bristol based julian smith aka october returns to skudge records with the full length black body radiation. sounding like the soundtrack for a long lost dystopic anime movie. action packed, intense, fast-moving. body music from the future.

zweite produktion des japaners hoshina anniversary für boysnoize records nach seinem digitalen album *barcelona* im sommer 2014. die neue ep besticht durch das infiziöse *tough* sowie das entspanntere *motion emotion d.i.c.e*. zudem bietet die 12 inch exzellente remixes von *tough* der beiden us-techno-produzenten d marc cantu (spectral sound, ghostly), neben dabrye eine hälfte von 2am/fm, und greg betao (apron, l.i.e.s.).

solimano returns to his unlock recordings imprint with two mellow house cuts, featuring a pair of imaginative reinterpretations from fellow argentinean’s barem and deep mariano. originally established to promote latin american productions in 2004, unlock recordings has since hosted the likes of jorge savoretti and guti. its founder, gonzalo solimano, has proven himself time again as a label owner, dj and producer, working as a ‘mr. x’ at red bull academy for almost ten years when not performing at the likes of creamfields buenos aires, south american music conference and space world tour. ‘learjet’ is a low-slung groover complete with organic samples, bass guitar licks and a hypnotically looped vocal sample. up first on remix duties, minus regular barem subdues the raw textures of the original to generate an understated rendition, whereas get slow founder deep mariano takes it down a percussive route where an infectious rhythm is accompanied by dub inspired synths. finally, ‘calling again’ is a sensual deep house cut featuring the vocals of sophie taylor, known for her collaboration with mathias kaden, among many others.

debut album from acid washed founder & member andrew claristidge on his own label. releases on record makers (sebastien tellier, kavinsky, midnight juggernauts). limited to 150 edition lp on yellow yinyl, includes insert to request download. insert will explain that if listener posts photo of the record on social media and tag artist, he will receive the free mp3 download link. the artwork was created by océane moussé.

the 5th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists, 3 moody tracks full of deepness by rhythm&soul, label manager of slow town records, and on a mission records along with jef k … it comes with a remix of two diggers !

special package for all you plus seven lovers out there - contains psr001 & psr002.

exploration is back with 3 techno bangers!
* planetary mosaic* comes with slow building synths and a majestic piano, constructed around a heavy stomping bassdrum.
* simplexity* is a stripped down track with spaced out bleeps and a subtle snare staccato attack.
* light module* projects a dystopian environment with jacking synth structures, robot voices and a dramatic atmosphere.

this is the first record on slow motion’s sister label, wrong era. wrong era takes the name from our monthly berlin party and has a focus on international artists who are dealing in all things electronic and discoid. the first release comes courtesy of kruton aka milo smee (bintus, power vacuum), who brings four tracks of mechanical funk and tweaking disco. included in the package is his remix of friction by gold blood, a track that has long been a secret weapon for a few select dj’s. there are also three brand new original tracks of heavy ebm jams that are guaranteed to keep dance floors moving all night long. wrong era arrives in a physical format with a bang!

marvis dee opens the newly varnished in the my dreams imprint with a boogie-led 5-track ep of late-night 80s house and slow groove-soaked beats. drawing from the magical influence of the conga-a-plenty tr-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. sailing over alpha moon is the first in a 3 ep series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. trapped solely in the memories of others, but returning in our dreams.

a distant shadow of a woman with jet black stringy hair glistened through the nearby shrubbery. was it her, or was i again lost in my own dementia? how in the living world could this be? i sipped on my medicine and fell into a deep sleep. i awoke days later to see her sooty eyeballs rolling over my entire body. her black wings seemed to stretch over a mile wide. they ever so subtly fluttered from the slow wind that was creeping in from the north. i startled when i realized what was happening and sprung up from my chemically induced coma. i grabbed her by the neck as tight as i could, only to realize that i was holding a black birds tail feather in my hand.

harro triptrap is going to kick out the first osmund audio baby. with three 97 bpm slow motion rockets, he s ready to set things on fire. from the baltic sea into the universe. this ep perfectly fits into every after hour from new york to tokyo. hyper hypnotic basslines with endless pressure meets a special melancholic mood. so let s jump on to harros train to nowhere.

spanish native javier carballo is an aspiring dj and producer from the canary islands. after releases on several labels like one records, la vie en rose and on his own imprint overall he celebrates his debut on tabla. the ep consists of three strong four-to-the-floor tunes and a heavy remix made by s.moreira from slow life.

der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als vinyl-edition vor. *roforofo fight* ist 180g schwer

levantis, ein alias von einem der innovativsten elektronischen künstler unserer zeit, wird sein debüt-album *romantic psychology 1* ende oktober 2015 via technicolour records / ninja tune veröffentlichen. es handelt sich um das erste lebenszeichen von levantis seit der 2013 erschienen *believe* ep auf the trilogy tapes und ist ein elf song starkes album *about nigredo and possession of the shadow*. technicolour wurde ursprünglich von ninja tune als reines single-label gegründet. nach 12 inches von legowelt, hieroglyphic being, florian kupfer, kutmah, bnjmn und u ist *romantic psychology 1* das erste album auf technicolour. die schwarze 180g vinylversion kommt in tiefschwarzem sleeve mit lackiertem titel, das innenliegende album-artwork stammt von eve ackroyd und wird gedruckt auf unbeschichtetem 300g kunstpapier. ein downloadcode ist ebenfalls beigelegt.

original motion picture soundtrack. 12 new compositions by gesaffelstein. pressed on two 180gram heavyweight vinyl. screenprinted gold on black gatefold & inner sleeves. musical score art print on x-ray paper. limited to 1000 copies worldwide

born 31 years ago in geneva (ch), pascal brings his gritty mellow tones and extra shuffled patterns to the traxx underground familly. strongly routed into jazzy vinyl samples, black speaches and spatial atmosphere, the 3 tracks composing « wise man s decision ep » take inspiration from the past to showcase a true vision of what slow-deep-house should be in 2015. at last but not least, the great fred p came to make his hands dirty, delivering a true reshape of -wise man s decision-, offering us a tunnel from where it ain t easy to escape. vinyl only release!

bld returns with a heavyweight cuts ep focused on analog machines and taking influences of early 90 s techno and acid productions. a-side s be apart is an epic acid breakbeat dancefloor killer looking towards the future and the past. meanwhile on the b-side you can find this is the edge, a deep, dub and hypnotizing stomper, closely followed by soft walker, an unique mixture of slow breakbeats and floating acid synths. limited copies.

fraction of time presents a raw and hybrid techno. the uncompromising * wfs* is in line with the original social concern of the detroit techno pioneers and should have an instant impact on any clubber anywhere. the b-side contains two tracks, * zygomatiques* and * slow suicide*, with elaborate melodies and funk influences. the use of analog synthesizers brings a radiant aspect to these tracks.

4 tracks of mysterious, spacey, freaked out beats & r&b tinged vocals. omar s works the magic on *alone*.

loose records triple vinyl pack, featuring releases 01, 02 & 04.

stamp s back with jascha hagen paying homage to west africa s afrobeat pioneer & a certain female jazz instrumentalist from the famed blue note catalogue. the leipzig based producer first came to the attention of the label after he dropped the outstanding pan that shit out ep on manna all night. here the open minded producer showcases a different side to his production style with two surefire edits that will work wonders wherever they re played. pitched down and spaced out, soldier on the a side is an edit of a politically charged nigerian anthem. this slow burner keeps you locked in with instantly recognisable keys, subtle guitar licks and a rolling bass line that will even make the stiffest necks nod in solidarity. harlem takes you back to a sun-soaked day with this classic 1970s nyc soul anthem dedicated to the road that loops around the north tip of manhattan. jascha takes the jazz-funk anthem and adds extra instrumentation to create a subtle 2015 update...

this is potion number three. the tuff city kids have spent some time in the lab and created four fine potions to ease our ailments. like memories of a nexus 6, these tracks are machine made but feel organic, familiar and timeless. programmed to make us dance, they reach straight for our brain s motion centre. -carden eden- has been included in prosumer s fabric mix and we are proud to finally present it on vinyl, together with three brand new companions as -underground house research vol. 2-. philipp lauer and gerd janson have built an excellent reputation for the tuff city kids moniker in the three years they are releasing together. and if you got this far into reading this, you surely know already what absolute legends they are.

welcoming the fourth vinyl only instalment from farfromnormal features an excellent 3 track ep from the up and coming julian. after a long process julian has come up with 3 great original tracks which farfromnormal where happily to take on board and put together julian s very first vinyl release. this record grabs your attention from the start with track 1 resorave. resorave is a very psychedelic track with dark drums and beautiful slow atmospheres and a tripping vocal. track 2 grunge is much more on the groovy side to with fantastic production and pads that take you on a great journey. track 3 chorale is the title track and the one track to leave you on a high, with the heavy kicks and bass lines mixing between a tripping vocal and beautifully placed instruments, this is perfect for the peak hours.

through the spirit realm is refracteds first lp to date, and it comes canadas excellent silent season, a home to rasmus hedlund, quantec, and asc, among others. enter the jungle quickly gives a picture of what s to come thanks to the track s abstract blend of animal sounds, a myriad of noises which is swallowed up the warm and dubby swings of the jungle is thick, a donato dozzy kinda lick. the whole lp follows a similar string of thought, one that binds stripped back techno together with deep ambience and slow moving plates of drone, the ritual begins is simply hypnotic and we could keep it on for hours on loop. its tribalism at its most cutting-edge, and an altogether fantastic debut performance from this growing techno personality.

tapan are from belgrade, hosts to disco not disco and now delivering two slow psychedelic techno bomb s to crimes of the future s letterbox. we first met nebjosa and the crew when we played at drug store in belgrade for them in early 2014. upon receiving these we knew they had crimes written all over them. on volumes we have two very special remixes of an already heavy original starting with willie burns taking them into the streets of manchester in the early 90 s and spending a night on at the hacienda with no thought of the gentrification approaching. drvcvltvre is the second provider and in true style switches out the lights and a spectre looms over the dancefloor dripping acid on the dancers below. the ep closes with whos there? featuring the brain melting guitars of vladimir djordjevic. quite a debut we think.

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

hier kommt teil 8 der unveröffentlichten archivaufnahmen des kult-electronica-projekts der 1990er: future sound of london! zwischen progressive house, abstract electronica & ambient-dub! ps: die serie lief bislang unter dem titel *from the archives* und wurde nun in *archived* umbenannt.

a slightly fresher direction with this ep - no, we’re not a couple is a funked up rolling thing with jungle subs, dubby hats and percussion, shifting textures and film score strings. cortisol is a stressful warehouse jam in 7/8, filtered every which way then taken to church. pacy but doesn’t really sound it. white mice is an afterhours, dubbed-out, drum machine samba workout for smoky basements. slow but doesn’t really sound it. hope you enjoy em! respect, mosca.

artreform releases arr003, arr005 and arr007 as triple vinyl sales pack for one special price!

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

next record from old dirty dessau comes from laubenpiepers labelhead oliver bernstein himself. its a fivetracker with a dope remix from our friend siggatunez and an extra slow collaboration with our man kabovsky on the flipside. for shure the record is more the sunrise stuff but will work in dark clubs as well. comes on 180g vinyl in limited edition of 300 copies with handprinted cover by duktus.

new x-masters! after the massive nicholas/morning factory release its finn gold with the 2nd x-masters. finn gold resisted his routines and started working on some other music... opening track is a briliant cover version of the classic atmosphere. pretty bold to cover such a classic, but finn gold nailed it! flip side gives 2 other excellent 90s inspired tracks for the body and soul. pretty amazing release!! recommended.

getwet comes back with the second release, after a very well received first 12- who got played in some of the most forward thinking dancefloors in eu, japan and usa. the opener is a majestic track from the caribbean house, side project of billy bogus teamed up with federico bologna, from seminal technogod and ohmega tribe project, and cristiano santini, from legendary italian act disciplinatha. what came out is an outstanding blend of new wave & slow motion disco, strictly for midnight vultures.

razor-n-tape welcomes chicago native chrissy into the disco fold with an ep that gets down and dirty in all the right places. as a journey through various underground dance sounds, this record covers some serious ground - from uptempo space disco, to slow-chugging 70s r&b, and even an official edit of a dance mania housey freak-fest on rag tyme s fix it man. jump on it!

mink & shoes is a gooey drip of murky low slung slinky disco, falling somewhere in between smokey retro futurism and hazy desolation. it s a seductively squiggling romp through the outer reaches of the cosmos sky-crawlingly atmospheric, slow-motion dance floor abstraction for acid heads and space cadets. with navid izadis intoxicating vocals its quite something, and comes in three flavours: dub, radio and original.

up first is gigolo, a spare and weird house cut with sine waves and random claps, hunched drums and trippy synth lines. it s a unique track made in a unique way and will lead to plenty of freaky dance floor moments, for sure. co. art is a whacked out techno cut with slap-funk claps, blistering and blistered synth lines and a rugged bit of bass underlining it all. the track is cavernous and metallic, empty and distant as if it somehow survived a nuclear blast. on the flip, alzheimer is a slow and gurgling, swampy techno number with broken drums and crawling synths that sound like their batteries have run down. icy, watery melodies eventually rain down, but the track remains resolutely eerie. last of all, fabric is another decaying track with subtle, heavily filtered synths and drums all making for a minimal groove that is barely there.

opening their doors every saturday for mind-altering shock treatment, power station has been giving their raging punters a potent dose of megawatt reality. their curatorial expertise has established an institution that will now extend the mythical energy generated with a record label in the form of annual limited 12inch compilations, grouping tracks that have already become the club s signature tunes. resident, booker and co-founder kris baha finds himself on both sides of the inaugural disc, with the ball of confusion solo production something something, and again as heavy concern in collaboration with otologic s nick murray, a name synonymous with the melbourne club circuit being one quarter of the animals dancing massive. young gun disrute captures the optimum warm up set with the shape shifting slow burner ka-bu while scene veteran and haul music boss mike callander discovers a new lab mutation of sci-fi soundtrack, damaged funk and cerebral house

slouch music concentrates on dance music delivered below 120 bpm, giving space to the sounds and allowing the music to breath. created and produced by an unknown london duo, the label encompasses everything from house and techno, to balearic and new wave - just as long as its slow!

new artist daniel wainwright brings his psychedelic vibrations to is it balearic? doing it is a slow motion sleazy trip into the acid house. swirling vocals and psyched out guitars melt into chuggy acid beats and effects. coyote up the tempo a touch and strip back the whole track on their remix. dubby vocal samples and muted guitar groove along to an acidic finale. the second remix is a real thing of beauty from mushrooms project. keeping the same slow tempo and adding space and texture with mellow guitars and extra sitar. a subtlely developing tribal workout. groovy man.

lp with printed deluxe sleeve - original sound track of sundance film festival award indie movie *the summer of sangaile*, music written by j.b. dunckel (one of the 2 air members - his solo name also being darkel). pressing on translucent 12 inch vinyl.

it is darkness o clock and the outside agency returns to their genosha imprint with exactly what you may not have been waiting for: slow weaponry in the 150-160 bpm range. drawing influence from a wide variety of other styles, these tracks will blend well with your hardstyle and hard techno records and will even fit your uptempo hardcore sets at +25! extra crispy sounds for extra crispy people. highly and selfishly recommended by the outside agency!

repress !!

seventh release for biomix! on the a side, 2 classic house tracks from the end of the 80s. on the b side, a strong and funky classic for tropical nights and a slow mo tune with sexy french lyrics for very tropical nights... all edited by dj steef !

limited information on this release, it contains two super edits that have been heavily road tested on a certain soundsytem that is currently doing the rounds. not much information beyond that but the music speaks for itself. slow mo with impact and energy. more soon.

traxx underground ltd return with a new record by steven wobblejay from the crew creative swing alliance with 3 raw tracks and fantastic deep remix from siggatunez and oliver bernstein. vinyl only release!

its that time again at ccb headquarter for reaping the harvest of another good year for the label. the paris club music, volume 3 is here and the journey is better than ever. once again the full crew worked hard to deliver this time a more contemplative yet still percussive set of tracks exploring the dance music of tomorrow. first in the field bambounou and french fries teams up for mizu ni idou suru an intimate slow mo thing playing with intricate rhythm textures and dusty key stabs fading away in the back.

person of interest, highly sought after and could be lurking in the shady corners under brooklyns jmz line. on his l.i.e.s. debut we get soupy remanants of what could be called garage house, pieces of high octane techno, and one slow burning grisled tooth number to close this three track ep out. a strong showing and undoubtedly one to keep your eyes on.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
olivier boogie returns to the fold with i know you care ep, the follow up to to his provocative first ep, wd27. the spectrum is as wide as one would expect from the famed dutch selector, uptempo and high energy cuts include the swirling speed of come inside and crescendo building loops of i know you care. to balance, we slow down for deep sexiness found between the notes of how high and rollerboogie funk of watch your step.

the vinyl factory is proud to present an 18-track vinyl edition of µ20, spread across three 12inch records. for a label thats existed in an orbit of its own, on very independent terms, its remarkable that planet mu has survived 20 years. pushing buttons from idm and breakcore to dubstep and grime, and lately footwork, mike paradinas’ (µ-zip) label has a strong history of joining the dots betweens genres by supporting idiosyncratic artists from label stalwart venetian snares to kuedo, machinedrum, boxcutter, vexd, falty dl, luke vibert, ital, jlin and mr. mitch to name just a few. µ20 is a living document of that history. a colourful and adventurous ride across the roster, the compilation features contributions from the current decade as well as some of the old guard, dipping back to the late nineties and early 2000s for a range of noisier, knottier track