I WANT YOU TO KNOW - THE UNDERGROUND REMIXES PART 2
12 Inch 10.12.13
having previously reissued *i want you to know*, the 1991 gem from simonellis groove committee project, deep down slam now return with a remix package. leading the way is italian house producer nicholas in collaboration with marcoradi, with the original s vibe very much intact but complemented by some fresh new beats and arrangement. the second remix comes from french house producer dj steaw who brings the usual quality and gives the remix the classic steaw touch we re used to know. zurich based italian producer demetrio giannice conjures the spirit of vintage tom moulton on his remix and deep down slam have also included simonellis original bonus beats version from 1991 that was mastered by legendary nyc mastering engineer rick essig.
WE GOT A LOVE / FEEL LIKE MOVIN (PAUL WOOLFORD / LEON VYNEHALL REMIXES)
12 Inch 10.12.13
dfa is pleased to announce a split 12inch single featuring remixes of shit robot by paul woolford and juan maclean by leon vynehall. extremely limited, so move quickly.
ponta do sol is a homage to one of the greatest places known to man. madeira island. it also expresses perfectly the actual indian summer we enjoy in berlin.past summer euphoria meets the arising melancholy of fall-winter. lets dance! is inspired by a break from a unknown english indie band from the 80 s. the origins of the mix reach out to the style of vsq releases back in the days on combination records. uplifting bouncing house beats and chord progressions meet funky basslines.lets hustle! contains squeaky harmonics and chords that will drive you mad just until you will be relieved by a driving acid 303 underlined by a monster sub bass pattern. lets rock!
amazing deep grooving 3 tracker. the first construct label release and the first release from swayzak & richard davis new project. this is a 50/50 co-production from swayzak and richard davis. remixes by the mole & hreno.
back to the old time with the launch of traxx underground limited, a new sub label for vinyl only releases. the groove victim starts the series with 4 underground house cuts.
file under disco have steadily been building a seriously strong back catalogue of 100% original disco music. so far this has taken shape through digital eps of original material by artists like drop out orchestra and jkriv & the disco machine, plus a series of big hitting vinyl remix releases from acts like the idjut boys, ron basejam, dicky trisco, pete herbert and duff disco amongst others.
when it comes to remixing such a stone-cold classic opinion is always going to be divided. love it or hate it, what is absolutely certain is that betoko has been one of the rising stars of electronic music over the last couple of years with a prolific output of original tracks, edits and remixes....
the house leaning off shoot of fachwerk records hits release number three here with a two track release from reno wurzbacher, the housemate cousin of the crew who has already turned up on the label a couple of times. first up is the coy melancholia and pillow-y deep house of the love you got
gotta give a shout out to ttam renat as he explores the inner plains in this brand new 30.5 cm disc for mood hut records. comprised of watery grooves pulling from ttams experiences of the heart and mind, from the gulf islands to the dtes - >on the inner plains< secures itself as a deep-dance classic! featuring 4 tracks clouded in an indigo aura. shouts 2 beatstreet.
after the success of our first release, with kessell&substance, granulart recordings is proud to present the second release, adding one of the irish finest dub&detroit techno producers to our small (for now) roster. strong ep with three tracks, a great mix of top dub techno with just the right amount of classic detroit sound.
this is the first from a three-part series of a freshly squeezed vinyl collaboration between detroits xplor music and colognes psycho thrill rec. imprint that breathes new life into the venerable relationship between those two techno cities since the days when motor city deejays hit the cologne club ground first in 1991.
ROLL DOWN THE SHUTTERS FEAT SASHA PERERA (DAPAYK, DAZE MAXIM RMXS)
12 Inch 12.11.13
mr. statik is back on mos ferry with his new ep roll down the shutters. and he got massive support from sasha perera (jahcoozi). she performed the laid-back vocals on this release. remixes by dapayk and daze maxim complete the package - but enough with the name dropping. the original track shows influences in dub, but with an elegant touch.
vinyl only! first 200 with a4 (30*20cm) artprint from the streets of detroit made by the artist himself. vinyl runs from the inner side to the outer side like the old nsc cuts from back in the days. pure detroit house and techno.
mix the verspielheit of mgmt, the darkness at zola jesus, the groove of the whitest boy alive put atop of morricones or calexicos shimmering desert landscapes and around that certain sexyness and lasciviciousness that remind on the chromatics or glass candys of this world. this is the building, a trio from hamburg. based around the fabled drummer sven elsner (ex tigerbeat), as well as writer and singer daniel chun and pianist and second lead vocalist tina kaempe.
DONT STOP THE DANCE (PSYCHEMAGICK / GREG WILSON / SPACE COAST REMIXES) (180 G VINYL)
12 Inch, 180 g 30.10.13
following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance
(lee burton remix) early support from siopis, gavin russom, leon segka, laurent garnier. made to listen & dance felizol & the boy once more offers a unique ep which reflects our modern techno days.
in order to know virtue we must first acquaint ourselves with vice vice&virtue is a new electronic label from death on the balcony. v&v will strive to release quality, honest music aimed at the dancefloor with a view to longevity, integrity & musicality.
HOW TO TRAVEL THE UNIVERSE (WITHOUT A FLYING SAUCER) (WHITE VINYL)
coloured 12 Inch 25.10.13
the man from marseille vernon dropping his second e.p for dabj here, building on the groove of his debut >chicken dance< but adding an extended palette of sound and taking things in a slightly tougher direction. >how to travel the universe (without a flying saucer)< kicks of with >ignition<, an eerie ghost train cut ripe for an lsd-fuelled danse macabre through the town after the witching hour. >one night in tanzania< rolls out into a rugged, clave-led jacker: a perfect mix between the deep and the tough that vernon can deftly muster, seemingly with ease. flip the white wax for a run of jagged, acidic noise on >how to build a pyramid<, a perfect soundtrack to getting >the acid life< tattooed on yer forehead tebori-style by a crippled ex-yakusa in a back-alley whorehouse...
sublime speaks the language to make that body work gon b alright (the time of your life) need we say more?: the body language ep, the new ep by amsterdams kid sublime, fans of early m.a.w, mike dunn and moodyman releases will not be dissapointed..b-boy house.
the truth (feat marshall jefferson), one of the standout tracks from matt tolfreys debut lp, word of mouth, sees a full single release with additional remixes from gerds geeeman project and john charnis.
andrey terekhov is known to the world as eastcolors, and is known for his wide-scale, expansive sound on releases for labels such as critical, samurai and hospital. now, it is demand records who take up the talented young russians work, the swiss imprint is respected the world over for its strength of roster, quality of releases and forward-thinking vision. the perfect combination of artist and label, then, for the issue of the light ep. the original is straight up classic eastcolors, with ranging depth, soulful vocals and urgent, percussive beats. the flow is augmented with some flashing electronics, smooth delivery and top drawer arrangement and production. truly a gifted musician, if you have slept on eastcolors up to now, it is time to wake up.
we are ready to invade ! invade records first release will be by owner ilario liburni (klimaks, snatch!) with the forest ep. including 2 remixes by marcman (drumma, bass culture, paragram).
second basement jaxx title in as many weeks, this week we have the doublepack ft the last two singles. double 12 inch, full colour picture sleeve, heavy weight package, including mixes of tracks what a difference your love makes / back 2 the wild. limited to 450 copies.
with previous releases on influential labels hotflush, aus and hypercolour, george fitzgerald has joined a new home, signing to domino offshoot double six. kicking off his inauguration is new single i can tell (by the way you move), a house cut which set the 7.000+ strong crowd at ushuaia in ibiza moving last week as he went back to back with radio 1s pete tong, a relationship that kicked off earlier this year with georges radio 1 essential mix.
etcht records comes with its second release, this time from new artist cam chorder. this release moves in a different direction from the labels debut showcasing a new slungout analogue electro sound. cam chorders *the worst* was recorded during a live jam taken from rosies box studio in london. featuring breathy vocals and noisy synths, this gives an uneasy yet poppy tone to this record. the original is backed by a futuristic 4x4 reworking by velvit aka dbridge.
a word from label boss chris farrell: this is the new one on idle hands, from us producer strategy. i first came across paul dickows work when he released a 12 inch called *world house* on his own community library label back in 2005. it blew me away. in the ensuing years my friend duncan george who promoted bristol’s best electronic music night - under_score tried on numerous ocasions to book him for a bristol date but it never quite hapened due to the usual things that go wrong in club land. in those years duncan kept in touch with paul and last year suggested to him that it might be worth sending some tracks to me, which he did at the start of 2013… add a peverelist remix and you have the tracks here before you, dub reggae informed house and psychedelic 2 step vibes.
am 04.10.2013 erscheint mit blood donation das debütalbum von mariam the believer über moshi moshi / pias cooperative. mariam wallentin ist besser bekannt als teil des schwedischen duos wildbirds and peacedrums, doch ab sofort schreitet die extravagante sängerin auf musikalischen solowegen durchs leben. mariam the believer ist eine sehr introspektive und melancholische kreation kraftvollen pops, die mariams vision von hoffnung und licht am ende des tunnels charakterisiert. mit invisible giving gibt es einen ersten vorgeschmack auf das album, inklusive eines prins thomas club remixes.
at a young age still influenced by u.s. hiphop stars such as n.w.a., public enemy or run dmc, the love to electronic music has also been growing over the years. sebastian phillip has since appeared in numerous prestigious clubs in the country and also at the berlin loveparade.
pepe bradock remixes of webster wraight ensembles first single *the ruins of britain*, a very deep house mix of big band/jazz original, a beatless mix and the original mix.
the title track for schallbox015 is delivered by none other than label boss steve cole himself. with a driving groove, playfully set chords and vocals by her majestys sound (aka alexander friedrich), the original version asks every dancer for the *last dance*. or then, is this just the beginning the cast of remixers, consisting of rené bourgeois & dan caster, as well as the glitz, lines up in perfect sequence and will again set every dance floor on fire!
using a handful of production aliases, the spanish producer has been dishing out dark-tinted techno since the early 00s, often releasing on his own mental disorder imprint. his most prolific moniker is reeko, with which hes put out some three dozen records. his relatively more recent work as architectural, meanwhile, has been highlighted by a few appearances on semantica, including the 2012 solo release peacetime-a track from that one, looking ahead, earned a place in norman nodges berghain 06 mix for ostgut ton.
this vinyl release brings together first class remixes taken from the singles, the future is yours and good for the city - which features sam duckworth of get cape wear cape fly fame. first up on the a-side from solomuns diynamic crew is adriatique. the duo were big fans of the future is yours, featured it on the diynamic podcast and got in touch with the kraakers to say they would be up for remixing the song. the result is deep house heaven and a summer terrace stalwart. next up is portuguese disco don moullinexs take which lays down a classic disco style and vibe in the mix.
supported by rolando, perc, surgeon, answer code request! ritzi lee is a well-known name in the international techno scene gaining support from major players like ben sims and dave clarke amongst others. detect signal has a pounding grove and incescant feedback tone. early plays are driving clubs into a frenzy with its unrelenting searing tome. a ep to smash clubs with!
remixes by fred p reshape, moomin, lauer, acid louis mix, orson wells!supported by, jacques renault, axel boman, roberto rodriguez, julietta, iron curtis, langenberg, ooft!, show b, san soda, tim sweeney, ian pooley, jimpster, permanent vacation, gerd, janson
teamed up with running back for a vinyl release, bubbletease communications releases are defiantly infrequent, reflecting boss man maurice fultons desire to only release personal projects and those hes somehow had a hand in. given fultons track record, this approach guarantees a high quality threshold in truth, bubbletease releases are rarely less than excellent. this four-tracker from tokyo-based dj nori, co-produced by fulton, is predictably impressive.
uk garage legend wookie, one of the most sort after producers of our time, makes a welcome return with new single the hype. the hype features the vocals and writing talents of pop sensation eliza doolittle, who most recently ambushed the airwaves and charts with her collaboration on disclosures >you & me<
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