and bruises suffered as a result. the suitable nature of the unsuitability of the following cheek full of tongue provided by scott robinson, ben pest, nox, and norman mueller will hopefully not cause any permanent damage along the way.

for more than ten years soul jazz records have been exploring and documenting the sound of new orleans funk. now we turn their attention to the flipside of this musical coin - new orleans soul. these two musical forms share a lineage that begins with the citys enormous rhythm and blues explosion in the post-war 1940s and 1950s. new orleans soul incorporated the soulful vocals of the gospel church, the driving beat of rhythm and blues, as well as traces of the second-line parade bands and the latinized rhythms of the city. this album tells the story of new orleans soul and comes complete with extensive sleevenotes, exclusive photography, supreme sound quality and comes as super-heavy, super-loud limited-edition double vinyl album + download code.

with their sixth release tiefenrausch keeps on delivering excellent dubtechno this time by textural being from portland. we enter the ep with an overwhelming deepness in >safe places< and sink right in. with >transmission< we walk on the thin line between house and dub. a reminiscence to the classy days of disco music combined with roughness par excellence. >descend< back again under the water surface to get drown into the dubbyness of this textural being. the ep is the first one to come with new cover artwork. we�d like to thank cris for his outstanding artwork of tiefenrausch 1-5 and are looking forward to marvel at the next 5 releases designed by alex ketzer. all tracks mastered by salz.

to accompany the release of especial s compilation mix cd, -eleccio- - offering of a snapshot of the first 9 eps on the label - a limited edition sampler ep is being released featuring 4 unreleased remixes from the label s roster to date. ever since the first white labels appeared at the end of summer 2013, emotional especial has had a busy release schedule, putting out music that are a slightly warped take on club music. mixing the influences of dub, electro, disco, proto-house, house and techno, a feeling, a sound, a vibe has appeared without any preordained plan. with the release of ees10cd - a dj meets studio compilation mix created by label mainstay and handyman, jamie paton - to mark the end of first series of the label, it was decided to included a couple of specal unreleased remixes to add a bit of new with the old in the mix. to that end this limited edition vinyl sampler was created to include the two remixes, plus the inclusion of another two gems that simply needed to see the light of day. first is the alternative -member- remix of inhalt by black merlin - a strings meets leather bar club-dub-out that takes things deeper and darker than before. this is followed by jamie delivering his own take of khidja s massive mustafa, with a warped, swamped out dub. next is another mix from cage & aviary of their pals, blancemange. brooding low-slung rerub dub anyone? finally there is a very special remix by khidja of the ganges orchestra. reissued on emotional rescue in 2013, this special remix takes the vocal mantra of the original and creates a balearic-raga tale that perfectly rounds off especial to date.

a diverse and damaging three track ep from bone, exploring and exhibiting detroit techno musically, figuratively and spiritually. a1. here to stay (won t fade away) a nod to detroit as an ever-present - a marker by which others are measured, bone s first track on the detroit ep, here to stay (won t fade away) makes a statement above and beyond just being a fine example the music it refers to. the sumptuous melody that opens the track is accompanied by a substantial yet soft, almost warm, kick, a combination that somehow provides an atmosphere and depth way beyond merely the of the sum of its parts. more rolling percussion and drums are crisply ushered in before the here to stay (won t fade away) vocal begins looping over the composition. linear, straight up loops, grooves and rhythm give a consistent sense of railroad-esque motion atop of an ever-present vein of lush synth and melody. a track that is certainly here to stay. a2. detroit is ... soul with more of an emotional focus than symbolic this time, it s clear this one is from bone s heart. detroit is ... soul, ducks and weaves in the grey area between house and techno, the initial percussion that is brushed over the kick giving more of a house swing than a techno groove. the on/off, cut-and-dry synth chords contrast with the looser fluidity in here to stay (won t fade away), and gives a real sense of intent and desire. the real focal point however is the profound vocal that comes swirling over the top, -detroit is what i love, detroit is what i need, detroit is where i m from, detroit s the air i breathe?- no explanation necessary. b. detroit is ... hard bone rounds off part 1 of his detroit ep with aplomb. where the previous two tracks have drawn on the emotional and symbolic significance of detroit as a place and as an ideal, detroit is ... hard, cuts straight to the chase. utilizing the same vocal sample as detroit is ... soul, bone feeds things through the grinder and comes out with a late night dancefloor destroyer that blends millsian fury and red planet mystique with the archetypal subject detroit aesthetic. chaotic arpeggiated melody, indignant claps and breakneck drums and percussion are the chosen company for bone s words on this flipside to detroit is ... soul. detroit is ... hard, undoubtedly to become a mainstay for sweaty after-hours affairs the world over

ndatl continues with new tracks crafted by brett dancer known for his deep productions and being the creator of seminal label trackmode.

the 18th installment from aesthetic audio brings together four deep architects to form a collective that methodically articulates a symphony of sublime textures, lush chords and unique musical visions. keith worthy (detroit - u.s.a.), miruga (japan), jose rico (spain), and michael zucker (orlando � u.s.a.) are the unusual suspects, and they are here to remind us that it is okay being labeled as unorthodox � it is okay to move to your own rhythm � and in fact � it is okay to applaud the unusual.

hailing from sunny los angeles, plastic love records kicks off our first release with an ep from label co-boss jimmy maheras. maheras made his debut in 2011 with his space jam ep on the crosstown rebels edit sub-label, rebellion. since then he s released remixes and singles on strainjjur, riff raff, supernature, and left d. maheras s two original tracks showcase his depth with the man from another place being squarely aimed at the big room dance floor and the second track, arecibo, bringing a little kraftwerkesque funk. we ve commissioned timothy j fairplay (crimes of the future) and cottam (aus music / ruff draft) for two very unique remixes. fairplay crunches down the original melody and throws it over the famed amen break to give tmfap a hands in air late night feel while cottam s remix brings the dreamy melody closer to acid with storming late night kick ready to knock down a wall.

first word records proudly presents *the misadventures of a middle man*, the new album from essa. despite being a firm fixture in uk rap for over a decade, this will be essas first full-length since 2006s *grown man business* with dj mr thing. early releases *liquid love*, *city breaks* and *dancing shoes* (under former name yungun) established him as one of the uks most insightful mcs. collabs with guru (gang starr/jazzmatazz) and praise from nas and mark ronson followed. all of this whilst pursuing a parallel career as an entertainment lawyer.

both being well established electronic musicians, producing music since the era of hardware samplers and dat tape, they recently teamed up for their new project named after the famous two dogs who travelled to space.

after being stuck on dusty old reels since 1978 here comes an alternative cut of *saturday nights the night*, and then boom, its flipped with the killer mid-tempo cut of *i cant turn you loose*.

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far � point g, callisto and kerri chandler � is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

mike wall has become a regular guest at the our club, the suicide circus, and this is for a reason. his sets are banging, and so are his productions. when rain falls on a1 is a techno monster with a daf-influenced bassline ripping it. the black chamber on a2 comes along as a dark and spooky tune with lots of playful sounds in it. on the b-side the black chamber is being turned into a superfunctional and effective dancefloor weapon by samuel l. session in his remix.

always hard at work unearthing interesting new projects or forgotten old gems, opilec music is now serving up a retrospective compilation of highly esteemed chicago producer jordan fields best work from 1986 - 1991. field has been active now for some thirty years (on labels like rush hour, headphoniq and mo wax) but his best work was arguably done in his first decade or so. now opilec boss i-robots has been given access to a collection of field s early recordings and has selected, compiled & conceived this project himself. it will be presented as a full-length album but will also arrive in a few select ep parts, with this being the first one

the cellar boyz *pay me* is taken from ben cenacs timeless cozmic house ep on thug records. pay me which was recorded in 1986 is the only track from the cozmic house e.p that had available parts. the stems for deeper & deeper, seems to me & who loves you were never recorded. this was due to the fact that all of bens projects through out the 90s were tracked midi only at mix down, with only the vocals being recorded to tape! thug would never have had the opportunity to release ben cenacs cozmic house 12 inch if it had not been for simoncino. simoncino did all the a&r for the record. a gift not only for thug but any fans of ben cenacs amazing productions. with that in mind, simoncino has provided 2 remixed versions of pay me, alongside a remix from close friend nicholas!

mwc return with their 5th release featuring an ep from man of the moment oli furness (morris audio, no dough music) featuring a remix from tomson, who has recorded on freerange, huddtraxx, morris audio. quality house music once again from a label that always delivers the good

hand stamped vinyl with print insert.this is an exciting one for us, it has to be said. were nearing our 200th freerange release and in that whole time theres only been one rissue of a previously available track, that being blackjoys untitled.

2014 is the 10th anniversary of the san francisco based producers 40 thieves releasing their first ep and now they come through with their debut album *the sky is yours* for leng records. it will be released on two separate gatefold double lps each containing 10 tracks.

premium quality vinyl reissue of the highly collectible promo-only 12 inch *i, i, i* by unlikely balearic heroes the osmonds. first released in 1979, this fruitful collaboration between the proto-boyband and legendary pop-disco producer maurice gibb is a wonderful slab of chugging syncopated cosmic disco rock topped off with lush string arrangements which despite being criminally overlooked at the time of its original release, has recently garnered much favour with balearic aficionados. also surprisingly good is the flipsides *you re mine*, a more live sounding affair, coming across like steely dan met chicago at studio 54 and hit the studio on the way home. dont miss!

der enigmatische, walisische produzent wesley matsell meldet sich auf border community zurück mit bester 1990er dance-utopia im stile von orbital, lone oder the mfa. limitierte auflage von 500 stück weltweit.

further collaborations are also on the horizon, with a return to making music with friend and cohort ricardo villalobos as butric with the two figures being anything but generic, it promises to be another feet twitching, brain melting escapade in butchs musical ride.

next up on magic feet is a release by dark strands. tonys first release came via the first magic feet label sampler. since then his releases have caught the attention of a number of acclaimed djs, with daniel avery citing one of tonys tracks as one of the best he had heard last year. this is tonys first full vinyl release and shows exactly what he is capable of. the title track *return of the oscillator* has had people running to the booth every time its been played from london to croatia, as well as being fully road tested at alfos by sean johnston who also provides a superb remix under his hardway bros guise. the second track *galactic* slows the pace down and is perfect for those warm up sets.

the space lady began her odyssey on the streets of san francisco in the late 70s, playing versions of contemporary pop music an accordion and dressed flamboyantly, transmitting messages of peace and harmony. following the theft of her accordion, the space lady invested in a then-new casio keyboard, birthing an otherworldly new dimension to popular song that has captured the imaginations of the underground and its lead exponents ever since, with the likes of john maus, erol alkan and kutmah being devotees.