chicagos dj clent has long been revered as one of the founding figures of the city s unique juke and footwork scene. having released some of the genres earliest examples of the sound hes rightfully respected as a dj and producer in the game. 100% ghetto we 2 ghetto 4 ya! was originally released in 1998 on the legendary dance mania label and has been long sought after by fans of juke, footwork and the ghetto house sound and is quite a tough record to track down often commanding collectors prices in the used market. across 7 tracks covering various styles clent gives us his rough, ready and raw sound. uncompromising, heavy, frenetic and just plain jacking this ep still packs a serious punch! the sinister, brooding 3rd wurle still manages to sound foreboding and otherworldly, while straight up ghetto house staples let me hit it (from the back) and bang that rat still rock any soundsystem today! this is the first time 100% ghetto we 2 ghetto 4 ya! has ever been reissued in full, just as it was originally released in 1998, complete with original dance mania label artwork. 100% legit, reissued in conjunction with dance mania records, chicago il and parris mitchell. we bout it

handstamped limited to 300 copies... here comes a full of surprises ep. containing tivoli feelings, acid trance, beautifulness & genuality. funny & serious at the same time. check this out!

the 2010 black eyed peas album “the beginning” as deluxe edition 180 gram double vinyl in gatefold sleeve.

nice price deal !!! ltd to 250 copies worldwide, one sided 12 inch! part 3 of this limited vinyl only series! this time by syntec & linus quick! well known from his great releases on herz ist trumpf, momentum, geopark, musique unique and many others... this time the guys delivers not a minimal track, but a really groovy house / tech-house tune with a fantastic earworm voice! hurry up!

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusa s with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talent

reissue of the 3rd stereophonics album, originally released in 2001. vinyl lp housed in a gatefold sleeve

repress 2016 , the arrangements are compiled by a selected group of producers focusing mainly on rhythms made for building. we wanted to merge the idea along side true innovators of modern architecture and the thought process it took for reinvention during those times.

vinyl only! oye edits is back with the 2nd release: this time with jonny rock, a close friend, who is also responsible for the amazing disco hamam & hamam house releases. here we have four different styles on one record. from disco to proto-house to funk & balearic... party music for party people ! .

whiskey disco 50 marks the return of label head, sleazy mcqueen in an homage to the disco dads and daddies. 5 tracks meticulously tuned ranging from deep house to peak time, heartfelt disco before softly lulling you to sleep with a sweet cover of lost in music in a lullaby style.

lighthearted and aqua-marine house grooves from canadian producer jayda g with a fun 12 inch comprised of two originals and two reworkings of the track + girl music + from montreal duo cafe lanai. created during the spring/summertime of 2016, sixth spirit is infused with a sense of warmth and carefreeness based on current experiences, looped back into nostalgias of her first field season as a young scientist in ontario. the canadian forests breathe through these songs. the movement and groove emulate the sense of curiosity and learning that she experienced during that earlier time. “that field season was an adventure i’ll never forget.”

an emotionally drenched and flaming hot release from the brand new lobster theremin and meda fury tag team, lobster fury. dj seinfeld delivers five chunks of ratcheting techno, squelching acid and dance floor euphoria that’s guaranteed to deliver until the end of time.

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

for nearly a decade, raíz and subversive have distributed their vision of dance music on various labels including historia y violencia, electric deluxe, construct reform, droid recordings and their own imprint vrv. three years into the vrv project, the label heads have decided it is time to expand the roster and showcase artists on a similar plane, producers they know can speak to the sound. the chosen interpreters on this release include drumcell & truncate as cell injection, and silent servant. silent servant remixes raíz’s cored 3 the former sandwell district and current jealous god co-conspirator steps up with a stark composition in which melodic arpeggiation builds over industrial drones and echoing drums. the mix of sound reaches a clear peak, then segues into a calm that’s expertly tooled for mixing. drumcell and truncate remix raíz’s cored 2 droid behavior’s best-known producers take up their cell injection collaboration to hollow out raíz’s “cored 2” for a driving roller with eerie pads and a darker sensibility. subversive remixes raíz’s cored 4 subversive breathes another level of funk into the original, with clanging percussion and a new melodic motif.

claudio mate & francesco mazzocco directly from dub-ito headquarter introduce for the third chapter of the label an artist that doesn’t need too many introductions... violet poison... during these last years violet’s music has been one of the most interesting alternative proposal also giving a great influence over ebm, industrial, techno movement with his dark/esoteric imprint. claudio and violet having a longtime music friendship, they both decided that it was the right time to do something unique. for this - voices from the hell - previously released exclusively on tape/cassette by hospital productions, got the placet for a new wax life directly by hospital main man dominick fernow.

with the trust and work of isaiah tapes, «destroy the comfort zone» is the second long play record coming out by the mathematics releasee - le matin. going along with its full 12 tracks cd album version insert, this is a non-impairing dreamt and solid record composed by 3 quarters of swamp-sounding electro and water world techno, kept a long time in the dark for maturation and finally coming out. -destroy the comfort zone- brings deepness that will surely help the listener to reach new places.

the cd included in this vinyl edition features the 15 tracks in the same order. mr oizo (aka quentin dupieux), the french producer and pioneer of modern electro alongside daft punk, air and cassius simply can’t and won’t stop working. having released 5 studio albums, 4 osts, a multitude of eps and directed 6 movies over the past 20 years, the ‘godfather’ is back with a new album. and this time, he is not alone as the tracklist features an impressive selection of quality guests: peaches, boys noize, skrillex and charli xcx among others. this new release will be a new occasion to further explore the mind of one of the most fantastically uncommon artist today.

kintsugi: a japanese technique for repairing broken pottery with veins of gold long time cohorts he/at (aka chris finke) and tom dicicco join forces for the first time to form “kintsugi soundsystem”, a special label & performance project which kicks off with the split “journey to yomi ep”. four special tracks to launch their new imprint , sinister atmospheric techno but not as you may know it , searching deeper and further. rounding off the ep are the first 2 “veins of gold” in the series – locked grooves cut specifically for dj use. fierce loops for use in your warehouses – warning.. club tested and devastating for the adventurous dj.

melbourne acid techno artist lou karsh is back with a second 12” on his imprint lkr records. the “tribal transition ep” features three original tracks and one intense and energetic reconstruction by perth artist consulate. combining chopped breaks and trademark acid with a fresh nod to the deep, raw, heavy and fast, lkr002 conjures images of thunderous raves of times gone by.

nice price deal !!! the two soulpoint eps by louis guilliaume are creating a stir amongst techno, house and electro djs worldwide. these 8 stunning tracks are now available in a very limited doublepack edition with handstamped sleeve. pressed on mint green and solid white vinyl. only 200 copies worldwide

nice price deal !!! bombastischer electro tech peak time strahler mit rockigem digitalism effect und isi-e remix !!

nice price deal !!! jimmy edgar is back, this time under his noir friction alter ego to deliver a raw warehouse styled cut. a very basic, yet catchy track that sticks after the first play. comes in vocal and instrumental mix. house at its purest. night moves is a rush hour produced sublabel that will focus on raw electronic dance tracks.

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

third release for patrick gibin aka twice and his ‘collective blends’ project, this time teaming up with kaidi tatham on keys. 3 unique cuts that go from the soulfulness of the title track ‘lights out’, to the hipnotic acid vibes of ‘high flames’ and the modern boogie flavour of ‘flash burn’.

under the tablecloth of steve murphy and die roh first releases, madi grein has recently collaborated with sagats (boss of noho records) for two exciting 90s flavoured ep for housewax and eat more house. being a full time of the riviera and the vape/vulcano projects, he can be considered without doubts a true ambassador of the sound of brenta. “mainly love” is a truly dancefloor ep, raw and old-schoolish. clean drums drive an hypnotic vocal hook on “mantide”,sleaking a visceral dribbling bass. “express yourself”, has been heavily influenced from a short trip to london, as fast broken beats lurk under acid frequencies, soulful vocals and scattered piano fills. “i m feeling hot“ is pure sweat for the dancers. its remix marieu (half of the analogue cops and boss of restoration and enlightenedwax) which closes the record with a reckless remix with strange guitars and mysterious alien samples.

simplicity is the ultimate sophistication. roberto knows how to work with simplicity and make it sound sophisticate at the same time, this is dream of a solo a timeless cut that will be usefull in many occasions. 2 more cuts and a trevino remix make the work.

vinyl only – one year anniversary and already the fourth release for the french label talman records. once again okain is at the control, this time with three new tracks ranging from the retro futurist * invaders* to the rocking disco beats of * ballroom*

dref033 sees the return of two long time label friends and contributors, the scottish deepbass and the italian ness. despite the fact that both of them are prolific enough solo acts as it is, once in a while they combine forces and deliver a co-produced masterpiece, to which the outer limits ep is no exception.

ltd to 220 copies
long time minimal techno pusher franklin de costa steps up to jersey city label green village to thrown down a ruckus with four serious cuts of advanced house and techno. -derp journal- may be flippant in name, but the bassline it packs is not to be trifled with, nor the edgy drums and lashings of reverb. -bogart space- is a more house-minded affair, but it s still reaching to a contemplative space using unfamiliar sounds. -good day bad day- gets into a cyclical, psychedelic mood thanks to a trippy synth circling overhead, but then the ep gets dealt a tough finishing blow by the cranked up hustle of -flashmelo-, coming on like a crunchy mid 00s minimal jam of the highest order.

a project that came to life fuelled by collectors obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013s testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind.from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, its probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youll likely hear in these weird, angst-ridden times.

them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

lessismore (formerly lessismorecordings) was launched 10 years ago, and has been on hold for a few years. at the time the transition from vinyl to digital didn’t feel right and now that the vinyl market is coming up again the love and faith to release a beautiful product (vinyl with cool artwork) is back. this 10 year anniversary is a good reason to revive from hibernation state and to start sharing great music again. the first few releases from the relaunch will represent re-releases of the strongest ep’s from the back catalogue with remixes by respected artists.

in a time of peace and prosperity on phantom planet, three unwanted heroes arrive home to seek justice where there is none to be sought. shunned by modern society, forsh gets a job at the electricity board, red defender snoozes through work at the local news and booze, and bin man finally finds his dream job. as a postman. with no evil to lay waste to, they put their dinner money together to create the worlds greatest record label, boss tracks. using broken dustpans and dance ejay 98, they create what will go down in history as the most seminal and brilliant piece of musical forgery known to merseyside. 4 tracks packed full of pure dance floor steroids for your love-pump, this is interstellar muscle music at its finest, let it reach out grab you by the tenderloins! thank you phantom planet outlaws. once again the world has been changed forever, for the better.

with its tenth dmt release, philippe petit drops energovill, a big room techno bomb driven by a repetitive synth pad and a dreamy distorted saxophone line that will leave nobody indifferent. philippe then strips down the track even more to deliver a dub oriented, beat-heavy version of the track. on the other side, ubx127, from the figure stable, is on remix duties: he takes the key elements from philippe s versions and turns the title track into an unforgiving minimal techno attack. philippe closes the ep and reworks energovill once again, this time into a melodic, atmospheric and dreamy beatless version.

remember when techno was all about creating the soundtrack for the future remember when there were no borders between styles or scenes remember when your favourite records were just white label vinyls, stamped with cryptic names this was exactly around the time edge of motion first made their mark on electronic music. even now, decades after they first burst on the scene, seminal tracks like set up 707 and albums like planet gong realities and ad hoc are still frequently played by techno s most revered selectors.

a slip effort between mike shannon, hear & brain of cynosure and ohm hourani, the mind behind anoma, conform our second release. on this side, shannon immerses us into his unique world of underwater reverbered chords swimming in proper beats for fired up dance floors. on that- side, ohm hourani s mesmerizing journey of hypnotic percussions and shamanic female vox, sets our emotions for late night dancing. one record, two canadian friends and an amazing trip through a world of sounds is what castelar discos has to offer this time.

top secret swat manoeuvre s from the us of a !
dj nature aka the legendary wild bunch dj milo at the controls with a heavyweight natureboy selection featuring lf a hypnotic & rough and ready deep house joint for red light situations in two mixes, that drop hard !
serengeti run on the b side is a super deep, ny dancer rescued from the timeless natureboy archives...
a fierce debut to be sure - super limited us imports - blink and you ll miss em.

the last and eighth release in this series opens up with christian wunschs remix of ex machina on the a-side which is all hypnotic bounce, roaring chords, cutting through the irrepressible groove. morbecks remix of ghost town on a2 is an atmospheric but tough interpretation of the original, kicking hard with jackhammered drums, coupled with metal scraping metal sounds and a simplicity that makes it a handy tool to build great tension on the dance-floor. the b-side kicks off with jonas koppss remix of miscellaneous pt. 1 – creatively pairing the heavy rolling 909 drums with a classic four-on-the-floor clap pattern and topped with the eroded drones of the original track. b2 is a re-mastered version of the utterly timeless and epic club hit “1969” by the mastermind christian morgenstern himself.

vinyl only - round 2 for neukolln based boutique imprint xk after hauke freer s phenomenal first volume left heads baffled all over the place. this time, the label hands the a side to retro spook maniac matthias reiling, who opens with hand of hope, a tune that fuses an attitude-heavy, upright bass / piano theme with a cold hearted drum workout. strongly physical, sensitive, yet somewhat arrogant as we feel here. reiling twangs up his stratocaster on melodioso and explores the possibilities of sequencer based surf rock. you know, like a computer trying to be a backing band or the other way around. we can t help but imagine chris isaak singing under the shower to this one. the b side is freer territory once again, and hauke takes us deep into his realm of hypnotic, druggy dub-disco sculpting. reach out sucks you in, leaves you utterly disoriented and makes your mind paint a picture you would not have painted elsewhere. when you try to tell your friends, you can t find any words, yet it feels right and you all smile at each other.

huge remix package with works from thomas hessler, norman nodge, ron albrecht and the automatic message. the label from avion strikes with its 8th installment releasing a kicking remix package from the previous crossing 007 various artists. the release starts with the thomas hessler remix of “sut“ a track from the argentinian producer pfirter. thomas used the outer atmosphere bringing it to an upper tempo defining a groove made for the floors. norman nodge and his minimal trip from avion’s explosive track “thrill“. flimmering noises, a reduced drum and an atmosphere which is between lunatic and melancholic warmth. in ron albrechts remix of doka’s “mural“ the time is still running different, staying surreal wthout losing ist mood kicking off to move the floor. the automatic message lay their hands on stefan rein’s “amorphous material“ and stripped down the punchy and jacking atmosphere to a reduced version without losing its functionality and highlighting the characteristic synth pad to remain the smile factor of the original track.

time will tell. true words reflecting the artistic and mainly personal metamorphosis klaudia gawlas has gone through in recent years. the result is her second album ÒvisionÓ in which she approaches a place she calls home in a musical context. the energetic but at the same time deeper and more sophisticated sound of ãvisionÒ is proof the she has taken a big step towards reaching the artistic level her true inner self has been striving for. as so often in life a strong vision leads to a very pure form of motivation, which finally turns wishful thinking into action. vision is a straight statement and commitment to the roots of techno. something that matches pretty well what klaudia gawlas is known to stand for. vision. 11 tracks, released on cd

a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)

after a string of releases in 2016, french journeyman and beat craftsman hugo lx returns on balance recordings with his first house long player. supposedly designed as a more traditional 3-tracks offering, the project progressively turned into a two parts album, reflecting on past, present and future events through organic electronic music, with the loss of a dear friend and men­tor as the turning point. instead of a contemplative tribute piece, this effort focuses on storytelling, narrating crucial life moments through various song and interlude formats, colours and musical styles, producing a vaporous yet funky, jazzy and hiphop infused house music, flirting with soulful atmospheres and ambiant elec­tronic textures.

after the funky summer release ‘deep in’ by stephen brown, technorama records continues to promote diversity & quality music. they are back this time in the ‘electro game’ with this superb release by the french specialist dynarec.
sometimes you have artists that can electroshock you with a very good 12” and then after that they are not able to satisfy your expectations. dynarec is one of those who is capable to impress each and every time that he delivers a release. coming from france, dynarec improves on even the most advanced experimental electro as no one did before, giving it depth, awareness and knowledge, making it more rigid and linear. a journey into those post drexciya atmospheres which reach some of the highest moments in a new electro history ... romantic and complex, rich in detail and unlikely to be imitated or surpassed by others on the contemporary new electro scene.
released in 2007 on vapourwave, the electro anthem ‘in your hand’ by dynarec is back here on a remastered version + a new modern reinterpretation by himself. you can find here also a beautiful remixes by the exaltics and the unstoppable voiski, enjoy!

it’s 3am. the club is still open. you’re bathed in sweat, mid-set. it’s not time to go home. not just yet. now imagine the new release from germany’s oliver deutschmann kicking in on the sound system. this is the new release on swiss imprint, caduceus records. they’re back with yet another undiluted dancefloor bomb from the man himself - a release guaranteed to take you to that place and guide you further down the rabbit hole.

we are starting the new macadam mambo 7 inch series with 2 crazy acid house / electro tracks by japanese’s new comer jin cromanyon. we’ve been in touch since last february in japan where we met for the first time and decided to work on this project. those 2 tracks will also feature on cromanyon’s lp, in preparation for next year. rémy mattei, who previously made the artwork for ultima sensazione last year, is back with a demential drawing. shortly it’s crazy, it’s dope and it’s limited to 350 copies, so don’t sleep.

having made his label introduction with his remix of label newcomer villete’s “rillia-, darand land gets to spread out and show off his unique brand of euphoric and uplifting deep house on his debut ep for the label, ‘discover you’. the title track is classic darand land, with bright piano chords, buzzing organs and a thick chicago house bass line. siren-like pads fade in and out from the periphery, as electrifying percussion elements come into play. frank & tony take a turn and apply their signature style onto the former track, adding a chunkier kick with bright as day claps and hi-hats to propel the track through the opalescent haze draped over the melodic elements. on the flip, “marcela’s sense” is a blissed out, head down late night affair. cosmic pads swirl around glistening keys and repressed organ chords, as toms bounce among the steady hi-hat ride, lulling the listener into a state of euphoria. the ep closes out with the atmospheric, peak time detroit house cut, “souls awash-. a serpentine bass line runs the show amidst swelling pads and in-your-face kicks and percussion. as with all of his productions, the track shines in the smaller details that float in and out of focus throughout, lending the track’s weightier elements an even greater sense of gravitas.

after a considerable career releasing on numerous labels, as well as being co-founder of essen based label mild pitch, langenberg finally drops his first album under this alias. max heesen, (who is also one half of ribn with manuel tur) delivers the smartly titled central heated house for steve bug’s dessous recordings. the lp format suits langenbergs hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl working both for the djs and perfect as a soundtrack for the autumn. the lp kicks off with jade, a melancholic, tape saturated introduction to langenbergs deep tastes. room 210 maintains this atmosphere, with fizzing percussion and warm detroit-esque melodies. groove 26 is perfectly timed for the hot summer, as lush rhodes chords and kdj style vocal snippets provide the heat for the openair vibes. the single from earlier this year shadows features the talents of vocalist blakkat, and caused some serious response when it hit airwaves and dancefloors alike. never worry is a heads down roller, built around a simple but perfectly executed bassline, while dreamliner is trippy laidback sunshine house all the way. ill be late and planitz proposal step back into the club, with langenbergs signature crisp percussion, crunchy hits and analog synth wizardry on full display. rain & roses closes out the album in a similar way to how it started wistful, thoughtful house music with soul.

and that makes six! this time your share of quality techno and house music is imported from konotop (ukraine, that is) born and rising star vakula karpenko. after well hailed releases on trusted imprints like quintessentials, uzuri and firecracker, vakula created this comprehensive 5-tracker ranging from moody deephouse to fierce acid and from melancholic house mixed with jazz to a vocal banger. this next dekmantel releases is covering a wide spectrum of electronic music, so pay attention for some east-european brilliance

just when everybody started to feel safe again in a world without terre des pommes, labelboss and hobbyphilosopher thomas sabrowsky strikes back and this time its meaner than ever. not only a new release, not only a collaboration with the super-dead brontosaurus records (most people referred to it as boring-saurus) just as if this wasnt enough already: this time part-time sympatikus sabrowsky is also responsible for the music! saap brontosaurus by night ! the missing 7th release. did he really dirty his hands again?