francois x präsentiert irregular passion reshape, eine 12 track lp, die sein gleichnamiges album überarbeitet und im dezmeber auf demented xxx erscheinen soll.
the first volume of the new remixes series is up next on bld tape recordings. original tracks previously released have been revisited by artists that support the label since the early days and give shape to this varied and solid 3 remixes ep. on side a, eric cloutier blurs the line between deep house and techno with a signature theorem remix of the transpose layered with acid basslines and scuffled dub chords. stojche pops up on b1 with an advanced power house-ish vision of crawling showcasing drums, chords and leads precisely crafted. and on b2, copenhagen-based anastasia kristensen delivers her take on bubble games bringing us into a trippy and faster dark mood charged by repetition and enigmatic pads.
black lotus kicks off the first ep on her vinyl imprint luminal rec. with the title track “omnipresent” - a heavy stomping, clearly floor-oriented minimalist banger.
van abbes fresh no comment release presenting 2 originals, a killer remix by the exaltics and a debut track by pantone 32. it wasnt until she opened the old pocket watch – its timeworn silver surface glimmering slightly in the darkness – that she understood that something was terribly wrong. it was audibly pounding in her hand like some kind of bizarre metal heart. and it was decidedly running backwards. she could not move and she could not take her eyes off the spinning indicators. >stop<, she whispered. then again, louder this time: >stop!<. the watch stopped and fell silent. she exhaled and moved uneasily on the spot. the floorboards creaked. wait. the floorboards? there werent any floorboards in her room. it was all concrete and glass and…. her room wasnt there anymore. she was standing in an old workshop brimming with ancient-looking machinery covered in sawdust. no-one was operating the equipment but their ghostly echoes were still floating through the air, buzzing, hammering, humming – almost melodic to her ears. the pocket watch came to life in her hand, acting as a steady metronome to the spectral orchestra. she wasnt home anymore. but it certainly was.
for her first sortie away from her usual recording homes, adriana steps up in no real unknown territory either, with stroboscopic artefacts totem series providing a much suitable shelter for her deep-penetration, quaky club weaponry to grow and expand.
eye is back. metamujer marks the third installment on the knekelhuis label and we’re extremely happy to release this document of another chapter in laurène exposito’s life. recorded on various locations ranging from the swiss mountains to the chalky coasts of brittany, metamujer is an 8-track ode to salty love and closeness to nature, a tribute to a modest lifestyle à la henry david thoreau. far from being praise for self-sufficiency, this new lp is deeply influenced by laurène’s environment. we can hear korg ms-10 created synthetic waves (sanatorium) and birds (luscinia), but one can also catch her singing in italian, one of 3 languages spoken in switzerland. still minimalist and yet more aesthetically diverse, her new sounds are on the edge of ebm and synth pop, between classic minimal wave tunes and rustic ballads on acid.
an up close and personal gig at the amoeba music record store in hollywood, june 27th 2007. the full set remixed and released for the first time on double lp. pressing on audiophile 180 gram vinyl.
music from the 1st season of the amazon original series hanna on white double vinyl, housed in a gatefold sleeve. score composed by ben salisbury, geoff barrow, the insects, simon ashdown and yann mccullough. includes performances by karen o and beak>.
in 1986, uruguayan vocalist and musician mariana ingold took the advice of a storied uruguayan composer and musicologist and recorded her first album (todo depende) for the now legendary label ayuí/tacuabé. in the early ’80s, the introduction of the synthesizer fostered an experimental new approach to traditional candombe rhythms. ingold’s influence on the scene looms large. pairing elegant vocals and majestic harmonies with complex arrangements, she pushed the montevideo-specific sound — loosely termed candombe fusion — in new directions and thrived working collaboratively with artists including eduardo mateo, jaime roos, and hugo fattoruso. with the assistance of chris j. morris, left ear records has extracted a collection of tracks that encapsulate this period between 1986-1991, lifting from her albums todo depende, cambio de clima, and haace calor. full liner notes translated in english and spanish with archival photos included.
more deep house slow jams from brooklyn-based roberta and her own night moves label. this time serving up a heady 2-tracker instrumental that belongs in any after-hours arsenal.
deluxe edition of the blade runner 2049 soundtrack by hans zimmer and benjamin wallfisch. pressing on teal & pink coloured 180 gram double vinyl, housed in a gatefold sleeve.
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