seiji – the much-lauded and respected producer from west london – returns with the penultimate part of his 2010-launched seiji series. having successfully explored a career path thats established him as a founding member of broken beat originators bugz in the attic, a key artist for the seminal jungle/d n b label reinforced, a downbeat solo artist for sonar kollectiv and a producer and co-writer for the brilliant roisin murphy, in 2011 seiji is a man focused squarely on the dancefloor. the seiji series is just one part of that with seiji stripping things right back, identifying each release with a simple number and putting all his energy into creating music that he truly believes in. a merging of sounds and influences that have always been with him, but have never sounded so right – encapsulating everything thats exciting about the underground uk scene at the moment. as with the previous two releases, seiji 4 is a double a-side focusing on the current uk house sound, a bit soulful, a bit funky a bit jacking, with two solid heavy grooves that are going to work on any house dance floor. no other has a really soulful vocal sample, a rolling reese bass riff and percussive uk house beats. easy is more of an infectious skippy house groove with a chunky bass hook and deep techno pads

the first world unknown 12 inch kicks off with a slamming piece of prototype house from glasgows naum gabo aka jonnie wilkes from optimo and his production partner james savage. showing that a relatively low pace doesnt mean any drop in energy levels and dancefloor pump power, whop! cracks along like something from an alternate reality version of 1980’s chicago. its as easy to imagine it rocking the house at medusas or the box as it is to envision it in the present day soundtracking some kind of bizarro fetish party or a particularly intense session at berghain’s lab-oratory. this is jacking in the true sense of the word. on the flip side italian born berlin resident franz underwear ups the tempo with a stunning piece of slamming european musclebeat. shades of ibiza 88-89 pervade here, the kind of pumping, chunky synth action, teutonic vocal exhortations and vaguely menacing but ultimately benign vibe that sent thousands of potty european kids totally round the bend and changed the world of dance music forever.

played by dominik eulberg, adam beyer, ewan pearson, joris voorn, gabriel ananda, karotte, carlo lio, sebrok, martin eyerer, gregor tresher, monika kruse, stephan bodzin, troy pierce, darren emerson,.. ideal audio 019 again sees the coming together of two of modern technos super powers. having first stepped into the studio back in 2008 to bring us the mighty >diablo< (cocoon), dubfire and ideal boss oliver huntemann kicked off one of the most exciting production partnerships of today. the success of >diablo< encouraged the pair to continue their studio relationship - not an easy task with such hectic touring schedules.

following vincenzos incredible wherever i lay my head longplayer, weve got more delights in store with this single including remixes from jimpster and the retro-tastic tuff city kids. seduction is the outcome of vincenzo teaming up with brazilian artist diogo accioly of talking props. the expertly crafted original version of seduction is included here in all its bright and airy glory. the master of subtle chord changes, captivating song-writing and bright, glistening production, we are treated to an extended version of vincenzos future classics! one of the uks most distinguished house activists, jimpster takes the reins in an easy going and summery modern chicago-style jam. raw drums and modulating bass drive this summery yet melancholic re-think. opening up the synths and reverb channels, jimpster introduces flourishes of effected vocals as he leads us deep into his swirling audio world

cool, dark underground club monsters. being a top player in the music industry is not an easy task! but with 15years in the business and over 150 releases, 50+ remixes & 300+ compilation appearances the numbers of jeffs output speak for them self’s. jeff started creating music in 1994 and got hooked on it directly, but it took until 1998 before his first single was to come out on his own label maskros music. since that single he has released on labels like poker flat, night drive music, episode, treibstoff, kickin music, konvex konkav, plastic city, global underground, regular etc.

supported by luciano, claude vonstroke, alexi delano, ekkohaus, shinedoe, estroe. once more, a newcomer is going to be introduced on this tonkind release. its samuel fach, better known as laufmasche, who mainly was producing and remixing for the techno genre, is now getting more into a fresh-funky house sound. the change of residence from the mid-german student city giesen to the pulsating captile berlin, suppose to give him a fresh creative spring time. simple pleasure becomes his new calling card on this new project. this up-coming tracks are one after the other an absolute ear catcher and gives you an easy access to this open but already significant individuel sound. with an special touch and in a simple way, samuel fach combines soulful keys and lead sounds with an classic repetitive house-beat, without sounding mainstream or retro. he mediates a feeling of freshness and warmth, either with peak time runners like murter or discore or the expanding smotha work on the show and simple pleasure. all tracks, you will hear instantly, are coming from the same citchen, where a young and creative chef is cooking amazing stuff with very special flavour. one thing for sure... more choices of samuels menus will succeed.

finally scum recordings unleashes its next talents.. crushtington hailing from new zealand is no unknown face in the dnb scene.. can you guess who it is? and like the dnb they make this dubstep isnt for the faint hearted. as your used to from the scum camp were bringing you next level heavyweight riddims and this release is no exception. the single starts off with big hit.. a electrified stepper with a hefty 4x4 drop.. crushtington shows what their worth right here and now with this one. smash this one on the decks and see the dancefloor crumble at your feet. no happy jum up styles here just straight up grimness! next up its king koopa. unlike the giant lizard who super mario needs to defeat to save his precious princess this is one ferocious, mean, fire breathing track that wont let go so easy. this one packs a punch that will knock any mushroom or fire flower straight out of your big body in seconds. so better make sure you got some 1ups to make it through this one!

you cannot neglect those vocals, because they will pick you up to an unknown journey. you wont forget this preview of new age melodies and sounds. oceans bottom is dreamy and diverse made by flute-sounds and tricky percussion elements. this song is daring you gently, makes your body swinging and your soul so moony. einmusik is bringing up the old things into the future. just get in touch with his strong, bunched and adust sounds. they will open your mind for an epic album. backside you will find biosphere, a classic and solid house anthem which makes everything so easy. but heads up! – this is not only an accessory part – it is the opener for the summer season.

horror disco melds these soundtrack and aural ideas with a 100% disco album. one that drifts away from most of the soulful elements of disco and one that is dirtier, warmer and less polished than contemporary scandinavian nu-disco. the album is wide and varied - slashdance gives us a goblin-esque robo-vocoder-disco, roger bacon is pure cosmic groove, whilst the italo-disco-thriller disco for the devil features the vocals of italian-based, uk-born session master douglas meakin – who back in the day was lead vocalist in simonetti s easy going and crazy gang cult disco projects.

la fleurs certified hit, the flowerhead ep, launched her power plant records imprint into the stratosphere in 2010. following the flowerhead ep would be no easy task, but its one that young danish talent jesper ryom takes in his stride. the second chapter of power plant records story exists within jesper ryoms refined musical universe, where samples and live guitar merge and mesh for a kaleidescopic whole thats greater than its parts. as ryom drifts in a dream-dance state, he delves further into sonic experimentation, but is ever mindful of the dancer and the dj.

a1: just cant get enough - funky track. really cool disco feel, easy going. proper funky vibe, cool bass and a great vocal!
b2: someday - really smooth track. killer vocals, nice bass and beautiful brass! awesome!

for berkane sol 18 we present the vinyl debut of the hugely talented aleks zen. he calls his outfit >neon bounty< and its easy to hear why. his brightly coloured music is like the soundtrack to a thrill seekers ride through the downtown areas of a tropical metropolis – sensuous but edgy, and properly booming on the right kind of car stereo. his riddims are propulsive and a joy to dance to, bringing together the best aspects of both house and dubstep.

arma17 is the leading russian underground venue, the only russian club properly represented on the international scene. since it was launched in april 2008, located in a 150+ years old building, packed with funktion one sound - arma17 became permanent home for all major international labels and artists: ricardo villalobos, loco dice, luciano, sven vath, magda, james holden, rhadoo, pedro, raresh, dj hell, ivan smagghe, seth troxler, marco carola, cassy, mathias tanzmann and hundreds more. as a new stage of its development arma17 is a launching a record label with a goal to provide to the best russian producers (which started to rise in a recent years) unique opportunity to enter international market and to introduce new cool russian sound to international audience. we will also public unique productions which were done by the international artists, which are most closely connected to arma17 club. first release contains 7 new tracks from such international artists as: bruno pronsato, dop, piticu (romania) and following producers from russia: anton zap, easy changes, andrey zots, vakula.

the ever on point citrus recordings is stepping up for its 5th artist lp already.. after having released the debut albums of mindscape & jade wich all went on for critically acclaim its time for citrus to get ready its 3rd artist album. this time its up to fourward to show what their made off. the second sampler is unleashed now so make sure youre ready! on the first sampler fourward was introduced by the incredible mindscape remix, this time we have a solo 12inch by the guys. the a-side starts with a masterpiece of epic proportions. a beautiful intro the way it should be. this track is a perfectly balanced track in between the uncompromising noisia-like bass terror and easy listening vibes. the downbeat breakdown in the centre of the tune and the drop after that fit extremely well. well produced music for the critical listeners and party people! and thats just the beginning. flip it over for another wicked track! the bassfueled intro hits hard, feel the vocals from far away. close your eyes and move your feet on this brilliant piece of adventure for your ears. just listen and let the music speak for itself.

sven tasnadi is cargo editions longest-serving artist. his releases have shaped the sound of the label right from the start. he always succeeds in producing warm and light-hearted tracks, both as a solo artist and together with his co-producer stefan schultz aka juno6. unsurprisingly, this has attracted the attention of other labels like cocoon and poker flat, on which he has also released his records.

the new leena is by toronto-based sean miller - an artist who has previously released on some of the leading dance music labels of today: steve lawlers viva music, satoshi tommies saw recordings, audioflys supernature, nic fanciullis saved records, 2000andones area remote and various collaborations with renowned artists. miller has built a strong and vibrant dj/producer career over the past ten years, which his new ep >c mon thats it< on leena stands testament to with its well honed production style and creative flare.

the 5th release of goodvibe records sees hugo merging forces with gambo, a dj/producer from turin, a living legend of the citys underground scene. three tracks made of deep beats and dark disco atmosphere and a digital bonus remix from audiojack, the stunning duo of 20:20 vision family, an absolute amazing floor filler. from the desolate plains of mars and the frozen moons of the outer solar system, from the milky way to the ends of the universe, you will hear of wonders often hard to describe and sometimes even harder to fathom. a cosmic keyhole which it is easy to go through but really difficult to return.

in its fourteen releases to date bass culture has welcomed a variety of talent, yet till now has hosted the mercurial beats of its boss only the once, on the edit of anonyms >lov is easy<. todays >fofoca< ep sees d julz confirm once again just why he and his music are held in such high regard, with three exclusive new cuts from the frenchman.
big with: laurent garnier, anthony collins, catz n dogz, bushwacka!, sebo k, gel abril, tiefschwarz, radioslave, marco carola, luciano, sascha dive, okain, luke solomon, slam, tobi neumann, ame, nick curly, ...

deep house imprint ornate reaches its landmark 10th release with yse (pronounced *easy* in case you were wondering), a man who in his own words >enjoys nicely syncopated rhythms, heavy melodies, outgoing quirkiness and a quality glass full of cheap brandy and coke - hold the ice<, all of which - bar the cheap brandy and coke - are in full effect on this frankly awesome drawn at dawn ep.

capacity for 96 + 6 cds, 24 easy-flip pages, two colored ribbons as markers for fast browsing your cds, dimension: 16.8 x 19.5 x 7.5 cm

averse to any easy classification, rainbow arabias continent-trekking, kaleidoscope pop is rooted in no particular time or place, employing modern technological processes to an array of musical cultures and eras. the los angeles duo began with the purchase of a lebanese casio that played microtonal scales and eastern beats, with which they quickly recorded their propulsive first ep, the basta, synthesizing bossa nova and industrial post-punk with heavy middle eastern vibes. digging deeper for inspiration from the worldly found sounds of sublime frequencies compilations, their follow-up ep, kabukimono, expanded the color palette of their >fourth world< pop with dark, arabic disco-dancehall jams sitting alongside sunnier moments with caribbean and african flourishes...

a new label from new york diner city sound drops a single with 4 tracks, including the one which just over a month has reached more than 15 thousand plays on soundcloud. a great, slow mo epic with beautiful rhythm and beats!

future disco releases the fourth edition of the sort after series and to coincide with the full album release is this limited four track vinyl sampler featuring some of the highlights from the collection >neon nights<. first up is an exclusive track from the revenge. originally created a dj tool for graeme clark aka the revenges dj sets >just be good to mario< is a cleverly produced mash up of the revenges own >just be good to me< featuring the vocals of crazy ps danielle moore, and mario basanovs track >do you remember<. the result is a slow grooving dance floor jam that takes the best bits from two producers at the top of their game. also on the a side, the c90s –shine a light is given the remix treatment by australia outfit flight facilities. the result is a slow tempo song, perfect to start or end the night. on the b side, hannulerauris instrumental >zombie tropicana< gives a firm nod to the 80s with a slow stomping electronic disco work out. finally london duo, tape to tapes >pure & easy< completes the pack. a hand raising house track with soaring breakdown, which demonstrate the breath of the sounds on a future disco collection. all tracks have never appeared on vinyl before and are exclusive to this sampler

real tone throw its sights today on shonky. after his amazing releases on spectral, crosstown rebels or contexterrior, freak n chics muse seduce real tone records with his velour ep and show us a new evidence these two visions merger. franck roger flavours it all with a boiling remix to which only he holds the secret, and that does the trick. if 2010 has seen the house scene reach an undeniable hegemony, 2011 will indisputably mark its zenith. support from josh wink, luciano, jamie jones, delano smith, deetron, sascha dive, reboot, jimpster, sebo k, tony lionni, djulz, mr v, culoe de song, seth troxler

hold tight for the track of the winter as mario basanov steps out of the shadows with the excellent >up< ep for needwant complete with a low slung house remix from the current hot property nicholas. >up< is the kind of record you want to go on and on, so easy to get lost in its rolling grooves.

amazing 3-tracker, featuring 2 top norwegian producers on the edits - prins t. and wade nichols

with support from the likes of steve (allez allez), henry saiz (bedrock, renaissance), ryan davis (cocoon, maripoza) … comes rising up from spains capital, madrid, comes a new eclectic dance oriented-no boundaries music label: blue cola recordings. with an ever growing catalogue that ranges from straight forward club sounds to more experimental new wave post everything music, blue cola recordings is sure to be driving force in the electronic scene for many years to come, or we will die trying… killing everyone else in the mean time. our first release comes from dutch producer robbie pardoel who sets the mood in an easy listening tech-house way, then chilean wonder boy and regular border community artist, ricardo tobar delivers a powerful remix in his unique post punk style. the ep is completed by spanish secret producing combo the hongkonites who get the last laugh with a weirdly beautiful bass techno remix. blue cola rec. team, its fresh!

israeli born guy j back with another killer for bedrock!! a side more prime time , flipside for sunrising moments..., well done

locker easy stil vor talent hoody ... big back print 90% cotton, 10% polyester

storming club-rework of this beatles classic!

the kid is back with silver island, an ambitious record that effortlessly manages to straddle the divide between the club and the house and confirms surkins mastery of dancefloor excitement (fan out), showcases a new take on swagger-heavy piano house (easy action) and unveils a new melodic direction (silver island). surkin is currently working on his first album, scheduled for fall 2010. detroit and chicago house luminaries ann saunderson and kevin irving are confirmed guests.

nice price deal !!! for their fifth release todd bodine (highgrade, treibstoff, mothership) joined the cologne based label klangfarbe schallplatten and created a high-quality ep, which is hard to find today. duplexer (a1) initially allocates with bongos in space, to furthermore stabilize itself with more bass, percussion and volume, which leads into a durable, massive flow that s willing to persist bigger club duties as well. alpha (b2) is structurized akin to duplexer, but celebrates the true force, the true might of minimal by the use of consistently repetition of beat- and sound patterns as also psychedelic acid-parts in good, old plastikman tradition. morning breeze on b2 finally starts warmer and more housy, in a deep and easy lean-back manner, to distinctly cool down after a while and to approach the previous tracks. after all, the from nowhere to somewhere ep constitutes an extremely coherent ep, where it s obvious, that all three tracks mate together - as they are

the something vinyl series continues this time with seductive house tunes and deep moments for the dancefloor and places beyond. five tracks and four bonus loops makes this the next typical warm vibrating something record, you have probably already expected. as the title suggests, its not a perfect clean and faultless production. there is the dirt and a sound inhabitant, for what stl records are well known for. experimentations in the worlds of hardware based tone generators and at the limits of analog signal processors. the tracks also deliberately dispense much static computer arrangements and were recorded mostly in live sessions to capture the actual feeling for each song. every being is a universe of its own, with all it s known and unknown places. there are mistakes and inner strangers which are made to learn and grow. this record is a recent snapshot from someones life, where the love for music and sound is maybe the most beautiful mystery!

hear all the music: in comfort and style headphones that could reproduce the true dynamics of today’s music were a rarity—until the legendary beats™ studio™ hit the scene. now, a new headphone in the beats tradition, beats solo.™ brings you amazing sound in a smaller, lighter on-ear design. with beats solo, you’ll hear every sonic detail the musicians and recording engineers laid down in the studio. deep bass. hard hitting drums. bold midrange. and clean, undistorted highs. all in a comfortable fit you can wear for hours.perfect while on the move solos are compact and incredibly lightweight and ready for your active lifestyle, gym work out, or frequent travel. the tri-fold design allows solos to fit into the included compact carrying case. with beats solos getting a great music experience has never been easier.controltalk: the ultimate in ipod control and hands free calling with the built-in controltalk remote on the beats solo™ headphone cable, you get on-cable control of your music, as well as easy, high quality hands-free calling. you’ll enjoy quick-access music playback control, like volume, play/pause and tracking, without having to dig for your ipod. plus, the high-grade mic and high-resolution, sound-isolating headphones all combine to let you hear and be heard much more clearly—and conveniently—than you ever could with the phone to your ear.a natural fit with solos, you feel the music, not the headphones. plush, on-ear cushions comfort your ears and form an acoustic seal that keeps the sound in and noise out. remote and mic supported by ipod® nano (4th/5th gen), classic (120gb), touch (2nd gen), iphone 3gs and newer, but not all blackberry. remote supported by ipod shuffle (3rd gen). requires software v. 1.0.3 for ipod nano (4th/5th gen), 2.0.1 for classic (120gb), and 2.2 or later for touch (2nd gen). support for blackberry varies by model.

one of the master teachers of the norwegian house and disco rune lindbaek - who put oslo on the house map as part of the those norwegians ( paper music ) - joins forces with younger disciple kare frisvold for a potent, accoustic hallucinogenic called >bozak brewed with the shared knowledge of mad sounds scientist like walter gibbons and lee scratch perry: a constantly building electrical storm of strange psychedelic synth noises pierced by flutters of rico rodriguez style trombone solo, liquid guitar scales and kraftwerk like melodic fragments all held together by a forcefull drum beat. the quirky >spok & spenning< on the flip is another beautifully strange mixture of cinematic melodies, like sweated out by a drunken ennio morricone, over an easy skanking beat and comes additionally in a stripped down bonus beat plus spacey sounds version by prins thomas. take a trip to your mind!

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

1995 release with mixes by felix da housecat on white and blue marbled vinyl.

relaunch of the legendary tresor label! the first new release is by future beat alliance. with such synergy in his music it is easy to understand why artists such as carl craig and laurent garnier have become avid fans.

gossips >heavy cross< gets the italian electro-house treatment!

praezisa rapid 3000 are robert guschel, david junghans and henrik jacobsen. coming from different styles of music they found each other to start making music. loving techno, drum & bass, dubstep and indie they created the praezisa-sound: complex, harmonic, organic, which eradiates quickness through native instruments. in doing so there is much humor in this supposed to be earnest music. this ep tries to depict the spectrum of what the three guys love: from bass-music to easy listening – and house: good guy mikesh & filburt, known through releases on permanent vacation, liebe*detail and mirau give the debut of praezisa rapid 3000 a remix.

early support by nic fanciulli, deetron, 2000 and one, shinedoe, dubfire, mauro picotto, boris werner, karotte, lauhaus and many more!... ilario alicante put his name on the map two years ago with his breakthrough hit >living near africa< on cecille, that was played by literally every big dj on the planet and from then on gained a lot of respect with high quality productions on tenax, sci+tec or blabla.
now we are very happy to bring to you his latest creation for break new soil: the title track >streamvision< kicks off with a subtle melody, easy-going at first but then growing stronger and stronger to finally explode in the breakdown – we can already see this one setting dancefloors on fire from rome to tokyo! on the flipside ilario shows a new side of his production – with >origami< he sets free a chicago-inspired monster groove that certainly will tear the roofs off the clubs its played in to finally let the summer in!

nice price deal !!! this is dasein, the opening potion of milyoos (aka tommy wilson) debut ep and the second release on subeenas new opit records. dasein attempts to grapple with existence, temporality and substance and what could be a more perfect description of these warped sonics- perpetual motion purely of the moment. multitude makes you feel like a tourist at an off-world bazaar, a strange landscape with a slug-bass bubble undercarriage and inquisitive wide-eyed synths. fayoh leads in with in a harold budd doing house piano before being pounced on by clipped vocal tics and odd blocks of cubist sound all underpinned by a funky beat and quite frankly its gorgeous. if there is a strand of coherence across the ep then its an almost exotic one- these are curiosities, virtual ships in bottles, they are not narrative pieces even if they are in constant motion. only two releases in and opit records is clearly going to avoid easy categorisation- milyoos debut is something to get mighty excited about and i await further transmissions with baited breath...

rico aka dinamoe sometimes really behaves like jekyll & hyde. he can t decide between mad techno tunes or easy, uplifting house music ? but at the end it is always damn hot.

first on decks.de !! t-bet records is glad to introduce the duo mr. bizz, a project with house and dub sonorities. even though its a young project they have already had plenty of releases. among these the track eternity has been used in the compilation ten years cocoon ibiza mixed by dubfire and loco dice. strong irreverent percussions, kinda hypnotic, deep bass lines screwing in your ears, disarming melodic patterns mixed with elated voices all contained in dreamy atmospheres. its easy to be taken away by esta manana and to be enraptured on the rolling wheels of oasi. you know, we have decided to bet on techno and what would be more satisfying than to embody on this ep two great remixes from from andrea ferlin (1/2 of duoteque) and diamond dog (contexterrior)

its been a heady few months d julzs bass culture imprint. the response and support from the dj world has been overwhelming, and this is of course down to the wonderful a&r skills of the label chief. still reeling from anonyms excellent lov is easy ep, we ready ourselves for the debut of ep from oleg poliakov. also known for his releases under the skat moniker, olegs early production career was built on creating beats for hip-hop mcs and lending his studio skills to rappers. switching to radio production, he went onto to work with french national stations, further enhancing his technical skills. it was at this time his began to explore electronic music as a composer. with a sound that strays from specifics, he looks to create his own compositions using a subtle combo of all electronic worlds. his early releases on labels including karat and sthlmaudio won him acclaim, but it is his releases for circus company that have really put him on the map. today we welcome oleg to bass culture with his fantastic caravan e.p.