jannowitz records is back with its distinctive style of music. synergizer is the name of patrik berg s new creation which will be released on jannowitz records. creating a symbiosis is the young labels intention.

for amselcom, london-based jaya shakira reworked the track in her fairy-like style, adding a piano that shows off the composition talent of loversrock. for the remix of her rework decalculator brought iannis ritter s smoky voice into the project. the artists achieve a calm, but poppy convergence, which fully does justice to the original monster/by loversrock. the b-side is a trip into oldschool sample based techno funk, containing the tracks freak and shade. freak plants a funny but dangerous musical description of a techno enthusiast into your ears. the samples used in shade sound like they could ve been recorded at the zoo and present a variety of mystic sounds.

after the big success of the first vinyl release, inwave prestents its second one with 4 massive tracks by vinyl speed adjust, zph, dubsons, vincenzo monastra. an amazing split where all artist expressed their own style, as scything sounds, and a variety of vibes lunge from the darkness. techno-minimal and romanian style that reveal inwave a perfect place to be.

limitierte doppel 12inch mit neuen remixes von charles webster (deep house) und ewan pearson (ny style) der beiden highlighttracks -golden ratio- und nathaniel aus ben watts aktuellem album hendra.

limited to 320 numbered copies.
if *the wanderer* was the record that brought romanthonys obscure blackmale label to a wider dj audience, *testify* was the release that cemented its reputation as one of the labels to check for in the us import section. here are brandnew remixes: jimmy edgar, in true blackmale style, takes romans original chops it in his sampler and lays the results over a thundering distortion tinged beat. it is proper raw jacking business, perfect for small dark rooms with a few hundred sweaty bodies. waifs & strays deliver a brilliant modern update complete with an air-punching sax solo (something that was definitely one of the nails in the deep house coffin the first time round and the kind of thing that could get you shot if you used in the 00s). illyus & barrientos deliver what is arguably their strongest remix to date dropping snips of the original over a quite brilliant bassline groove. ed one & boddenalso opt for some bassline action but add in classic organ stabs and todd edwards style vocal chops to their big-ass bass wobbler. lastly, we have the previously unreleased cd#9 vocal version which as usual, features one of romans deeper, more organic mixes.

fresh from his outing on inkswel s hot shot sounds label, ex uk now melbourne based artist paradise box brings four freeform nu groove style excursions to echovolt, flipping the quintessential house acapella on reel nitty gritty into a burrell brothers style banger. the other tracks touch on virgo four, mr fingers and classic wbmx style hardware soul, making a virtue of idiosyncrasy and showcasing the fallibilities of the human touch. the whole ep harks back to an era where having limited means meant that loose and expressive soulful endeavor was pursued over high production values and rigid conformism.

• an organic, cold pressed and nutritionally balanced new 4 track ep from dont !
dont returns with a brand new various artists ep and the first in a new series that takes over where the * rumpus room* records left off.. * square meal* is designed to present to you a nutritionally balanced techno record, food for thought as well as for feet.. containing absolutely no artificial constituents but plenty of roughage and active ingredients !
the a side contains 2 heavy bangers, and the b side, 2 slices of amazingly quirky and rocking wonky style techno. man of the moment joe farr steps up and serves us a heavy one, dense, big boned techno music that manages to morph into gabba and back out again. this one is causing a stir whenever its played and fits perfectly with the dont ethos of extreme idea implementation! next up cursor miner returns to the label with a demented banger that has been road tested extensively during his live sets and comes with a health warning.. flip the record over for 2 slices of beautifully freeform wonky techno, the first coming from newcomer - sane and the second from dont veteran * edit*

a lot of water has passed under the bridge since the release of etienne jaumet’s night music, dating from october 2009. his hypnotizing music and enchanting live performances put him directly on the map. it’s just him who is in control of his ship. he moves without complexes from his saxophone to his drum machine (his beloved tr 808) while turning knobs modulating synths, and sending his voice through an echo.la visite, etienne’s brand new album, more luminous and jazzy than its predecessor, has been composed and produced within a two month period in the versatile studio. it became a piece of introspection, mentally as well as physically. in the title track, for which flop wrote the text, we hear etienne travelling through the inside of a body, fantastic voyage style.it is always surprising to see a record taking shape. etienne would arrive at the studio without any precise idea in head, approaching his work rather intuitively. he works standing up, which brings a very different energy than being seated behind a computer polishing up every detail. he is in total mastery of his set-up, ready to capture that short-lived moment of true creation. the only use a computer has for him, is to record his experiments - afterwards being mixed by jerome caron (blackjoy).in between night music and la visite, etienne has not been lazy. not only has he done numerous collaborations (amongst others with joakim, richard pinhas, francois & the atlas mountain) and picked up djing, he has also recorded a new zombie zombie album (rituels d’un nouveau monde) with cosmic neman, as well as the soundtrack loubia hamra. and he worked with artist felicie d estienne d orves on the installation satori. at this very moment, etienne and his saxophone are still part of the tour of james holden.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
oslo-based, icelandic producer, b.g. baarregaard, returns to whiskey disco for his third solo ep, disco inn. the title song features a talented roster of icelandic-via-oslo musicians. inga Þyri coos blissful harmonies atop a deep groove comprised of electric guitar chucks by sigurður guðmundsson and organ and bass by baarregaard. this deep groove will work those balearic moments to-a-tee. on the reverse, undercover lover exposes rnb style vocals, delayed claps and bass groove on the outside cut and country style guitar sitting comfortably next to 303 acid on the inside for kaffibarinn, an homage to the legendary reykjavik music venue.

funkin with the drums again- sees the legendary producer and wbmx disc jockey farley -jackmaster- funk turning in some absolutely killer jacking drum tracks, chicago style. each track is an essential dj tool that has it all, italo disco inspired bass-lines, skittering drum machines, eerie analog synthesizer melodies and of course, farleys trademark percussive vocal stabs punctuating the mix.

neana makes his night slugs debut with two huge bootlegs. both sides showcase the young producers unique style, melding grime, ballroom beats and the ns club constructions manifesto into a new club sound of all his own.

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

lobster theremin launch their first sublabel proper, heralding a darker, murkier and deeper sound on their newly minted mörk imprint. retaining its mother labels passion for championing newcomers, mörk launches with a debut release from young netherlandic producer nthng. cultivating a sound that sits somewhere between prince of denmark and early claro intelecto with splashes of clone influence, nthngs stripped-back techno walks fuzzy, shrouded paths through nolstagic moments in time. at times almost drowning, his engulfing sound is a raw reminder of the power of subtlety and the use of meditative looping along with a rough-around-the-edges production style has led to an incredibly moving debut work.

born and raised in union city, new jersey, nicuris journey towards djing and producing took hold later than most. moving in circles surrounding exchange place (dj qu & joey anderson, david salazar) helped craft his style of djing & musical influences. influences were many, especially growing up in the early 80s, listening from hip hop to new wave & anything in between.

austere make a welcome with a various artists four tracker. featuring four varied cuts ranging from techno tinged house to bass heavy beatdown! life recorder kicks things off in his own unique style which never disappoints. next up is arnheim, a newcomer with a very mature sounding jazzy house number. gradul lashton takes things back into house territory with an infectious 303 laden groove. finally, fat dog comes and drops the tempo and the bottom end with a sublime track to finish.

ltd 2014 repress !!
deep percussive detroit style house with dreamy piano blue notes on the a-side, while the flip holds a more jacking tune with abstract piano chords

brilliant new balearic house ep from copenhagens music for dreams label. the opening track came to life when two danish djs - mads dalholt and zimino - made their own remixed version of al jawalas *go east* for playing out. mfd label head kenneth bager heard it, loved it, tested it out on his coma club dancefloor and it drove the crowd nuts with people literally screaming for more rewinds of this pumping horn-blasting oriental in-your-face party track. if you are a fan of acid arab and 80s leo mas/afredo style amnesia dancefloor madness then this one is for you. on side b we have the debut track from mads dalholt and partner landers - *zengo* is a sexy uplifting house groover with spacey keyboards, afro vocal hooks and a lively sax. followed by a second landers/dalholt cut, the slower more balearic *aelba* is built around a simple melodic guitar riff with some mellow xylophone bringing a warm sunshine feel. great debut for the young danes.

das fabric-sublabel houndstooth präsentiert das debütalbum des us-geschwisterpaares 18+, dessen düster-minimalistischer, stets sexy future-r&b/hiphop-style seit geraumer zeit als geheimtipp im internet kursiert und mittlerweile sogar von der modefirma prada als soundtrack für videoclips angefragt wird. pressung auf 180 gramm vinyl.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

following the success of deepchild s haitian rum runner, face to face recordings returns with a strong follow up. tim xaviers newest imprint looks to cross the boundaries between house and techno, this time featuring jamaica suk with her spektrum ep. stepping into harder techno territory the up and coming artist brings a solid 4-track ep with style and flair like none other.

for the sixth instalment in our catalogue we are extremely happy to be welcoming two new faces to the tribal pulse family. during our label showcase at last years amsterdam dance event, sonic union from sweden and khen from israel voiced their intentions to collaborate on writing a track in the specific style of tribal pulse. the week before our showcase at this years ade we have the privilege of releasing it, and we think you will agree that they have hit the nail on the head.

limited edition, white vinyl
brill prescription chicago house style

waiting for heaven is one of the cult releases by discomagic in early time of italo disco.waiting for heaven is one of the cult releases by discomagic in early time of italo disco. written and produced by ricky persi and stefano previsti, vocals by australian singer david sion. three decades later italian records proudly presents david an ricky together again with the dutch duo shambok and their updated versions of this fantastic song. a real floorfiller for all italo disco lovers.

remixes coming from don williams, johannes volk, e.r.p. (aka convextion) and traumprinz.dial records present the second part of efdemins decay versions. with a pure detroit electro version of decay e.r.p. aka convextion starts the second episode of efdemin remixes followed by a rough bouncer by mojuba boss don williams. johannes volks remix of parallaxis lets the efdemin starship discover the sound of foreign planets. back on earth traumprinz deliver a true 90ies style rave hit – goosebumps all around!

having taken a break from releasing on the basic grooves imprint, shane linehan returns to his native label with a straight up house music two tracker. side a meditate on this takes inspiration from detroit styles. moving chords, slammin claps and a chopped up scat style vocal is what s on offer here. the b side -the unintentional dub is a stripped back eeh, dub true to the original bg style.

in the lead up to his debut solo album the ten thousand yen label boss returns home with four essential cuts, with two vocal features from la s seven davis jr. the ep is led by what s it gonna be? which is already picking up early love in the clubs and on radio by the likes of annie mac & skream. from the disco-charged drive of together to house/acid/techno morph ghost text to the r&b lean of i promise , the from mine to mistress ep is a diverse collection of tunes that really show off daneeka s varied production style.

hlanganani music is a new label with its roots in south africa and london, focused on bringing international attention to south african artists. hlanganani music, which translates from zulu as come/get together has its first release from zulu artist butiza. entitled baphuma ezulwini (they came from heaven) the track features vocals from butiza in the style of maskanda (or maskandi-a kind of zulu folk and scathamiya as well as remixes from european mainstays, xdb and christian prommer. the project itself best illuminated by hlanganani label heads and south african expats shy & linda aka sahin meyer with the label the goal is to really help all the artists involved and open new doors on both ends. support by: mr g, jimpster, mano le tough, steve o sullivan, dam swindle, auntie flo, ooft, severino, cottam, lo shea, a sagittariun, drums of death, trickski & more.

asoks scenery imprint continues to go from strength to strength, with the boss man following up bantam lions recent recollections ep with a single of his own. hunter is undoubtedly the liverpool-based producer s strongest track yet, with woozy, soft-focus chords and alien electronics riding a dusty, analogue-rich groove. as with much of the labels recent output, there are distinct hints of mood hut, future times and mister saturday night. experienced producer versalife reworks the title track, turning it into a blissful chunk of drexciya-style electro. flip to the b-side for cabal, an ultra-deep and occasionally discordant concoction, and the fuzzy, detroit-influenced bounce of millennium 2.2.

new jerseys joey anderson joins the tanstaafl family in fine tripping, jacking & twisting style. body & soul music for the headstrong.

computer controlled records is a new vinyl only label from belfast, northern ireland encompassing the raw analogue sounds of chicago & detroit style techno, house and electro keeping a diy ethos with screen printed sleeves. the first release comes from mark forshaw who has previously released on tabernacle, mathematics, iii rivers and apartment and is one third of phantom planet outlaws alongside binny & john heckle. this ep delivers 4 tracks of raw analouge acid and detroit techno funk.

• more superb new techno from capracara !
• new london based label one day wonder
• early support from optimo, perc, moleskin...
second release on one day wonder sees capracara (unknown to the unknown/cómeme) back with the relentless, peak time spank of *digital dungeon*, plus his energised, industrial-strength, ebm style remix on the flipside. both, linking the sound of current club play back through juniors sound factory and nycs hard house era. early support from optimo, perc, moleskin...

borodin has come a long way since his first introduction into electronic music in 2001. thanks to his undeniable skills he has developed a unique style. borodin has been one of the most consistent producers around in recent years. melotherapy is proud to add to the family an astounding style and sound. each and every track will take you into borodins mind and soul. this ep is evidence that borodin has drawn upon all his years of experience to craft an accomplished debut record for melotherapy full of malformed drums, conspicuous hits and amazing breaks.

originally released in 1978, luv you madly orchestra s 12- taken from their first (and only) lp features the prodigious mixing talents of the iconic disco alchemist walter gibbons whose deconstructive style has left an indelible mark on contemporary dance music right up to the present day. elements of dub and experimentation had always been ingredients in gibbons formula when it came to dj-ing, mixing and re-mixing records throughout his career and -rocket rock / moon maiden- is evidence of this.

... adonis comically named -endless pokers- project is no joke, in fact, this is some serious chicago acid house! originally released in 1987 and featuring adonis trademark staccato drum machine rhythms, creeping acid lines and cowbells -the poke- is a classic (watch out for those vocal stabs too!). all 3 mixes featured on this 12- bring something new to the table, twisting and turning that acid line into a frenzied buzz. this is pure old school business, chicago style! raw, simple box jams of the highest order! a definite essential, a record like this in the right hands can produce some devastating effects and still sounds incredibly fresh today. re-mastered, re-pressed and brought to you in conjunction with dj international records.

reissue of a 1986 italo-disco classic.
accept no imitations, this is a genuine reissue from the label who gave us this now-legendary italo maxi-single back in 1986. often discussed in hushed tones among italo and disco enthusiasts mirko galli s most successful release tapped into the british songwriting/pop dynamics with both tracks while retaining full focus on the dancefloor with heavily synthetic grooves that refuse to quit. -when i let you down- is a visage-style love story blessed with intricate melodic layers and big catchy vocals. meanwhile -boogie tonight- is all about the metallic arpeggio, a nagging hook and future-minded arrangement twists that foretold the drama of house music before it even happened. a serious document, this.

the maaskant polychoral style was a type of music of the late modern electronics and early indie eras which involved spatially separate voices singing in alternation. it represented a major stylistic shift from the prevailing polyphonic writing of the early electronic generation, and was one of the major stylistic developments of the 90s which led directly to the formation of what we now know as the pure modern style. a commonly encountered term for the separated analog choirs is cori analogici spezzati — literally, phased choirs. the a-side, featuring eyo olokun, signifies unfathomable deep grooves. that is, the instinct that there is something worth knowing, perhaps more than can ever be learned, especially this bassline that most people spend a lifetime pondering.

this is potion number one. murat tepeli is known for a style of house music that is rooted in the formative years of house, without any nostalgia but absorbent of the here and now. on this ep, he showcases his love for bass and what he considers fun on the dancefloor.

vinyl only release
slamming deep hynotic minimal style

cultivated electronics presents the first in new series of collaboration eps which sees ce label head sync 24 joining forces with other artists. the first instalment is with the the dark electro purveyor the exaltics (bunker, clone, trust, solar one etc). together they serve up 4 moody yet diverse electro tracks synonymous with the style you would expect from both of these producers.

leao is the house alterego of deep/tech producer robot needs oil and hes now in our metropolitans crew! he presents a very uk style track with a famous vocal sample and we think that it will move many heads! in a2 there is a great rmx from italian duo mattei & omich: this sound is taken from their.

maurizio cascellas debut on wonder wet records, a first single with an unarguably techno flavor. artist formerly known for his past productions with elettronica romana, label which marked a specific period in history in the capital,through a style and sound that has seen performers like brando lupi, attilio tucci, donato dozzy and giorgio gigli.

brand new 19 track double vinyl lp from cracker jon & 2late entitled *you can take the cracker out of croydon*. cracker jons highly anticipated debut album on high focus records entirely produced by 2late. featuring fliptrix, dirty dike, leaf dog, lee scott, datkid, sly moon, dubbul o, smellington piff, eric da red, strange neighbour and dj sammy b-side. this limited edition double vinyl comes shrink wrapped with an exclusive plastic drop card that contains a digital download for the whole album plus some bonus instrumentals and pictures.

home of house records is glad to present you a new release produced by the old writer. three new old school style tracks that keep alive the early sound of 90s. theres nothing else to say, we leave you to the pleasure of listening.

dan white with no 5 on forbidden planet, spooky acidic style , and of course : vinyl only

brilliant old skool styled detroit techno , or think juan atkins / ur - style

next hypnotic groovin tech monster, romanian style

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

thatmanmonkz is certainly enjoying a fine run of form ! heavy duty releases for delusions of grandeur & kolour ltd, alongside a steadily building and essential catalogue on his own shadleaf music label for their fifth outing the label has opted for a split single, with french house royalty ludovic llorca aka art of tones handling a side duties ‘so worried’ marries a spoken word vocal with an irrsesistible clipped organ led and bumpin’ house workout that sounds a lot like fellow frenchman st germain did way back when. monkz handles the flip with the kind of rough and ready sample-house jam the label has championed ‘got to get to’ strings together a handful of live instrumentation & melodies in classic collage style, while the dub strips down and houses up the ingredients for a clonked out finale.

coming on 500 limited edition coloured vinyl is this new ep from sierra sam on tomoki tamura s holic trax. analogue machine loving sierra sam is probably best know as a techno specialist but this ep - made up of original tracks that were first produced 15 years ago - showcases his house music side and does so in some style. one new edit comes from sierra sam in cahoots with tamura, and the label head also turns out a great dj tool edit to complete the package