3xlp

a comprehensive collection of frequently sampled funk classics on double vinyl. 2021 repress.

the 10th studio album from dutch death doom band asphyx on 180 gram vinyl, including double-sided a2 poster.

100 copies only! an gleann dubh return! after recently guesting on dj pythons rinse show they re back with their unique take on all things dub think python, equiknoxx and skull disco all rolled into one.

limited!

vinyl only.

re-issue of cult techno label djax-up-beatswith classic 90s cuts.

sØs gunver ryberg goes from hard hitting techno to caustic ambience on his album for avian.

tar hallow bundle, including th04, th05 & th07 - all pressed on pitch black 180 gram vinyl.

intense death metal from florida on translucent, green marbled vinyl.

deep broken cuts and raw ambient by helsinkis dj rubio

gaika, inspiriert von hochschule, britischen reggae-soundsystems, philosophie, politischer theorie und vielen künstlerkollegen, liefert seine bislang ausgereifteste arbeit ab: eine düstere, süchtig machende mixtur aus gothic-dancehall und industrial-electronics, das von persönlichen geschichten von liebe, verlust und rebellion handelt. -basic volume- erweitert die horizonte elektronischer musik als auch das erbe britischer soundsystem-kultur und lädt den hörer in eine einzigartige klangwelt ein. produziert wurde das 15-track-werk von gaika und weiteren, ähnlich progressiv denkenden zeitgenossen wie sophie, dutch e germ, dre skull, dadras, aart, jam city und nick leon. es erscheint physisch als 6-seitiges cd-digipak und doppelvinyl in bedruckten innentaschen im vinylschuber mit download-code und obi-strip.

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

more than ten years since he first emerged on skull disco, appleblim presents his debut album. the label he co-founded with shackleton was the first the world heard of his productions, but laurie osborne’s innate relationship with electronic music culture reaches back much further than those groundbreaking early days of dubstep. early days spent soaking up hardcore, jungle, techno and plenty more besides were fundamental foundations from which to spring into the then-unknown realms of sub-low half-step club music. at that time fwd>> and dmz were the church for this ritualistic sound, and appleblim was a regular fixture at both.

22 digit ltd is the vinyl only off shot of uk based 22 digit records, and this new release is upfront house music in the style of artists like mr. g. this 22 digit ltd release is a collaboration between uk stalwart moodymanc and label boss william welt with solo remixes from appleblim and alland byallo. moodymanc also known to many as dubble d, is a manchester based artist who boasts seminal releases on labels including tsuba, local talk and 20/20 vision among many others of a similar calibre. william welt is a young artist who now based in manchester, cut his teeth in newcastle upon tyne, and has releases on labels including traum and construct. the first of the remixes comes from appleblim, whose bass heavy sound has been a regular feature of imprints inclouding r&s records, aus music, tempa and skull disco. second of the remixes comes from alland byallo, who has previously released on labels including third ear, get physical, poker flat, moodmusic, dirt crew and rawax.

the fourth installment in john osborns dred records series will be from fellow uk producer harsh puri who goes under the moniker reformed society. dred 004 consists of six tracks in total three that will appear on the vinyl release, followed by another three that will be digital-only exclusives. harsh puri aka reformed society debuted in 2015 with this being his sixth consecutive release in order. harshs productions caught johns eye, or rather ear, after being sent to him last year and resulted in this release of six solid prime time deep house stompers. packaged in an understated matte white sleeve with a black and white picture of brahma (the four headed hindu god of creation) handstamped on each cover by the label owner himself, this being a continuation of the human skull dred logo. one life opens the dimensions ep and is the track given to label boss john osborn for deconstructing and remoulding into his own specific vision each release will contain a rework from osborn. if you are familiar with johns previous work you will immediately recognize his characteristic resonating percussion, the tune being a deep house sci-fi storm expedition driven by a full luscious kick covering the tracks of chords from unsettled pads. the eps title track has ambient sonic rays flowing through it, being aptly named dimensions it is also the records warmest adventure, distorted percussion juggles sparse subaqueous melodic moments, and from here we go into the 12inches final moment, chasing titanoid. reformed society goes in with full yet silent force on this one. a warped bassline co-creates the groove with a particularly bouncy beat with sharp strings piercing though.

after bringing kangaroo skull and cale sexton to light on previous releases, temporal cast once again provides a platform for lesser known talent with this, their third release. born in italy and based in australia, this release marks a big milestone for her. pulsar is a subtle and refined opening gambit, using a reduced set of cyclical rhythms and draping distant pad notes over the top of it for a perfect exercise in techno elegance. moebius is at the other end of the spectrum, all bloated drums and cavernous reverb decays creating a monolithic atmosphere. anomaly meanwhile maximises on negative space, using a dry drum palette and keeping things firmly submerged the whole ep is a masterclass of restraint and control.

exzellenter northern soul-sampler, diesmal gewidmet dem führenden club im osten englands, dem lincolnshire soul club am ende des cleethorpes pier und seinem legendären -talk of the north- all-nighter mit mary chapman, der queen of northern soul, der zwischen 1975-1978 stattfand. 14 top-tracks, darunter der ersten vinyl-reissue des klassikers -game players- von dooley silverspoon, gemastered von den original-tapes.

marks back with three seething cuts at the state of berlin affairs. a restless message to the hands of capital. killer steppers coming off last years cult classic here comes a fucking startup campus and outings on bristols nocorner. post-modern dnb with shades of latter-day source direct and the rattle of golden-era skull disco. supported by the likes of ben ufo, lee gamble, ramzi and trevor jackson - premiered by phile, nerve and mos howieson

like a message in a bottle, carried round by the ocean streams for decades, henrik rylander’s album “fran en obestamd plats i rummet” has floated around in the space of swedish underground music. hoga nord pulls the cork and unfolds the message that is a piece of music that was ahead of its time, sounding now 20 years after its first release in the late nineties. this album is a well-kept secret even for the most initiated music lovers in sweden! the music, influenced by flying saucer attack and other reverb/distortion drenched acts from the early nineties, harmonia and some of kraftwerks earlier works and minimalism, still sounds fresh!
rylander, a member of legendary acts such as union carbide productions and the skull defekts, has been pushing the envelope for electronic music, varying between ambient and noise. rylander’s solo works could be described as sophisticated music and “fran en obestamd plats i rummet” combines the sophisticated sides with his band oriented works that holds another kind of tension.
this record is the first release on the sub label hoga nord arkiv on which releases from the past, that hasn’t got as much attention they deserve gets re-released in an appropriate context.

dungeon acid, bred in gothenburg’s (sweden) obscure music scene during the eighties and nineties, releases his second 7inch on hoga nord rekords. dog acid and sex beat focuses on those remote corners where jean-louis huhta have rooted his musicality. with legendary bands like cortex, anti cimex and the skull defekts on his resume, huhta is most definitely one of the most interesting artists in sweden!
the music on this 7inch breathes sex, concrete and dark seas. the tracks differ in instrumentation but they expresses the same feeling: uncomplicated and straightforward components, perfectly balanced in relation to each other, shutting down unnecessary body function, aiming for your lower back. spastic curling synthesisers rests upon soundwaves heavier than the swell against the norwegian north atlantic coast.
dungeon acid is the miner of your record crate - hard at work finding the nuggets in punk, rock and electro to develop the strict techno.

eleased by butter sessions and noise in my head who are also known for their offshoot efficient space, sky girl is enriched with artwork from perks and mini mutant misha hollenbach and appropriately elegant sleeve notes courtesy of ivan smagghe. australian import 2lp, released by butter sessions and noise in my head who are also known for their offshoot efficient space (sky girl, etc) - all exclusive tracks! scratching the surface of australia’s independent electronic massive, butter sessions and noise in my head finally compile the second volume of domestic documents. featuring all exclusive tracks, perth godfather ewan jansen joins new wa blood phil stroud and senate, respectively making hectic percussion tracks and hell bent techno, as newcastle transplant roman nails emerges with his squelching one take tape experiments. meanwhile in melbourne, fia fiell’s ambient mind maze and butter sessions alumni booshank target the cerebral cortex, hotrod goes full turbo and live/dj wingmen miris and norachi share the same side of their vinyl debuts (alongside the freakishly underrated colours of infinity aka kloke). kangaroo skull and cale sexton fly the flag for temporal cast, the latter on a calming club collab with sleep d. liner notes from ivan smagghe and artwork from misha hollenbach (perks and mini) features many rarities reissued for the first time ever

newcastle born, melbourne-based producer cooper bowman steps out as roman nails with his first 12” for beat concern. following tapes on where to now? (uk), night people (us) + rhythm works (au), roman nails has maintained a steady flow of experimental techno over the last few years. utilising a minimal, cv-triggered hardware set-up and from a perspective rooted in improvisation, rn is a unique beast. the tongue-in-cheek titled, all hardware no tools, is his most concise and well-considered release to date, offering noirish synth tones, slinking basslines and captivating interplay between a 707 and 727. 300 copies.

nachdem temporär die special edition des soundtracks erhältlich war (anderes coverartwork, pink gefärbtes vinyl), kehren invada nun mit dieser neuauflage zu dem ursprünglichen design des soundtracks zurück. sprich es ist auf dem cover wieder die rückenansicht von ray gosling in seiner silberfarbenen skorpion-jacke zu sehen. damit es nicht langweilig wird, ist das 140g schwere vinyl nun so gefärbt: frosted clear with multi-coloured splatter . das gatefold-cover rundet diese edition ab. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex- red hot chilli peppers) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

‘white punks on e’ is the taste of bike chains rubbing against black leather. heavy cast iron forged across studs and hot-wired organs. the howls from blazed skull hordes jacked up to distortion engines broadcasting into neglected cellar units. it s shrill echoes from the parking lot carried along the financial district, overturning lobotomised business lunches, attache cases and $50 slick-backs. nasty club rock fed through biohazard cassettes, doom arcades, sabres and scorpion tattoos - new blood to rock the neighbourhood and a pleasure to welcome stratton into the fold.

adsr spqr debut on scuderia with their first release -this is religion-. formed by italian master of techno luciano lamanna together with the famous tattoo artist luca mamone, adsr spqr will take you back to the 90 s with 3 hard-core anthems that will crush your skull. violent, raw and dirty like the streets of roma, it comes in limited edition 12-, 160gr black vinyl. get ready for stage diving!

looking back to the beatnik era on the south coast of england.
before package holidays and the rush to benidorm, beatniks ruled the seafronts and b&b’s of the southern beach resorts. beat poets and musicians pedalled alternative viewpoints & delivered fresh melodies to these waterfronts of escapism.
marking another step forward in his sonic evolution, appleblim inaugurates beatnik boulevard with a record that channels his roots in brooding bassweight club music into startling modern compositions. from his groundbreaking work on skull disco to various mutations of house, techno and electro explored via solo and collaborative releases for r&s, aus music and tempa , this 12” finds the berlin-based producer wielding fresh approaches to synthesis in a daring framework that finds physicality in music away from obvious rhythmic tropes.

a very expected release is finally unveiled, cold colors new ep “leave this world behind”. this one-man project is without any kind of doubt one of the leading synthwave acts of france, frédérick barbe proved himself as a truly master into create hypnotic soundscapes on his fully analog recordings. “leave this world behind” represents his fourth ep and again shows us what “minimal melodic synth“ music should be, perfect bass sequences, clear drum stems and that catchy cold colors pads. all tracks mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

12inch sleeve designed and hand screen printed by alex from cassegrain. arcing seas is back with arcs-03, a unique ep of selected tracks from the first two releases, remixed by the mover, peder mannerfelt and shifted. first up, rave and techno legend the mover presents his first new material since 2009. after using the slogan “see you in 2017&#8243,,,, for years before, this marks the start his return. he turns trappist into a hard hitting electro workout using original parts that explode and punish the senses. peder mannerfelt introduces the b-side with his take on skull gun. broken beats and exciting percus-sion sit atop deep kicks, disorientating quick fire samples and rapid snares, showing how versatile and on-point he is. finally, shifted is called into action with a signature deep-sonic soundscape. rumbling kicks and high frequency textures occupy the sound field, alongside reverberating samples from vultures, making it his own. label info: arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name.

jean-louis huhta and joachim nordwall are high boys. together they share a deep interest in old school techno acid, aswell as electronic experimentalism and insane electro-acoustics. they want to make music that will mess with your mind, and make you move while your skull is melting. together they have served in the ritual rock group the skull defekts for over a decade but this is their first own project together. huhta also does is killer project dungeon acid amongst other important things, and nordwall runs his ideal label since 98 and makes electronic music alone and with other heads. high boys will not change the musical or political climate but they will make you feel... different.

imagine being dropped into a spiralling warehouse of acid and sub-base pressure with only four tracks to lead you into the light. the he-men compress three hours into a key change driver, stabbing and bubbling as you reach the surface gulping for air, bathing in the strings, dripping in acid-wash. before you know it you’ve been whisked away to the halcyon days of yore, creeping around castle corridors. leeds native djpc then kidnaps your soul for a spin in acid mundae (24 master) bombarding you with high hats, rolling baseline and old school pads and synths that take you to the dark underbelly of house music and beyond the black rainbow. the shadow of dawl’s electro powered hand then commands you with telepath, breaks and bleeps morse code that compel you to dance. the menacing sample, “i know what you’re thinking,” crawls around your skull until it finally shakes you loose from his imperious grip. dawl isn’t finished yet. his apache spirit breaks loose in freestylin’, a controlled dash of a tune that scratches all over your body, hauling you to his hip hop roots before dumping you, used and abused back on the dance floor waiting for an uber to teleport you to the darkest after party you can find

this is a vinyl reissue of the first release of stephen bishop’s basic house moniker, originally release as a tape in 2012. through his music, and his label opal tapes, bishop has been one of the most significant definers of leftfield dance music over the past years. his background in diy punk and noise is easily identified in his approach to both sound production, general aesthetics, and overall attitude.
“i’m not a heaven man” is characterized by a poetic and tape hissed melancholy, sensibly combined with a lo-fi experimental character rendering it a deeply personal take on contemporary electronic music. slow pulsations of sequenced drones combined with noise with strong emphasis on atmosphere make “i’m not a heaven man” an exquisitve piece of ambient sound design.
limited to 300 copies on white double vinyl with download code included.

full spectrum outerspace transmissions from planet shackleton in skull disco encoding.

ultimate crew presents 4 tracks of decimating future rave: peak moments of crystallized energy reduced to the most simple and effective dance-floor weapons known to man. entire nights distilled into mere minutes- providing you, the dj, with the deepest cuts for the deadliest win. side a: elastic / tak: acid dripping off the cuff. hip-house illumination via a saw wave cutting through the skull. watch your mind! side b: future / method: only time will tell. remember the future and wait for the break: it will break you.

zum fünfjährigen jubiläum legt das britische label invada eine special edition des soundtracks auf. musikalisch gleicher inhalt, aber die verpackung ist völlig neu: regisseur nicolas winding refn und komponist cliff martinez haben neue liner notes verfasst. die komplett überarbeitete grafik stammt von dem künstler john bergin. das vinyl selbst ist zur hälfte transparent, zur hälfte pink. diese edition gibt es nur bis zum jahresende. sie ist zeitlich begrenzt und damit sehr limitiert. danach wird wieder die ursprüngliche version aufgelegt. -drive- gehört zu den populärsten scores der letzten jahre. die mischung aus elektronischer pop-musik (unter der leitung/produktion der chromatics) und dem elektronischem soundtrack (von cliff martinez, ex-red hot chilli pepeprs) geht wunderbar auf und verbindet sich treffsicher mit den suggestiven bildern des films.

after debuting their label with the return of headhunter, the trusik team returns with their second vinyl release from the ever-illusive ruffcut faculty member tremble. tremble has quietly made his presence known with reggae influenced tunes that are simultaneously roughly hewn, yet meticulous detailed in sound design. for trsk002, tremble gives us “too much terror”, which with all the daily attacks on civilians across the nations of the world, seems prescient. what starts out as sound system inspired roller slowly morphs into a technoid fusion of dread sub weight and dub techno chord flourishes. on the flipside, tremble simmers the tempo down to the 130ish range with “bwoy”. dancehall indebted sub detonations output cut vicious shapes while filtered rasta portents gradually build into a technoid climax. two killer sides for the concerning djs! for trsk002, trusik has incorporated artist ben ladieu’s immaculate pen and ink drawing into the overall aesthetic of the release. ladieu’s work is often dense, multi-layered and full of little hidden details that draw comparisons to 80’s diy punk flyers and zeke clough’s contributions to seminal dubstep label skull disco and woe to the septic heart.

5th release on th tar hallow by rhyw, the new solo project of alex tsiridis (one half of cassegrain) in minimum control mode here.
180 gram vinyl pressing.

nice price deal !!! like the alien skull that adorns its cover, voodeux’s bones ep is certainly from another place and time. picking up where their 2007 the curse ep left off, sonic madmen tanner ross and kilowatts have refined and sharpened their signature sound into 1.000 needlepoints, bound directly for the back of your neck. this is techno for a horror movie set in deep space. reach for bones if you have a crowd peaking and you want to rip their heads off. burly slabs of bass rain down like easter island statues, while relentless crystalline atmospherics splinter endlessly towards the horizon. skeleton key is no less ominous, broadcasting its spidery main theme over an ever-evolving, increasingly paranoid chord sequence. once the kick drops back in, the chords frost over with a layer of ice, smashing through the frame with all the subtlety of a yeti attack

4 track hand-stamped white label 12” ep by best available technology, released on the working nights label. stamp by skull disco’s zeke clough. 200 copies only.

if you are a fan of diverse production from dr. dundiff, then this is must have for your collection! this album falls on the year anniversary of the dr. dundiff & friends 2015 forecastle performance. immediately after the performance last year, dr. dundiff and all of his friends spent 5 full days of recording the whole forecastle performance. dr. dundiff & friends have captured the exact same show with the same live element, brought by the same musicians. this album has an 11-piece band, 14 rappers and a special cypher featuring everyone on the record plus a guest appearance from jim james of my morning jacket.
the limited blue marbled vinyl comes with a digital download card. artwork by ian klarer and alyx mcclain.

peter michael hamel emerged from the 70s krautrock scene dreaming of “the blue flower growing between the milestones on the road to a future world-music”. a truly visionary artist who worked and studied with john cage, morton feldman and terry riley, his 1980 colours of time lp - an epic, sprawling, 22-minute saga - was hailed by the guardian’s rob fitzpatrick as “an absolute masterpiece of skull-bursting, synth-led ambient minimalism”. thirty six years on, astral industries reinterpret hamel s original vision with remixes from two contemporary heavyweights - wolfgang voigt and rod modell (aka deepchord). each expansive interpretation invites you to step outside of reality and into an alternative imagination of hamel s future world, spiralling into the colours and slowly out of time itself. original artwork by theo ellsworth and a massive thanks to peter michael hamel & eckart rahn.

limited edition of 300 copies, housed in a screen printed sleeve. includes a download code.
the flawed wonders that yair elazar glotman puts forth on his latest opus i know no weekend are the coldest dreams you would ever wish to immerse yourself in. they recall echoes of echoes, forced into slowly struggling shapes, ghosts of memories, whispers of life from another dimension. shamanic-repetitive beats shift slowly beneath echoing bells and fragments of past transmissions. overwhelmingly, one is taken into upon a winding mental path, with no clear resolution in sight, although the journey is ever-evolving and new.

ultratheque pays tribute to glasgow s first ever laser disco and the first dancehall that hifi sean frequented as a teenager. soft cell/the grid analogue keyboard maestro dave ball adds his trademark sound on this solid electro groove making it sound like some lost dub from nyc danceteria days dave himself with skull bandits crank up the electroclash vibes on the remix and turn it into a full on dancefloor onslaught like ultratheque itself was back in those laser-tastic days.

review special remarks 12inch with hand screen printed sleeve a6 zine of drawings by artist tony savas + sticker in stamped paper bag included in 50 copies.arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together. the three tracks here present three new & different directions, pushing cassegrains sound forward and showcasing their versatility.

we started ‘the classic series’ featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this fourth release, it is a great honor for us to welcome such a living legend, a pioneer from the chicago house & techno scene: roy davis jr. this project includes three very rare cuts and timeless moments of deep chicago house.
on a side: ‘i’m tha d.j.’, released in 1995 on kumba records + ‘under tha sun’, released in 1995 on downtown 161.
on b side : modal (woody mcbride & david stevens) ‘lovers’ remixed by roy davis jr. & dj skull. a massive, rare, and very demand track, previously released in 1996 on sounds (subdivision of communiqué). our favorite secret weapons, a real masterpiece of deep tech chicago sounds. enjoy !

repress alert : selected house tracks & works by the french man lazare hoche. 1 per customer

its been a long summer without the infectious draw of the triple-s voodoo guiding you towards the dance. when any sane individual should be nestling into furs and sheltering from the climatic downturn, we return with an urgent need for everyone to throw everything to the floor and make out with the music like the sun still beats down on your skull.