echodroides is a collaboration between chicago natives frank de la mora & miguel martin. their sound can be described as a trip through space with analog synthesizers and drum machines. they came together in 2011 first working on remixes then shortly after decided to work on original material. their music has been featured in tv shows, movies, promotional videos from peugeot, fashion labels and the ubisoft video game, watch dogs. for this special and limited release they re-created a track from 80s us studio project, experimental products, - paying tribute to -glowing in the dark- original and an instrumental. (words from the artists) experimental products has always been a massive influence on us from the very 1st time we heard them back in the 80s. glowing in the dark, in particular changed everything for us. mark wilde and michael gross were way ahead of their time. we wanted to pay tribute to them by re-creating this song from scratch.

some time around 20 years ago, the artist known as dub surgeon made an absorbing album of beautiful dub infused with ambiance, found sounds and horizontal rhythms. the lost future was recorded at the former amsterdam film academy where dub surgeon. the recording engineer for the project was ricardo villalobos. dub surgeon and ricardo villalobos then mastered it together, putting it through several vintage mixers and recording it to 2 inch tape. then, tragedy struck: a storm surged and ignited a fire that ravaged the studio. the master copy was thought to have been lost forever. dub surgeon stopped making music and disappeared into the shadows after just two eps on future dub in 2002/3. but one day 15 years later, totally out of the blue, he received a demo of the lost future. pay attention to this, it said. attached was a demo version of the long lost album and now, finally, it has a perfect and impossibly poetic home on dubais ark to ashes, which is named in homage to the story of lee scratch perry burning down his black ark studio to rid it of demons. sounding as fresh as ever, the lost future is an authentic dub experience with a story as special as the music itself.

timothy j fairplay with the first release on nyc label body works. 4 tracks of electro madness with influences ranging from new wave, italo, gigolo/ebm, chicago (acid house & early industrial) & 1890s haunted brothel vibes.

due rent is a collaborative double album by solo artists lojii & swarvy. written & recorded in the summer of 2016 in l.a. by the two philadelphian transplants, lojii says this tape is a score to being a broke nxgga in amerikkka (emphasis on the kkk) – full of dreams and hustlin to make em happen, but dealing with the everyday pressures of making ends meet. a.k.a trying to pay rent. the 22 tracks, many of which barely break the two-minute mark, make for a vast voyage through remarkable contemporary hip-hop. the grooves and beats that skip and flutter are smooth and mellow, with nods to the old-school but entirely void of nostalgia. this is a sophisticated, thoughtful, and inventive modern hip-hop record that understands anger doesnt have to be loud. daniel dylan wray, bandcamp (best 100 albums of 2017)

after the release on french label basse resolution and after a couple of years since his last ep on bosconi, having released with the -under the line- track one of the highlights of our latest 10 years compilation and as bss together with his mates fabio della torre and mass prod, rufus is back on bosconi with a new four tracker record which goes on a new direction compared to the past music he did. -ritual chants- was mainly recorded in the abandoned industrial area of milan called bovisa and probably for this reason the release sounds all around a bit sci fi, cinematic and especially gothic. all begins with the raw techno jam of -fast rituals- where structured mellow and dreamy synth lines combine with the dusty, aggressive and driving rhythmical transportation of its drum section. fast rituals is one of those electronic pieces which tells you a story from the beginning till the end, so please pay attention to it. -sapere sparare- looks calmer but actually has the more mental and psychotic feeling of the whole record, driven by an intoxicating and fat bass line, rough jazzy beats and a lot of twisted out fm synths goodness whose times are punctuated twice by the warning female vocal theme of the track. -last shot #5- instead is a jacked out, hypnotic and darker broken house track dense of pumping low ends and subtle but glorious synth riffs properly made for the late hours and totally in the vein of a baby ford - minimal man production.-tenebre- closes up the ep with its horror movie atmosphere, drilling drones here and there, big bouncy bass lines, reverberated snares, drama strings and a dominant sinister melody which slightly reminds of some old dbx track.

limited edition repress of the four owls’ second album on golden & silver coloured double vinyl.

limited edition repress of the four owls’ second album on red & blue coloured double vinyl.

singer, songwriter, producer and violinist sudan archives has just released her sophomore ep sink. “sink describes the way i want my music to make you feel,” she says, “it’s inspired by my love of fluidity, movement of jellyfish and water.” the release caps off a highly active spring that included a slew of highly buzzed performances at sxsw (yielding praise from npr, paste, new york times, chicago tribune and more), both weekends of coachella, a tour supporting peanut butter wolf in japan, and a show-stopping performance at form arcosanti. she is currently gearing up for a run of european festivals while prepping for more soon-to-be-announced us dates.

the „here & now ep” is the second instalment of a three-ep-series coming up in 2018. christophe salin is taking us on his musical journey and paves the way for cooperation with future artists on his very own imprint „salin records” that he runs with his wife daria salin as a platform for electronic music and art.

no intro needed as „dreams sometimes come true” instantly takes us on the groove line. „astra perle” keeps the groove alive with some heavy jazz samples. you maybe remember sitting in your first car (christophe’s first car was named „purple pearl” and was an „opel astra “) and just cruising thru the city. imagine to be suddenly overwhelmed by a creative hole, „ohh no, not you “… turn over to „can you pay my bills” the journey continues with more jazzy vibes to end up with a downtempo lounge-dub-work which is indeed „different but sweet“.

“vain” marks the prodigal return of venezuelan artist carlos giffoni to the avant-electronic music scene he was instrumental in shaping with the seminal, hybridising no fun fest and no fun productions label, which was home to debut releases by oneohtrix point never and noveller, and classics from haswell and prurient during the late 00s to early part of this decade. carlos’ first new release in 6 years, “vain” was drawn from hundreds of hours of improvisations made at carlos malibu studio, the final lp describes a tumultuous narrative in affective abstract swells and pulsating rhythms that trigger curious sensations and emotions ever familiar to his variegated, extreme, yet essentially organic output.

acid hologram is a record that travels between past, present and future. it is a real mix of different stiles, this makes it difficult to define as a genre. analogue incursions typical of acid and electro fuse with the melodic immediacy of trance, cohabit with cruel drum breaks and crazy idm interventions, creating a scenario composed of different styles and nuances, bizarre as well as emotional, enveloped by an idea of euphoria typical of the underground music of the early 90s, that allowed us to rediscover a personal sound, without compromise. produced between the end of 2013 and 2017, it was published as a limited edition and the first cassette release by weme records, the idea of the format justifies the need to publish such a high number of tracks, on an alternative medium that is able to reflect the identity of an equally unconventional sound. the tracklist titles reveal visual suggestions that recall the years of the rave scene of the early 90s and the cyberpunk imaginary in which the author grew up

dutch pioneer mg (aka gert van veen) is responsible for a series of huge house classics to ever emerge from the netherlands: a-men s pay the piper, quazar s seven stars, house of venus dish & tell. the list is long. under his lesser known moniker zodiac trax, gert produced some of his moodiest material. released in 1992 in two parts, these beautifully crafted tracks remained fairly unknown up to this day. for this re-issue frame of mind selected the deepest tunes from the obscure series. a previously unreleased track called planet x is included!

originally released in ‘06/’07 as the appetizer to only built 4 cuban linx ii, the vatican mixtape series consists of a vast collection of unreleased tracks, wu & solo classics (“shame on a ni**a”, “diesel”, “ghetto boy”, & “yae-yo”), as well as some of rae’s best guest work through the years (“the heist”, “brown paper bag”, & “bump bump”). volume 3 features verses from fat joe, tek & steele, ill bill, and several wu-tang brethren including, ghostface killah, masta killa, & inspectah deck. this 2xlp is the first time this volume and series gets pressed to wax, and features completely new artwork for a fresh look.

sold out - limitierte transparente vinyl-lp im gatefold sleeve, veredelung mit regenbogenfolie, inklusive downloadcode.

schwarze vinyl-lp im gatefold sleeve, veredelung mit „regenbogenfolie“, inklusive downloadcode.

* there is a way* opens with a soiree of shuffling percussion, which drives it forward throughout. the tune holds its nerve and refuses to cash in, constantly bubbling and building as layer upon layer unfolds almost to breaking point. an exhilarating statement of intent. never looking back. side a comes to a close with * tricks*. it confidently boasts a heavy hitting kick drum, set to shake speakers and alter heartbeats. a relentlessly positive guitar sample and buoyant bassline set the mood of a lively cut, which builds to a pay-off that brims with shimmering brass and crisp hats. a sunshine filled stormer, sure to get even the most cynical city worker moving. drums, drums, drums. as * mistakes* begins we’re swept away by salary boy’s effortless command of groove, before a booming bassline snatches back at our attention. “everyone makes mistakes” is the refrain from the vocal sample. i’d usually agree but our hard hustling, hi-hat wielding hero hasn’t put a foot wrong so far. an evocative piano loop anchors ‘cry’, a tune made to define the early hours. equally adept at touching the heart, as it is at moving the feet. endings are important, and this is as strong as they come.

since his appearance on soccer96s jupiter masterdrive edits ep (alongside danny krivit and glenn astro flips, also on wotnot ) in 2015, and subsequent eps on wotnot, monologues and sgol, danvers has swiftly become a name to pay attention to. as a regular appearance on co-ops selectors assemble, both live and on their recent comp vol. 2, he s established himself as a new and original voice on the broken beat scene. his recent the future is broken mix series highlights his ear for unconventional dance music, something that makes him extremely at home on the wildly creative wotnot (thanks dj mag). the opening two tracks are strongly in the broken beat vein. mason opens with dreamy, rhodes jazz over a bruk beat with rolling snare fills, lulling us into a false sense of security before switching to an offbeat but irresistible squelchy synth groove. similarly, in aye ata the pulsing chord that slowly grows out of the beat suddenly turns the track around with a rhythmic twist, showing the playful broken beat in a whole new light. there s a house touch throughout the ep, none more so than in 1997, where a bouncing kick, soulful claps and a booming sub provide a steadier basis for laid back rhodes chords and dreamy spoken word samples. as a big influence on danvers music, frits wentink is welcomed onto remix duty with open arms. the wolf music regular brings an otherworldly vibe to his take on 1997 , with enchanting but almost disorienting chord swells and spiralling vocal fx punctuated with crisp snare rolls. the ever-busy danvers recently launched 38 east , a studio space and music community, with warren xlnce . warren s remix of 1997 was a surprise gift to his business partner and collaborator, and is a deeper house cut, joe armon jones (brownswood) rhodes jam over the track bringing a distinct peckham flavour. dj support from ig culture, andwot (touching bass), neue grafik & evm128 (co-op) t williams

“yuxtaposición” is a recently unearthed treasure recorded by a tight italian trio in miami during the early seventies. until now, this music has only been heard in office backgrounds, tv commercials and movie soundtracks. but the perseverance of an admirer brought about its first-ever release on the italian schema label. imagine hearing a 1972-era cal tjader quartet without cal tjader and you get an idea of what to expect. it’s slightly latin, lightly funky and truly enjoyable. “yuxtaposición” offers enough to interest a jazz listener. but the sounds heard in these 35 minutes are really better appreciated as mood music. lead man, cabildo, composer of all ten tunes here, has a knack for writing jazzy little hooks that launch his tasty, well-crafted keyboard solos. often alternating fender rhodes and piano within the same song, his playing maintains a hypnotic command that recalls bob james’ cti style. electric bassist bobby fares and percussionist max ronnie make subtle, supportive contributions that serve only to enhance cabildo’s sound. there’s a funny thing about yuxtaposición too. it’s kind of like developing an addiction. you may not pay much attention to it at first. but before you know it, you’re hooked. you need to hear it to be satisfied. a very nice surprise.

pets boot down the doors of 2018 with this generous five track version excursion. five of the label bosss most distinctive and decorated tracks from recent years get the treatment from five fittingly big names, this is how its going to go down… the one and only roman flügel takes the lead with a wonked-out trip down ‘basic colour theory lane. with a sly switch on the kicks and full emphasis on the alien encounter feels, his trippy take on ‘dont sets the perfect creative benchmark for whats to follow. dig deeper for a bumping, stripped back warm and jacking twist of ‘its happening by the currently unavoidable rutilance founder dj steaw while counter records pional breaks down their recent jolt of euphoria ‘rave history and rebuilds it into a slinkier, house affair, repurposing every spine-tingle and skin-ripple greg and voitek coded into the original. deeper again were treated to an exceptional twist of their green velvet collaboration ‘keep on as lawler injects a springy, molten momentum to the elements with a salubriously loopy machine funk feel. finally, for good measure, jonathan kasper wraps up their 2016 spiritual trip ‘elixir with a new sense of conga-riddled, bass-licked momentum. still reaching the highs when you least expect it to, the pay-off keeps giving and giving. a little like this whole ep

the second of alma negras 12 rhythms series is dedicated to the maloya sound from la réunion, a tiny island where a melting pot of cultures is reflected strongly in its music. maloyas roots go back to the time of slavery, its quick tempo and raw energy making it not only a popular dance music but also a powerful protest through movement. on their maloya ep, the basel collective pay tribute to the hypnotic rhythms that were feared both by the catholic church and the french government for the musical forms subversive part in the rebellion against colonialism.

known for a series of stunning releases for the likes of one records, earlydub and laate, yamen & eda are a france-based duo whose music regularly perks the ears of some of the scene s most respected names. their latest release arrives courtesy of their own recently launched label, maison mere - and is the sort of intriguing release that s sure to cement their reputation for polished grooves amongst discerning heads.

four 140 bpm bass bangers from the grime wonder boy boylan (who also has some history in drum and bass, releasing for the likes of the legendary bad company) and the grime godfather dj slimzee, co-founder of rinse fm, member of the legendary pay as u go cartel and owner of slimzos recordings, slimzee is a key figure of first generation grime who shot to international underground fame at the turn of the millennium, alongside partners in grime wiley and dizzee rascal. boylan and slimzee make an outstanding production duo and this debut ep is a testament to that, these beats leave a trail of destruction anywhere that they are played around the world, while crossing 140 boundaries and delivering unique bass music with weighty attitude.

from the pumping heart of the magnetic system comes the dirtiest da-da-dancefloor anti-jams with this lost 1979 blueprint of italian conceptual cosmic disco played by the cream of the goblin studio band. ultra rare and unscrubbed, finders keepers finally snip the trip from the cash machine to the trash machine. pay dirt just got dirtier.

2018 repress .. disco deviance welcome new kid on the block love drop to the imprint and he delivers two absolutely stomping disco reworks that pay homage to the raw cut up n paste style of glorious disco days gone by. employing equal amounts of jack and disco they are both guaranteed to relight your dance floor in the style of better know editors like rahaan and frank booker. and demonstrating a real ear for how to use the blade to work the groove love drop announces his arrival in convincing style. enjoy the music!

the energy that johnny cash and the tennessee three captured on the legendary “johnny cash at folsom prison” movlp274 record can probably never be duplicated. that being said, “hello, i’m johnny cash” comes very close.
this forgotten album is arguably one of the five best albums in the cash discography. it is fueled by superb original cash songs and well executed covers. it contains “see ruby fall” (co-written with roy orbison) and one of his best 70s hits, “blistered”. the lean, minimalist instrumentation of the tennessee three ensures the album with great rhythm, leaving johnny cash’s voice as affective as ever. the album itself reached no. 1 on the country charts and no. 6 on the pop charts.
pressing on 180 gram audiophile vinyl.

classic / re-issue ... original released 1970 in nyc

nigerian disco-boogie lp from 1979

pumping 4 track vinyl for techno & house heads

‘the original sound of burkina faso’ follows the hugely successful ‘the original sound of mali’ compilation released in march this year, also on mr bongo. here we have a collection of songs that pay tribute to a truly golden age of music, touching on folk, funk, blues, highlife, disco, psyche, latin, rock and soul.

alexander kowalski has been immersed in techno for a long time, and his sound is massively representative of the reduced, late night berlin sound. as d_func. he s contributed many times to marcel heese s finitude label, and now he s back to pay tribute to uk free party techno legends spiral tribe. kowalski s own interpretation may be more minimal and hypnotic than the wild, raucous energy spiral tribe was best known for, but his trancey approach comes on like a nostalgic vision into the early 90s, while also aligning with the modern masters such as donato dozzy and peter van hoesen.

up next on arcing seas is magna pia with his second ep after his 2016 debut incantations on coun-terchange. behind the alias is hüseyin evirgen, one half of cassegrain. arcs-05 has a clear focus of providing combative dance floor trips, unorthodox sonic moods with subtle 90s techno references. the eps track titles artemisia, semiramis and akasha pay tribute to three mighty ancient heroines of very different origins. consequently, magna pia continues his in-terest in combining techno tracks with archaic symbolism.

from the twilight zone of rhythm section international comes a new label for 2017: international black. this is the offshoot’s 3rd release this year and the machine shows no signs of slowing down. bradley zero’s ear for new talent continues to pay off as we are introduced to yet another young pair of producers, mallard & lt, going by the name of ‘j deep’. mallard, a 19 yo jazz student who made a big splash with his debut rs intl ep, ‘verte’, returns with a track aimed more squarely at the dancefloor. although hypnotic and ethereal, it packs a punch, with the arrangement and musicality belying mallard’s musical training at trinity college. on the flip side, mallard joins forces with another promising producer who goes by the name ‘lt’ in their collaborational partnership known as j.deep. complex jazz chords swim around 909’s to create an elevating techno roller that climbs and climbs only to give way to sparse rave stabs and ecstatic snare patterns. tried and tested for the best part of a year, these are 2 serious jams, proven to cause dancefloor frenzy.

electronic music label sheik ‘n’ beik announces snbv012 the ‘vaadhoo’ ep from mr. dello. this ep is the second release in series aimed at celebrating the diversity and history of new york and its boroughs. as sheik ‘n’ beik’s hometown and source of constant inspiration. the label focuses the spotlight to pay homage to the five boroughs of new york including manhattan, queens, brooklyn, staten island and the bronx. each boroughs flag is given a modern and colorful twist via the cover art and design of each outer jacket. the first release in the series, manhattan, featured local nyc heroe and co-founder of voodoo down records, n’conduit.

5 track ep. yamahas dx series of synthesizers has long been a source of inspiration for tom trago. the dx7, in particular, appeals to the dutch producer thanks to a unique sound that he describes as glassy but classic and icy. 34 years after it went on sale the same year as trago was born, interestingly the synthesizer’s sound still bristles with futurist appeal. trago, who was partially trained in how to use the dx7 by studio friends bok bok, sterac electronics and juju and jordash, has decided to pay tribute to this most distinctive of synthesizers by using it as inspiration for serene waters, his first ep for voyage direct since 2014 epic hidden heart of gold.

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

-payback- was born the day before cleveland s first live set it brussels two years ago. no wonder it sounds like a call to arms. -armando the lizard- has a much more looser feeling. it doesn t pursue an answer, just a little bit of warmth. created in a sm

elegant divide are peter oldroyd and samantha gare, based in london uk. formed in 2014 elegant divide combines the talents of classically trained vocalist samantha gare and electronic pop music pioneer peter oldroyd. peter is a well-known mix engineer and record producer, and best known for his 1980 s experimental synth pop band camera obscura. samantha, trained at the italia conti academy of theatre arts, has experienced chart success before and lends her distinctive voice to the project. elegant divide expresses the dichotomy of dark and light in electronic music with songs that explore lyrically the emotions of urban living. with the use of vintage synthesisers (moog prodidy / source, novation bass station, nord lead 2, paia fatman, polyfusion modular, yamaha dx7) and drum machines (roland tr-909 / tr-808 / tr-707 / tr-505, yamaha rx17) their sound is rich and analogue, and samantha s cool vocal delivery creates a mood that is simultaneously accessible pop and dark and haunting.

having previously popped up on esp institute, juan ramos teams up with trent to form greenvision, making their first appearance on the home of freshly squeezed discoid deviance, cocktail d amore. surdinia takes over the a side with a bombastic array of peak time devices in its utility belt, from bubbling acid tweaks to gluttonous monosynth leads and a chunky set of drums. meccanica is no slouch either, laying down thick slabs of synthesized grease in pursuit of a different kind of party track. this is unusual, distinctive club music for those who want the crowd to stop and pay attention

lisbon’s paraíso delivers a third volume for their ace v.a. genesis series, once again summoning some of portugal’s most gifted producers. just like the previous two sets of artists, all four projects have created tracks that pay homage to the brilliant continuum of dance music that the country has seen in the past three decades.

after 20+ years with psych legends yura yura teikoku, shintaro sakamotos third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and aor soul. orginally released in japan, 2016. like a language of sakamotos own…made with a ship-in-the-bottle-like focus. pitchfork love if possible is the pay-attention-moment. not enough know. more should know. under the radar perfectionist pop for the extraterrestrial bachelor pad. spin

neil landstrumm - bad life choice club ep are bad life choices a bad thing or actually quite good really? neil landstrumm invites you to join his club of fools with this effort on moustache records. its money badly invested if you do but endless selfish pleasure awaits the brave. don t blame me if it all goes wrong. i warned you. idiot. this six track lp from the early 1980s contains pleasure seeking electro-pop and beastly disco lust, heard from the other side of mute records black leatherette covered door this record is made by neil landstrumm (rip) on fuck all with shit speakers. ably assisted by tommy stuart and his wall of modular synth and a pork pie on at least two occasions. made for the french but they didn t have enough money to pay for it. fuck the tories and brexit. scotland wanted to stay in the european union. we hope you all know that.

king tubbys music & dub store records veröffentlichen soundclash dubplate style pt. 2. das album beinhaltet 10 titel von verschiedenen künstlern.

on the back of chip wickham s fabulous debut album la sombra come two quite different but equally mouthwatering remixes of two of its tunes. on the a-side, detroit house stalwart extraordinaire andrés grabs red planet by the ear and drags it straight to the dance floor. and he means business: no beating around the bush with intros and the like â€,“, it s hands in the air and go from start to finish. relentless. the other a side, a.k.a. aa side, is for l.a. s ambassador of avant-garde and spiritual music carlos niño. rather than remixing the album s title track in the strict sense of the word, his spaceways radio edit adds a subtle and otherworldly flavour to it, extending the mix with some gorgeous ambient washes. la sombra (lovemonk, january 2017) is chip wickham s first album after a 25-year career touring, recording and experimenting across three decades of jazz, funk, soul, hip-hop, latin and electronica. it s a monumental record for chip as it symbolises the moment he stepped out into the light as a director of his creations with freedom to explore his roots, express and tell his version of jazz, and pay testament to his heroes roland kirk, yuseef lateef & harold mcnair.

part 1/3! several shades of the same color is patricias first album for spectral sound, produced in conjunction with his own label active cultures.

this grouping of audio recordings is for aural use only. any emotional content perceived herein is borne of its listener, and is in no way intended by its author. any sounds resembling speech are not intended to convey meaning. several shades of the same color is patricia s first album for spectral sound — produced in conjunction with his own label active cultures. tips for listeners: consider the moment in which you exist, pay attention to how these sounds evoke physiological (rather than cognitive) responses. listeners may find themselves deriving immense physical pleasure from exposure to these sounds. inability to achieve such pleasure is likely attributable to over-analysis of the aforementioned audio content — or to improper amplification. each of shades three lps features suites of tracks that, considered alone, comprise their own distinct, unique worlds. disc one opens with -i know the face, but not the name,- an unabashedly plaintive trip through classic electro rhythms, flip it over for -the words are only sounds,- a haunting affair for synthesizer and voice. disc two s -the electric eye is upon me- swirls endlessly, while -shiba inu dub- is cut for the floor and coy as its namesake. disc three s jackin -feel your body- will cause you to do just that, -german friendship- sounds like d.a.f. on dissociatives. any emotional associations incurred while listening come at the listener s discretion. furthermore, the identity of the author and/or their passions regarding the recordings herein shall bear no weight on the listener s experience. this body of work is not intended to generate ideas, rather, its goal is to produce physical sensations in the listener.

studio one groups is the latest soul jazz / studio one records release featuring legendary groups from the foundation label of reggae. bob marley and the wailers, toots and the maytals, the heptones – just three of reggaes greatest groups who all started at clement dodds studio one records, the university of reggae. studio one groups brings together classic artists alongside lesser-known artists and covers studio ones musical output from the 1960s and 70s featuring ska, roots, rocksteady, dub and more.

our beloved record label analog solutions presents this time to v / a, signed by kristina and orbe and where eduardo de la calle label owner add as well a special detroitish techno soul tool on side b2. it’s been several months since the last vinyl release of the record label, but it certainly strike back again with a sonic quantum force! dropping the catalog reference number 019 which is full of usefull and mesmerized ideas dj tools for worldwide djs that deserve it! it would be nice to pay attention to this great job that will be available only in vinyl format for the first few weeks. pure - shake that ass science - on 12” ... special design for the dance floor ... don’t let it go!

blow ya… blow… blow ya… i m gonna… for their second release and first reissue, kalahari oyster cult pay tribute to a highly influential label of the 90s: music station. over five versions of blow it up, tapp brings the ghetto back in the house and the vibe is second to none. classic!

i’ve been wanting to do a release from cliff lothar for some time. finally, i got him to send me some old electro tracks that i just took a liking too. very obvious with their influences. these tunes pay homage to rather than mime these traditions. todd osborn and i provided an acid dance mix to round out the release..” - jared wilson

the third release of the vinyl only label another earth is upon us and its all about techno. esther duijn combines 2 acts together in a split ep series which compliment each others sound. for this release esther selected two notorious european techno producers she adores, opuswerk and lee holman. on the a side opuswerk delivers 2 deep driving techno tracks. rf thruster basically expands from beginning to end. this constant propulsion has a deep impact on any dance floor. he drew inspiration from jeff mills and planetary assault systems for this particular track. emdrive starts with an atmospheric intro and morphs into one epic build up that makes you feel all warm and fuzzy inside. on the flip side lee holman bangs 2 deep and firm techno grooves like there is no tomorrow. while adaptive optics is rough on the edges it does pay attention to small details which make the track very dynamic. absorption lines puts the emphasis on a warmer atmosphere. with this track you can transform anything into a pulsating hot mass, according to esther