second release from the danish vinyl only label regelbau

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

lucky cloud corn keeping up see my brother, he s jumping out (let s go swimming #2) this is how we walk on the moon corn (continued) hiding your present from you they & their friends ocean movie

we have become the people that we hate, scuffing and cursing at the world. you run away but you can never walk. you speak the word but you can never talk. you limp on a hill and spill all that shes left you on a saw. rip the shreds into pieces too, why dont you. eat them sweet and raw. if love first brought us together why shouldnt it still? we are human in the end and what makes us dance is no other thing than love. as long as we live, we will love. mrs jones stands as a dedication to mans ability to love, to dance.

this june will see the amam imprint return with guido schneider & jens bonds *if you* ep, accompanied by a remix from konrad black. all pressed on 180 gram vinyl.

a poet s reminder of a specific season.

next up on les disques de la mort, and we playing with all the preconceptions, once more. now we are slowing things down, and speeding them up. the word is elastic . we are back with our most psychedelic release to date and you are the first to be injected. rodion & mammarella are known for their strange hybrid of slow burning electronic disco but they have been on the mountain of truth. they saw the light. they flew off. on the remix duties toulouse low trax provides the dusseldorf angel dust to suspend you in time and space and flavien berger, the new wunder french kid, is on the opiate shuffle.

emotional rescue returns to the post war music of west germany and the work of dominik von senger and his cohorts based around the dunkelziffer project. this special -sampler- ep of recordings was produced as their part in cologne s stollwerck art complex, that acted as a home and inspiration to their musical experiments. based within the disused industrial warehouses spaces of stollwerck, a mix of post-hippies, punks and anarchists created a community within that fed off each other s artistic endeavours.

die »kontor sunset chill«-reihe hat sich über die jahre zu der beliebtesten und erfolgreichsten serie in ihrem segment auf dem deutschen markt entwickelt. dabei hat sie eine feste fangemeinde gewonnen. es ist also wieder an der zeit den alltag hinter sich zu lassen und sich pünktlich zum sommer mit einem soundcocktail aus 60 sunny deep house-tracks & chillout-perlen in urlaubsstimmung zu versetzen. eine mischung, die für jeden geschmack etwas bereithält und ein empfohlener soundtrack in diesem sommer ist. limitierte edition von 500 exemplaren als 4-fach vinyl im klappcover.

the first release back in 1997 on 4 track records was by dj hyperactive titled p.51 and here were are nearly 20 years later and we’re going to see the next release again by hyperactive on vinyl again titled “black on black” ep. this ep will be three tracks, 2 which are acid tracks and one long experimental spaced out track.

jazz, dub & electronica infected rhythm and sound textures.

the soundtrack to soul jazz records feature-length documentary *studio one story* on double 12 inch vinyl. 2024 repress.

*stranger than fiction* ist eine vom rock-n-roll-fachmann dave penny zusammengestellte sammlung an us-rockabilly songs aus den jahren 1954-1962, die in den 70er jahren während des rockabilly-revivals auf spezialistenlabels wiederveröffentlicht wurden. die limitierte 2lp enthält eine auswahl von 36 highlights der 3cd-edition.

jungle wonz harry dennis, marshall jefferson bringing you more classics mixed by ron trent. matthew yates, with numerous classics with stacy kidd such as *thinking of you* drops heat on *hater motivator*. trax records icon alias g gives you that chitown grime that started it all with *i wish you were here*.

supported by dixon, craig richards, sasha, ame, efdemin, the mole, midland, peter kruder, tiga, tensnake, xxxy, leon vynehall, auntie flo, hackman, skream, hunee, bbc radio 1, bbc 6 music, mixmag, dj mag, tsugi, beats in space, rinse fm, nts, vice, xlr8r, test pressing and many more. this is the first of the construct ltd eps. these releases will follow a slightly different path from the main label. we dont really want to give away too much on the ltd eps if we can help it, letting the music speak for itself where possible.

nach der zerklüfteten gefühlskälte seines debütalbums *classical curves* (2012) legt der britische produzent jam city nun ein sinnliches werk mit modernen popsongs zwischen grime, hip hop, post-punk, country, gotik und moderne vor. musik zur transzendenz, aber auch zur konfrontation. ein werk über liebe und widerstand. stets roh, stets tief in rot.

re-issue of the 1974 compilation *boggie chillun* by blues legend john lee hooker on heavyweight 180 gram double vinyl.

dartriix is a sporadic but permanent collaborative project between two of op.discs label heads, fumiya tanaka and yoshihiro hanno aka radiq. after 6 years of absence, dartriix finally makes their return with this intensive double pack lp flying one hand, which is a good surprise to us.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.
180 gram / vinyl only release.

henrik bengtsson from swedish helsingborg is the man behind this alias. other outfit is goz mongo alliance whith a sound from the uk era 79-81. with this soloproject there is only old drummmachines and crappy synth involved and some small lyrics too.. and.. this is brain-disco, mekano style!

one of kindischs first releases of the year has come to us via the duo known as bedouin. after their ‘mirage ep that dropped last summer causing some serious waves in electronic music … tamer malki, along with partner rami abousabe have served up their new ep called ‘whispering words of wisdom, as their first joint venture for kindisch

3 track full intention house

mit seiner band junip veröffentlichte er zwei großartige werke, arbeitete am soundtrack zu the secret life of walter mitty mit und steuerte gerade erst seine version von how we walk on the moon zu master mix: red hot + arthur russell bei. vestiges & claws wurde fast komplett von josé gonzález in eigenregie aufgenommen und produziert. zuhause in göteborg nutze er eigentlich nur computer plug-ins, um die songs aufzunehmen und dadurch einen warmen, analogen sound zu erzeugen. musikalisch führt das album das fort, was die beiden vorgänger schon angefangen haben: gedämpft und feinfühlig wirken die lieder, die die wunderbare stimme gonzález und sein verschachteltes gitarrenspiel in den vordergrund setzen ohne dabei besonders laut oder bombastisch sein zu müssen.

dilated pupils is a duet composed by renowned ivano tetelepta & roger gerressen. this ep is the first of future serie that will bring together the two artists and some guest artists.

a small studio visit in dresden expanded to a studio session and from a studio session they developed two tracks. mariano and daniel published one of it, a timeless, spherical one, on this everlasting treasuries 5 ep on vekton black. on the b-side of the record maki and lorenzo present their vekton black debut with a trippy, minimal and very creative track. call it modern house whatever ...

master mix tells the story of arthur russell, exploring his music and ongoing relevance to a new generation of artists. showcasing the diversity of arthurs musical worlds, each artist reinterpreted one of his tracks in their own style in tribute to his influence. features tracks from hot chip, robyn, blood orange, sufjan stevens, jose gonzalez and many more. the triple vinyl lp includes a download code for the full album.

roundabout sounds rounds out 2014 with its 12th release entitled fly pattern ep. this various artists (vinyl only) release features 4 up and coming artists from around the globe. uc beatz (belgium) and satore (spain) are eu residents while kensuke fukushima and hokuto sato are both from japan. youve got walk free and flying soul as floor bangers while r.a.m and finding the way pimp the deep vibes that the label is known for over the last couple years.

dutch artist, having dropped 2 midnight shift & mord records as charlton, suits up with an ethereal jacking track, a bubbling, burbling acid track, some dutch techno, & crowns it with dark, wide spaces in the mind.

in den 1980er jahren wurde claudia brücken als sängerin der beiden synthpop-bands propaganda und act durch hits wie * dr. mabuse*, * duel* oder * p:machinery* bekannt. auf cherry red records erscheint jetzt das dritte soloalbum der künstlerin mit dem titel * where else...*. die darauf enthaltenen songs zeigen die künstlerin in bestform. brücken vermischt unterschiedliche musik-stile und genres wie folk, blues, rock, country und electro. entstanden sind 10 neue titel wie * i want you*, * walk right in*, * moon song* und eine coverversion des nick drake-songs * day is done*. produziert wurde * where else...* von john williams, der für seine zusammenarbeit mit künstlern wie den housemartins, proclaimers, blancmange und petula clark bekannt ist. defintiv ein must have für alle electronic-pop-, synthpop-, propaganda- und claudia brücken-fans! jetzt erhältlich als limited-vinyl-edition!

limited nice price action
tim xavier returns with the 5th release on his own imprint ltd400 >> 1000 limited and hand painted. this is the last us pressing as xavier is relocating to berlin and all future pressings will be hand painted in germany

i walk onto the blazing sunshine. the whole day is mine temporariliy, anyhow.

after the first amc release which gained full support from a cast of music collectors and djs including dom servini, diesler, paris djs, moonboots, craig charles plus many more africa music corporation is back with another single ahead of the cd compilation release in october. twelve mabone conjures up images of dusty outdoor dancing, 100 s of pairs of feet kicking up the dusty red soil of africa in a manic outing of unbridled joy, check the rhythm and imagine a young malcolm mclaren hearing this type of music and the inspirations that it led to. the flip is a lowdown groove fuelled walk through the sleazy sound of funk. more quality sounds from the 70s and 80s south africa and re-released for todays audio pleasure

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

*a mod a mod ranglin* ist eine fusion aus ska und karibischen instrumentals von ernest ranglin, aufgenommen im jahr 1966, während ska sich in richtung rocksteady entwickelte. obwohl ernest ranglin schon acht soloalben bei federal records aufgenommen hatte, war *a mod a mod ranglin* das einzige album mit ska-instrumentals. das album besteht aus klassischen und zeitlosen ska-, mento- und karibik-songs.

there is a new force in dance music. faceless, origin unknown, yet undoubtedly producing an indelible sonic footprint, utilising the heavy gravity of earth and its acoustics, vibrations and human voice, the outfit dubbed life beyond earth have entered our atmosphere.

saline is the third installment in a series of records from ultramajic boss jimmy edgar. features a track with legendary footwork producer dj rashad.saline is the third installment in a series of records from ultramajic boss jimmy edgar. while the first part, hot inside, represented the element of fire, and its follow-up release, mercurio, symbolized water, saline is aligned with earth. its no accident that the name refers specifically to the earthly compound salt, as desalination is an integral metaphysical process that helps to hone the third eye.

aretha franklins all time best-selling atlantic album, ioriginally released in 1972 - now back on double 180 gram vinyl in gatefold sleeve.

haunting, ethereal, emotive, propulsive guy gerber and puff daddys long-awaited collaborative album project 11 11 will at last be revealed.

the man behind the end of level boss label, cyclonix, delivers 2 club tracks just the way we like them. already tried and tested in the clubs by our man cottam, who fell in love with the tracks on first listen. they demand to be played in the early hours of the morning in dark basements from nottingham to leyland and beyond. label boss cottam takes over the b side with a leisurely walk back from the supermarket taking the scenic route for no apparent reason.

2014 repress with new mastering !! supported by: raresh, laurent garnier, kiki, dj sneak, karotte, lee curtiss, alex kid, jimpster, brothers vibe, etc.. i guess we dont have many words to describe this new esperanza in which we are proud to present on this vibe from the one and only fred p (black jazz consortium) and a delightful remix by sistrums favourite patrice scott. the original track is an amazing late night detroit ride which evolves slowly until it makes you feel floating on clouds. it may last 10 minutes but it s absolutely the kind of track you would want to be endless. on the flipside, patrice makes some twists and turns to the original track to put his own trademark signatures delivering another breath-taking emotional space walk. we are proud to release this record and hope you enjoy it as much as we do!

with their sixth release tiefenrausch keeps on delivering excellent dubtechno this time by textural being from portland. we enter the ep with an overwhelming deepness in >safe places< and sink right in. with >transmission< we walk on the thin line between house and dub. a reminiscence to the classy days of disco music combined with roughness par excellence. >descend< back again under the water surface to get drown into the dubbyness of this textural being. the ep is the first one to come with new cover artwork. we‘d like to thank cris for his outstanding artwork of tiefenrausch 1-5 and are looking forward to marvel at the next 5 releases designed by alex ketzer. all tracks mastered by salz.

though i am old with wandering through hollow lands and hilly lands, i will find out where she has gone, and kiss her lips and take her hands and walk among long dappled grass, and pluck till time and times are done, the silver apples of the moon, the golden apples of the sun.

after last years second part, the third contribution of the >vinyl only edits< series is curating a wonderful showcase of the diverse artists on bpitch control. besides joy wellboy, furfriend, snuff crew and cesare vs. disorder & dave vega put hands on their own tracks again.

bass heay house music

last night ep, the second release by in records, where emiliano ferreyra brings a real beauty that makes you feel this argentinian taste of music. starting with the track *last night* that gives the title to the release, with sketchy and rhythmic percs that makes a good way to open the release. then you find *our walk*, in collaboration with the amazing duo proudly people, special for the first tracks of the night or maybe to enjoy the sunshine of an after party. there comes *oldie*, with his heavy riddim and joined by max j and coockies remix of it making a real deep atmospheric environment.

saves *monsters and fairies* is an abandoned hotel room located somewhere between england and spain. it is real for some while for others it is just a fantasy. who knows?
it is in this exact same place that the american singer/vocalist craig louis higgins jr. (paranoid london/mutado pintado/black daniel), the australian singer/composer saskia sansom and the fench electronic music composer marc nguyen tan (colder) got together to record these songs during the year 2012. however some listeners will find interesting to know, that until today, the three of them have never actually met in person.
four tracks from this experience are available now on limited 10 inch vinyl with original artwork by london artist sara pope.