2011 release, the follow up to 2010s successful first volume of bangs & works. the carefully curated compilation showcases chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. footwork is beginning to spread outside of chicago, influencing productions around the world. bangs & works vol. 2 brings the focus back onto chicagos own producers, showing where the real innovation still lies. while its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks to those that sound like musique concrete gone footwork.

the embassy are far too often overlooked in the uk. they more or less engineered the goeteborg scene, and have been hugely important in shaping the swedish independent music landscape over the past 10 years. their influence is second to none. so, to help those who havent been paying attention to catch up, fredrik lindson and torbjoern hŒkansson have announced a retrospective release, life in the trenches, the other side of 2001-2011. the album compiles a bunch of rarities from the duos career, among them b-sides and previously unreleased tracks.

raise the curtain once more on a very special orchestral performance. how could highgrade records better celebrate its 100th release than with twelve tracks from the highgrade disharmonic orchestra? the creative combo featuring both label bosses tom clark and todd bodine, alongside philip bader, daniel dreier and dale, began over a year ago with the intention of celebrating the tenth birthday of the berlin label. and the resulting gift: a musical experiment. the five artists have bundled their creativity together into a symphony unparalleled in the techno scene. every performance is like a jam session: all five laptops are interconnected, so each of the artists has the opportunity to react to the others and modify each track as desired. thus, new arrangements are created and constantly re-interpreted. drum machines and synthesizers are also in play, to further stretch the improvisational possibilities. no wonder then, that the 100th release follows in this creative vein. the highgrade disharmonic orchestra, with multilayer, kiddnaps us away into vastly different musical worlds: from deep influences and custom recorded vocals to an array of technoid sounds and effects. then back to groovy, swinging beats reminiscent of a balmy summer evening on the beach. therefore the record is something of a rollercoaster ride, where we never know what might be waiting behind the next curve. typically highgrade

walls alessio natalizia and sam willis dont deal in perfect wholes. the kompakt duo return swiftly on the back of 2010 s critically lauded self titled debut, an album that picked up mojos coveted electronic album of the year, featured in nmes end-of-year lists, not to mention winning fans such as of jamie xx, caribou, james holden and impressing us trio battles so much that they have invited the pair on tour around the us this coming october. yet it isnt these admittedly impressive accolades that make the announcement of second lp >coracle< such an anticipated one, what makes walls so alluring is the fully immersive experience of their mellifluous electronica Ð reaching out far and wide to pull influences sonic, emotional and theoretical together into patterns of blissful phantasmagoria. taking their debut as the prototype, willis and natalizia have taken those initial early-sunrise evocations and pushed them to even more grandiose expanse

fŸr viele popfans sind die stereo mcs die band aus den frŸhen 90er jahren, als ihre dritte lp >connected< zwei brit awards gewann und millionen exemplare verkaufte. wie ihr neues album >emperors nightingale< nahe legt, ist die wahre geschichte hinter dieser band etwas kompliziert und vor allem sehr faszinierend. ihr erstes frisches material seit connected veršffentlichte das duo erst 1999 auf einem dj-mix-album (>dj kicks< auf !k7). das follow-up folgte 2001 mit >deep down & dirty< - uk album charts top 20, und einige fans finden bis heute, es ist das beste werk des duos aller zeiten! 2005 kehrten sie zurŸck mit dem album >paradise< und schlossen gut drei jahre spŠter mit dem elektronischeren >double bubble< an. auf >emperors nightingale< bekommen wir nun zu hšren, was hallam und birch schon seit langem tun wollten: nŠmlich hip hops philosophie dazu zu nutzen, musik zu schaffen, die keinen regeln folgt au§er ihren eigenen. siehaben zum ersten mal Ÿberhaupt mit anderen kŸnstlern komponiert: bruce woolley (trevor horn - er war co-autor von video killed the radio star und slave to the rhythm), nathan drake und greg fleming (deekline and wizard, the london punks). statt grooves auf sample-loops und beats aufzubauen haben sie sich nun auf old-school jam sessions gestŸtzt - mit bass, gitarre, drums und vocals.

-all profits made from this various artists compilation cd will be donated to the relief and support efforts for the affected families in japan. with your help, we can reach out to the victims of the earthquakes and the tsunami in east japan and start to

travis stewart is a producer whos always been admired by the electronic cognosenti, both as a solo producer in his project machinedrum and also as one half of sepalcure on hotflush recordings. after a break from producing he started to resurface in a major way last year with the -many faces e.p.- on glasgows luckyme label. however, for -room(s)-, his latest album on planet mu, he s well ahead of the curve, approaching the album in a way he s never worked before.the tracks on room(s) were started on the spur of the moment, often whilst traveling and finished in the studio, with the notion in mind that great moments of inspiration are fleeting so its best to grab on to that moment when it happens and squeeze it for all its worth. travis says of this process, -i feel like the energy of a song is lost the longer you spend working on it. this experiment in becoming less attached to my work essentially lead to a lot of songs that are connected sonically and aesthetically.-

sing (if you want it) is the sixth release from the british soul icon, omar. this eagerly awaited re-issue definitely puts omar back in the spotlight and will become an essential album for any music collection. omar is often referred to as the founding father of nu-classic soul and has been acclaimed by artists such as erykah badu and mobo award winner kele le roc. omar can also count stevie wonder as a fan, who most famously said, -when i grow up, i wanna be omar-. on this album, omar collaborates with stevie wonder and a host of great artists including estelle, common, zed bias, and many more. the album also comes with two brand new bonus tracks, including the single -dancing- and -its so-.

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

the beginning of a new era. founded in 2005 by thomas wendel aka don williams the beloved seminal imprint with cult status mojuba is facing the next level with the debut album kawasaki by stereociti from tokyo. when in 2005 the first sounds of mojuba were introduced to the world, people quickly realized that there is something very special going on different to the usual house or techno business É it was something more emotional, more personal, somewhat more deeply rooted! stereociti aka ken sumitani is truly one of japans finest when it comes to uncompromising underground dance music with heart & soul, whether it is the realm of deep house music or the darker moods of detroit techno. you can actually feel that his roots go far back into the early days of electronic club music but never lose sight of the history of soul, funk or dub. his debut kawasaki, named after his hometown, is delivering the quintessence of what is considered as the mojuba sound. being capable of such a musical sense, it was no wonder that the other mojuba family members nick solŽ, sven weisemann and oracy welcomed stereociti very warm. so if you are new to the world of mojuba, please tune in and enjoy the journey! kawasaki is a timeless piece of music, equipped with everything you need for an outstanding album experience. it will take you by the hand from the very first moments and will be there for you second by second, minute by minute, hour by hour, day by day until you let it go

have you ever been >motorcitysouled<? matthias vogt and christian >c-rock< rindermann form the deephouse syndicate motorcitysoul. after their debut (did you expect it? / infracom 2004), their mix-cd (back up / infracom 2007), and their last studio album (technique / simple 2008) the two djs and producers present their first selection of remixes that have been released between 2004 and 2010. the >remix< is one of their favourite dishes so its no wonder that more than 30 artists or labels have asked for a motorcitysoul remix treatment since the duo joined forces in 2004. all of their remixes have been regarded as high quality by the media and djs worldwide. so far artists like chez damier, ian pooley, abdullah ibrahim, brett johnson, solomun & stimming, and johannes heil have ordered the extra motorcitysoul polish. motorcitysoul remixes have found their way to labels like cocoon, dessous, freerange, liebedetail and junior boys own/defected. creating a remix is a versatile production practice built around various philosophies - what is the remix meant for? how should it sound? should it be an addition for the club heads or a musical adventure that takes the listener on a journey? every motorcitysoul remix has its own vibe and is meant to respect the idea behind the original track. motorcitysoul merge their trademark sounds and styles with the original track. vogt and rindermann communicate in a musical way with the original artist.

incl. groove armada (m3 & bachelors of science remix of history), wagon cookin (music is not far), and shiny objects (set it off marcus mescaline mix). along with other choice cuts & remixes by hot toddy, mike monday, fred everything, lance de sardi, ron basejam and shiny objects.plus 55+ minute continuous mix by al velilla.

new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut albumthe album will be released on cd and vinyl. both the vinyl and digital release will contain remixes by gui boratto, heiko laux, estroe, gideon, ferreck dawn and mbc. early plays by:luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..

2011 two cd collection. bistro lounge music contains a healthy selection of fine music that is guaranteed to fill your senses with wonderful flavors. features tracks from martina topley bird, bonobo, mr. scruff, alice russel, belleruche, speech debell, winston mcanuff, pacha massive and many others. bistro lounge music is a mystery and legendary land existing out of time with wines and delicacies, a place where you can savor the sexy, lazy atmosphere, where you ll refuse to leave.

tmf ist einer der bekanntesten radiosender. 2 cd vollgepackt mit den angesagtesten dance hits incl. r.i.o., martin solveig, armin van buuren, freemasons, nadia ali, scoop, tiesto, bombfunk mcs ..

incl. tracks from j dilla, dj jazzy jeff, larry gold, dj spinna and will.i.am and from legends such as pete rock and marley marl. in addition there were albums leftfield heavyweights king britt and madlib. last but not least the set included a session of unreleased poetry from american literary giants - allen ginsberg, peter orlovsky and greg corso whose well documented movement lent its name to the series.

20 brand new tracks from flying lotus, siriusmo, skream, mr oizo, cassius....+ download card to get the track by track album! incl. free download code!

in february 2010, gil scott-heron released >i m new here<, his first album in thirteen years. produced by xl recordings head richard russell during various studio sessions in new york, the album was enthusiastically received by fans andcritics alike. meanwhile, the last eighteen months have been meteoric for jamie xx. his band the xxs debut album (which jamie produced) received huge acclaim, picking up 2010s prestigious mercury music prize, while jamie garnered respectfor his remixes (in particular florence & the machines >you ve got the love<) and solo productions (forthcoming single >far nearer< on numbers).
so what happens when one of the most exciting young producers around reworks one of the most acclaimed albums from a true legend? the result is gil scott-heron and jamie xxs >we re new here< which sees jamie xx remixing thirteen tracks from the original >i m new here< album sessions.

fantastic music collection incl. shawn lee, slackwax, radio citizen, roger sanchez, miguel migs, samantha james

the third in ben watts acclaimed mix series. high wattage stuff!!

>1440< is the sublime debut album from spiritchaser duo mark bamford & richard earnshaw.

introducing the raudive alias, he created a reduced, sexy, dancefloor-centered wave of greatness for labels from drumcode to cocoon. this sound turned out to be highly attractive for the djs to play and for the girls and boys to dance to. the unparalleled appeal of his beats left the usual minimal competitors sounding rather dull. thus raudive quickly became the blueprint of techno modernism and one of todays most influential genre-bending production styles. macro unleashes the highly anticipated debut album - chamber music. chamber music is both: claustrophobic in sound design, reminiscent of the dark and sweaty concrete club spaces this music inhabits, as well as carrying acoustic qualities of induced instrumental experimentalism. bitches brew voodoo reeds, new york no wave voices and european avant strings spin a mesmerizing dark patina around the ultra-sexy year-3000-rhythms. no wonder theres huge dj support all accross the board - from miss kittin to richie hawtin, surgeon to trevor jackson, ricardo villalobos to jeff mills. massive deep edge and one of 2010 finest albums so far!

debut full length by this upcoming producer who so far releases on labels like fat city, rush hour and ramp itself!

full length cd plus an amazing bonus rjdj iphone reactive music app. includes the amazing cosmic booty track which is allready a classic by people such a tom middleton. nice combination of downbeat tracks, electro and classic detroit techno as we know of fabrice lig! perfect versatile nice price cd release with all the extras, beautiful artwork! this beats the download experience by far! tip!

the fourteenth release by moll-selekta is an essential compilation of rare, previously on cd/lp unreleased roots-, lovers,- and dj-tracks by one of the most important artists of jamaica. lincoln sugar minott played a major role in the history of jamaican music as a singer, songwriter, producer, label owner and sound system instigator. his debut album live loving can lay claim to being the first dancehall release ever.

the album was one of the first to reach a far different audience to the traditional >world music< market and spawned many further projects and labels in its wake. a year later, the >nigeria 70< compilation surfaced on strut and labels like soundway and analog africa would continue to unearth amazing lost gems from the motherland. the album is testament to the determined work of brooker following several research trips, especially to east africa - kenya and zaire!

including the dutch master works >the story so far< megamix!

for lovers, collectors & followers of the cosmic space groove then check this heavy deep compilation by the voyeurer. super rare balearic classics, french disco oddities, deep boogie madness & far out eastern discoveries are here for the first time! these original gems are going for crazy prices right now on certain website stores and other titles are completely unknown and lovingly redited and by the voyeurer.

phil kieran has been in the upper echelons of the electronic music game for more than a decade, but is only now releasing his debut album under his own name.

back in stock !!

best of 2007 trance on 2cds

the new cloud9 compilation

the summer is coming with long hot days and very hot nights. hend kandi collected for deeply soulful sundrenched summer listening miguel migs, roachford, ron gelfer, faze action lisa shaw and many more