inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. the mix will be release digitally and on cd, while a selection of the tracks will also be available on double gatefold vinyl. each instalment will feature 100% new and unreleased music. it is a chance for artists to take sole creative charge, a&r as they see fit and then commission brand new music specifically for the cause. depending on who is at the helm, inside out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while djs and label heads may wish to reflect the sounds and scenes that surround them. the results will be a window into an artists world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. the idea stems from will sauls own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. that feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

frame of mind is back with a re-issue of another unknown gem from the early 90 s. uk production team dave campbell and viv beeton are most known for their uk techno, rave and bleep classics as ubik. it is under the alias of timenet they released an obscure white label in limited quantities in 1992. this untitled and one-off 3-tracker remained fairly unknown up until today. it shows quite a different side of their stunning production talents. dishwasher is a rough drum machine work out topped with a wild bleepy sh101 synthline a la mr fingers. dx moods is a spaced out techno tune combining mysterious pads and crazy dx-100 programming. with on the move the uk pioneers come closest to their ubik sound: mad uk techno with a hint of rave. a previously unreleased and stripped down version of this track is included as well.

laid back, jazz-funk infused, uk boogie house from sugarhouse records bossman roy rozell. synth melodies and shuffling grooves. this is the shit! relax and unwind. top pick!

the ep is a limited edition of 100 black vinyl copies which were made to accompany the special 10 and vinyly records made on clear vinyl containing kits ashes produced by his family for his family and very close friends in rucking memory of kit

all tracks are previously unreleased except for buzzy bee which appears on this is ruckno beetroot records and was included on this vinyl as one of the tracks chosen by his family.

its cat number is fix 77 in respect to the year of his birth.

doe dee is a new label curated by stalwart sydney dj / fbi radio presenter kato releasing forward thinking club music from australia to the world. the first release sees the two personalities of melbourne producer fergus sweetland splitting 2 sides of a liquorice pizza. on the a side sweetland shines with unique energetic yet emotional deepish house workout with a beautiful deep dubby re-rub from sydney’s own hubert clarke jr 100% silk / wolf music / otis while on the b side sugref takes things considerably darker with a brooding electro influenced acid trip alongside a chunky uptempo dub house workout from sydney duo alba aka cop envy and sam weston

decks full cover editon! weltschmerz, the label owner of complatt, and his friends, the world’s talents, too underground names, upbringing taste makers such as dat italy, zlatin and guanlong appear to be releasing a very brand-new vinyl only rhythmic release -the morning problem-. this release is limited by 100 copies and won’t be repressed.

after a little re-branding, the underground pitch comes from the argentinian genius of electronics and analogue things - mister salah deux. this release in particular is about the great sound and unique formation. enjoy the second vinyl from theÿ. red coloured vinyl, full colour cmyk labels, outer sleeve with salah s photo, limited to 100 copies.

weltschmerz, the label owner of complatt, and his friends, the world’s talents, too underground names, upbringing taste makers such as dat italy, zlatin and guanlong appear to be releasing a very brand-new vinyl only rhythmic release -the morning problem-. this release is limited by 100 copies and won’t be repressed.

two dutch institutions in delsin and 2000 and one team up for a reissue of the 1994 ep belongings. it was an early release on 2000 and one s influential 100% pure label and found him in full on space-techno.

limited to 100 copies - vinyl only! comes in tartan fabric cover (all different!) and an orange silver-screen printed cardboard poster.
oto casa discografica celebrates italy’s hidden treasure and hometown: bologna, the city that gave birth to the most creative italian cultural movements since the mid sixties. contemporary art, comics, design, music… you name it, we made it before, better and wilder!

2020 repress .. the legendary dimitri from tokyo wields his blade on two disco classics and re-ignites them for the dance floor in his trade mark hi fidelity style. the results are to be expected 100% dance floor dynamite! enjoy the music!

darko essers wolfskuil limited kicks off 2018 with ‘sugarlump ep by the czech artist hrtl. known for his 100% improvised hardware live sets and cassette releases on his own bukko tapes label, ‘sugarlump ep showcases hrtls solid producer skills, flawless taste and and an obvious passion for classic detroit house sound.

jackie moores 1979 disco bomb this time baby is one of the biggest tracks of the genre. a total classic that found fame on the dancefloors via djs like david mancuso, larry levan and ron hardy it is the epitome of a roof-raiser. produced by philly legend bobby eli (mfsb, salsoul orchestra, stylistics, barbara mason) and mixed by underground disco legend john luongo this is an essential 12. originally performed by the o-jays jackies version ramps the energy right up to the max and cranks the heat up to 100. everything is here, killer driving drums and percussion, that bassline that drops, the cowbells, horns, strings and of course...... jackie! this is a straight repress of the 79 pressing on columbia and features the sweet b-side lets go somewhere and make love, another breezy philly number courtesy of mr. eli yet again. all round quality. this classic has been legally reissued by above board distribution in conjunction with the legal rights holders - sony music entertainment. this high quality repress features original columbia pink label disco 12 artwork and has been remastered from sonys original sources by optimum mastering, bristol uk.

tachyon audio is a new vinyl label that s focused on forward-thinking sounds in the techno realm targeting sweaty, dark places, with large, high-quality sound systems. inhabitants make a strong offering with their first ep as a duo, igc. these two primates are often found inhabiting dark spaces, forging ahead on complex math equations. their distinct, driving, mathematical, and drumming techno is a result. expect more solid work from these two mysterious beings on tachyon audio as the label continues its progression.

limited 100 vinyl pressure on this one from an undisclosed european producer who has been responsible for more than a few choice cuts over his 25 years of releasing records. burning up lights the dance floor by squeezing every last drop of energy out of just a few key elements, a modulating pulsing cross-rhythm bass snakes around driving disco beats with choice vocal samples adding the final bit of ear candy. minimal, a bit twisted, but hooky as hell. on the flip we have becoming cyclonic, a far deeper excursion where 808 toms dance around a repeating fretless bass melody. an immersive and euphoric melding of drum machines, synths and 12bit jazz-fusion samples, all being put through the sonic mincer and coming out like the proverbial gourmet sausage. yum!

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

am 22. november 1967 nahm otis redding seinen größten hit “(sittin’ on) the dock of the bay” auf. er wurde der einzige hit, den redding sowohl in den r&b- als auch in den pop-charts auf position 1 platzieren konnte. doch das schicksal wollte es, dass otis redding dies nicht mehr erleben durfte: er kam vier wochen vor der veröffentlichung bei einem flugzeugunglück ums leben.
heute gehört der song mit der charakteristischen, gepfiffenen melodie am ende zu den bekanntesten und beliebtesten songs der musikgeschichte und zur säule des bahnbrechenden recording-katalogs von otis reddings. noch immer fasziniert er ganze generationen und gehört zu einer handvoll von songs aus den 1960ern, die über 100 millionen streams auf spotify verzeichnen!
50 jahre nach der erstveröffentlichung am 8 januar 1968, bringt rhino “(sittin’ on) the dock of the bay” als 7”-single auf goldfarbenem vinyl in einer detailgenauen reproduktion der original-monosingle heraus. als b-seite enthält es “sweet lorene” in der optischen wiedergabe als volt-veröffentlichung, verpackt in einer gestanzten hülle wie jene, die atlantic records seinerzeit benutzten, als sie die stax / volt-schallplatten vertrieben.

nyc disco and house legend danny krivit has 45 years in the dj game under his belt and having played endless gigs all over the world during that time it s safe to say the original mr.k knows exactly what he s doing when it comes to this dj thing! pair danny with his long time collaborators and family king street sounds and you re having a party! this is exactly what happened in 2001 when the label asked him to contribute to their legendary mix the vibe series where top flight selectors like danny get to dig deep and produce a fresh dj mix for the label. now, you know the quality control is going to be sky-high on a project like this and this limited dj sampler featuring tracks from the compilation proves just that! all featured tracks have been fully licensed from king street, remastered and reissued with %100 involvement from the label. essential house music for the seasoned heads and neophytes alike!

grammy winning nyc disco and house legend louie vega has decades upon decades in the recording studio and dj game under his belt and having played endless gigs all over the world during that time its safe to say the original he knows exactly what hes doing when it comes to this music thing! pair louie with the legendary king street sounds label and youre having a party! this is exactly what happened in 2007 when the label asked him to contribute to their legendary mix the vibe series where top flight selectors like louie get to dig deep and produce a fresh dj mix for the label. now, you know the quality control is going to be sky-high on a project like this and this limited dj sampler featuring tracks from the compilation proves just that! featuring tracks and exclusive mixes from the likes of 95 north, basil, mood ii swing and more this ep more than deserves a place on your record shelf or in your dj bag! all featured tracks have been fully licensed from king street, remastered and reissued with %100 involvement from the label. essential house music for the seasoned heads and neophytes alike!

japonaiserie was the term the dutch post-impressionist painter vincent van gogh used to express the influence of japanese art. artists including manet, degas and monet, followed by van gogh, began to collect the cheap colour wood-block prints called ukiyo-e prints a mini lp by benoit b, the boss of banlieue records, on which he creates a futuristic environment influenced by the japanese electronics of the 80s. a musical japanaiserie that can melt your cold cold heart.

ltd 50 % deal - nyc disco and house legend danny krivit has 45 years in the dj game under his belt and having played endless gigs all over the world during that time it s safe to say the original mr.k knows exactly what he s doing when it comes to this dj thing! pair danny with his long time collaborators and family king street sounds and you re having a party! this is exactly what happened in 2001 when the label asked him to contribute to their legendary mix the vibe series where top flight selectors like danny get to dig deep and produce a fresh dj mix for the label. now, you know the quality control is going to be sky-high on a project like this and this limited dj sampler featuring tracks from the compilation proves just that! featuring tracks and exclusive mixes from the likes of kerri chandler, blaze, chez damier and ron trent this ep more than deserves a place on your record shelf or in your dj bag! all featured tracks have been fully licensed from king street, remastered and reissued with %100 involvement from the label. essential house music for the seasoned heads and neophytes alike!

on the a-side label head relative delivers to you -i can t get it-, tight 4/4 stomping raw drums mixed with hypnotic pads and old school vocoder, next track is a -ghetto- 2-step juicy remix by blatta. a3 is a classic deep lo-fi punch house by the napoli based s-dm. b-side welcomes back tengrams and its analogue toys, -another day- is a balanced 808 running pattern song that leaves your mind dreaming. b2 is the newcomer will hofbauer with its moody melodies, easy rhythms and heavy choruses. last track is thunderdub from amazing analog adventures, pure italian gem between used machines and vocal cuts on 110 bpm. first 100 copies comes with original instax polaroid!

contributions by batu, bambounou and parris

jesper dahlback aka the persuader finally returns to stockholm ltd, this time in company with the phenomenal nima khak. together they produce deep, pulsating techno under the >swedish naan boys< alias. we are super thrilled to have them both on the label with the brilliant >aftermath< ep.

the 12th chapter on eerie records is a 2 tracker by label owner marco shuttle himself. with the return to a more groovy and floor-friendly take than the abstract sound of his recently released lp the release maintains nonetheless the classic signiture deep landscapy approach the artist has made us used to with his production. tribal rhythmics, 808 grooves, underlayed pads and some slightly middle eastern reminiscent sonic elements make it for a record that although still on the leffield side, is 100% techno. anyone who loved sing like a bird will probably find this one very appealing. a very classic marco shuttle one indeed!

limited edition of 100 pro-dubbed c45 white cassettes with 4 panel double-sided j-card artwork.

following the hypnotic ‘what’s in your head’ ep in 2016, archie hamilton returns to moscow records with his first solo ep on the imprint since the release last year. since finishing 2016 with a place in ra s top 100 djs poll, he’s been touring the world, had a summer residency at amnesia and released another massive ep on fuse. an integral part of the stellar ascent of the brand, and founder at tastemaker label initiatives moscow records, moss co. and arkityp, he is an artist very much in control of his rise. the record opens with confusion, an out and out anthem which has been tearing up dance floors across the globe all summer. a trademark bassline drives the track forward as stabs build, tight percussion cuts through and a repeating vocal enters. then when the track drops it shifts the mood completely, causing any dance floor to bump uncontrollably. dos equis is something different altogether. minimalistic percussion and a tight sub lay the foundations for a funky bass guitar line. warming pads meet rhodes keys and out of nowhere a beautifully subtle vocal line appears. as the track breaks down, a mind bending synth line takes the listener out of their state of reflection. the title track on the flip is a classic piece of groovy hamilton weaponry. a positive mood that bounces along to a whispering voice in the background. the track develops as lush chords permeate the groove, soaking the dance floor in the last of the summer sun to create a euphoric crescendo.

Études is pleased to present an exclusive record with cellist lori goldston that accompanies these very moments of gentle melancholia. - music for Études n°11 runway show - recorded january 19, 2017 in paris - played live january 21, 2017 in paris - designed by Études studio -images by ethan assouline -manufactured by ed banger records (ed 098) limited edition of 100

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

finally the long-awaited second series of invisible family outings has arrived.label boss and compiler gk machine has this to say beyond ecstatic to get these tracks out. the gazeebo track i ve been playing in my sets for years. digital only but so great it definitely needed to get pressed onto wax! i would dj with it using ableton and speed it up a lot so for the vinyl i asked jon (nedza) who ive been a huge fan of since his community recordings releases on grayhound and imperial dub, whether he could speed it up a little bit before we pressed it up. now its 100% perfect: a moroder-esque cosmic stomper thats sure to set any dancefloor alight. the apiento track is another one that s been gestating for a long time first appearing around the time the original e.s.p. 12inch appeared on the wonderful golf channel recordings in 2014. secret circuit gave it a complete overhaul, in fact several complete overhauls, plus some of his signature guitar and has turned the already blissful track into an afro-esque, trippy, beautiful, beautiful piece of music that (imo) is one of his best yet. utterly gorgeous! then there s the boy-girl retro-future duo der kundalini coming from the wonderful lectric sands stable in ny who gave us zoovox. this one s also been hiding on my hard drive way too long! finally relative newcomers konzel (of junto club/optimo music fame) & natural sugars (pardon my french) round off the package just perfectly. the former so distinct that i felt it was a perfect opener for the a side. so, i hope you dig it and keep an eye out for the super limited 12-track cassette too! limited to 300 hand-numbered copies.

* concept and composition by ryoji ikeda * co-produced by eklekto geneva percussion center, ryoji ikeda studio and la bâtie festival de genève. * percussionists (eklekto): alexandre babel, stéphane garin, lucas genas and dorian fretto ryoji ikeda japan’s leading electronic composer and visual artist ryoji ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and mathematical aesthetics. ikeda has gained a reputation as one of the few international artists working convincingly across both visual and sonic media. he elaborately orchestrates sound, visuals, materials, physical phenomena and mathematical notions into immersive live performances and installations. eklekto eklekto is a contemporary percussion collective founded in 1974 in geneva. constantly seeking to reinvent percussion music, the group collaborates with living composers and contemporary artists through concerts, multimedia projects and artistic events that question the listener’s expectations towards new musical forms. eklekto has premiered over 100 new works and performed hundreds of internationally acclaimed shows

ltd handnumbererd black & white marbled vinyl!this release is 2xlp and it s individually 500 hand-numbered limited edition. the first 100 copies are pressed on white & black marbled vinyls (ar011). it s dedicated to the 1987 masterpiece played by the magic flute of roberto aglieri called by himself. la solitudine accompagnata, with the original 1987 lp + a bonus lp, containing unreleased material, other versions and unreleased tracks. archeo recordings is a reissue record label that regenerates old, lost, obscure (and forgotten) rare gems of italian music of the 70s and 80s, and not only. all outputs are licensed by the artists and the vintage labels, audio tracks are remastered in their original form, the sleeves and center labels are graphically recreated for today but all based on the original images. archeo would like to make the music available to a wider audience of collectors, djs, music lovers of a forgotten time. all releases are hand-numbered limited edition vinyl. the first copies of each release are pressed in coloured vinyls.

wu-tang clan struck gold (and then platinum) with their debut enter the wu-tang (36 chambers). in addition to astronomical sales, the release has been dropped into list such as nme’s top 100 albums of all time, pitchfork’s top 100 albums of all time, q’s 90 best albums of the 90s, rolling stone’s 500 greatest albums of all time and 100 best albums of the 90s, vibe’s 100 essential albums of the 20th century and the source’s 100 best rap albums. and that’s the short list of lists. get on down will now be issuing every single cut from enter the wu-tang as a 7” singl

wu-tang clan struck gold (and then platinum) with their debut enter the wu-tang (36 chambers). in addition to astronomical sales, the release has been dropped into list such as nme’s top 100 albums of all time, pitchfork’s top 100 albums of all time, q’s 90 best albums of the 90s, rolling stone’s 500 greatest albums of all time and 100 best albums of the 90s, vibe’s 100 essential albums of the 20th century and the source’s 100 best rap albums. and that’s the short list of lists. get on down will now be issuing every single cut from enter the wu-tang as a 7” single

wu-tang clan struck gold (and then platinum) with their debut enter the wu-tang (36 chambers). in addition to astronomical sales, the release has been dropped into list such as nme’s top 100 albums of all time, pitchfork’s top 100 albums of all time, q’s 90 best albums of the 901s, rolling stone’s 500 greatest albums of all time and 100 best albums of the 90s, vibe’s 100 essential albums of the 20th century and the source’s 100 best rap albums. and that’s the short list of lists. get on down will now be issuing every single cut from enter the wu-tang as a 7” single.

wu-tang clan struck gold (and then platinum) with their debut enter the wu-tang (36 chambers). in addition to astronomical sales, the release has been dropped into list such as nme’s top 100 albums of all time, pitchfork’s top 100 albums of all time, q’s 90 best albums of the 901s, rolling stone’s 500 greatest albums of all time and 100 best albums of the 90s, vibe’s 100 essential albums of the 20th century and the source’s 100 best rap albums. and that’s the short list of lists. get on down will now be issuing every single cut from enter the wu-tang as a 7” single.

asuntos internos is an ep dedicated to artists from spain, in this case 3 from barcelona (nlk, delusions & niet! and nehuen) and 1 from madrid (vvv). the first two songs, -overview- and -100 freeze-, have a obscure tones, and darkwave intensity. in -exorcism- delirious voices are planned on a magnetic basis while relatively ethereal, while -i do not know what i want- (jump it now mix) finally jumps into the dance floor with a purely techno ebm cut. asuntos internos es un ep dedicado a artistas del pais, en este caso 3 de barcelona (nlk, delusions & niet ! y nehuen) y 1 de madrid (vvv). las dos primeras canciones, -overview- y -100 freeze-, tienen un tono más post-punk: la primera recuerda a the cure y la segunda añade intensidad industrial. en -exorcismo- unas voces delirantes planean sobre una base magnética a la vez que relativamente etérea, mientras que -i don t know what i want (want it now mix)- salta finalmente a la pista de baile con un corte puramente techno ebm.

temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called “killer” at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh’s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin’ unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. “bad computer” was originally released in 1995 on temple records nyc and is now the first 12” on temple traxx. produced by brother jammin’ unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with “you make me function” and you’ll get the idea. currently in the temple traxx pipe-line: mass-turbator “s/t”, jammin’ unit “remote car baby”, khan & walker “schleichfahrt”, 4e, and captain comatose “$100” old and new mixes.

yet another solid gold modern reimagining of the mighty loleatta holloway, this time her infamous 1977 smash hit & run goes under the knife and is tweaked to devastating effect by 2 of chicago s finest modern day editors - jamie 326 & cratebug. anyone with even a passing interest in disco or house will be more than familiar with these 2 guys names. having edited and remixed numerous cuts in their own original ways, they take this all-time salsoul classic and strip it right back to the essence, to the very basics, and in the process create a total dancefloor weapon. this edit originally came out a few years ago (2013) on a compilation that showcased the new wave of contemporary talent emanating from the windy city and naturally it was one of the cuts that stood out, finding favour with a wide variety of dj s across the board from motor city drum ensemble, todd terry, jeremy underground paris, theo parrish and more. drawing comparisons with paperclip people s anthemic throw from 1994 in the way it snatches a killer loop from hit & run s bassline, hit it & quit it is a monster, a record you ll literally play over and over and over again, a relentless disco juggernaut that oozes power. it made perfect sense for this legit single-sided reissue 12- to come out on salsoul records, the home of loleatta holloway s finest material and all of her classics. this limited reissue has been made in conjunction with jamie 3:26 & cratebug and salsoul records, 100% sanctioned and lovingly re-presented for your dancing pleasure. this one is hot. sleep at your peril!

the green returns with their first full-length release since 2013’s award-winning hawai’i 13. that record debuted at #1 on the billboard reggae chart and cracked the top 100, as well, before going on to win an unprecedented three na hoku hanohano awards in the band’s native hawaii. after years of touring to support that release, the band focused on making their next record with some longtime musical partners, including producers leslie ludiazo (j boog, hot rain) and christian mochizuki (graves). the band also solicited songwriter/producer brian fennell (ryan tedder, one republic, the fray, third eye blind) to help explore some new elements in their sound. the new release has an amazing mix of pop-influenced lovers rock along with the green’s patented island reggae. guests include jamaican dancehall superstar busy signal, grammy-nominees j boog and rebelution’s eric rachmany, as well as island music veterans fiji and the mana’o company.

katermukke 150, eine collection von insgesamt 4x4 brandneuen tracks, die sich ins gehirn brennen! einmalige sounds von magit cacoon, dirty doering, nicone, midas 104, marcus meinhardt, kid simius, paji, einmusik, pilocka krach.katermukke präsentiert sich bunt und soundtechnisch offen, nie eingefahren und festgelegt auf einen bestimmten style. mit dem 150. release sagen wir danke. so viele tolle releases mit mehr als 100 acts lassen uns die guten zeiten feiern und den rest vergessen. katermukke bleibt in deinem herzen was es immer war ein besonderer berliner spielplatz für elektronische musik. dr. marcus meinhardt ist berühmt für seinen metropol-sound und sein ewiges grinsen. zusammen mit khainz aus der schweiz liefert er den ersten track auf der a-seite der 150.3. 1 techno, 1tech house, 1 minimal & overall 7 - sind nur einige beatport charts platzierungen von khainz. der dresdner kumpel dj gunjah ist derjenige der weiss wie man auch in der hitze der kleinen schauplätze den dancefloor zum kochen bringt, z.b. mit seinem neuen track house of lords. der mann der stunde ist niconé, der zusammen mit aves volare den extrem driftenden track dont stay zusammensetzt. nicone ist teil der bar 25 gemeinde, kopf von dantze records.paji der talentierte produzent ist bekannt für warme rhythmen und instrumental stücke. man kann sicher sein, dass der sommer das ganze jahr dauert, während man seine musik hört. atacama wird dich durch die dunklen tage führen und dich in den langen nächten lächeln lassen.

special triple pack for all you voltage lovers out there - contains three classic releases
vmr004: voltage musique presents - stadt am meer ep
vmr007: nitsch & gleinser - deuxieme (john dahlback remix)
vmr011: eqt - the game (monoroom remix)

mit »it’s my life« gelang talk talk der durchbruch. das album ist weniger synthetisch, dafür emotionaler und sorgte so auch für einen weltweit kommerziellen erfolg. »it’s my life« wurde sogar von no doubt gecovert und erreichte 2003 die top 10 der us billboard hot 100 und blieb dort für 28 (!) wochen. das album beinhaltet auch die single »such a shame« und »dum dum girl«.

this may look like just another lp, but in reality, it s a journey. i always made electronic music, but sometimes i wanted to get a musical point across that a synthesizer couldn t reach: the human touch, the perfection of imperfections, atonal experiments, the euphoria of the slightly out-of-tune fuzz guitar. so 7 years ago, my friend weytkin and me started a guitar combo to see what we could do with our collection of guitars and vintage equipment. the only machine i was 100% familiar with was the drummer: my trusty roland tr-808.- – ruud lekx (rude 66, jagdstaffel 66, lekx).

die brüder wolfgang und reinhard voigt werden mit recht zu den zentralen urhebern der kompaktschen ästhetik gezählt, dank eines umfangreichen outputs von beiden künstlern, der von früher profan antibeat-bastelei zu vielschichtigen ambientstudien oder trocken-launigen technohymnen f³r anspruchsvolle tanzflure reicht. als duo zeichnen voigt & voigt f³r einige von kompakts ber³chtigsten ver÷ffentlichungen verantwortlich û da wõren etwa das kehlige erdingetrax 12ö-triumvirat, der psychedelische soundtrack ohne film ôdie zauberhafte welt der anderenö (kompakt 274 cd 104) und stilprõgende speicher-h÷hepunkte wie ôroxyö (kompakt extra 3), ôgong audioö (kompakt extra 54) oder ôsupertripö (kompakt extra 82). f³r die neueste speicher-ausgabe speicher 99 prõsentieren sie den knackigen schieber sanfte gr?sse, dessen stoischer schaffel mit mysteri÷sen, pitch-verliebten synthiemotiven bestickt ist. auf der r³ckseite herrscht das postindustrielle durchdringung, eine pulsierende klanglandschaft mit deutlichem hang zu metallischem kratzen und hypnotischen feedback-loops. so nah dran am 100. speicher-release dienen diese tracks als zwingende rückbesinnung auf die wurzeln der serie in raubeinigem techno mit twist û und auf zwei der f³hrenden pioniere in bestform.

again, brookside bring us another set of cult disco cuts reworked beautifully for 2017’s ears, essential stuff for all lovers of this kind of music, this release is simply unmissable. the record comes with lovingly reworked heatwave artwork and these remixes are exclusive to this release and are fully, 100% legit, licensed and sanctioned by all relevant rights holders. simply put, another set of essential mixes from a modern day master! file under - *essential disco*

kaiserdisco (drumcode/100% pure) release their debut album sampler consisting of 4 solid dancefloor techno gems on christian smiths imprint tronic.

mark seven returns to world building with another 100% guaranteed club crusher!

by now, the world is familiar with the extensive works of monsieur dimitri from paris. his prowess as a globetrotting dj and taste-maker for over 20+ years, his reputation for the finer things in life, his sartorial style and of course most importantly his infamous remixes and disco edits. isn’t it odd that until now, there hasn’t been an official home for the man’s stellar reworks? it just doesn’t make any sense. this is exactly the reason that he has decided to set up this brand new venture - le edits records. naturally, a high standard of quality is present with all le edits releases across the board - from sourcing 100% virgin vinyl used for pressing to the mastering through tape, to the beautifully crafted and designed tip-on sleeves that were popular with record companies in the 1960’s and 1970’s, to the wonderfully imagined graphic design that adorns said sleeves - dimitri has overseen every aspect of this, his first label.
what about the music? we hear you ask? well, simply put, only the finest disco reworks are to be released on le edits. fans will be treated to dim’s special versions of classics and rarer than rare tracks, all lovingly re-touched and mixed from the reels and master tapes each time, fully sanctioned and created in conjunction with the artists, rights holders and above board distribution. 100% official and 100% essential.