nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

next top club banger by the admirals feat seraphina on vocals. blaue augen is based on the 80s ndw smash hit by ideal.

das ist psychedelic-rock auf elektronisch. ideal für den nächsten tarantino soundtrack. grosses kino also

ideal zur verlängerung von cinch kablen 2 x 3.5 mm cinch-stecker - 2 x 3.5 mm cinch-kupplung. zomo audio kabel sind von höchster qualität mit hervorragenden klangeigenschaften. ein hoher kabelquerschnitt, vergoldete high quality verbindungen und beste rohmaterialien sorgen für originaltreue und geringen widerstand. zomo audio kabel sind die ideale egänzung für ihr wertvolles euqipemnt und eignen sich auch bestens für high-end digitalsysteme.

winkelstecker ideal bei platznot . 2 x cinch - 2 x cinch-winkelstecker.1.5m zomo audio kabel sind von höchster qualität mit hervorragenden klangeigenschaften. ein hoher kabelquerschnitt, vergoldete high quality verbindungen und beste rohmaterialien sorgen für originaltreue und geringen widerstand. zomo audio kabel sind die ideale egänzung für ihr wertvolles euqipemnt und eignen sich auch bestens für high-end digitalsysteme.

winkelstecker ideal bei platznot . 2 x 3.5 mm cinch - 2 x 3.5 mm cinch-winkelstecker 3m, zomo audio kabel sind von höchster qualität mit hervorragenden klangeigenschaften. ein hoher kabelquerschnitt, vergoldete high quality verbindungen und beste rohmaterialien sorgen für originaltreue und geringen widerstand. zomo audio kabel sind die ideale egänzung für ihr wertvolles euqipemnt und eignen sich auch bestens für high-end digitalsysteme.

in between working on their next album and touring america and australia, booka shade have come up with this new double a-side 12inch that makes the wait for their third artist album shorter. the a-side track, >tickle< is an emotive affair: over arnos shuffling drums and a pumping bass, walter drops a repeating hook and evocative synth chords. the ideal warm, summer tune, >tickle< is sure to be played on the terraces and at all the outdoor parties this year. then they turn their attention to karma car, which was inspired by booka shades us tour

the new kaoss pad that fits in your pocket --- the mini-kp, offering touch-pad effects for all types of music. main features: intuitive touch-pad interface gives you fingertip effect control in real-time., the smallest body in the kaoss pad series., battery operation and a carrying strap make it an ideal choice for any scene., one hundred effects including filter, delay, and looper meet the needs of any musical style., numerous bpm effects are provided. you can use the tap/bpm button to synchronize the mini-kp to your song s tempo, and apply a wide range of effects to your music., fx release function provides a natural decay when changing effects or removing your finger from the pad., hold function lets you memorize the position at which you touched the touch-pad when you release your finger., use the two memory keys a and b to store your favorite effect program settings, including the effect depth and the hold on/off status.

the first release from a new techno label based in rotterdam. the artist behind the label, matt tdk comes from a free party background and you can hear that in this his first journey onto vinyl. matt takes his inspiration from the german and english techno scenes, and moulds them into a relentless fury of beats and screaming synths creating total mayhem, making this an ideal dj tool for the harder techno djs amongst us. tonal research strives to fill the gap between more energy driven loopy techno and the production values of wonky techno to achieve maximum dancefloor pleasure

support by chloe & jennifer cardini !! actually, a tragic fact that the two label owners of sub static never enriched the own catalogue with a cooperation, but then again, there was no time, passion, and maybe also the right tracks hadn t come yet. now we found them, the ideal components, and thus this split- ep succeeds to involve both sides of the same medallion in an extremely animated conversation, which also the party benefits from. a real brocksieper starts off the record, with that slinky, permanent groove which everyone likes to ride on, as it s making you look well on the floors which signify the world. then the flipside laxly continues where just hopped, speak: a little bell rings, the beats pose, the shiny side always in the floodlight. however, the mood changes - functionality mutates to emotiveness, the music floats differently. this can only be m.i.a., who still disassembles sounds with never known precision, gets ideas in order, simply generates funk. so the tone is given for the next techno season, thanks for that

relaxte electronische sommerplatte ideal f die sonntags after hour open air happenings...

4 track 2x12 inch ep mit sehr abwechslungsreichen tracks von techhouse , electronic und tribal... ideal f den sommer

with an uplifting electro bass house sound on the a side and beautiful sweeping chords and synths washing over the track these boys keep on growing in stature and quality greg munden slams in with a top rework on the flip taking the originals bassline and adding a more slamming sinister ideal

bereits bekannt von festplatten haut markus hier zwei tracks raus die einfach ideal zu traum passen

allows for speedy and convenient access to around 110 vinyls. ideal for record stores and djs who create their mixes directly from their record boxes. this well-structured storage solution is made of solid mdf wood

allows for speedy and convenient access to around 110 vinyls. ideal for record stores and djs who create their mixes directly from their record boxes. this well-structured storage solution is made of solid mdf wood, weight 4.2 kg dimensions 350 x 265 x 340 mm

goodflife is back more open-minded than ever with some serious italo/ebm tracks polygamy boys 'transparenz ep' is a rough-edged electro/ebm-driven statement against fear that is created by our very own governments & corporations. the ideal of clarity, transparenz, brings us closer to recognizing & rejecting this fear that is used to control and manipulate our daily live

for the flip side rob and colin have stripped things right back to the bare bones and rebuilt with a more techy melodic feel too it, making it ideal for a more progressive set. houston calling has been a regular feature in the sets of all the usual suspects inc hernan cattaneo, satoshi tomiie, deep dish,

ultraphat relaxed deep house groover !!! ideal for terrace sets !!

breaky freaky smooth jazzanova style, ideal zum entspannen

der vinyl set holder für 40 lps ist minimalistisch im design und extra leicht konstruiert - ideal für die anbringung im heimstudio!

a fresh mixture of different old-school bass salads and some new-school bleeping. >work together< feels warm and spheric, like a perfect snack at midnight for all house music lovers out there. >robotta< on b2: this sweety makes this ep the ideal company for delightful nights!

nice sounding summer hit, ideal für den sonnenaufgang bzw für die beachparty !!! so much love to give style !!! / played by pete tong !!!

solo guitar works from jeff parker.

reissue

wrwtfww records is over the moon to announce the official reissue of legendary album ki-motion by japanese percussionist midori takadas mkwaju ensemble, sourced from the original masters and available in two versions: a vinyl lp cut at emil berliner studios and housed in 350g old stoughton tip-on sleeve, and a digipak cd. a highly creative and transcendental fusion of marimba, vibraphone, bamboo percussion and synthesizers, ki-motion was recorded in 1981 and captures the birth of midori takadas exploration of minimalism, african rhythmic tradition, and ambient music. the album takes its conceptual inspiration from the tamarind ( ÔmkwajuÕ in swahili), a drought resistant tree notably used to craft some of the first mallets and marimbas but also known for its culinary and medical uses, an essential symbol of life and identity for the central african grasslands. drawing from the regions culture and music as well as the crucial notion that rhythms represent the very fabric of life, midori takada leads her ensemble into environmental heaven to create one of the highlights of her recording career and an absolute must-have from the golden age of japanese ambient the ideal companion to her majestic through the looking glass opus!

token is pleased to announce the sophomore album from sigha. metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.

auf drei cds vereint das britische ministry of sound label die angesagtesten dance tracks - ideal fźr den ultimate workout! mit tracks und remixen von sam smith, florence & the machine, john newman, disclosure, avicii, lana del rey, swedish house mafia, alex adair, u.v.a. ...

with niko schwinds first album for stil vor talent you never loose the feeling that each of the tracks would work harmoniously on the dancefloor, but also within the concept of this album that goes from slow-moving vocal house to pretty nifty tech-house and back. niko schwind is a magician when it comes to producing very fine and mature pieces of house music that are sure to work great on the dancefloor. maybe niko has had the dj in mind that he is himself, as the tracks seem to perfectly provide great productions, but also the ideal ability to mix them in and out, with little samples providing great audible cues. after all, as the title suggests >good morning midnight< is an album with the dancefloor in mind

in der pampa wei§ man nicht, was einen erwartet. bei >thora vukk< sind ein heller und ein dunkler fluss ineinander verwoben und so verschieden die beiden strŠnge auch sind, so notwendig sind sie fźreinander. die dźsteren, herausforderenden klangrŠume bringen die melodischen, clubbigen tracks zum strahlen. die feingliedrigen grooves kommunizieren mit jeder einzelnen muskelfaser. sie ziehen an den gliedma§en wie an den fŠden einer marionette. bezaubernd schšne strings eršffnen ein packendes oder doch ungreifbares popmoment. durch die stŠndigen variationen šffnen sich die fŠcher der grooves immer anders. im gegensatz zum ersten robag-wruhme-album sollte das neue gesetzter werden und mehr mit melodien und mit selbst aufgenommen samples arbeiten - ideal fźr das schlafzimmer und fźr >fahrgastzellen aller art<.

the glitz have made people smile more than just one time during the last years. who has seen them knows that this is their life - their passion. so it was just a question of time they would honor us with their first long player. because of many releases at ideal, material-series, voltage-musique and pocketgame it is no surprise that this is no common album. the glitz are always different, always peculiar. fabulous remixes by daniel steinberg, nick curly, mihalis safras, kombinat100 and many others on this particular album collection prove this the truth. hugh and small glitz-hits were pimped with reinterpretations. blake baxter delights with a chicago-like smasher and tiny cheerful dub-melodies by soultek alternate with nic fanciulli s technoid grooves. on remixed you find various facets of club music by the glitz. a varied journey through the dance floors of this world. and the voyage has started just now

at its heart, the album celebrates the communal ideal of dance music with spirited, percussive tracks offering a clear distillation of what could only be described as the cadenza sound. but mirko also diverges from the dance floor, ducking into shadowy corners in search of more private emotions. rather than scattering energy, that tension between moods helps bind the album into a potent, coherent whole.

final song goes to the very heart of musics spiritual dimension by asking a number of musicians to select their ideal last song, either to serenade their final moments or to memorialize them after the fact. the participating artists deserve to be commended for their openness: theyre responding to one of the most personal questions one could ask. (several of those approached declined to take part- taboos are taboos, after all.)