following his well-received animals ep with paola poletto on desolat in the summer 2012, loco dices imprint is pleased to welcome back francisco for a solo ep that sees him continue his fine production form.

big follow-up of dolly dubs 1 by dutch hero martyn! both newspeak and what is room 101 will be creating many special moments on dancefloors worldwide in 2013... ecstatic contemporary house tracks making you remember once again what this music is all about. pure bliss. oceania on the other hand goes deeep... very intense track with beautiful broken beats and mesmerising melodies for the more adventurous dj. big release!

available on very limited hand stamped 180gram vinyl. the result of a creative coming-together of two very different producers, breach and dark sky present the somewhat unexpected sounding *the click* on naked naked. as the fourth ep from the imprint, which has seen the release of label boss breachs *you wont find love again* and breach and midlands collaborative *101 & somewhere ep* previously, *the click* continues to champion uk sounds in line with the london imprints aesthetic.

pulse locker refers to the analog method of synching analog modular instruments and drum machines, a method of working john tejada & josh humphrey have embraced to generate their trademark sounds and grooves. preferring to work away from the computer as much as possible, john and josh have adapted a more old school approach to their work, syncing analog gear together, not from a computer, but the way it was synced back in the day. the results are a tight, organic analog sound showcased particularly by the 2nd track >bifur gates<. with a tr-808 as master clock, syncing the modular system, the sound takes you back to the mid 90s era of techno. real 808 beats, punchy bass and an ever so shifting classic chord line will leave you lingering for the days of old. on the a side, >pulse locker< with its big and warm groove, gets things moving with a blend of house and techno. rounding out the ep, >unanimous arc< showcases the mad acid sounds possible on the sh-101 while modular chords elevate the track to a manic pace. >pulse locker< marks the duos third collaboration on palette recordings.

amon tobin meldet sich mit seinem projekt two fingers nach dem gleichnamigen debütalbum zurück! seine soundkombination aus hip hop, dubstep, bass und elektronik wird auch 2012 die clubs weltweit erzittern lassen! stunt rhythms faellt einen tick hip hop-lastiger aus als der vorgaenger und wirkt wie amon tobins liebeserklaerung an dieses genre. tracks wie razorback und snap zaehlen sicherlich zu den herausragenden tracks des neuen albums.

new l.i.e.s!just when we had our doubts about the west coast, los angeles via nyc producer delroy edwards steps up with his debut release for l.i.e.s. musically edwards takes his influences from that barneys ghetto sound with oversaturated 909 shuffling highs, dx bells, 101 filters and ends up making fresh, and yes, melodic ghetto style tracks that somehow get stuck in your head even without vocals. a unique take on a modern classic with the dancefloor in mind.

this first release from the new stockholm based label romb is a versatile ep, stretching from classic detroit, eurotronic over to italo-house and ending up in the land of tr-707 sh-101 chicago. if you are old enough, you’ll hear these guys are all about analogue equipment.

this first release from the new stockholm based label romb is a versatile ep, stretching from classic detroit, eurotronic over to italo-house and ending up in the land of tr-707 sh-101 chicago. if you are old enough, you’ll hear these guys are all about analogue equipment.
pressing on golden coloured vinyl.

limited ddition of 300 copies.

for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

lunar disko records begins 2012 with a milestone 10th release from local hero automatic tasty, aka jonny dillon. the strange terrain ep is the eagerly anticipated follow up to his debut 12inch. in it for the money on ldr. the amusing keep your receipt kicks off the ep, where the idiosyncratic mr. tasty makes a cameo vocal appearance on why you should have eh kept your receipt! beannach mhor is next up,and is a fine example of how the auto tasty sound is evolving ever more. the up-tempo over the hill completes the a-side, a rumbling 101 bassline beneath catchy keys continue the automatic tasty explorations of the strange terrain. the lunar favourite tropic exchange begins the flip side with more vintage sounds crafted with dexterity to create that unparalleled automatic tasty sound. completing the ep is small hours, a rolling 808 jam with twinkling imaginative melodies that makes for a perfect ending to another timeless ep.

third of 3 records from the mutations 101 series with 2 huge cuts by cari lekebusch and joel mull.

black sands came out in 2010 to almost universal critical acclaim and worldwide commercial success. si green aka bonobo moved from being an underground producer of impeccable credentials to a poster boy for a new take on electronic music – contemporary and edgy but also soulful, song-based, sometimes lush but always emotional. black sands remixed gathers together a group of like-minded musicians and producers to interpret this classic album.
triple 12 inch vinyl release, including code for free download of this album.

coinciding with a hot new video and an upcoming album re-release courtesy of island records, turbo weighs in with heavyweight remix support from label bossmaster tiga and russian rave-czar proxy.
tigas mix gets reckless with your ears with a versatile after-hours jam. it packs a bassy punch but keeps its head down in the lifestyle k-hole, exercising restraint while showing off a mature and developed sexuality.
proxy turns in a bumping, hip-hop influenced mix, with old-skool cowbells, crushed claps and a sh-101 lead guaranteed to make heads bob til they cant bob no more. this is probably the only time azari & iii will ever be used to start a mosh, at least until society does some much-needed growing up.

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

manila fine vinyls is the label project created by edo arengi (shadow sync) back in 2010 to bring out that soulful side of techno we all love. unlike some freaks you can hear around nowadays, the manila fine vinyls productions have their roots in the original detroit sound: no frills, no virtual mockeries, just the full and deep analog sound that goes straight to your heart. music is a matter of substance, not of decorations! this second release includes two brand new tunes produced at the barricade, edos studio located in the heart of berlin. more feelings, with its electric piano chords and the moog bass line, is a well balanced blend of a fat groove and sweet azmospheres. techno with a little touch romanticism! i want to believe, a deeper tune built around a powerful, hypnotising sh-101 line with a delightful slide, is opened by touching string chords and grows as the various percussive elements are added creating a thicker rhythmic texture. its unsophisticated music, its the original spirit of techno.

part 4 in the acid test series from absurd recordings drops from berlins holger zilske. a pure analog jam using just a 303, 101 and a 808 - its a slow pulsing bass heavy acid work out. comes with remixes from john tejada and stockholms axel boman. initial pressing comes with download codes in handpainted sleeves (represses will be sans download code in generic sleeves).

next up on deep vibes comes sascha dive with his killer remixes of matthew dears >little people (black city)<. originally released on spectral sound (spc 101) as a digital-only package a vinyl edition had to follow due to public demand. for maximum sound quality the 20 minute version got shortened to a 15 minute >vinyl cut< (a1), while the >dub remix< comes in its original form on the flip-side (b1). sascha dive and matthew dear met on the road a few years back. in 2008 matthew dear featured a remix by the deep vibes boss on his watergate mix-compliation. when they played together in munich in august 2010 dear asked dive, if he wanted to do a remix for his upcoming album. the only condition dear asked him for was that it had to be the wildest and most crazy remix that dive could possibly do. little people (black city) is the probably strongest song of matthew dears recently released album black city. sascha dives remixes are on heavy rotation and played by a wide range of djs. make sure you get this joint in the box!

a new 3-track 12 by canadas solvent, known for his melodic electro and vocoder pop releases on ghostly, morr music, and his own suction records. for minimalrome, solvent debuts a new approach, so please dont expect any sweet solvent melodies this time, in fact, dont expect any melodies at all. here solvent delivers 3 tracks of pure bunker/rephlex-style acid, monotonous and pounding. fasten is the most straight-up acid track present, nothing but 707/606 percussion + x0xb0x squelch. latch and secure are more dark, abstract, dirty. secure is epic madness, clocking in at over 16 minutes, at times slow and prodding, elsewhere growling furiously in sheets of distortion. every track has been edited down from hour+ long hardware studio jams, with the computer acting strictly as a multi-track audio recorder. solvents customized acid box, a heavily modified x0xb0x, features heavily on every track, alongside classic techno boxes like the 808, 101, and pro one. limited to 250 copie

double 12 inch longplayer with a great variety from funk , soul to latin and disco..

stones throw alumnus releases new full length with solid features.

lunar disko records returns with its 6th release from promising irish producer, automatic tasty (at). at delivers five fantastic analogue trax with strong house, acid and electro influences, crafted with precision and aptitude somewhere beneath the wicklow mountains. the acid jam >i ve missed the last bus home< opens up the ep, ats trademark basslines, warm melodies and pads command this track, while >i can see your house from here< continues on with with more 707 percussion, mesmeric melodies, voice samples and a bassline unveiling another automatic tasty gem! >an cnoc rua< introduces us to a b-side with more acid, and electro soundscapes. a slow-burning acid track, including more fascinating melodies under the control of a mysterious eerie lead... >to the moon and back< warms you up again with more delightful melodies and captivating pads transported in true automatic tasty style. concluding this debut ep is the outstanding >autonomous system< the 606 & 101 combine to brilliant force before an arpeggiated bassline takes over alongside more lush synth melodies.

als musiker ist kieran hebden f³r seine hausgemachten exkursionen in unerforschte musikalische gefilde bekannt, als dj schlõgt er jedoch eine vollkommen andere richtung ein. das ergebnis dessen ist seine beispielhafte dj kicks-compilation.

nice price deal !!! in preparation of coati mundis upcoming full length long player being released later this summer, we have a club friendly limited disco 12 inch single for the jockeys and collectors alike. to appease everyone who missed the exclusive and now waaaay deleted uk teaser 12 inch of >no more blues< from last summer weve decided to give it a proper 45 rpm release for the a side. nice… the b side is a big room club mix by rong all star lee douglas. mr. douglas has blessed us with a piano house stormer of coatis >dancing disco 101<. destined to be a summer staple at all reputable discotechs worldwide, coatis original concept is morphed into a jackin house number circa 1990. please file under bad ass

as announced moxie is closing its doors, giving way to all the other editors to fight the edit battle… enough is enough. but moxie has to go out the proper way, so here is one more to celebrate the ending of it all. the moxters were in la recently with la 101.1 classic radio booming while on the road. the one song that got played most, by far, was >nananaheyhey< and it was screaming for an extended (break) version. so here it is, our goodbye to you. see you on the other side…

after recent successes on his other label, donnacha costello returns to his look long imprint with the storming one sided monster that is ten thousand hours. to begin, an ominous, growling, analog siren calls out from costellos roland sh-101, alerting us that our presence is required on the dancefloor before rattling, shuffling hi-hats mark out the groove and we head out on an ecstatic 7 minute analogue journey through a universe inhabited by wispy shadows of s-express, 808 state, mathew jonson and costellos own classic colorseries sound. words dont do justice to this one. simply drop the needle on the record and escape to an alternate universe on a magic carpet of analog synths and drum machines. ten thousand hours appears as a very limited one sided vinyl edition and wont be re-pressed. dont sleep

limited edition sampler 12 inch to his album >we are the ones we ve been waiting for< (hs-019). tracklisting here is >axion< (exclusive to this 12), no time for gravity waves, buzz 101 and glow (these will be on the cd full length, not the vinyl album). >axion< is a modern club banger with hypnotic loops, chopped vox and stripped drum action. >no time for gravity waves< is a laid-back, textured house jam, >buzz101< is an energetic jazz-tinged workout, while >glow< is a classic slice of soulful techno. check!

absolutely massive dop rework! will and tam went back to their roots and dusted off the sampler for >teddy s back<. strings and vocal cuts bring the soul and their trusty 101 delivers the bass line. as with many of their previous tracks together all the percussion is recorded in live - >because it sounds better and is fun to do<. they set out to achieve something that was heavy, rolling and organic yet with memorable moments that doesnt disappear into a never ending ableton conga loop... the original is already a firm favorite with the wolf + lamb crew and gilbr from chateau flight has also been supporting it for many months from an early version. our parisian friends dop deliver the goods on a major level with their remix. a truly filthy yet undeniably infectious song penned after a recent gig at the infamous berghain is backed by a surefire rhythm track and arrangement that is designed to move bodies. in wills words >not one i ll be playing to my mum<. just how we like it!

charted by gergor tresher further support by: tom stephan, jerome sydenham, noir, atle, djuma soundsystem,.. a: papperlapapp a hit for djs with balls!! as usual from rune rk, this sounds like nothing else. a very catchy melody mashed up with that classic 101 bassline, makes this a monster on the right system. watch out for the buildups, and let the break run through, because thats where this track really shines. btw papperlapapp is german slang for >nonsense<, so the title seems quite fitting :-) b: filter games (rune rk remix) sommerfugl is a butterfly in danish, and thats exactly what this track is.

release #100 by tresor records, made in 1998, comes with 9 classic techno tunes by artists like christian vogel, regis, pacou, infiniti, heiko laux, blake baxter and more.

logistic is proud to welcome the long active techno producers from uk : lee renacre and james chapman aka 100hz. they are responsible of some great house/techno records back in early 90s mainly released on optimism records and on their own label format records. 100hz has a rich musical universe with strong influences from the early american techno scene. production made out of analogic elements gives a strong atmosphere to their music. the harlot ep on logistic is about techno music at its best! liquid 101 (b side) is the analogue heaven, a deep space adventure, incredibly groovy loops reminds us some of robert hood...

an army of 4, ready for some braincombat. good old & well known minupren gets support from klima, kernsprung and psychode. together they deliver 4 hardtechno banger.

uk born, japanese based max essa delivers us a tasty morsel and appetizer for his upcoming album on bearfunk. drive time is a slice of trademark slick, slo mo disco. with live drums, rolling bass synths and sundrenched chord changes, the track conjures up visions of sunsets, surfboards, highway 101 and long lazy days. irish based john daly delivers his re rub on the flip, adding in chunky stabs and rolling synth lines... but still managing to retain the slo mo feel.

cool beat & sound toos for producers & djs !!

after his album with black strobe released in 2007, arnaud rebotini comes back with a new ep and a 100 percent electronic live. arnaud hopes for entering in a new approach in which live is the beginning of the project&#146,s conception. the idea is to build a dancefloor set without using laptop or external sequencer but around emblematic machines (tr 909, tr 808, sh 101, juno 60, korg monopoly). this producer wants to let us share his studio experience in live. &#147,music components&#148, is an album of romantic and timeless techno where rebotini goes back to hot and groovy sounds of his first productions

frantically fanatical ultradyne sounds with haunting lyrics on the title track... lardossen search squad is a track created in memory of the lost drexciyan... industrial dramatic detroit electro techno for those who know...!!

new school breaks with cool vocal samples!!

nice price deal !!! 1997 classic release!!

hier wird beim jasmintee lecker kirschplunder gegessen. gabriel und dominik finden die perfekte harmonie des geschmackes. das nenne ich eine super platte ohne kompromisse. wenn hier nichts geht, dann wissen wir auch nicht mehr weiter. also hoch die tassen!

supported by richie hawtin, tiefschwarz, loco dice, miss kittin , jussi pekka & many others!! again providing you with two new high quality techno tunes. on the a side we present you the tune: >tuna belly< , which is taken from the forthcoming full lenght, >martinez< album on re:connected, due for release later this year. the track starts off with a pounding deep kick-drum and a heavey roland sh-101 baseline. quickly after some heavey snares, claps and some underwaterish bubble sounds enter onto the groove and the track is steady rolling towards its peak break down. the baseline is filtered and tweaked through layers of efx into just a high pitched noise that is just on the edge of getting too much and right at that time it sweeps back into the full groove with a slaming hihat to lift the track even more. >tuna belly< is one of those track that definitely will make you go crazy on the dance floor in the late hours

all tracks on arti farti have been tested out the last 6 months by our local heroes, and have been proven to work in many a club:-) a: yesteryear: this one is rough. combining modern tech house with some old school >funky< rythms, and catchy keyboard riff, this one has blown up floors for me for a long time. its full of details, and has that eiry >ive heard this track before< feel to it. a massive hit in copenhagen allready, i hope itl be one for you too. full support from a bunch of big djs b: out run in: as the title suggests, this is yet another return to the olden days. i love records like computer madness, but they absolutely sound like crap next too newer releases. this is my tribute to the days where a 808 and a 101 were enough to creat magic hope you like the stuff, and remember. stay on the scene, like a fax machine!!

hard techno 4 tracker - 101% killer traxx as usual. really hard & wicked stuf

feine funky minimal tracks mit detroit flavours die jede sause rocken !!! zeitlos!!

two more exquisit tracks from alex krueger. after his last releases on deep in rhythm, liebe detail and dirt crew and the production of tom clarks album for highgrade, he is back with more trance techhousestuff on his own label.. 31.07.2006

fresh and powerful sound combine with minimal jazzy keys, some provocative vocals and percussions styled up with dirtyness in this four tracker.. supported by troy pierce !!!

excellent electro infeceted remixes by david k (freak n chic), pig & dan, olivier berger (sfp records miami)

deep groovin tech house 4 track ep der kalifornierin !!!! top review in de:bug!!

i am happy to introduce the modern deep left quartet. we have danuel tate on keys, tyger dhula and the mole programming, and myself on sh-101. straight whiskey features frank on bass guitar. i hope you enjoy our first published live recording. - mathew jonson

1st of a series of 4 analord 12inches