limitierte neuauflage im originalcover von 1980! aufgenommen im channel one studio mit den roots radics und von scientist bei king tubbys abgemischt. weitere credits sind produzent: henry junjo lawes, bass: errol flabba holt, drums: carlton santa davis, guitar: earl chinna smith, eric bingy bunny lamont, keyboards: ansel collins, gladstone gladdy anderson, percussion: christopher sky juice blake, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

primitive world music lurks in the shadows of the weirder, experimental side of the dance floor - juddering bass, knocking kick drums, dropouts and pops and scuzzy, fizzing synth lines alongside the jacking percussion. think morton subotnick meets marshall jefferson - this is house musique concrete.

nite recordings third 12 inch brings a amazing production by deep mariano & yoshitaca together. this single gives us an original song called oh yeah! with a crazy voice sound and very fat bass line. in the other side of the vinyl we have a deep house song called smog, perfect for warming every dance-floor. also we have a remix from fer marino of oh yeah! which highlights the crazy voice with classic 909 drums. a must-have 12 inch that you can play a any time.

celebrating the 10th piece of all inn black series phrasis veteris show their real talent by the tools of neverending rolling drums and moderated old-school deepness. these four tracks make the perfect combination of the sweet techno & house darkness, and it proofs the extraordinary musical taste of the famous romanian duo, again and again...

bastard jazz is proud to present the debut ep from brussels based production duo eric p & luigi aka monkeyrobot. coming to light through their work as 74 miles away (melting pot music) and tall black guy, who selected their standout >basement infusion< track to be on his tempo dreams compilation album (released in june on bastard jazz), and alliance between the label and m.r. seemed natural.
here on their self titled 12 inch, monkeyrobot deliver four diverse tracks that showcase their skills behind the boards, the keys, with a keen ear for the dancefloor. kicking things off, >brick stomach< is a synth-heavy four-to-the-floor 120 bpm joint that comes off like a floating points visit back in time to 1980s detroit with its rolling snares, arpeggiating synth bassline and cloudy pads. next up, >northern light< filters shimmering space disco vibes through big, thumping instrumental hip-hop drums and moody analog bass. on the flip, >rose gris< takes things in a funkier direction at 100bpm with its syncopated drums, irresistible lead, squelching bassline and all manner of synthesizer explorations. rounding off the ep is >last days<, which still manages to inject a funky 80s analog sound into its melancholy downtempo vibes.

total control dislocate expectations with this inaugural home loan records 12 inch. not the charged up paranoid vox/guitar/drums combo that we have become accustomed to through their visceral live shows - instead men with machines producing pensive proto-tech experiments and tense industrial wave. includes the original version of carpet rash which was re-recorded in full band mode for henge beat, and two previously unreleased immersive rhythm tracks formed through collaboration between guitarist mikey young and drummer james vinciguerra. vinciguerra would fire deranged beats down the hole while young would jam over them, watching waves in a trance from his perch at phillip island. on the flip we find two reconstructions from home loan manager michael ozone. carpet rash receives the club re-contextualisation with ozone fully utilising its penetrating synth hook, while new age hop climbs the arabic scale.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

nice price deal !!! prism studied drums under vance gordan specialising in afro cuban rhythms and the moeller technique prior to venturing into music production. after becoming more intrigued by the intricate likeness of all societies, cultures and religions, prism was created with a deeper purpose. not only to showcase these influences but to convey an awareness that all things no matter how different they may appear in physical form, are all the same. having an ear for deep jazzy tunes and being hugely influenced by the early metalheadz era, prism continues this sound in his selection of music playing vinyl and unreleased dubs from all around the world. always in tune with the roots of what started both dubstep and drum and bass, prisms selection rarely strays away from raw, emotional bass music but contains something for everyone which will insure a good time for all who catches one of his sets

mowar enters autumn with the 2nd instalment of deep floors, once again exploring the deeper grooves of techno. first up is ohios fbk, whose first release already goes back to 1996 on the legendary frictional records. with she brought me there fbk opens the dance with a solid deep dancefloor groover, driven by a hypnotic hook and infectious chords. stripped down and yet full of atmosphere. after that uks tom dicicco and italys roberto bosco team up to deliver all dem, another stripped affair with rolling drums and chord stabs, a solid blend of deep hypnotic layers of groove. on the flipside we find spains aiken with a strong detroit-infused workout, in-your-face kick drums, jacking rhythms and dramatic strings. your turntables will love it. last but not least, a new belgian upcoming producer stevie p delivers a dubbed out functional deep techno track with hip-sensitive chord stabs and a fiercely throbbing rhythm.

neuauflage des albumklassikers von 1980, aufgenommen im channel one studio und abgemischt in king tubbys studio von scientist. der produzent henry junjo lawes engagierte folgende musiker: bass: errol flabba holt, drums: santa davis, sly dunbar, style scott, guitar: sowell, bingy bunny, melodica: jimmy becker, organ/piano: ansel collins, steely, gladstone anderson, percussion: bongo herman, sky juice, sticky thompson, saxophone: headley bennett, trombone: val bennett, trumpet: bobby ellis

great dont techno 4 tracker... new moves from cursor, ben pest & jerome hill ... cursor miner has built a solid reputation over the years for being a free thinker in the world of techno, breaks and bass music, and here for dont he delivers the massive >nonon<. with early support from perc, the track has to be heard to understand... it lures you into a trance then thunderous spastikesque drums pummel the listener into submission. in one word, classic. plus you get palinki, a warped techno bouncer. on the flip, another freethinker, ben pest treats us to >yam um sugli<, with deranged synths and drums practically oozing funk, this sounds like nothing else on the planet.. which is what dont is all about! finally, label boss jerome hill steps up to give a reworking to the aptly named >rumbler<, an intense techno bruiser!

limited to 700 copies !! incl 3 x 12 inch (coloured vinyl) + 2 cds and dvd, photo book with 270 pages, watergate guestlist coupon, a1 poster, special cover... timeless

after their sure-fire succession of great releases dam swindle end up on the excellent freerange imprint. and if you like the words deep along with atmospheric then this will most definitely appeal to you. from the opening title track with its lush, moody nu-groove styled pads and thunderous hand-claps these three productions simply ooze class and intensity in abundance. next is >gotta know< which rewinds back to classic house sounds and injects a sense of melody into the already swinging rhythms and punchy, detroit bass. which is then followed by >brotherman< and yet more in-depth moods, this time accompanied by jazzy, scat styled vocals for added diversity. finally we have wolf music main man krl stepping up to remix brotherman and a rather sterling job he does to. making great use of the vocal krl brings us a slowed down version with his trademark shuffling drums and a dynamic arrangement. piano stabs and a cheeky boogie synth sample all help bring his own sound to the track and round off the package perfectly.

emission of electrons of a surface closes the release. dark and deep drums as cleverly programmed as ever, running on an infinite loop salted with bleeps and microtextures that lay under the ominous rhythm.

morgan zarates second release for hyperdub is a bold and unexpected move for him. he has been known in the past as the producer for leftfield soul group spacek and also currently as one half of the shining, signed to xl records, but with >broken heart collector< he has made some highly contagious dubstep pop, featuring rising singer / songwriter / producer stevie neale on vocals. stevie warns of a guy who is the titular >broken heart collector<. her rnb vocals contrast with a fierce storm of drums and vertiginous synths that attack like waves against rocks. it is a brilliant pop song, with a chorus earworm you might find hard to resist. there is also an instrumental included as well. the third track is >crey bey<, an energetic, grimy 8 bar instrumental. it shifts between dive-bombing synths and a spooked, nervous melody over a rich organ track, with martial kicks and snares guaranteed to get you bouncing.

luca c & brigante are beginning to need no introduction as their heady balearic mix of sounds continue to resonate from the beach to the club. together, they have dropped bombs such as >different morals< feat. ali love and the robert owens fronted >tomorrow can wait<. luca c is also one half of infinity ink, whose >infinity< has been one of the summers biggest records, and a new addition to hot natured alongside jamie jones, ali love and lee foss. sebi aka brigante has remixed the new single from ali love, about to drop on no.19. aligning with the ancient mayan prophecy that the end of the world is due december 21st 2012, luca c & brigantes new single >flash of light< featuring dance music icon roisin murphy is a call to love like there is no tomorrow. embedded in heavy reverb and stripped back to slow steady drums, the mood rises as roisins crystalline vocals fall into rhythm and weightlessness builds with the bassline hook, pearly high-pitched strings and a burst of harmonic percussion.

sunwalkers is the b-side project of rks, thats what happens when the power of the beats meets the light of the synths. a raw mix of miscellaneous pad and analogue drums that start with a tribute, a detroit reminding track, 303 acid bass and a blaze of sweet melodies, like the old school way says. the ride goes on with 2, an easy dancing jam, the piano chords run into an unceasing clap for a massive dirty floor killer. on the b-side terrence parker puts his groovy piano style on a brilliant remix of the light, seven minutes of pure detroit parkers energy with a dreamy heartbreaker bridge.

tang recreates a track he imagines he heard at the since the accident! party, in the 80s. 303 bass over 707 drums. also includes a bonus beat & specter remix of sta, plus added track >descending<.

icu boy n dread has been making some serious waves of late and when you hear his music, it doesn’t take long to understand why. his debut here on smokin sessions is soulful and beautifully engineered. clean crisp highend frequencies tickle your ear drums and the low end cuts through with a weighty punch. all 3 tracks have been supported by the deep heads page and had a very positive response.

every sunday night, you tell yourself again.. next week >everything will change<, you will >slow< down, but then the next weekend comes around and you cant resist and you >get up and dance< again. >everything will change< has a melancholic but satisfied atmosphere. >slow< is a timeless track for any situation, and >get up and dance< has a very unique dynamic of sounds and drums that makes you kind of nervous, so that you can not wait any longer to grace the dance floor

dope me / does caroline know? is a slightly clubbier affair-less sun ra and more soul capsule-but still possesses the air of strangeness that makes the duo so unique. each artist leaves his mark within the first few measure of dope me. the steady high-hats and flawless kick drum are straight out of dazes playbook, while the nervous piano and 3 chairs-style claps are unmistakably bruno. as for the slurred vocal pleading >dope me..dope me<, thats anyones guess. the track carries on for a solid nine minutes as half-melodies and quasi-hooks slide in and out of the mix. the b-side, does caroline know?, takes us deeper and darker. the drums are plodding, the mood is ominous, and a series of dreamlike flourishes add to an already eerie groove. like the a-side, its a surrealistic style of house that only these two could deliver. the artwork, as usual, is done by daze maxim.

2 slamming tracks by label heads silent servant and santiago salazar with that classic historia y violencia formula! side a >mi alma< is a throbbing beast of a track with silent servants signature feedback sound underlying it all. while the drums pulsate along the track, the main synth modulates throughout working the dance floor to a techno frenzy. side b >corazon< is the perfect contrast! taking notes from the 313, salazar builds this track with vibes and strings to a uplifting detroit vibe that is his signature sound.

a best off all new things on the everpopular phobiq imprint by sasha carassi. the mechanized warfare of void opens up the release, with industrial snares taking front and center. meanwhile, the steamrolling groove never lets up and bleeding stabs lead the way to a subliminal riff that grows and mutates.the original mix of z-nasti makes strong use of ghostly chords while sonars fire away over tightly programmed drums.

the record is opening with how do i feel, a deep house master piece from max duke that has been included in the fabric promo mix by dj sneak. with an orchestral background and nice vocals. following we can find the remix of denite (resopal). with a good revision of the original track, adding a good keyboard play and his drums percussion touch along the track. the third song is back to universe. another great tune where instruments keep rolling and rolling in an evolving atmosphere. and closing the release the awesome remix of pawas (night drive music, ostwind, brise). with a massive rework of the original track that gets the track somewhere further. four great tracks for the first vinyl of redlight music

the one and only disco nihilist is moving forward.mike taylors second ep for running back is turning the curve ball of the first into a wild pitch (if baseball metaphors are your thing). 4 tracks across the disco nihilist spectrum: the rare cheerfulness of house rent boogie is backed up with a classic and no-nonsense rz-1 beat symphony that is aptly titled beatdown drums,while the flip presents the masked mania of film grain and some grumpy grittiness with operator select. mastered and cut in the us of a by legendary engineer mark richardson at prairie cat.

a freaky, bumping brand of deep house that stands apart from the glut of smoother styles being mined at present. >groove your world< boasts surreal pads that create an overall delirious vibe, only bolstered by the off-kilter choice of vocal snippets and occasional thunder cracks. medlars remix finds its way into that swinging shuffle that hes made his name on thus far, with some smooth keys to boot. >let me know< works off some bold chords before meandering off in an altogether different direction, and >you got my time< clatters along with a quintessential chicago ruffness that leans heavily on the drums

considered by those in the know to be one of the founding fathers of dutch electronic music, rick van breugel makes returns to his rare electrick dragon alias for a superlative debut on the cyber dance imprint with space connection. hardly the most prolific of labels, cyber dance releases are invariably italo disco worthy of your attention and the three tracks here ensure this status quo remains! tough and rough, >night with you< finds room amidst the flexed drums and thick arpeggiated groove to drop some romantic italo vibes for the lovers out there, whilst some sort of odd laser fx on the two adds that extra degree of individuality to the gleefully effervescent exercise in constantly building joy that is the title track. final track >soon as the stars< is a production that could only have emerged from the lowlands, the ever present outer galactic synth work and subtle yet intricate tape saturated percussion complemented by key lines that spiral in and out of focus with hypnotic intent.

old friends who started their passion together are now compressed on this ep. patrick k moved from frankfurt to berlin, he is resident at the funky people party in frankfurt, a huge music lover and addicted to his studio. his sound is mainly based on drums and rhythms and he knows how to handle it.
martyne, the former staff member of the famous freebase-record store, is currently based in offenbach. after releasing several tracks on labels like cécille, be chosen and la pena, he delivers now this ep.

arttu returns on 4lux and he returns on form with two new cuts. summin bout drums is a dirty and sleazy house affair. the finnish producer now residing in berlin comes with two fat versions of his own while basic soul unit provides for a frantic remix with a crazy acid vibe. set you free is a bumping track with hard hitting drums cut up vocals and harsh synth elements. time to jack!

deep, thumping after-hours burners, flush with prominent drums and groovy bass lines and sultry vocals

auf >breakthrough< verschmilzt kalifornisch-inspirierter psych mit einflüssen aus aller welt. durchdrungen von ominösen und verzerrten tönen sowie entfesselten drums ist >breakthrough< vielmehr als eine sammlung von beats - hier fusionieren elektronik, psychedelic-pop, funk/soul, hip hop und dubstep zu etwas eigenständigen und aufregendem neuen. gastaufritte von gonjasufi, adrian younge, dimlite, daedelus, samiyam oder computer jay machen >breakthrough< zu einer reise der kreativen verbundenheit und einer stammes-zeremonie mit einem gefühl von gemeinschaft, welches den stellenwert der kollektiven erfahrung für the gaslamp killer wiederspiegelt. mit >breakthrough< gelingt the gaslamp killer eines der spannendsten debütalben in 2012!
2 x 12 inch vinyl im klappcover, inklusive code für freien mp3-download des albums.

the excellent black key records returns with its first multi artist release, the eponymously titled black key ep featuring blm, flori & james johnston.
brighton based black key records has built a strong following for its individual take on deep, underground house music. releases from jonny cade, andy ash & chamboche, backed with remixes from ethyl, ugly drums and blm have given black key an instant kudos. now the black key team look to the release of their first multi artist ep featuring three superb cuts, from three outstanding producers.

celsius bring the sounds of chartstalker to the table with this next release all my love ep. even though chartstalker might be a new face to the drum & bass scene he already produced music for notable artists like wiley and the roll deep crew. kicking off with all my love chartstalker shows his diversity as a producer combining hip/glitch-hop breakdowns with powerfull drums, raging basslines and soothing vocals.

ever wondered what untold jamming with gang of four after a night at rage might sound like? of course you havent. neither have we. but it will give you some clue to the sound-clash he’s cooked up for the final part of his change in a dynamic environment trilogy. kane picks up a nagging post-punk baseline and drives it like marty mcfly through three decades of club music. while overdrive simmers with punk attitude before spitting right in the face of melody and exploding into a raucous, drums & bass jam.

bastille days is heavy rolling stuff. its earth-moving kick drum impresses, but its the trademark technasia synth that really takes the track to another level. this is after all the soundtrack to a revolution. the beats remain heavy on the flip, sunkiss and belying its name, the track rolls out its tribal drums and crashing hats. perfect for the summer floors. enjoy!

moniker of 22-year-old brighton based charlie baldwin who cites steve reich & percussion heavy jazz as main influences for excursions into complex rhythmical territory. uses found sounds, live drums, synth & vocoder for unearthly beauty. kasket kicks off the ep with fallen, and it is apparent from the off that here is an artist very much ploughing his own unique furrow – the track has a polyrhythmic bounce that veers towards bhangra, tethered by a deep melancholic synth chord sequence and a heavily distorted vocoder.

aux 88 makes there anxiously awaited follow up two there black tokyo project. the first track >magic< is a true melodic synth groove driving 4/4 track that takes you in to there dance driven world of black tokyo featuring the cool soothing vocals of ice truck. >magic< uses those detroit emotional string chords that works the crowd in a frenzy and then drop in those base driven beats that only aux 88 can program.
side two >astral projections< featuring ice truck and erika tele. >astral projections< takes you in to the more ethereal woven techno culture of japan and detroit. the bass line is unmistakable aux 88 while keeping the baseline as the main intro. this track takes you there. with ice trucks mind soothing vocals and tribal type drums pulsating this track is sure to be a favorite on the dance floor. interlude mix b2 featuring erika tele is a more harmonic sedative mix type interlude that great to use for any intro dj set.

gehm returns once again to the mathematics imprint for more banging house cuts! fire & ice along with from space 3 suns bring old school chicago house vibes with raw drums and eerie synths. warm words dont help as much as a helping hand with the title track take on the flip.

jonathan boulet liefert mit seinem zweiten album auf australiens bestem indielabel modular einen energiegeladenen ausbruch an melodien und harmonien auf unablaessiger, archaischer rhythmik. hier verschmelzen chorgesaenge, drums auf speed und rhythmische perkussion zu einem bombastischen power-pop, der an die besten tagen von julian cope und the teardrop explodes erinnert.

nice price deal !!! remix time! alignment present 2 remixes from artists right at the front of modern drum and bass, octane & dlr and dub phizix.octane & dlr are on the cusp of unleashing their debut lp >method in the madness< on dispatch recordings, they have taken on the 3rd release from the label – gerra & stones dance floor damager >droneheads< and have delivered a remix of devastating capacity. already gathering steady dj support and featuring on dj hazards fabriclive 65 cd this one is set to blow!on the flip to this double a side remix ep we find manchester man of the moment dub phizix switching up the flow on the first release, judda and treos >6th element< true to his style dub phizix has flipped the original completely on its head for a truly original sounding remix, masterfully intricate drums roll steady throughout a serious system testing sub bass as only he can.
dj support: hazard, break, basher, octane & dlr, skeptical, ulterior motive, dub phizix and many more to boot…

bobby champs stormed in the scene with his debut moonlight earlier this year, universally praised by publications like ra (4/5), mixmagand dj mag. follow up ep drag queen shows a development, a more mature but still raw sound explores berlins midnight and londons 3am. title track drag queen is quite unlike anything else, a weird track, an enigma, a four four kick provides some sanctity to the listener whilst scratching synth work and unusual textures bemuse and delight in equal measure. latte brings us back to more familiar club territory, filtering works effortlessly behind the kicks, the synths reference piano house. charlie is a menacing beast with swagger, beautifully produced arrays of clicks massage the cerebellum whilst the pounding drums kick you in the chest.

frucht - only deals with fresh fruits. the berlin label decided to start the 12inch series with 3 remix compilations to give an overview of the labelsound. somewhere between minimal, techno and tech house but always with a club aspiration fruchts >aprikose< is more than a dynamic and powerful dance floor killer: heavy drums, groovy basslines and twisted vocals are perfect for bright open airs as well as for dimmed clubs. labelhead coeter one and his mexican partner splatter are not releasing a specific genre - but smart productions really have to rock the body and soul by the use of outstanding sound-selections and brilliant arrangements. this is what we call >fruity<. are you ready for an exciting future with frucht label?

this is the second track taken from lewis parkers forthcoming album the glass ceiling. walking on a razor part 1 finds lewis demonstrating his skills on the mic over a raw, hard beat with those classic sounding lewis parker drums. meanwhile, on walking on a razor part 2, lewis called in two legends of the game, sadat x & shabaam sahdeeq, to lay two hot verses in among his own. this extended 12inch also includes two lewis parker remixes, plus instrumentals to all the tracks and an accapella. limited pressing so act fast.

celebrating a landmark tenth release, biscuit factory records brings two absolute stompers. the a side is creature, a laxx and farkas collaboration. on the flip laxx and soap dodgers team up with hi rolla. creature is a 4x4 combo with a smooth hypnotic vocal that drops into a heavy bassed, techy roller. the biscuit factory is set to full speed on this one with industrial synths and weighty stabs crashing over the raw upfront bassline. hi roller is a dance floor club smasher. dark robotic basslines and pure weight make this a perfect flip to creature. the low sub bassline and hard punchy drums combine with light melodies in the breakdown to make a track that turns speakers inside out and shreds clubs to pieces. creature and hi rolla have been a staple in walshs sets over the last few months, destroying raves across europe. huge support also coming from n type on his weekly rinse fm wheel and deal records show, hatcha (kiss fm, sin city recs) and skream and benga (bbc radio 1).

foreign sunrises are always inspiring an artist. festival gigs with amazing music and extraordinary people making you feel the real magic of electronic music. einmusik packed all those things and made a dreamy and mysterious ep called >damgala<. only two tracks coming up, but they are special and wistful - nothing more is left to say about the feelings of an artist traveling all over the world since months. >damgala< itself is a song with unsettling synths, an undulating baseline and rolling drums. the breaks are so strong and suprising and you will never forget this sensuous chorus. >st.anna< is the second number on the ep. it is made by mars leder and einmusik. they meet each other on several parties in berlin. mars, a young and talented dj also plays a lot of instruments and so they made a studio session with different sequences. the guitar is clear and melancholic, the synths are soft and the bass is catching you. close your eyes and feel the song without being prejudiced by some words.

lectric sands drops another sick 12 inch this time with 3 cuts from zoovox. the title cut brings vintage drums with organic piano chords and a subtle guitar shred. splash wave is a raw track with soft synth backdrops and an areggiated line. gymnesian dawn is a dub of the main mix.

vase returns with musical prodigy koreless releasing his long awaited single lost in tokyo alongside a dancefloor readied remix from label boss jacques greene. lost in tokyo garnered hype after being featured in jamie xxs bbc radio 1 essential mix last year and soon became a crowd pleaser in the young producers infamous live shows. featuring his trademark formula of stripped back production, lush atmospherics and hypnotic vocal chops. warm synth pads glow as the signature vocal pitches dramatically build to a beautiful crescendo. on the flip man of the moment jacques greene flips the track into dancefloor territory with pounding drums and incredible energy. dj support comes from annie mac, mary anne hobbs, gilles peterson and benji b

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

with no rest for the wicked boe introduces a second debut for the label in 2012 and a special double feature from a new alias of a very promising ukranian talent. the first transition by g-transition (alias brother g) is a super deep journey through the cosmos, featuring shimmering pianos, rumbling drums and a touch of dark energy thrown in the reactor.