pressed on recycled black vinyl

early suppert by: damian lazarus, sean johnston, gilles peterson, jaye ward, max essa and francois k. comes with full picture sleeve, limited to 300 copies

1974 hits incl. queen, paul, roxy music, john lennon and many more !

after a five year hiatus luke slater reanimates his l.b. dub corp alias for a dynamic, vocal-led ode to the club featuring robert owens, paul st. hilaire, miss kittin and more.

the debut release from the recently-launched london party of the same name, balearic london shines a light on lesser known grooves from the past in this new edits series - and reappraisals of some classics given a new twist.

limited 10th anniversary edition for rsd 2024. translucent blue double vinyl with expanded digital download.

rsd 2024 release, remastered from the original mono analogue tapes.

half alive longplayer

80s cult on double vinyl incl blue monday, take on me, love will tear us apart, golden brown, chain reaction... !

translucent light blue coloured double vinyl.

2x12 inch - printed artworks on reverse-board inner sleeves by the artist rapoon .

ltd. col. lp, milky clear vinyl

2lp incl liner notes

metal meets electronica incl moby, prodigy, orbital, marilyn manson, korn, metallica ! time capsule soundtrack from 1997 !

with alluvium, stefan goldmann explores new structural paths for machine rhythm in irregular metres

5x cd slipcase set

cd, second album from faada freddy

acoustic sources-only mix

40 timeless xmas titles

2 x cd, trifold digisleeve made with rainbow mirrorboard

rock/metal

pop

electronic/dance

dark wave/ post punk influenced

80s and 90s charts

great electronic works by stefan goldman

3 x cd triple gatefold digipak sleeve with deluxe reflective silver board and booklet with new liner notes by tim barr

das beste aus 20 jahren max-goldt-musikgeschichte auf cd.

stefan goldmanns veiki is a bold foray onto new rhythmic ground for machine-based dance music.

3cd edition in 3-panel digisleeve with 8-page booklet, complete 2019 remaster of all the original tracks

the music in this album is derived from works originally commissioned for the five hour music theatre work alif, as premiered at berlins maerzmusik festival of 2016.

eines der ziele von analog africa ist es, die bunte vielfalt der stile, die es in afrika und seiner diaspora gibt, zu zeigen. heute sind wir sehr stolz mit der veršffentlichung von hamad kalkaba and his golden sounds 1974-1975 den gandjal-melodien aus dem norden kameruns ihre erste weltweite veršffentlichung zu ermšglichen. diese zusammenstellung besteht aus drei aufnahmen, einfach nord cameroon rhythms genannt, und bildet die gesamte diskographie von hamad kalkaba. †ber viele jahrzehnte vernachlŠssigt, versammelt das album endlich das werk eines der vergessenen genies kameruns. diese obskuren und atemberaubenden afro-melodien, alle zwischen 1974 und 1975 aufgenommen, kommen als 180g vinyl mit einem deluxe gatefold inklusive eines fantastischen 8-seitigen lp-booklets mit interviews, originalmanuskripten, handschriftlichen notizen und exklusiven bildern aus kalkabas persšnlichem archiv. die cd kommt in einem 8-panel tray mit ausfŸhrlichem booklet.

silver eye entstand in zusammenarbeit mit einer ganzen reihe an mitstreitern: john congleton, dem grammy-dekorierten produzenten von st. vincent, john grant und wild beasts. dem elektronischen klangpionier bobby krlic alias the haxan cloak (bjšrk). dem brian eno-kollaborateur leo abrahams. den finalen album-mix besorgten schlie§lich david wrench (the xx, fka twigs, caribou) und daniel miller. die ersten beiden singles sind -anymore- und systemagic. wer den klassischen opulenten goldfrapp-sound sucht, dem sei das finale mit ocean besonders ans herz gelegt.

based on the eponymous play by brothers and author/performer team tobi and mike mŸller at schauspielhaus zŸrich, swiss experimental documentary film a1 traverses through time and space along switzerlandÕs first and most elongated highway structure. rich in archival sources, it sheds light on the costs and benefits of rapid movement: social, migratory and ecological patterns, economic and military designs that are mostly not immediately obvious to the casual motorist. stefan goldmannÕs soundtrack engages the filmÕs multi-layered aesthetics full on, providing a dazzling array of short compositions. profoundly synthetic in production, this free-wheeling phantasmagoria of peculiar, yet intensely likeable miniatures branches off into all directions Ð from minimalistic to overflowing, calm to banging, nightmarish to soothing. the visual patina of historic documents is playfully mirrored in intense distortion and noise artifacts, bound into rhythmic units and melodies formed of ghost notes. finding ever new ways of mining his techno background to yield surprising new forms and ideas, stefan goldmann has proven his abilities in a dazzling range of projects over the past years. works for dance, ensembles, an opera and various object-based creations made him a natural choice for the job of finding a refreshing way of linking sound and image. on its own, the music holds up by putting the listener on a high-velocity road trip of the curious mind.

friedrich goldmann would have turned 75. macro is celebrating the composers anniversary with a luxury box set cd edition of the complete trios of 1986 - 2004 and his singular oboe quartet (2000). two of the recordings were produced by goldmann himself, and all feature musicians with a long-term working relationship related to and deep expertise of the composers oeuvre such as ingo goritzki, bjšrn lehmann, members of ensemble mosaik and knm ensemble. the cd is accompanied by a 48 page booklet, featuring extensive essays by bjšrn gottstein (artistic director of donaueschingen music days) and musicologist bruno santos, exploring goldmannÕs groundbreaking aesthetics.

the idea that france once had a genius and let him go to california where he was more welcome and appreciated than in paris is, in the digital area, a trivial issue. every single web entrepreneur heads towards the silicon valley to develop his ideas. during the 70s, this was less ordinary. back then, it was another area, music, which witnessed the departure of a very talented guy for the united states, a country that quickly understood he was a star.

new york, early 90s, the haydays of the new york and jersey clubhouse! with labels such as nugroove, nervous, freeze, strictly rhythm, henry street music taking all the spot light, there is jovonn working on a small but sensational catalogue of music that somehow gets overshadowed by the popular releases on the mentioned labels. the honest productions, jazzy melodies and playful vocals (rooted in gospel) were taking things into a more musical, more spiritual way, lacking gimmicks or dispensable samples. for the real diggers, the true lovers of house music jovonn always was a name to watch, a producer of some of their favorite ny house tracks, tracks that have a raw edge combined with a sincere human touch and pure underground house vibes

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench

auf hospital records erscheint nun endlich das schon lang erwartete dritte album golden ticket des drum & bass-djs und -produzenten danny byrd. das album besteht aus insgesamt 16 euphorischen, detailreichen, vielseitigen und technisch anspruchsvollen sets. support erhielt danny byrd von jaguar skills, the brookes brothers, tanya lacey, cleopatra, serocee und rhymestar. seitdem danny byrd zur jahrtausendwende von hospital unter vertrag genommen wurde, begeisterte er mit seinem output. mit rave digger schaffte danny byrd einen charterfolg in den top 40 uk dance charts

instead of fixing its eye on the pop scene, golden anchor settles down in a place where acoustic craftsmanship reigns over rising neo debates. it is an album that highlights the imperfection of our beings without wasting a single word in the process.