ursprŸnglich aus experimenten mit dreidimensionalen aufnahmetechniken entstanden, und als zwei einzelne, jedoch miteinander verbundene teile konstruiert, ist the ship gleicherma§en eine musikalische neuheit, wie ein traditionelles album. eno bringt auf diesem album wunderschšne songs mit minimalistischer atmosphŠre, physischer elektronik mit einer allwissenden erzŠhlung und technischer innovation zu einer einzigen, cineastischen suite zusammen. das resultat ist das beste musikalische werk von eno, ein album ohne vergleich in seinem bisherigen musikalischen katalog.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

die doppel cd kommt in einem schnittigen pocket pac design
dj koze : * wir haben Ÿber 1.5 jahre unsere sehr geschŠtzten pampa freunde und kŸnstler gebeten, ihre bestmšglichen exklusivstŸcke fŸr die compilation zusammenzutragen. stŸcke, die alle komplett unterschiedlich sind, aber sich alle durch ihre originalitŠt, beseeltheit und liebe zum sounddesign aus der flut der veršffentlichungen dieser tage herausstechen. zeitlose musik, von ausnahmekŸnstlern, die auch in 20 jahren noch bestand haben wird. musik, die uns berŸhrt und hoffentlich auch den rest der welt*

on the a side scm provides the perfect blend of analog synths, heavy kick drums and a badass bass line ranging from fuzzy voices to contagious latin samples. on the flip the berlin based label delivers a very rare recordings of his guest chicago’s jordan fields. these experiments were recorded directly to tape and lost till now!

back to jack a new label from a couple of old school jocks with a passion for the sound of a 303. the first release by phazon aka lee coombs, the new outlet for all things acid and underground. special attention is given to this early authentic sound and is produced using original hardware and production techniques. authentic house music with an old school vibe. freqbox mechanical 909 drums and juno chord stabs move into 303 riff s and back out again. lying somewhere between detroit and chicago this is the sound of phazon. d minor experiments acid mix a true tb-303 workout that builds and builds and then builds some more. an acid house experience inspired by all the originators of the sound. this ain t london jackin acid with funk. 707 drums and layers of tb-303s with chopped up this ain t london vocals make this sound like mid to late 80s all over again. d minor experiments drums mix, 707 drum track for those who like to mix it up.

after releasing brand new material on dum034, dum records are dipping into the label boss’s production archives for the next one: it is a reissue that features tracks from a number of classic mono junk releases. two came on trope records, one in 1995 and one in 1993, and the last pair of cuts come from 1996 when they were released on plug research. arguably some of the influential finnish producer’s finest work, all of the tracks here emphasize how long he is operating on the top of his game already.

four deep & dark epic house reworks of blakkat’s “feel epic”. including john tejada remix on b2.

in demand repress for this great title ! ...great dont release featuring lots of acid and cover versions to boot! fresh re-rubs of blake baxters >sexuality< and joey beltrams >energy flash< dont recordings reaches the big 20th release and marks the occasion with a double headed ep that looks both backwards and forwards! neil landstrumm has always been a big influence on the sound of the label and here he steps up and delivers 2 monsters that while being completely his own, are also respectful cover versions of classic techno tracks that any techno head worth their salt will recognise. the originals are from 1988 and 1990 but these versions have been completely programmed from scratch using no samples. this is one for the connoisseurs! flip the 12 inch and what you get is two massive acid house party rippers from matt whitehead. matts been tearing up the london scene the last few years with his fresh take on the classic house and techno of the late 80s and when we at dont heard >to the beat< it was snapped up immediately! simply great, dramatic acid house music that is as catchy as it is timeless

the guys from dub-ito headquarters (claudio mate & francesco mazzocco) introduce a new chapter of the label with -here we are- ep , a nice various artists landing in the deep, dark, dub as well as industrial territories via london , berlin and the hot buenos aires . david hausdorf is one of the pioneer of the berlin old school techno dub scene… his track -reed- from 98 was until now unreleased. andrea ruffino well known as nax acid , italian born, based in london with -endless fragments- presents his typical trademark sound. italian dub duo, andrea perrini & alessandro verrina as babe roots with -cold desert dub-show their imprint: for the lovers of dub roots and for the fans of basic channel/ rhythm sound, it s perfect also for a balearic sunset .. volkova industrial/darkwave band from buenos aires / berlin invite in the land of the dark with -come and see-.

u-more is back on his label with the fourth release, exactly one year after great u-more003 release. his new album is different, new, clean, colorful, lively. you will find all his musical influences, originating since the 90s that led him to a sound all of his own. vinyl only!

debut release represents raw, emotive expressions that work both on large systems or on a solitary midnight drive. with tinges of acid, dub and classic gear sounds, the sweaty fingers ep perfectly frames the artists and our labels musical interpretations. the remix by bostonian john barera provides a super heady 909 stomper while keeping the atmospheric elements of the original.

new label dropping its first release thats heavy on the 808 workouts and jacking voices. limited supplies!

the second release on benji303s 303 alliance label, this release is dedicated in loving memory of josh jones aka josh inc., a true acid techno warrior whos memory will live on forever through his brilliant music r.i.p mate.

madeira-born robert s makes his konstruktiv debut after appearances on sleaze, arts, planet rhythm and his own robert limited imprint. moderna is straight shooting techno, hard-hitting with hints of rolling funk and a bleak contrast to the sun-drenched portuguese setting that saw its inception.

optimised techno/acid techno banger

the ninja of westcoast electro returns with a cassette tape filled with evil distorted techno. steeped in dark acid and drum machines on overload setting, these are some of the most brutal tracks ever on nyh!

special edition 2 cd digipack , includes debut album: * on acid* on cd2 for the first time ever on cd!
when recondite, aka lorenz brunner, emerged with his debut lp for acid test (2012s on acid), we were still learning about the german producers inward-looking dance floor sound. a few years later, his sinewy jams have proved near universal -- like an underground zelig, hes fit perfectly everywhere from r¿dhŒds dystopian to ghostly international and innervisions. acid test also allows recondite the chance to indulge his more outrŽ tendencies and a welcomed return it is.

minimal tech stuff

kaum jemand ist zurzeit so gefragt wie manik. kein wunder, hat der new yorker dj und produzent die house-szene mit seinem dynamisch versatilen style in den letzten jahren mächtig aufgemischt. sowohl als teil von josh winks ovum recordings, als auch seine maxis auf poker flat oder hot creations zeigen, dass maniks grooves nicht nur von catchy melodien leben nonchalant verbindet der amerikaner instrumental breaks seiner hip hop wurzeln mit jacking house und detroit beats. mit seiner ny2la ep debütiert er nun auf bpitch control.

twisted acid-soaked cuts from delft regular jpls.

triple vinyl pack from concorde club, containing these release:
- conclu001: microtune & takter, acidfactory, oscar - skytrain / debajo del sol
- conclu003: acidfactory - elfenbein ep
- conclu004: gregor sultanow - alcoholic navahoe

vinyl only! pareidolia is proud to present the second ep of its catalogue,from sweden the young talented producer sean dixon,also the label owner of the great record label final chapter. thinked for the acid brains & electro addicted,voices ep rappresents the perfect combo of the chicago/electro sound of sean.

entitas is the second instalment of jay clarkes blackaxon imprint, and sees the label boss bring out the big guns in the form of three distinct and diverse cuts.

in this e.p, phobos (fear), every artist expresses his most disturbing consciousness, giving us an awesome dose of techno without scruples or contemplations. it is a sensitive group project which is drawn directly into our subconscious. the track phobos speaks from strong foundations and dark shades that put soundtrack to water rojas hallucinations (rojas is the illustrator of this e.p.). in erratic chaos, the composer takes us amid the wrong road map of disorder. phobonica is the end of a tortured mind which transmutes its inner voices in dark melodies, snares and drums. at last, acid panic is a dark acid track built from the fear which follows a tension line made with abstract melodies.

sometimes you wait and things fall into place, this is an a&r man s dream. you can spend hours banging your head, waiting for lightening to strike, trying to find the perfect pairing, it s there floating around in your head but the answer is not clear. the record needs a remix, but who would be perfect?

vinyl part 2 of 2. max essa in the form of the flying men, a collaboration with leo mas & fabrice. -only love- is ready to go in four mixes, arriving on two 12s care of japanese label catune.

nach seinem sensationellen comebackalbum syro in 2014 (inkl. grammy-nominierung!) und der computer controlled ep anfang 2015, knüpft der soundtüftler nun an seine acid-zeiten aus der mitte der 00er jahre an, als er als afx mit der analord-serie auf seinem eigenen rephlex-label den dancefloor unterminierte. die zusammenstellung orphaned deejay selek enthält komplett unveroeffentlichtes material aus den jahren 2006 2008, auf dem das genie seine liebe zu weirden acid-grooves auslebt

nord records is welcoming dj guy on the label for their ninth record. the release is a double 12 inch with tracks produced in 1993-1997. dj guy was able to find and restore these tapes which results in a vinyl release from nord.

wenn es um erfolg geht, scheinen dem mann keine grenzen gesetzt: calvin harris, vom forbes-magazin jüngst zum bestbezahlten britischen musiker und dj nummer eins weltweit gekürt, schwimmt derzeit auf einer unglaublichen erfolgswelle: mit seiner jüngsten single *summer* gelang ihm nicht nur der sechste nummer-eins-hit in großbritannien, auch in deutschland erreichte er einen neuen karriere-peak. der song erreichte in den media control charts platz drei (bisherige bestmarke: platz 13) und den deutschen airplay-chart sensationell platz neun (!).
nachdem harris auf *summer* eindrucksvoll gezeigt hatte, dass er auch selbst als sänger seiner songs extrem erfolgreich sein kann, verpflichtete der 30-jährige mit shootingstar john newman (love me again) eine der beeindruckendsten stimmen im internationalen pop-business. mit *blame* küpfte harris nahtlos an diese erfolge an: in großbritannien schoss die single von null auf eins, in deutschland rangierte der song bereits nach zwei wochen in den top 5 der media control charts. beide singles finden sich auf dem vierten calvin harris-album *motion*.
das doppel-vinyl erscheint im klappcover inklusive downloadcode.

ben cohens *voyage to rahoz* is dappled with esoteric references invoking the hazy contours of the ever mystical inner zones. it delves gracefully into these realms with the opener *momentum*, which gives way to the mind-expanding workout that is *acid dreams*, a proper luscious piece. on the b-side, *play with humanity* is built around elastic percussive elements and an enigmatic looped-voice. the final cut is an adroit, if not buoyant, rework by the moscow’s top producer anton zap.

autoroutes ii by pamplonas iii3s (aka supersobresaturado) is the soundtrack for a 21st-century trip interconnecting continents and generations of acid-house lovers and ravers. this record is a hard-driving journey into (ph)uturistic sounds that takes it back to the old school. iii3s knows that the best road-trips begin and/or end in chicago (which is, after all, the start-point of the legendary route 66) and he knows the start-point of any journey into acid-house is chicagos phuture, the legendary masters whose *acid trax* created the genre in 1986. and so he is humbled to get remix support on this special edition vinyl release from none other than phuture members lothario lee, dj spank-spank, and ron maney aka dj skull.

2015 repress ** re release, originally releases in 1996 !! just brilliant chicago house !!

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

in this second acid act, the artists xerosorex and sour, lead us in one of the place that much have characterized the scene of the freeparty: the abandoned plant. in this foundry, between production waste, tangled sheets and shrubs risen between cement, theatmosphere is dark and enthralling. night has fallen for a long and strobe slow down even more movements, but the groove is pressing and acid lines steal minds.

**180 gr** (tuff city kids mixes) we start over new single by steve cobby, 1/2 of the legendary fila brazillia gets remixed by gerd janson & phillip lauer a.k.a tuff city kids.

cool new material from from kimmo rapatti - this is his second release on skudge white and it is another killer! *little elephant* was previous released on a various compilation cd on kims own dum records in 1995 so we are very honored to be able to finally release it for the first time on vinyl!

the geezer got you by the balls!

aaaas debut album *shiva watts* sounds both vivid and complex, capturing the raw energy of the mexican producers praised live performances at mutek, boiler room and elsewhere. it is a direct result of tireless, disciplined experimentation with analogue hardware. the 16 tracks on *shiva watts*, which is available for the first time ever on vinyl through the berlin-based antime label, take their cues from a variety of musical styles, most notably acid, combining elements of hard-hitting techno, textural idm, dry-but-funky electro and trance-inducing house with lush ambient-leaning interludes. *shiva watts* is an album which celebrates stylistic and emotional ambiguity, which provides the perfect soundtrack for a world yet to come - and everything that will follow after that. the vinyl lp includes a download code.

when acid meets the groove it results in this fruity cocktail of sounds freshly concocted in the studio of alexis cabrera in venice. with the collaboration of mattia bison: this young italian producer who, after long experimentation with synthesizers and drum machines, discovered the right ingredient that give shape to the two original tracks “give the hype” and houseloide for his debut 12” vinyl release. we are proud to welcome mauricio barembuem to our label, barem’s remix for give the hype ep is warm, loopy, hypnotic and so acid as our emblematic orange kumquat fruit! for your decks!

die neue ausgabe der trendsetterserie future disco bringt 15 neue dancefloor-smashes in the mix (cd1) , sowie 10 highlights voll ausgespielt auf cd2. mit tracks & mixes von zoot woman, hot chip, chopstick & johnjon, tuff city kids, james zabiela, portable, u.v.a

*mouth* follows acclaimed lead single *giudecca* that was reworked by factory floors gabe gurnsey. now, with running back co-founder and tuff city kid gerd janson – often referred to as the djs dj – and his label affiliate shan on remix duties across club, instrumental, 808 culture dub and acid versions, *mouth* is set to propel ghost culture to new heights and further establish his well earned position as one of the most accomplished new acts on the musical landscape.

club cuts is the new release by gummihz. it features two dancefloor heavy tracks spanning from acid to dub house/ techno. on side a, aacid patch, is a serious dancefloor weapon with a characteristic killer tb 303 bassline and airy jazz piano licks, produced back in 2010. 8am groove, on the flip, is a dub cut that, in typical gummihz finese, rolls effortlesly between detroit house and techno. an excellent record cut for the dancefloor!

when we say live in the future it becomes a repudiation of living in the present, and then instantly we are in a state of denial denial has a hypnotic effect on the mind. gutsy 909 claps work with percussion and futurist vocal snippets that warp and chop, whilst haunting chords wrap themselves and sublimate over the body. denial wants you to live in the future, denying the present moment. yet the music speaks in the present. to close your eyes, find yourself lose yourself in the moment and groove.

the latest chapter in the electronic evolution of guitarist john frusciante features a new project under his trickfinger guise and has him utilizing the classic hardware that spawned the eternal acid template. frusciantes desire to cede control to machines has paradoxically allowed him to present a singular take on elemental dance music, a brilliant and unexpected entry into acid tests growing canon of modern, 303-focused dance music.

saes debuts on deep freaks with a collection of three originals that blur the genre lines between deep house and minimal. inspired by late nights in brooklyn, ny the menahan ep delivers a soundscape of evolving chords, chugging drums and just a little bit of acid

a label dedicated to middle eastern and oriental sounds, with originals and edits, from artists such as acid arab, memhet aslan, red axes, naduve, autarkic, moscoman himself and many more.
one limited vinyl press only

photonz is marco rodriguez, a london based but portuguese producer who has been active for a decade plus. here he debuts on creme organization after impressing with eps on ibadan, one eyed jacks and unknown to the unknown

acido ahora is a multidisciplinary open format creative outlet with a special interest in acid house and revolution. unrepentant hedonists creating a tear in the fabric of reality. acido ahoras first specially packaged, limited edition vinyl release comes from jonah sharp (spacetime continuum) and dj spuns (rong music) new project, the loose control band. recorded live on the occasion of the bands first show at the first acido ahora party at cloud 9 in berkeley, california.

unreleased material carefully transferred from the original dat tapes.