thomas wood in ace form! 5 tracks of pure quality house and jazzy trip hop

erstmals auf 7” vinyl: zwei songs des legendären produzenten und drummers norman connors aus seinen alben “invitation” (1979) und “take it to the limit” (1980). mit vocals von adaritha (ada dyer) und al johnson.

nice price deal !!! jonny montana & craig stewart have quickly established themselves as the definitive soulful house producers of the uk. providing remixes for some of the worlds premier house music labels including soul heaven, nervous, mn2s & soundmen on wax.

a classic 1968 marvin gaye & tammi terrell album back on heavyweight 180 gram vinyl with download code included.

reissue of the 2nd album from earth, wind & fire, originally released in 1971. comes with download code included.

sing with me: much in the same vein of the mannheim house sound made popular by artists like johnny d, nick curly, christian burkhardt etc. bretts gives us a deep but driving track centered around an african boy singing. brett chops the sample up to create a choir of ethereal voices to support the boys singing. as the track progresses it takes a left turn into weirdville through some dramatic synth tweaks & sweeps. this track is perfect for anyone who likes to dance standing up, with their head down and first firmly in the air. speaking japanese: many people will tell you learning to speak japanese is one of the most difficult languages to learn, and theyre right. lucky for you, brett has done all the work by translating his message into sound. the core inspiration for this track is based on a sample from a song by get physical owner and artist mandy. they were kind enough to let brett use the sample and run wild with it. the result is 8 minutes and 12 seconds of over driven 909s, rolling bass lines and a pad so thick you need a fork to eat it. all of this keeps the calm while frantic chatter and out of this world fxs take you to a japanese after party somewhere in shibuya.

vinyl only. after releases on top notch labels such as witty tunes and mile end, young italian dj and producer niceteed debuts on my little dog with a solid vinyl ep. 2 tracks of underground music, which wobble in that fine line between techno and tech house. straight rhythms, dark voices and playful and malignant analog synths are the hallmarks of both songs.

summer season just started and we’re kickin’ it off with a pack of quality cuts brought to you by flashmob, danny serrano, clio, spencer k and collective machine: it sounds as good as it is. flashmob’s „year 1993“ is a deep organ tech tool that takes over big and small rooms alike, just made for peak time hours. danny returns with slate, a laidback track that hooks with tight snares and a locked groove. next up are spencer k and collective machine who joined forces for this release and we hope they’re up to repeat it, since that’s all where doing with “sonic attitude“ and “hit that way(digital only)“. clio completes the package and brings us some good summer vibes with “i need you“, need anything else?

auf warme streicher- und gesangsarrangementes reduzierter house à la arthur russell.

following hefty releases for karlovak and bass culture in 2015, ben sims continues to bring his ron bacardi alias heat with along with a remix from borrowed identity.

while we love to dance at correspondant, we have also been known to think from time to time to, so it s exciting for us to have been given the opportunity to combine the two things when presented with some new music from two of our favourite producers, marvin and guy. as such, correspondant 42 represents a more conceptual approach for the italian duo, informed by long countryside drives, the names of classic cars as learned from an illustrated childrens book, a yearning to move away from the pack of identikit dance music and a need to connect with their music in a physical way, as provided by the recorded hand clapping refrain running throughout the tracks.

its been a long hot summer for dext a string of quality releases and remixes from the likes of alden tyrell, bodyjack, the zenker brothers, lo shea and oli furness plus a label showcase at privilege in ibiza. only 4 releases in, the label has fast established itself as a standout player in the game.

los massieras see themselves as legitimate psychedelic explorers sonically adventuring into dark territories and furry textures. their concrete, minimal electronics, trance inducing percussive sounds and mutant disco influences are drone infected, with slight dub inflections and sometimes even an unusual cold & poppy feel, if you care to consider the residents a pop band.

knapp zwei jahre nach seinem stark vom sampling beeinflussten album *years not living* legt panagiotis melidis aka larry gus mit einem deutlichen fokus auf das songwriting nach. beeinflusst haben dürften diese entwicklung auch private veränderungen, wie die geburt seines ersten kindes. die lp-version erscheint als limitiertes (1000 stück weltweit) vinyl in roter farbe.

alden tyrell lays the foundation for john marks vocals. heavy analogue house jams like only he does. dpx dusts off the old korg m1 for a piano heavy remix on the b-side.

ssr001 by dj ogi and ssr002 with tracks from rob stalker, bruce and bassbottle as special price bundle!

releasing under the moniker misanthrop since 2002, michael brauningers music reflects a foreboding sense of darkness, something that has been prevalent in his previous releases with the likes of critical recordings, neosignal and subtitles. misanthrop has utilised unfamiliar ways to push the envelope of his twisted, sinister sound for new ep *i need more*.
the automated refrain on *capitalism* reflects the stark coldness of misanthrops work, before unleashing an onslaught of off-beat breaks to display brauningers deft, often unpredictable production style.
*rock n roll*, a more familiar tear-out drum & bass track, bolstered by pummelling percussive flourishes and flashes of distortion throughout.
gaining support from the likes of skrillex, goldie, skream, alix perez and more, misanthrop has spent his 13 year career carving a sound that is wholly realised in this latest release. brutal, uncompromising and inherently forward thinking.

need you back is a collaboration piece between the anonymous mystep character and vocalist frank h. carter iii. the original track and vocal laid the grounds for remix work by label regular jamie trench, and a most experimental remix by our new friend dudley strangeways. this release also commemorates 3 years of made fresh daily, it s been a hell of a lot of fun and learning so far. here is to another 3, mfd forever.

303 madness from the likes of chris liberator & the geezer on the a-side and mobile dogwash & john tuxman on the flip!

last summer theo parrish toured europe with a badass band he calls the unit, comprised of himself on keys and vocals, lead vocals by ideeyah, amp fiddler on keys and backing vocals, myele manzanza on drums, mr. mensah on bass and keys, duminie deporres on guitar and dancers jade soul, mai le, dominique choreographed by gehrik. on stage they covered sound signature classics, cuts from theo’s latest lp and a selection of theo’s favorite dancefloor tracks, and the label are excited to be putting out a few of the recordings made during the tour. starting with this two track 12 inch, the a side is a cover of skye’s ain’t no need. for those who know, the b side is a rendition of walking thru the sky from theo parrish’s 1996 baby steps ep.

hot chip veröffentlichen limitierte whitelabel remix 12“ mit edits der ersten beiden singles von joe goddard und four tet exklusiv für den indie pool! anfang mai veröffentlicht das britische quintett hot chip eine in deutschland auf 250 einheiten limitierte whitelabel remix 12 inch via domino! auf der a-seite findet sich ein edit der aktuellen single ‚need you now’ von kieran hebden aka four tet unter dem namen percussions, unter welchem er seit 2011 zahlreiche ep’s und ein album veröffentlicht hat. die b-seite ist ein dub mix der ersten single des neuen albums ‚why make sense?‘ von joe goddard!

pleasure zone presents ali nasser and his first artist album called *all we need*, ali was part of pleasure zone from the very beginning.

tsyn vol. one. 2 million subscribers. now the album! the finest in future bass, deep house, future garage, chillwave & more! (2 x unmixed vinyl incl. download)

200 copies only! producer from the heart of turkey - ugur project debuts with his solo ep on ukrainian label artreform.

the prodigal duke returns to turbo triumphant after two uk no.1 singles in need u (100%) and i got u. for the third installment of for club play only, duke dumont takes things back to the bass-bumping basics.

bok & trago are back with another 12- of deeply textured, hypnotic house music. this time taking a melodic approach on the a-side main mix of -need this-, the london-amsterdam duo borrow and flips motifs from a classic. -need this (radio mix)- is a piece of slow-burning deep-tech, helicopter blade arps hovering over epic fm bassline and churning percussive guts. a well-deserved melodic reveal at 4 minutes gives way to plenty of weightless beats to keep djs busy on the loop button - blending perfection ensured. on the flip, the 12- mix strips out the melodies and turns up the percussive heat. the results are a sweltering dub strictly for the dancers

phantasy are very proud to present a remix of daniel averys *all i need* by a hero of the techno scene, hero of the house scene, hero of the everything electronic scene: herr roman flügel with one of the labels biggest reworks to date. on the flip, chilean sonic soundsmith ricardo tobar takes *these nights never end* and delivers the kind of beautiful, intricate rework that made his recent album treillis such a beguiling trip.

1991 house classic from the nu groove camp back in stock.

crafty 1990s deep house rooted cut in two versions.

stomping drum & bass

for the second instalment from quantum entanglement we delve into the misty past, a time when moving parts ruled the dance, when the power of the night rested on a needle and a bassline, and before cdjs calculated the bpm for you…you had to touch things, buy things, and the bassline ruled over all. acid thunder, a classic by fast eddie, was the first dance record i ever bought. it was important. the guy who sold it to me, at the time a spotty school kid in his school uniform, was called john stapleton, and the shop was sidetrax in bristol.

limited album pre-sampler on blue transparent vinyl!
pleasure zone and ali nasser was from the beginning on more than just a relationship – we are family! and so we proudly want to tell you that alis first artist album called *all we need* will be released on pleasure zone! so many fantastic tracks – that is why we decided to produce also an album pre-release. well … here it is - enjoy while waiting for more!
pressing on transparent, light blue coloured & marbled vinyl.

deep and sexy 12- with two tracks taken from the forthcoming hell of a funky solo debut album country city country and an old school techno cut by prime numbers trus me. big with joy orbison, mosca, nina kravitz, dettmann, antal rushour, tini, deetron, spencer, ryan elliot. further support by kalabrese, crowdpleaser.

played by gerd janson, leo mas, prins thomas, dj ralf… balearic gabba sound system is back to reshape some italian classics!

quick-firing into the new year, doc daneekas ten thousand yen returns with the absolute dance heat that is bodhi, *i need you e.p.*. the pair rose to prominence over the last two years with deft mixes for people like the xx & sampha and london grammer. releasing original material via channels like grizzly and australias future classic, bodhi join forces with their welsh compatriots at ten thousand yen for these collection of rough and ready, yet soul burning dance floor bombs. these have been doing serious business in the clubs. i need you!
the vinyl ep includes a downloadcode.

phantasy are proud to release the next in a series of remix 12s for daniel averys hugely acclaimed drone logic album featuring reworks from some of the most important electronic artists around. matthew dear dons his audion mask to remake need electric and prove why he remains the king of that breathless, late-night sound whilst, on the flip, matt walsh - boss of the hugely exciting clouded vision label - applies his effortlessly stylish techno workings to free floating.

marc depulse makes his single debut on noir music with the long awaited no need to worry. the fantastic vocals are written and performed by nm favourites hollis p monroe and overnite.

need you tonight - this a1 killer tune a la aril brikhas art of vengeance: groove la chord is a brilliant 2014 diamont techno house underground mainstage track. expect original tr 909 drum programming, roland jupiter 8 synth chords... an insane deep party break with 20 hz low bass, topped off with some jazzy funky steps. feared in rotterdam and its suburbs and already played by laurent garnier! b1 is need you tonight in the alden tyrell remix... super dark building up power mono techno track... berlin/london/rotterdam style. b2 is made by the legendary rod ... a deep techno track with great groove perfect dj tool.

allmen785 s debut release on tanstaafl planets is a raw acid house floor destroyer - his most dynamically engaging material to date. pounding, mesmerizing...

mehr northern soul-raritäten - erstmals seit langer zeit wieder auf 7 inch vinyl erhältlich!

supported by: karotte, robert dietz, barem, yousef, huxley, sascha dive, x-press 2, heidi, eats everything, doc martin, manik, satoshie tomiie, coyu, noir, pirupa, catz n dogz, monika kruse, josh wink, luca bacchetti, till von sein, larse and many more

moreaboutmusic return with two killer house cuts from london house master phil asher. tip!

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

excellent house from frankfurt with janis, le rubric, leander janik and kls

melbournian multi-hyphenate luke brown has his hands in a lot of pots, having dug deep in his dj duo with ricardo ramos, leslie salvador, as well as his ongoing death-disco / dark-synth revisionist twosome, negativ magick. but the past few years have found him exploring more classic, scruffed-up analog house terrain via his latest alias les level, and his six-track debut is purist uncut club gold. bookended by a pair of of mixes of the stellar neo-chicago anthem *house of need*, the rest of the tracks prowl through a host of suave, shuffling, strictly rhythmic variations, from the 3 am skyline seducer *smooth sailing* to the pumping, jazzy jack-groove *working nights*. an expert assemblage by a nuanced craftsman with style to burn.

spearltd017 sees the return of mc and vocalist ad-apt to the label. this time with his own track *need your love* getting the remix treatment for two of d&b’s most prolific producers bcee and cyantific.
support from 1xtra, nu:tone, spectrasoul, savage rehab, ray keith and a whole load more ...

official re-edition written & produced by dana kelly for guidance and dkma. rip.

tyree coopers all you need is house ep is a proud celebration of the genre, done chicago style and rammed home by marco’s wailing vocals. through solid drums and strong vocal hooks, coopers original beats down hard justifying the need for a 180g pressing. it rattles and hums until dropping into a tom-drum and snare solo similar to runaways *brooklyn club jam*. bobby starrs mix brings marcos teddy pendergrass-sung vocals to the fore, while milty evans gets a little techier with a cut up approach, adding white noise flashes and lots of filterwerk. cooper second take comes via a classic dub which draws a link between squelchy baile funk and a masters at work drum track.