the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

a powerful debut release by menasse workala. the >play me< track has a hypnotizing synth hook that keeps on building and >far from existence< keeps the tech-house vibe flowing and cleverly combines a modern house sound with some techy edges

john tejada & arian leviste from 2001 with great deep techno to techhouse

support by: chris liebing, alex bau, perc, wj henze, emerson, anderson noise... the first vinyl-release of brian sanhajis very succesful label sonata, whihc so far was only available digitally and now turns to be a >real< full-size label. heavy plays already for all of those tracks and even charted by chris liebing

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

support comes from format b, solee, stephan bodzin, p.toile, renato figoli, patrick zigon, dole & kom, brian fair, james talk and many more.. next hot splitt ep on ostwind limited !! the glitz with a superb groove monster and marlose with his best work so far.. sure shot for lovers of rollin grooves and melodic impacts

the multitalented robbie taylor dropped this migty piece of musical madness presented on the mighty wasted imprint! a tech house journey, weaving its way into your mind and taking control of your limbs, with a melodic techy groove that builds and builds & finally drops to create total dancefloor insanity!the remix package has been crafted to create perfect reworkings of the original to suit every taste. london based alex celler (cocoon, nrk, buzzin fly, baroque) delivers a deep and bumpy mix that brings an impeccably classy vibe in his inimitable style, with a tech house sound full of grooves, tribal rhythms & relentless energy, he has established his sound well into the 2008 electronica. thats why his productions have been supported constantly by big players such as carl cox, ricardo villalobos, luciano, michel de hey, sven vaeth, dennis ferrer, masters at work, danny tenaglia, pvd, chus & ceballos, laurent garnier and many more!! the package is rounded off with the solar sun remix, a driving take on the original with a hook line that will rotate in your head for hours afterwards!certainly one of the biggest wasted releases so far, already heavily supported by loads of heavyweight djs around the globe...

after a long time far from the scene, heres benjamin diamonds come back. advanced promos upfront from the official release date in september, heres the first extract from the man behind huge hits a few years back (remember the voice behind stardust for example...) with killer dancefloor remixes with the likes of rafale (rise recordings) and from d.i.m. (boys noize rec)

after his debut releases on resopal, young finish producer rasmus hedlund follows up with another brilliant ep on the motherlabel. its the fiftyeight installment of the resopal 12inch releases so far and we quote him as one the most interesting and promising new techno producer of the year. back to bassics offers four deep electronic techno tracks, a finish version of new school minimalism that, all by all reaches the dancefloors of today. rolling kickers with massive synth lines. rasmus hedlund is definitely going to pave the way for resopal 12inch direction this fall

echocord colour is the new sublabel of echocord records. the first ep is made by arne weinberg aka onmuta mechanicks. the a-side is a deep powerfull 4 to the floor dubtechno track, and the bside is a more listening detroit influenced dubby track. arnes first 12inch, the >through the collonades< ep was released in early 2001 and gained some good reactions such as getting charted by laurent garnier. becoming far more influenced by deep electronic music arne began building his studio and his own musical style.

patch park >pitch black< has only seen the light of a select few and is already attracting a list elite from far ends of the biz: from dave seaman, cedric gervais, nic fanciulli and tommyboy

spacin electro breaks madness

great minimal & detroitish bouncy release from frankie vega incl remixes by jason patrick, woody mcbride & drumcell !! far from 8mm, vhs and especially beta blueline projects a bouncy sound assortment of acidhouse minimal, detroit techno and ghetto tech. chicago based frankie vegas video bounce is a projection of throbbing bass, twisted keys, explosions of reverb, delay and sharp drums that altogether make up 1 party track undeniably fun to rumble through the speakers

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

elevate, if you remember, is the deep house label from daniel bell that put out a series of influential records in the late 90’s including the first 12 from theo parrish. these releases are still very much in demand and are going for high collectors prices online. it is now the summer of 2008 and elevate is proud to present a new release, this time from baaz. baaz is a new artist with only a few releases so far including tracks on sascha dive’s deep vibes label and a full e.p. on sthlmaudio. baaz may hail from southern germany but you would swear he grew up in the same detroit neighborhood as mike huckaby or moodymann when you hear his warm, gentle and deeply hypnotic house music.

the e.p showcases some new sides to james sound and has won widespread support and praise. the title track call & response is a shuffly groover which is impeccably produced and arranged. it will be sure to get the floor grooving and has picked up nothing but positive responses from all who have heard it so far. the second track the trinity is james personal favourite of the moment. it goes tough – very tough – and as the slammin groove builds to the point of explosion, it defuses and rebuilds with controlled power. this is an absolute dancefloor bomb...

nice price deal !!! outsider number 20 is here, and it is safe to say it is up to their usual high standard. this ep features some of the labels most respected artists who need no introduction. be ready for smooth atmospheric samples, big broken beats, and heavy bass lines.

first up on the n funk series & paying homage to that most treasured of percussion instruments is gotta have more cowbell. sampling that legendary saturday night live studio session with christopher walken, napt lay down an absolute dance floor detonator, activated all the way from their new underground studio hideout.

great sebastien leger limited exclusive pack.. french rules !!

excellent marcel dettmann remix !! strongest release on brut! so far !!!! big with: heartthrob, efdemin, joachim spieth, pär grindvik, zander vt

andreas kremer (lifeform/working vinyl) the mayhem techno mastermind is back ! this is simply the best, hardest, craziest and toughest record from him so far !!!

strongest release so far! big with andre galuzzi, michael mayer, roman flügel, dj hell, jerome sydenham, mateo murphy and so on...!

skinnerbox, thats also two gentelmen, one of them immigrated from a far away country and both living in berlin now. in their boxes theres no devil but there are grandpas old synths, funnily and heavily beeping and bumping beats and basses, joy and fun as in godizllas playroom. and then comes mister humantronic, his remixs, finest tech that will wake up the beast even where no beast was ever before. a record to love and to pamper!

recorded live at the pit inn in tokyo during a 2005 residency

evoking the very spirit and energy of puerto rico and tis beautiful people, >ponce< pays tribute to traditional instruments like the güiro and maracas and the traditional african-originated musical stlyes of >bomba and plena< which will have you feeling like you’re getting down at a street carnival in downtown san juan in no time! the second in vega records’ new series of tracks inspired by the musical landscapes of lands near and far, louie vega now presents a smooth, rolling track inspired by the bahia region of northeast brazil, commonly referred to as the >african soul< of brazil and the country’s home of afro-brazilian culture.powerful drums, strings, eclectic instrumentation and an electronic edge make ‘bahia’ a rolling masterpiece. perfect to layer that accapella over or just to bounce to, >bahia< is as brazilian as samba and carnivale, and will prove just as difficult to abstain from.

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

the polytechnics ep is the second release on df by silver city following the superb dubby ep from 2006. on the a side, the title track polytechnics has electrofunk vibes blending perfectly with new wave sensibilities. think greg wilson mixing up gary numan and you wont be far off. it rocks! and on the flip, nu disco don pete herbert (reverso 68/lsb) cuts up pendulo a heavily arrpegiated disco stormer and transforms it into yet another disco bomb. this was an edit that pete knocked together for his own dj sets and we loved it so much we just had to put it on the vinyl. last, but in no way least, is victoria jam which is a no nonsense heads down groover of a track that will get your dancefloors rocking. seriously good music. enjoy! plays by: ashley beedle, llorca, fabrice lig, electric press, reverso 68, munk, murray richardson, ajello, dubious...

one of the best kolombo releases so far !! singles on turbo, robotronic, definitive, boxer recordings and and and. and? yes, he also runs his own label platform, vice versa and releases now number eight there! >tesa< is a cool, groovy and deep electro shaker which invites all ladies to conquer the dance floor. but the hit is for sure >flute de pan<, the next step into high class neotrance with edge! listen carefully!

neben the emperor machine sicherlich die tollste disco-goes-b-movie-band. tolle geisterbahnfahrt

somewhere between detroit, chicago and bologna, it’s giesing. at least in the geomental cosomos of mr. migumatix, who delivers his debut with the recordings on hand at pastamusik. as a resident dj in various munich clubs he has established himself with his energetic swinging stile as a constant player – and now he shows to be by far more then just another jung producer talent, and this is only the beginning.

nice price deal !!! incl. huge get far remix

killer modern house from depths of deep space. adam marshalls original mix takes swinging chicago drums and paints them a dark black, while chord stabs morph and evolve in a tough, organic style on this 11-minute journey. mike shannons impressive re-working tightens everything up and funks the hell out of the groove with sizzling dry hats, sub-bass ruminations, and one serious breakdown. one of his best remixes yet by far. both are serious club killers

hot minimal phunkin trax.. the best on the dermaptera series so far

for this second release the indigo raw crew proudly presents >dominus< who are dominic & mirus, two fresh and upcoming producers from barcelona. their first release tarantella ep is a three tracker that brings you directly into the deep chemistry of modern tech-house. on the a side >skin< is a driving warm up tune with deep cords and rolling grooves while >tarantella< builds up with pumping beats and fluffy pads. sian (octopus/poker flat) also delivers one of his best remixes so far adding hypnotic atmospheres and rolling baselines that makes it a perfect peak time tune for the crowds

already supported by pan-pot, sebo k, anja schneider, kiki, karotte... simplicity is the name of the game on both tracks here. on >louder elvis<, the two unleash pure deep-house bounce over ominous, detroit-inspired pads, clean-as-a-whistle bleeps laser their way through a fog of dubbed-out delay. the tunes flow suggests a live session, with tumbling chords following their own whims, but theres nothing haphazard about it. this ones all about the afterhours, head down and moving steadily into the light. a vocal sample kicks off >radio graceland< but dont expect any bloated rock n roll theatrics. instead, van dowski and agnès lay down a slowly rolling groove with a latin touch and even a little bit of reggaetón lurch. hand drums dapple the landscape with faded colors, keeping the mood subdued—at least, until the beat gathers steam and bright, syncopated chords splash about. groaning analog noises push the energy restlessly forward, driving dancers to wild abandon: the track is as effective as it is unconventional. what else would you expect from two of switzerlands most uncompromising crowdpleasers

this is the mighty 3rd release from raise recordings, the new offshoot of drop music. already a buzz developing in miami 2008, the inland knights deliver an absolute bullet, and raise recordings is fast becoming a must have label. raise01 and raise02 are still much in demand, raise03 is set to surpass them both.

for the new album, liars and prayers, thalia has expanded upon her touring band of the last few years of daniel coughlin (drums) and david curry (viola, trumpet) to fill out the sound with the bass and piano of winston braman (consonant, sherperdess, fuzzy) and mel lederman (victory at sea). liars and prayers is the masterwork of her thus far impressive career. her voice and songs have never been stronger and the full band and the recording by andrew schneider (unsane, cave in) allows her to combine the delicacy of the arrangements of her trio with the force that was her band come. the very moving body memory is a poignant example of this perfect synthesis.

geo records are proud to release the debut ep from raf and o has the air gone walking. the ep is on shiny 10inch vinyl and features four tracks ? sky, cycad, 7 blue and squeezebox. all haunting vocals, shimmering electronics, throbbing bass and glitchy grooves ? its the sound of a three way musical and sonic collision ? informed by a pop sensibility married to an experimental spirit. it marks a relaunch for geo ? the label mainly so far a home for melodectronic space commander gagarin whose several geo releases have garnered largescale critical acclaim across europe. the ep is the first release in a programme of regular eps and albums throughout 2008. has the air gone walking is a taste of whats to come from the debut raf and o album due later this year. raf and o will be undertaking a series of gigs through the spring in support of the album as well as a live session on resonance fm.

that patterns is one of the number 1 techno labels is already a fact. with releases by borique tribez, elton d, eric sneo, carl falk and dejan milicevic to name only a few last year was definitely one of the best years for patterns so far. the number 42 welcomes an extra cheeky one.

luscious, epic and british are not words you would usually associate with an emo band. but i was a cub scout are not your ordinary emo outfit - they re two hardcore souls with passion and emotion dripping out of every pore. and its this passion that has captivated audiences up and down the country. the duo, made up of todd marriott and william bowerman, have come a long way in the 18 months they ve been together. they ve supported bands like babyshambles, panic at the disco, editors and forward russia, played to packed out audiences at download and the carling reading and leeds festivals and made one of the most life affirming albums of 2008, i want you to know that there is always hope, which has been produced by hugh padgham . in a climate of indie band soup, i was a cub scout stand apart. a very british band raised on a diet of american music. a duo who manage the feat of being both indie and rock, punk and prog, small yet big...

this is not the first time arnaud caschera teamed up with xenia beliayeva. there output so far has always been an exceptional combination of tight and atmospheric techno-elecro and intense cold vocals! >oh boy!< is definitely their best production to date. the b-side belongs to copenhagens no 1 posterboy, out of orbit and reconnected label boss and world travelling dj martinez

support : richie hawtin / tobi neumann / villalobos / dj hell / onur Özer / karotte / gregor tresher / butch / david keno / popof / monika kruse... though the last heckmann - silverscreen is still rotating on the decks of the planet and in the cases of the great entertainers, he strikes again with his brand new series called las vegas ! it will be a story of three 12 inches that will lead to a complete cd album with extra tracks to complete the whole ! the main track las vegas is rushing in like a storm and is rocking as if there was no tomorrow ! fat beats, fat bassline and countless little far out effects, that will tickle your synapses big time ! the second track neon grave takes the story further and will lift even the last man on earth with its electro-latino feel, illuminating bassline and the heckmann style effect-arrays

deep spacin minimal techhouse tracks by the descent aka joel mull & sean palm

incl 3channels & samim rmxs, his name is pier paolo bucci and with releases on crosstown rebels and cadenza pier has shown us what ambitious and intelligent tech house really is. his greatest success so far is without any doubt >hay consuelo<, pier has released one year ago on his mother label >crosstown rebels<. now it is time for a re-release of the legendary samim remix plus a stunning new interpretation of nobody else than dirty birds shooting stars 3 channels from poland. we say: >the summer can start now!<

the best scandium so far with tracks by maxime dangles (paso, k2), delon & delcan (boxer), bastien grine (k2) and bastard beat

plays by holden, funk d void, xpansul, nazca !! after the big acclaim of the first release, henry saizs >vancouver<, natura sonoris continues its speech with >world solo take one< from the newcomer ugo laguna aka ugoluna. this venezuelan producer based in dublin is one of the label s promises, a yet unknown name that has a lot to say. ugoluna s music is deep, hipnotic, beautifull...and with his big musical baggage and his impeccable technic, creates an original and fresh style world solo take one is a risky ep, that is far from the minimal-house territories to offer something more complex and universal at the same time, energy and feeling in deep techno key.

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

compilation 12inch assembled by tang from 2001 so you know its serious. deep electronic techno and house sounds from from steven tang (emphasis recordings), ewan jansen (moods & grooves/trackmode) and others

tuomi, as well as stefan goldmanns 1st ever production for a band! tuomi is a trio of voice, piano and double bass, lead by singer kristiina tuomi. touring the globe from europe to bahrain to south korea, tuomi perform a unique blend of superb songwriting and acoustic chamber composition. for their macro debut, the trio is joined by live strings and an array of electronics, synths and drum machines, taking their signature concept to the dancefloor in full effect. the result is stunningly adventurous house music. the title track >expense of spirit< comes with a mind blowing bass line, acting as a catchy counterpoint to the deep acoustic chords and strings. the b side also holds a minimalistic dub version. >mourning eyes< and >expense miniature< reach far beyond the dancefloor, being another prime example of macros experimental direction. a pioneering four track ep showcasing what should be possible at the junction of acoustic and electronic music today. tuomi are: kristiina tuomi - voice carsten daerr - piano carlos bica - double bass featuring: margherita biederbick - violin hannah klein - viola stefan goldmann - synth bass, drum machines, processing